Artists Describing Their Art:
Pedro Ramon Rodriguez Quintana - Hi,my name is Pedro Ramon,I'm a painter of Spain,I work in Spain,and I'm work in art since a know the plastic art and concrete the paint plastic art,but I'm a artis to touch more form of expressions,sculpture,video,computer,photograf,and other temes,my referent idols in the paint work there are so mutch,and i'm have another idols to bright to me i'm my inspirations,like other artist of all genered of music overthere of modern musik,or cinema stars ,or films that all epoques, however I don't real in agree with all of they think and some postures and forms of live acctions,I'm don't considere me that a right or left political,I'm in the middel of some possitions in the world political,somewere I conffusion in this auctitudes,beacouse I don't have a great resolutions. I like painting in american and european styles,expressionism abstract,pop art and conceptual art,and some times I painting in all styles of the world.I'm living in Alcorcon, Madrid when I study and work with art since 1991,I compart my ...
Thomai Kontou - Thomai Kontou CURRICULUM VITAE Thomai Kontou learned sketching from 1971 to 1978 in Athens, in the Vrassida Vlahopoulos and Theodoros Drossos ateliers. She was taught painting by Yannis Tsarouhis, while she learned the Fresco Technique by Dimitris Kostopoulos. She is continuously present in the Artistic area since 1973 with 22 individual exhibitions and has taken part in 260 group shows in Greece and abroad. She participated in 11 BIENNALES: 1996 in Belgrade, 1998 in Mexico, 1999 and 2001 in Pisa aEUR" Italy and in 2002 and 2004 in Poland, 2005 in Nikcic - Serbia and Ankara aEUR" Turkey. 2006 in Victoria aEUR" Canada, and in the International Spanish Flu Mail Art Biennial in Hungary. 2007 in aEURoe2 Medial Art BiennialaEUR? in London, England. 2007 it is one from the two Greek attendances, that took part in the program "Scenes and Sounds of My City" that was co-organised by the central UNESCO in Paris and the Sharjah Biennial 8, the United Arab Emirates. She was selected by the Internal Committee it takes part in Florence Biennale 2007 Her works are influenced by the Aegean Sea, its stones and shells, by the Universal flows and the AngelsaEURtm Plasmas. Works of her can be found in...
Heather Rippert - As a painter, I am interested in touching the viewer's spirit in a deep, long, and sensitive way. My desire to take the viewer on a transcendent trip to a place of peace, serenity and joy is the backbone of my paintings. My passion for paper runs deep. I absolutely love working on paper surfaces. Discovering new paper and what its unique characteristics are and how it responds to watercolor or pastel, my two primary mediums, is a favorite pastime for me. Captivated by the diversity of seascapes, from calm soothing surf to stormy seas, I bring the elements together in my watercolors and pastels using strong contrast of darks and lights. My fascination with shadows in the sand is always both a challenge and joy in my process of painting and working the paint to get just the right shade and just the right shape to tantalize the viewer and welcome them into my private world. ...
John Canning - The artwork of John Canning is a vehicle for a wide ranging regional tour; and as it discovers and reveals an eclectic array of architectual styles,vegetation, figurative and color combinations, it delivers diversity. Through intense observation and deft rendering of natural lighting and atmospherics, John moves beyond mere structure and arrives at a true sense of place... The original works of John Canning are paintings & drawings created with watercolors, color/graphite pencils, pastels, charcoals, India inks and sepia embellished photographic transfers Created on bright white cold pressed fine textured art board or bright white 300-lb,100% cotton cold pressed archival watercolor paper Collectors may purchase existing originals, or have a commissioned piece created Limited edition hand-embellished, signed and numbered prints are available on bright white, 100% cotton, 300 weight textured archival papers,or on white surfaced medium-textured canvas All Fine Art Reproductions are personally printed, & hand-pulled by the artist. Posters published by Winn Devon Art Group. ...
Pamela Gilbert - A Maine native, who now lives in the Finger Lakes area in Ithaca NY. I attended Portland School of Art and continued my art education at the U of Maine in Augusta.I exhibit regularly in regional and national juried shows and has sucecessfully had a one woman show at Bowdoin College, Brunswick, Maine and at Sltes of Hollowell, Maine, Best of Show at the annual art show at Toas Ski Valley in New Mexico. My Paintings are also in private collections throughout the US,Canada and Mexico....
David Rocky Aguirre - ************** To me, Art seems to be a universal language. It can be used to portray something beautiful and uplifting, or to portray a tragedy to motivate and move people to act. To motivate them to help in some way as in Picasso's "Guernica 1937". I have a wide range in creative interests, from most forms of painting- oil to watercolor and on to print forms, sculpture, photography, film and computer animation. Contact me for any creative projects you may have....
Ken Hillberry - In art and in life, dynamics of balance, integrity and tolerant interaction of all elements or participants ought to be see, experienced and maintained. At the same time, the challenge of affecting this balance is creatively encountering all changes and adapt accordingly. For some, the destination or pre-determined outcomes are sought more often than not. Then there are some who savor the journey, thus witnessing and enjoying developments along the way. I fall into the latter category. It's like watching the film develop in a darkroom. the image takes form a little at a time right before my eyes. The creative process, for me, is void of pressure and timeless. The ability and practice and discipline are central in my approach. My creative intent is to engage a viewer in thought and emotion, as well as, with their eyes. Using imagination, retrospect or model, my range of composition can be conceptual, perhaps impressionistic or abstract in application, but always developed to evoke an awareness and appreciation for the relative conditions in life experience and art form as I incisively or playfully interpret my experiences along the way. ...
Leyla Munteanu - ARTIST'S STATEMENT Leyla Munteanu I have always felt a special connection with textural surfaces and the human figure. The beauty and strength in human features was a preferred subject in my work. Now I am focusing on the nostalgic. My love for the human figure has evolved into an interest in what they leave behind. Human marks left on objects and surfaces over time become more important than representation of the people who made the marks. I find my inspiration in immediate surroundings, and I hope that my work will lead the viewer to see the beauty that I see. First impressions are everything. Most often my depictions of those experiences are simply my way of saying "you should see what I saw!" Each piece has special meaning to me, which will not necessarily be the same meaning the viewer may attach to it. Art tells us something about ourselves and my work is the world as I see it, a world that brings back memories. I grew up in Bucharest Romania, a town marked by a long history; every place was worn by time or human nature. I'm still amazed by my memories of these places. All ...
Diane Kastensmith Bradbury - I love the spontaneity and freshness of watercolor - especially the "accidental" movement of color that results from painting wet into wet. I usually start with a wet into wet technique, and work through all the stages of the paper, until I am painting wet into dry. I often soak the painting in the bathtub overnight to soften the edges and lighten the colors, going back in the next day to sharpen details and brighten or darken colors where needed. I repeat this process until I can see that the painting is finished. I believe the record for the number of times this was done was a painting I sold in 1985, called "Blue Tree". It had been soaked twenty-two times before I was satisfied with the result. Of course, high quality paint and paper are essential to this process. "Seasons ...