Wood Sculptures

Page 6 of 14
Asbjorn Lonvig, Unni Krishnan, Vincent Von Frese, Federica Ripani, Plotnikova Victoria, Lash Art Studio, Neagu Mircea, Alexey Klimov, Dave Holt, David Chang, Harold Gubnitsky offering original Wood Sculptures artworks.


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Asbjorn Lonvig: 'fence', 2003 Wood Sculpture, Abstract. This exhibition is draft samples of sculptures made for children' s play.The sculptures are made for climbing, hiding, sitting, sliding etc.The story behind the sculpture, what the sculpture symbolizesis pedagogically told to the children by storytelling.Underneath there is something soft - ex. sand - to fall down into. ...
, 2003
Abstract - Sculpture
216 x 118 inches (548.6 x 299.7 cm)
Asbjorn Lonvig: 'hide', 2003 Wood Sculpture, Abstract. This exhibition is samples of sculptures made for children' s play.The sculptures are made for climbing, hiding, sitting, sliding etc.The story behind the sculpture, what the sculpture symbolizesis pedagogically told to the children by storytelling.Underneath there is something soft - ex. sand - to fall down into. What ...
, 2003
Abstract - Sculpture
216 x 137 inches (548.6 x 348.0 cm)
Asbjorn Lonvig: 'inpregnability', 2003 Wood Sculpture, Abstract. This exhibition is samples of sculptures made for children' s play.The sculptures are made for climbing, hiding, sitting, sliding etc.The story behind the sculpture, what the sculpture symbolizesis pedagogically told to the children by storytelling.Underneath there is something soft - ex. sand - to fall down in. What ...
Abstract - Sculpture
157 x 98 inches (398.8 x 248.9 cm)
Asbjorn Lonvig: 'cheese green blue', 2003 Wood Sculpture, Abstract. 98,4 x 157,5 inches...
Abstract - Sculpture
157 x 98 inches (398.8 x 248.9 cm)
Asbjorn Lonvig: 'doghouses', 2003 Wood Sculpture, Abstract. This exhibition is samples of sculptures made for children' s play.The sculptures are made for climbing, hiding, sitting, running etc.The story behind the sculpture, what the sculpture symbolizesis pedagogically told to the child.Underneath there is something soft - ex. sand - to fall down in. What you buy ...
, 2003
Abstract - Sculpture
236 x 39 inches (599.4 x 99.1 cm)
Asbjorn Lonvig: 'cheese red and yellow', 2003 Wood Sculpture, Abstract. This exhibition is samples of sculptures made for children' s play.The sculptures are made for climbing, hiding, sitting, running etc.The story behind the sculpture, what the sculpture symbolizesis pedagogically told to the child.Underneath there is something soft - ex. sand - to fall down in. What you buy ...
Abstract - Sculpture
157 x 98 inches (398.8 x 248.9 cm)
Asbjorn Lonvig: 'refugee', 2003 Wood Sculpture, Abstract. This exhibition is samples of sculptures made for children' s play.The sculptures are made for climbing, hiding, sitting, running etc.The story behind the sculpture, what the sculpture symbolizesis pedagogically told to the child.Underneath there is something soft - ex. sand - to fall down in. What you buy ...
, 2003
Abstract - Sculpture
236 x 118 inches (599.4 x 299.7 cm)
Unni Krishnan: 'SHAKUNTALA', 2014 Wood Sculpture, Romance.  SHAKUNTALA - LOST IN REVERIE ...
, 2014
Romance - Sculpture
6 x 1.5 feet (1.83 x 0.46 m)
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Vincent Von Frese: 'Giant Stork', 2023 Wood Sculpture, Abstract Figurative. Red cedar driftwood slenderthin strong.  This work represents a recent discovery of a prehistoric giant stork on the island of Flores in Indonesia.  It was discovered along with an ancient human form of humanHomo floresiensiswhich lived on earth during the middle to late Pleistocene.  It co- existed with these early ...
Abstract Figurative - Sculpture
6 x 62 inches (15.2 x 157.5 cm)
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Federica Ripani: 'TACCO 12', 2014 Wood Sculpture, undecided.  wood, plexiglass. ...
, 2014
undecided - Sculpture
0 x 0 cm (0.0 x 0.0 inches)
Federica Ripani: 'CUORE DI FRAGOLA', 2014 Wood Sculpture, undecided.  wood, crystal. ...
undecided - Sculpture
0 x 0 cm (0.0 x 0.0 inches)
Plotnikova Victoria: 'Netsuke Old Woman', 2015 Wood Sculpture, Philosophy. Material: wood - pear. The old woman holds the broken trunk of an old tree, simultaneously trampling the young shoots that gave the tree. That yearning for those what has already gone, she does not allow new development. On the one hand this image is tragic, causing compassion for her suffering, ...
Philosophy - Sculpture
90 x 31 mm ( x )
Lash Art Studio: 'self potrait lanjar jiwo', 2020 Wood Sculpture, Culture. Self potrait Lanjar Jiwo. original art work Lanjar Jieo...
Culture - Sculpture
40.5 x 50.5 cm (15.9 x 19.9 inches)
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Lash Art Studio: 'self potrait lanjar jiwo', 2020 Wood Sculpture, Ecological. Self potrait Lanjar Jiwo...
Ecological - Sculpture
60.4 x 75.5 cm (23.8 x 29.7 inches)
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Neagu Mircea: 'miniatures sculptures', 1985 Wood Sculpture, Other. Miniatures Sculpture in Total 377 , Photo Nr. 1 Export Forever in Germany in Year 1990...
Other - Sculpture
30.9 x 30.9 inches (78.5 x 78.5 cm)
Neagu Mircea: 'miniatures sculptures', 1986 Wood Sculpture, Other. Miniatures Sculptures , in Total 377 , Photo Nr. 2 , Export Forever in Germany in Year 1990 . ...
Other - Sculpture
30.9 x 30.9 inches (78.5 x 78.5 cm)
Alexey Klimov: 'CLASSICAL', 2013 Wood Sculpture, Abstract.   This wall sculpture is a memory trip because it was inspired by deeply embedded in me images of sections through classical columns. It happened to be a mandatory part of my architectural education. As for stars, they are as omnipresent and as trivial, as classical architecture. After all, its a...
, 2013
Abstract - Sculpture
30 x 41 inches (76.2 x 104.1 cm)
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Dave Holt: 'ai primal screams', 2019 Wood Sculpture, Technology. Sculpture: Acrylic, Ink, Resin, Clay, Metal on Wood.Abstract mixed media, metallic pearl black, platinum and bronze hi- lights. Lot s of interesting background texture. Life- like eye and teeth.FutureTech Art, is coming from my subconscious muse. It relates to the instability, disruption and technological neurosis that is impacting ...
Technology - Sculpture
30 x 36 inches (76.2 x 91.4 cm)
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David Chang: 'Inter dimensional', 2004 Wood Sculpture, Abstract.
Abstract - Sculpture
23 x 34 inches (58.4 x 86.4 cm)
David Chang: 'Rock and River', 2004 Wood Sculpture, Abstract.
Abstract - Sculpture
64 x 10 inches (162.6 x 25.4 cm)
David Chang: 'Tree', 2004 Wood Sculpture, Abstract.
, 2004
Abstract - Sculpture
42 x 60 inches (106.7 x 152.4 cm)
David Chang: 'Rising Continuum', 2004 Wood Sculpture, Abstract.
Abstract - Sculpture
71 x 14 inches (180.3 x 35.6 cm)
Harold Gubnitsky: 'Yin and Yang  Walnut', 2011 Wood Sculpture, Abstract Figurative.   wood sculpture walnut                     ...
Abstract Figurative - Sculpture
10 x 41 inches (25.4 x 104.1 cm)
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Harold Gubnitsky: 'Yin and Yang', 2011 Wood Sculpture, Abstract Figurative.  wood sculpture walnut                    ...
Abstract Figurative - Sculpture
10 x 41 inches (25.4 x 104.1 cm)
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Harold Gubnitsky: 'seated figure maple', 2011 Wood Sculpture, Abstract Figurative.         wood sculpture maple               ...
Abstract Figurative - Sculpture
14 x 48 inches (35.6 x 121.9 cm)
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Harold Gubnitsky: 'seated figure walnut', 2011 Wood Sculpture, Abstract Figurative.          wood sculpture maple                ...
Abstract Figurative - Sculpture
14 x 48 inches (35.6 x 121.9 cm)
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Harold Gubnitsky: 'big skinny3', 2011 Wood Sculpture, Abstract Figurative.      wood sculpture pine            ...
Abstract Figurative - Sculpture
12 x 75 inches (30.5 x 190.5 cm)
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Harold Gubnitsky: 'big skinny 7 red cedar', 2011 Wood Sculpture, Abstract Figurative.     wood sculpture red cedar           ...
Abstract Figurative - Sculpture
12 x 75 inches (30.5 x 190.5 cm)
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Harold Gubnitsky: 'two figures    walnut', 2010 Wood Sculpture, Figurative.   wood sculpture   walnut         ...
Figurative - Sculpture
14 x 48 inches (35.6 x 121.9 cm)
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Harold Gubnitsky: 'big skinny1', 2010 Wood Sculpture, Abstract.  wood sculpture        ...
Abstract - Sculpture
24 x 72 inches (61.0 x 182.9 cm)
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(Page 6 of 14) - MORE ARTWORKS
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  • Artists Describing Their Art:

    Vincent Von Frese - I love the reflection of a sense of wonder in nature while building a sculptural form. A clear presence of forms in metal, wood and stone has revealed to me a personal connection with what was formerly an inanimate object which has become transformed into a living presence quite alive and memorable to all who might be exposed to its existence. I believe we humans are generally speaking the sum total of all we have been and learned. Therefore I attempt to naturally transform my own life experience into each work I produce as art. Recognizing that life is seen and experienced by our senses individually it reveals cognition at varied levels of perception by each persons viewpoint individually. I am only concerned with how I myself personally perceive the art I am producing or have produced while in the act of being an artist. Art for me is the expression of my feelings, not thoughts, about chosen life impressions and experiences in an organized and aesthetic manner by way of my personal choice of material and method of craftsmanship. Re-arrangement of objects and forms opposite of imitation of same is the direction I believe I have evolved into. ...

    Alexey Klimov - ARTIST STATEMENT I think that absolute freedom in art is no more than a mirage. Like a vanishing point, not only it is not achievable, but also constant strive for being totally uninhibited fundamentally contradicts the very nature of art. I discovered that by trying to free myself I instead only created un-freedom within, but at the same time I recognized it as a blessing because this un-freedom, to my great surprise, flowered into my very own freedom. I built my personal space inside it, I fenced in all I was made of and then I gladly confined myself into this space and opened all the windows to share whataEURtms inside with others. This is the moment of great joy for me because this space has never existed before I have created it. Not unlike theater, my work attempts to counterpart outside reality with no ambition to compete with it. It is just a window into my parallel world, my very own, not so little Universe. ...

    David Chang - Sharing My Artistic View By David K. Chang Art is an expression of the spirit that is not limited by time or space. Although artistic styles differ depending on the artist's background, rationales, interests, and feelings, the intent of all artwork is to guide audiences into a specific mood. Therefore, art arouses an echo between the audience and the artist. This echo can be one of excitement or agony, of humor or anger, of comfort or sadness, of oppression or complete release, or one of inexpressible description. Artists continue to explore their own finished work as well as to encourage audiences to gain a deeper understanding of that work. Excellent artwork often comes from self-examination. Even though an artist may believe he is developing and refining his style by intuition, this intuition is usually the artist's unrecognized expression of his reflection, which has embedded itself into his subconscious. My inspiration frequently comes from my reflection on and enjoyment of nature, from my loving it and studying it. The artwork that comes from this reflection can express the resolution of conflict between man and nature, or the connection between them. These ideas can be articulated in the freedom ...