Textile Art

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Ildiko Toth, Jean Judd, Paola Di Renzo, Vincenzo Montella, Hyacinthe Kuller-baron, An-chi Cheng, Suzanne Gegna, Michael Kehrlein, Lisbet Olin-ranstam offering original Textiles artworks.


Contemporary Art / Textiles / Previous / Next
Ildiko Toth: 'wall decor tapestry', 2019 Textile Art, Fantasy. Acrilyc One of a kind painting on Canvas Wall decor...
Fantasy - Textile Art
52 x 84 inches (132.1 x 213.4 cm)
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Ildiko Toth: 'space devider', 2019 Textile Art, . Decorative Textile Panel...
- Textile Art
52 x 70 inches (132.1 x 177.8 cm)
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Jean Judd: 'Sound Waves 6 Blue Line', 2019 Textile Art, Abstract. Sound Waves 6 Blue Line is moving away from the static graphic lines earlier in the series.  Leaf- like images emerge along with bursts of abstract forms.  Teal, yellows and splashes of fuchsia are the predominate colors in this piece.  Muted versions of other colors float and merge within the ...
Abstract - Textile Art
43.7 x 19.2 inches (111.0 x 48.8 cm)
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Jean Judd: 'Sound Waves 4 Red Line', 2018 Textile Art, Abstract. Sound Waves4 Red Line references back to the first two pieces in the series, with the graphic lines and references to oscilloscopes and seismograph printouts.  Yellow and black are the predominate colors in this piece with the dynamic addition of a dark, bold red.  Muted versions of other colors float ...
Abstract - Textile Art
43.5 x 19 inches (110.5 x 48.3 cm)
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Jean Judd: 'Fractured Gello 5', 2018 Textile Art, Geometric. Fractured Gello5 is a continuation of the Fractured aEUR~Gello series referencing the underlying traditional needlepoint embroidery and quilting pattern, called Bargello.  The Bargello name originates from the Bargello Palace1255 , now an art museum, in Florence, Italy where chairs were discovered with a aEURoeflame stitchaEUR embroidery pattern.The fracturing is no ...
Geometric - Textile Art
48 x 61.2 inches (121.9 x 155.4 cm)
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Jean Judd: 'Abstract Textures 2 1', 2017 Textile Art, Abstract. Abstract Textures 2. 1 continues the undulating spiral and wave forms found in the first four pieces of the series.  Yellow, fuchsia, turquoise, and black are the predominant colors until viewed up close, and then you see bits of purple, orange, and green as well.  Whole cloth construction with hand ...
Abstract - Textile Art
43.7 x 37.7 inches (111.0 x 95.8 cm)
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Paola Di Renzo: 'underwood', 2012 Textile Art, Abstract Figurative.
, 2012
Abstract Figurative - Textile Art
190 x 220 cm (74.8 x 86.6 inches)
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Paola Di Renzo: 'quilt for a daughter', 2012 Textile Art, Abstract Figurative.
Abstract Figurative - Textile Art
190 x 220 cm (74.8 x 86.6 inches)
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Paola Di Renzo: ' quilt for Laura', 2012 Textile Art, Abstract Figurative.
Abstract Figurative - Textile Art
190 x 220 cm (74.8 x 86.6 inches)
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Paola Di Renzo: 'throw', 2012 Textile Art, Abstract Figurative.
, 2012
Abstract Figurative - Textile Art
150 x 110 cm (59.1 x 43.3 inches)
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Vincenzo Montella: 'Sunset', 2000 Textile Art, Abstract.
, 2000
Abstract - Textile Art
294 x 200 cm (115.7 x 78.7 inches)
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Vincenzo Montella: 'Auguraculum', 1998 Textile Art, Abstract.  painting on material ...
Abstract - Textile Art
152 x 162 cm (59.8 x 63.8 inches)
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Hyacinthe Kuller-baron: 'Fashion Designer Hyacinthe Baron', 2002 Textile Art, Fashion. Fashion Designer Hyacinthe Baron custom hand painted silk fashion creations. CUSTOM MADE TO YOUR MEASUREMENTS. $2500 AND UP.  Exhibitiion at Albert Hall London. Silk Kimono, harem pants, camisole. Silk Kimono Dress. Silk Tunic and pants. Made to order for individuals and celebrities Jacqueline Onassis, Elizabeth Taylor, Chris Evert, Maude Adams, ...
Fashion - Textile Art
0 x 0 inches (0.0 x 0.0 cm)
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An-chi Cheng: 'Treasure', 2003 Textile Art, Love. . . know the mystery of God, namely, Christ, in whom are hidden all the treasures of wisdom and knowledge. - - ( Colossians 2: 2- 3)...
, 2003
Love - Textile Art
60 x 60 cm (23.6 x 23.6 inches)
Suzanne Gegna: 'abstract art wall quilt', 2014 Textile Art, Abstract. This is a Abstract Art Quilt measuring about 15 long by 24 inches wide, not too large, not too small.It s a one of a kind Art Piece that looks great on the wall, interesting and suggestive of a green landscape.It s made like a traditional quilt with ...
Abstract - Textile Art
24 x 15 inches (61.0 x 38.1 cm)
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Michael Kehrlein: 'textile art scroll', 2014 Textile Art, Abstract.   wabi sabi urban zen textile scroll       ...
Abstract - Textile Art
20.5 x 41.5 cm (8.1 x 16.3 inches)
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Michael Kehrlein: 'tote', 2013 Textile Art, Fashion.   Heavy natural dyed handwoven wabi sabi urban zen tote bag      ...
, 2013
Fashion - Textile Art
26 x 32 cm (10.2 x 12.6 inches)
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Michael Kehrlein: 'wabi sabi urban zen housecoat', 2013 Textile Art, Fashion.  Heavy black linen wabi sabi urban zen housecoat with paint rag ...
Fashion - Textile Art
150 x 92 cm (59.1 x 36.2 inches)
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Michael Kehrlein: 'Winter look', 2012 Textile Art, Fashion.  Heavy winter coat in fulled wool, wool jersey tights, all silk underneath. for more images of this amazing coat please visit
Fashion - Textile Art
52 x 120 inches (132.1 x 304.8 cm)
Lisbet Olin-ranstam: 'Cat and Fish', 2006 Textile Art, Cats. Wallhanging, handwoven in Scandinavian double- weft and mounted on a cloth- covered frame...
Cats - Textile Art
50 x 60 cm (19.7 x 23.6 inches)
Lisbet Olin-ranstam: 'Cat and Fish', 2006 Textile Art, Cats. Pillow, handwoven in Scandinavian double- weft...
Cats - Textile Art
35 x 35 cm (13.8 x 13.8 inches)
Lisbet Olin-ranstam: 'Stripes', 2006 Textile Art, Geometric. Pillow, handwoven in Scandinavian double- weft...
, 2006
Geometric - Textile Art
35 x 35 cm (13.8 x 13.8 inches)
Lisbet Olin-ranstam: 'The Horizon', 2006 Textile Art, nature. Pillow, handwoven in Scandinavian double- weft...
nature - Textile Art
35 x 35 cm (13.8 x 13.8 inches)
Jean Judd: 'Contaminated Water 9 Through the Ice', 2017 Textile Art, Abstract. After a three- year hiatus in this series, Contaminated Water 9 Through the Ice, becomes to fruition.  As with the first piece in this series, there is no rust pigmentation on this piece.  I was pondering what the next step should be in this series, and since it was winter, ...
Abstract - Textile Art
33.2 x 42.2 inches (84.3 x 107.2 cm)
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Jean Judd: 'Rusted Lace 5', 2017 Textile Art, Abstract. Rusted Lace 5 is a continuation of the Rusted Lace series.  The ground was created in 2011 using dye and rust pigmentation created by using scientific iron filings.  The sculptural hand stitching was applied in 2017and then framed.  The color nuances in the artwork are evident on personal inspection as ...
Abstract - Textile Art
42.2 x 32.7 inches (107.2 x 83.1 cm)
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Jean Judd: 'Rusted Snowflakes', 2017 Textile Art, Abstract. The rust pigmentation was completed on this piece in May of 2010.  My initial reaction was that it was not successful.  I added the star framing and set it aside in my pile of artworks waiting for hand stitching.  I bypassed this piece for several years as it still seemed ...
Abstract - Textile Art
30.8 x 19.8 inches (78.2 x 50.3 cm)
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Jean Judd: 'Sound Waves 3 Ionosphere', 2016 Textile Art, Abstract.  This piece continues the ebb and flow of waves that sparked this series.  The Ionosphere is the portion of the atmosphere between 31 miles and 250 miles from the surface of the earth.  It contains gases that have been ionized by ultraviolet rays and x- rays from the sun.  The...
Abstract - Textile Art
43.2 x 13.2 inches (109.7 x 33.5 cm)
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Jean Judd: 'Rusted Vines and Hinges', 2016 Textile Art, Abstract.  Rusted Vines and Hinges is a continuation of the experimentation of using architectural ironwork to create surface design for textile wall art.  Antique wrought ironwork, iron and brass hinges from the 1800s are utilized in creating the images on this heavily hand stitched artwork.  The brass hinge leaves a mint...
Abstract - Textile Art
24.5 x 27.7 inches (62.2 x 70.4 cm)
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Jean Judd: 'Fractured Gello 2', 2016 Textile Art, Abstract.  After a long hiatus from this series, completion of Fractured aEUR~Gello 2 brings this series back into the recent arena of completed artworks.  Constructing the ground and fracturing the piece was the smoothest part of the entire process in 2009.  Developing the intricate hand stitching design took several years of...
Abstract - Textile Art
52.2 x 54.5 inches (132.6 x 138.4 cm)
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Jean Judd: 'Shadow of the Past', 2015 Textile Art, Abstract.  Shadow of the Past has required a longer than usual completion window.  This piece was begun in 2009 as my first experiment in using old iron that I scavenged from the woods around my studio.  I used a shroud from a tractors radiator and a brake wheel to rust the...
Abstract - Textile Art
25.7 x 42.7 inches (65.3 x 108.5 cm)
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(Page 1 of 5) - MORE ARTWORKS

Artists Describing Their Art:

Ildiko Toth - I studied art, design and master ceramics in Hungary, Budapest.I advance studied set design and architecture in the United States.I was introduced to the fascinating world of sculpting by my Master Artist:Zsuzsa Morvay of Hungary. My traveling throughout the World inspires and helping me to find the tools to complete my task: To define The Poetry-of-Clay. In my work I strive to combine the valuable essence of centuries into creations of art objects-to be placed in today's architectural enviroment.My goals include working with new materials, discovering, combining and stretching their possibilities. ...

Jean Judd - Every quilt tells a story and every quilt is unique. The common factor in all quilts is that fabric and thread are used to create a piece of art. To many viewers, cutting up perfectly good pieces of fabric into little pieces and then sewing them together again into a totally different looking piece of fabric, is unbelievable. Who would want to do this day in and day out The dedicated quilt artist and fabric collector I have always enjoyed putting jigsaw puzzles together and the same person who enjoys jigsaw puzzles discovering a finished masterpiece constructed of hundreds or even thousands of little pieces is drawn to the magic of quilt design. Each quilt design is a puzzle waiting to be put together. The design starts in the quilt artists mind and is eventually transferred into reality with the final stitch in the quilt. Many times the original design is nothing like the finished quilt but this just adds to the excitement and the design potential for the next quilt design. What starts in the mind is often transformed into a bigger, better and more dramatic finished quilt than the artist ever imagined. I prefer to make my own ...

Paola Di Renzo - Born in Abruzzo, I live and work in Sardinia .Pure amateur artist,I used to work with paper,mainly magazine paper,sand,acrylic and tempera.Nowadays I look for the pleasure of playing with colours with which I try to express feelings and emotions. If I was able to express in words what I try to convey with colours.......I would be a writer!...

Vincenzo Montella - Vincenzo Montella was born in Benevento, Italy the 7/14/1952 and lives in Naples where works as psychiatrist. He is graduated in Medicine and Philosophy and specialist in psychiatry and family psychotherapy. He is artist, poet and photographer. He studied photography at the Toscana Photographic Workshops attending courses of William Allard, Michael Yamashita, Machiel Botman, Alex Webb, Jeff Jacobson, Arkady Llove, Sarah Moon, Carol Dragon. ...

Vincenzo Montella - An-Chi Cheng - Gift from God - be His Instrument I have a strong interest in drawing when I was little and throughout the years I acquired skills in textiles, computer design and teaching young children Arts and Crafts related subjects at high schools, primary schools and Sunday school. For many years I focused on developing my philosophy of life and transmitting it to my works. I know that in pursuing great creativity I need personal effort in acquiring knowledge developing skills, and also an environment where I can develop my proficiency in a professional art culture. I fell in love with applying Textiles techniques as well as using recyclable and a wide variety of materials into my art makings even though it is quite different from what I did before. With this different approach, I constantly challenge myself to draw or paint into different textile-forms. In my portraiture pieces I am always aiming to express the pain or joy, the sadness or solitude of being human. In Courage and Cowardice series, I hope to instill in the minds of the audience what it means to be brave, its nobility, its solidness, its power for good and the solly of cowardice, its uselessness, ...

Suzanne Gegna - I AM INTERESTED IN THE WORLD WITHIN AND THE PASSAGEWAY FROM INNER TO OUTER AS WELL AS OUTER TO INNER. I LOVE THE USE OF COLOR AND FORM IN ABSTRACT ART AND IT FREES ME AND I HOPE THE VIEWER TO FIND A PERSONAL CONNECTION WITH THE FINISHED ARTWORK. I ALSO USE WHIMSY TO CONVEY A CONCEPT AND HOPE TO REMIND THE OBSERVER THAT WHAT WE SEE IN THE MOST LITERAL SENSE IS PERHAPS NOT ALL THAT IS REAL. OFTEN I BELIEVE SIMPLICITY IS THE BEST WAY TO EXPRESS COMPLEXITY.... ...

Michael Kehrlein - painter,sculptor,textile artist ,My creations fit perfectly(sic) in a wabi sabi urban zen environment. Because I stubbornly believe all the care my hands give to each and every process of my textile creations or stone sculpture creates something more than just a "look." It may be subtle, but you know when you wear or touch. You know when that piece ages with you. You feel the thought of that person, who made it for you, the invisible. I work with "slow" materials, not flashy, not necessary pretty, not cheap, not easy, but those that will give a soul to the piece. I would like to offer you the best and unique. I hope you enjoy them as much as I do. ...

Michael Kehrlein -