Watercolor / Watercolour Art

Page 20 of 127
Ken Hillberry, Bob Filbey, Leyla Munteanu, Diane Kastensmith Bradbury, Mitzi Lai, Gilles Durand, Sipos Lorand, Jacquie Vaux, Lawrence Buttigieg, Sandra Costa Bras, Roger Cummiskey, Ellen E Hinson, Alan Falk, George Chernoles, Kiddolucas Lee, Rumy Stoianova offering original Watercolors artworks.


Contemporary Art / Watercolors / Previous / Next
Bob Filbey: 'Reflection', 1983 Watercolor, Figurative.
, 1983
Figurative - Watercolor
14 x 19 inches (35.6 x 48.3 cm)
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Leyla Munteanu: 'Was', 2005 Watercolor, Representational.
, 2005
Representational - Watercolor
14 x 11 inches (35.6 x 27.9 cm)
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Diane Kastensmith Bradbury: 'Red Tree', 2008 Watercolor, Abstract Landscape.  Transparent watercolor on paper ...
, 2008
Abstract Landscape - Watercolor
8 x 7 inches (20.3 x 17.8 cm)
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Mitzi Lai: 'Amaryllis', 2008 Watercolor, Floral.  An original painting of Chinese Watercolor by Mitzi Lai, on hand made rice paper, mounted on archival museum board, with plexiglass, framed one of the kind painting ...
, 2008
Floral - Watercolor
36 x 40 inches (91.4 x 101.6 cm)
Gilles Durand: 'Le Grau du Roi Camargue', 2008 Watercolor, Seascape.   Original watercolor on Fabriano Artistico paper....
Seascape - Watercolor
19 x 14 inches (48.3 x 35.6 cm)
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Sipos Lorand: 'Downtown cafe', 2008 Watercolor, People.
People - Watercolor
21 x 29 inches (53.3 x 73.7 cm)
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Sipos Lorand: 'CafeRoma', 2008 Watercolor, People.
, 2008
People - Watercolor
29 x 50 cm (11.4 x 19.7 inches)
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Sipos Lorand: 'Morning cafe', 2008 Watercolor, Still Life.
Still Life - Watercolor
21 x 29 cm (8.3 x 11.4 inches)
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Sipos Lorand: 'nude6', 2008 Watercolor, nudes.
, 2008
nudes - Watercolor
21 x 29 cm (8.3 x 11.4 inches)
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Sipos Lorand: 'nude5', 2008 Watercolor, nudes.
, 2008
nudes - Watercolor
21 x 29 cm (8.3 x 11.4 inches)
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Sipos Lorand: 'nude3', 2008 Watercolor, nudes.
, 2008
nudes - Watercolor
21 x 29 cm (8.3 x 11.4 inches)
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Sipos Lorand: 'nude2', 2008 Watercolor, nudes.
, 2008
nudes - Watercolor
21 x 29 cm (8.3 x 11.4 inches)
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Gilles Durand: 'Negresco in Nice', 2008 Watercolor, Cityscape.   Original watercolor on Fabriano Artistico paper....
Cityscape - Watercolor
17.5 x 14.5 inches (44.5 x 36.8 cm)
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Gilles Durand: 'Marie Agnes playing the Austrian Zither', 2008 Watercolor, Music.   Original watercolor painting on Fabriano Artistico paper....
Music - Watercolor
15.5 x 22 inches (39.4 x 55.9 cm)
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Jacquie Vaux: 'Stalking Cougar', 2008 Watercolor, Animals.
Animals - Watercolor
22 x 20 inches (55.9 x 50.8 cm)
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Jacquie Vaux: 'Lion Stalking', 2008 Watercolor, Animals.
Animals - Watercolor
35 x 30 inches (88.9 x 76.2 cm)
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Jacquie Vaux: 'Cougar Cub', 2008 Watercolor, Animals.
, 2008
Animals - Watercolor
16 x 14 inches (40.6 x 35.6 cm)
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Lawrence Buttigieg: 'Two studies og girl', 2008 Watercolor, nudes.
nudes - Watercolor
27 x 22 cm (10.6 x 8.7 inches)
Lawrence Buttigieg: 'Study of girl', 2008 Watercolor, nudes.
nudes - Watercolor
27 x 13 cm (10.6 x 5.1 inches)
Lawrence Buttigieg: 'Study of girl', 2008 Watercolor, nudes.
nudes - Watercolor
22 x 27 cm (8.7 x 10.6 inches)
Sandra Costa Bras: 'Romantic Monster', 2003 Watercolor, Abstract Figurative.  Watercolor on paper ...
Abstract Figurative - Watercolor
24 x 18 cm (9.4 x 7.1 inches)
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Roger Cummiskey: 'Molly as a young girl in Gibraltar', 2008 Watercolor, Landscape.  There are quite a number of references to Spain and the Andalusian women in Molly Bloom's soliloquy at the end, last 30 pages, of Ulysses, by James Joyce. In this sequence Molly is reminiscing on her early sexual experience with her first taste of sexuality with a serving British...
Landscape - Watercolor
46 x 61 cm (18.1 x 24.0 inches)
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Ellen E Hinson: 'WILD SHEEP OF THE ROCKY MOUNTAINS', 2007 Watercolor, Wildlife. This is an original watercolor painting of wild sheep that are found near Pikes Peak in Colorado. ...
Wildlife - Watercolor
9 x 7 inches (22.9 x 17.8 cm)
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Alan Falk: 'Abraham and the Strangers ', 2005 Watercolor, Biblical.  Abraham & the Strangers I ( Hagar & Ismael)	The servant, Abraham, washes the strangers' feet asSarah, Hagar and Ishmael hear the pronouncement
Biblical - Watercolor
18.3 x 0 inches (46.5 x 0.0 cm)
George Chernoles: 'Angora', 2004 Watercolor, Portrait.  sad women ...
, 2004
Portrait - Watercolor
29 x 41 cm (11.4 x 16.1 inches)
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Kiddolucas Lee: 'Eves of The Emeraldream  2006', 2006 Watercolor, Fantasy.  Art of Kiddolucaslee ...
Fantasy - Watercolor
0 x 0 inches (0.0 x 0.0 cm)
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Rumy Stoianova: 'Girl', 2007 Watercolor, Life.
, 2007
Life - Watercolor
50 x 90 cm (19.7 x 35.4 inches)
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Rumy Stoianova: 'You', 2007 Watercolor, Love.
, 2007
Love - Watercolor
50 x 90 cm (19.7 x 35.4 inches)
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Rumy Stoianova: 'The dove', 2007 Watercolor, Love.
, 2007
Love - Watercolor
50 x 90 cm (19.7 x 35.4 inches)
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Charles Rowland: 'Devonshire Cottages', 2008 Watercolor, Landscape.  Prim cottages in the Devon countryside ...
Landscape - Watercolor
20 x 11 inches (50.8 x 27.9 cm)
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(Page 20 of 127) - MORE ARTWORKS
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  • Artists Describing Their Art:

    Ken Hillberry - In art and in life, dynamics of balance, integrity and tolerant interaction of all elements or participants ought to be see, experienced and maintained. At the same time, the challenge of affecting this balance is creatively encountering all changes and adapt accordingly. For some, the destination or pre-determined outcomes are sought more often than not. Then there are some who savor the journey, thus witnessing and enjoying developments along the way. I fall into the latter category. It's like watching the film develop in a darkroom. the image takes form a little at a time right before my eyes. The creative process, for me, is void of pressure and timeless. The ability and practice and discipline are central in my approach. My creative intent is to engage a viewer in thought and emotion, as well as, with their eyes. Using imagination, retrospect or model, my range of composition can be conceptual, perhaps impressionistic or abstract in application, but always developed to evoke an awareness and appreciation for the relative conditions in life experience and art form as I incisively or playfully interpret my experiences along the way. ...

    Leyla Munteanu - ARTIST'S STATEMENT Leyla Munteanu I have always felt a special connection with textural surfaces and the human figure. The beauty and strength in human features was a preferred subject in my work. Now I am focusing on the nostalgic. My love for the human figure has evolved into an interest in what they leave behind. Human marks left on objects and surfaces over time become more important than representation of the people who made the marks. I find my inspiration in immediate surroundings, and I hope that my work will lead the viewer to see the beauty that I see. First impressions are everything. Most often my depictions of those experiences are simply my way of saying "you should see what I saw!" Each piece has special meaning to me, which will not necessarily be the same meaning the viewer may attach to it. Art tells us something about ourselves and my work is the world as I see it, a world that brings back memories. I grew up in Bucharest Romania, a town marked by a long history; every place was worn by time or human nature. I'm still amazed by my memories of these places. All ...

    Diane Kastensmith Bradbury - I love the spontaneity and freshness of watercolor - especially the "accidental" movement of color that results from painting wet into wet. I usually start with a wet into wet technique, and work through all the stages of the paper, until I am painting wet into dry. I often soak the painting in the bathtub overnight to soften the edges and lighten the colors, going back in the next day to sharpen details and brighten or darken colors where needed. I repeat this process until I can see that the painting is finished. I believe the record for the number of times this was done was a painting I sold in 1985, called "Blue Tree". It had been soaked twenty-two times before I was satisfied with the result. Of course, high quality paint and paper are essential to this process. "Seasons ...

    Jacquie Vaux - My goal as an artist, is to present a beautiful veiw of wildlife in the form of fine art paintings.I strive to show the vivid colors and patterns in the most appealing compositions. I also demonstrate natural behavior and some element of habitat that most beautifully presents this subject manner in the most visually exciting format. I respect and appreciate the wildlife I depict in my paintings. I study and work on improving my technical expertise. This is a never ending process which I address on a daily basis. I have a strong work ethic which allows me to stay focused in order to complete large complex works. I look forward to painting larger paintings of big animals such as elephants, giraffes and cape buffaloes. I am also eager to paint more botanical and floral paintings. ...

    Lawrence Buttigieg - "My paintings are a balance of physical form and feeling. I penetrate the character of the person and focus on the inward reflective qualities. I slip my view of the subject between the layers of paint. I want my colours to be the colours of life, rendering likeness and personal stylisation inseparable. I am not concerned with the instantaneous image of the model but rather a prolonged record of his or her character."...

    Sandra Costa Bras - After trying several painting and photography techniques, I chose watercolour as the main media of expression of feelings, sensations and thoughts. The paintings always start with small dots of water and colour and through the interaction of both the paintings are born. All the things lost and lock in my memory, feelings and thoughts, images, landscapes, places, people and situations, appear between, the fields of colour, the lines, the forms and become alive. I found, working with watercolours, my inner self. Watercolours were chosen as my main technique cause, with then and with small pieces of paper, I express myself totally. I no longer fell the pressure and the need, I felt before, of working on large canvas and I feel free to do whatever it comes to my mind. So the result of these last years of work is those paintings full of light, colour, life and movement. I found myself as a painter....

    Roger Cummiskey - I am a full time visual Artist. www.rogercummiskey.com Membereships: Professional Member of Visual Artists Ireland - VAI. Member The ArtistsaEURtm Resale Right (ARR) (Droit de Suite) In Ireland - IVARO. Chairman of the Andalusian International Artists Group - AIA-Group - PAIA. Member AsociaciA3n EspaA+-ola de Pintores y Escultores - AEPE. Member AsociaciA3n de Acuarelistas de MA!laga - AAM.. Member of NADFAS - Costa del Sol Decorative and Fine Arts Society. I am a Professional Member of the Sculptors' Society of Ireland Ltd. (aka Visual Artists Ireland)

    Ellen E Hinson - My love of nature and the world we live in is demonstrated by the works of art that I paint. I use oils and watercolor and also love photography. I have been painting for many years, have taken various art instruction courses, but my training is mostly self-taught. I love to paint realistic animals and landscapes, but once in a while I will deviate to the whimsical painting....

    Alan Falk - In the tradition of great figurative painting, my work reflects a synthesis of craftsmanship, conscious and subconscious relationships, and emotional and social content. It is an ongoing quest to define the sublime and the ineffable and a deep heartfelt yearning for harmony. I am energized by the belief that here, at the dawning of the 21st century, the process of creating art through traditional media is very much alive and continues to evolve and remains as relevant as it ever was. The primary influences on my current work are diverse Judaic sources including biblical passages, prophetic writings, rabbinical teachings and contemporary Judaic philosophy that shape my conscience. These timeless commentaries, informed by the core moral and universal humanistic values of Jewish tradition and ethos, are an integral part of the shaping of our western civilization, as they encompass a fundamental desire for personal spiritual and global peace, equality and social justice. The jumping off points for my paintings are these universal metaphors and messages of good and evil, questions and commentaries on integrity and moral/ethical choice, parables on mortality and the quest for spiritual connection. Through careful crafting of thematic coloring, expressive line, I attempt to develop a new ...

    Rumy Stoianova - Rumiana Stoianova was born in Sofia, Bulgaria on the 12 May 1960. From 1978 to 1979 shi is a student of Boris Angelakov who gave her first knowlege in the fiend of Art and Scenografy. 1980 - 1981 she is a private student of famoust Bulgarian graphic artists and a proffesor at the Academy of Art in Sofia Galiley Simeonov. 1984 - 1988 she masters the art of working with leather woodcarving and painting icons in the art studio of the most talanted Bulgarian artists Kamen Raichev. 1978 - 1993 works in the field of advertising in the Student Campus in Sofia as an artist and calligrapher....