Artist Information:
Storm Hammond
South Plymouth, NY
United States
Tel: 604-334-4408
Member Since: Oct 2003
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Artist Statement:
In many of the paintings, my
intention was to give the
viewer a glimpse into a
peaceful moment in the Italian
sense of capriccio. In others,
particularly those which make
use of funerary statuary, one
is left questioning aspects of
human solitude. It has been
said that a landscape does ...
Further Information
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Artist Exhibitions:
THE Majors Inn
24 Bloom St.
Gilbertsville, NY 13776
CERES GALLERY
547 West 27th Street, 2nd
Floor
New York, NY 10001
call (212) 947-6100 for
gallery hours
The Friends Show:
Transitions 2011
Norwich Dance Club
Remember the Magic 2011
Guernsey Memorial
West Main St., Norwich, NY
13815
Chenango Cty ...
Further Information
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Artist Galleries:
CERES Gallery, 547 West 27th
Street, 2nd Floor, New York,
NY
10001 ...
Further Information
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Artist Reviews:
Coming Soon!
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Collections:
Coming Soon!
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Commissions:
Coming Soon!
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Storm Hammond's Premiere Artist Portfolio
Welcome to Storm Hammond's Portfolio.
In many of the paintings, my intention was to give the viewer a glimpse into a peaceful moment in the Italian sense of capriccio. In others, particularly those which make use of funerary statuary, one is left questioning aspects of human solitude. It has been said that a landscape does not come alive until there is a figure in it. By using sculptures of human forms, I offer the viewer an identity within the painting. As they are stone, subtly a coldness permeates and a peculiar isolation sets in emotionally. This shifts the pastoral mood to a quiet thoughtful meloncholia. This gives some observers a surrealistic impression of my work. In the architectural alleys, the viewer stands alone on the path. There is always the unseen, something more, a mystery around the corner or through the gate.
I use an indirect Old Master's method of oil painting. The process begins with the application of an abstract acrylic ground. Next, an oil grisaille is painted defining the light and dark areas. Then, multiple layers of oil glazes and varnishes finish the piece.
The first drawing, painted as the ground utilizes the divine geometry of the Golden Section. The divine ratio, ... |
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