Watercolor / Watercolour Art

Page 4 of 127
Stephen Mead, Eve Co, William Christopherson, Lou Posner, Lois Di Cosola, Kichung Lizee, Emilio Merlina, Tamara Sorkin, Hope Brooks, Luise Andersen, Lucille Rella, Richard Lazzara, Robert H. Stockton, Philip Hallawell, Guy Octaaf Moreaux, Bessie Papazafiriou offering original Watercolors artworks.


Contemporary Art / Watercolors / Previous / Next
Eve Co: 'Fahrenheit Blow', 2011 Watercolor, Abstract Landscape.  Title Fahrenheit BlowCompleted 01022011Size 24 x 18Watercolour  InkWarm  Pastel colours ...
Abstract Landscape - Watercolor
24 x 18 inches (61.0 x 45.7 cm)
William Christopherson: 'Greece Siros Cyclade Islands Nightscape', 2011 Watercolor, Seascape.   Title:
Seascape - Watercolor
16 x 20 inches (40.6 x 50.8 cm)
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Stephen Mead: 'JudasKiss', 1999 Watercolor, Religious.   Religious Exploration, incorporated into the series Blue Heart Diary, part of the DVD Captioned Closeness, Indieflix. com.  ...
, 1999
Religious - Watercolor
16 x 20 inches (40.6 x 50.8 cm)
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Lou Posner: 'Dead Leaf Puerto Rico', 2010 Watercolor, Beach.  A dead leaf found on a Puerto Rican beach.  Watercolor and pencil on paper. ...
Beach - Watercolor
12 x 9 inches (30.5 x 22.9 cm)
Lou Posner: 'Yubucoa Puerto Rico', 2010 Watercolor, Beach.  Robert Leedy and I painted this same scene in January, 2010.  See www.  robertleedyart.  com for his interpretation of the view.  He included me at work on this painting + the doggie friend who had adopted us.  While I was working a young couple came by and parked themselves at the...
Beach - Watercolor
12 x 9 inches (30.5 x 22.9 cm)
Lou Posner: 'Sheraton Beach Hotel Puerto Rico', 2010 Watercolor, Beach.  A beautiful day in Puerto Rico Watercolor and pencil on paper.  Some masking tape lines still visible. ...
Beach - Watercolor
6.8 x 4.5 inches (17.3 x 11.4 cm)
Lou Posner: 'Clouds and Rocks Puerto Rico', 2010 Watercolor, Beach.  Our first visit to Puerto Rico captivated us forever locationSheraton Hotel Beach, Palmas del Mar, Humacao, Puerto Rico.  Watercolor and lead pencil on paper.  Some masking tape lines still visible.  ...
Beach - Watercolor
6.8 x 4.5 inches (17.3 x 11.4 cm)
Lois Di Cosola: 'Beach 1', 2008 Watercolor, Abstract Landscape.  from the Long Island Beaches series of watercolor and pencil drawings ...
, 2008
Abstract Landscape - Watercolor
11 x 9 inches (27.9 x 22.9 cm)
Kichung Lizee: 'Flower Essence', 2008 Watercolor, Abstract.  watercolor and Chinese ink on mulberry paper ...
Abstract - Watercolor
15 x 22 inches (38.1 x 55.9 cm)
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Stephen Mead: 'AndTheSaintsCome', 1997 Watercolor, Visionary.  Evocative religious exploration, incorporated into the series
Visionary - Watercolor
22 x 28 inches (55.9 x 71.1 cm)
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Emilio Merlina: 'in my kingdom', 2008 Watercolor, Inspirational.  watercolor on canvas  ...
Inspirational - Watercolor
41 x 48 cm (16.1 x 18.9 inches)
Tamara Sorkin: 'nude and mirror 1', 2008 Watercolor, nudes.
nudes - Watercolor
25 x 35 cm (9.8 x 13.8 inches)
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Hope Brooks: 'Blue Painting', 1999 Watercolor, Abstract Landscape.  Blue Painting is one of the more ambitious serial paintings utilizing chinese water colour paint on board.  It comprises 30 panels each 18 inches by 18 inches.  The painting  could be said to speak about the sky.  It follows the Clouds and Mountains series and predates the political paintings. It...
Abstract Landscape - Watercolor
108 x 90 inches (274.3 x 228.6 cm)
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Luise Andersen: 'Play With Media  Soft Touch MSX', 2008 Watercolor, Landscape.  This W/ C is 14 in x 10. 5 inches. Might creatively play some more with it. . Right now, it stays as is. Discovered it in my portfolio amongst others. Done approx 2 or 3 years ago. - Mistakenly bought some time ago W/ C Pencils. . Did not read identification as...
Landscape - Watercolor
14 x 10 inches (35.6 x 25.4 cm)
Tamara Sorkin: 'absract 3', 2007 Watercolor, Abstract Figurative.  this also began as a nude done in watercolour ...
, 2007
Abstract Figurative - Watercolor
17 x 20 cm (6.7 x 7.9 inches)
Tamara Sorkin: 'abstract 2', 2007 Watercolor, Abstract.  it is a watercolour that evolved from a nude drawing ...
, 2007
Abstract - Watercolor
12 x 17 cm (4.7 x 6.7 inches)
Luise Andersen: 'RED CLICKS', 2006 Watercolor, Floral. . . . . felt like intense red. . touch of green to soothe and ground. . . the light touch here and there. . plus a little bit of gold- leaf. . . .  Small, but. .  Oho ! !  ( I used to hear that a lot during the years. . the' OhOs' didn' t get any smaller. . ; - )  . .  seemed like tone went downwards instead...
, 2006
Floral - Watercolor
7 x 7 inches (17.8 x 17.8 cm)
Luise Andersen: 'POPPED IN MIND DELIGHTS', 2006 Watercolor, Floral. As I mentioned in some of my descriptions. .  when I am hiding within self. . . the corner, where it is real dark. . I seem to notice brightness. . .  in my works. . and dancing of loose forms. .  delight struggles then easy towards the canvas or paper. .  away from me. .  into an art piece. .  ...
Floral - Watercolor
13 x 9 inches (33.0 x 22.9 cm)
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Lucille Rella: 'Artichoke', 2000 Watercolor, Floral.
, 2000
Floral - Watercolor
22 x 18 inches (55.9 x 45.7 cm)
Richard Lazzara: 'perido commas ear ornaments', 1989 Watercolor, Fashion. perido commas ear ornaments from the folio LAZZARA ILLUMINATION DESIGN are available at
Fashion - Watercolor
2 x 2 inches (5.1 x 5.1 cm)
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Robert H. Stockton: 'From Insomnia Ridge', 2002 Watercolor, Landscape. This small watercolor is 3. 5
Landscape - Watercolor
8 x 9 inches (20.3 x 22.9 cm)
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Philip Hallawell: 'Function ever preceeds form', 2005 Watercolor, Figurative. An artistic interpretation of Louis Sullivans maxim, applied to visagism. ...
Figurative - Watercolor
38 x 56 cm (15.0 x 22.0 inches)
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Lucille Rella: 'Tienda', 2005 Watercolor, Architecture.
, 2005
Architecture - Watercolor
18 x 24 inches (45.7 x 61.0 cm)
Richard Lazzara: 'crystal eyed lingam yantra drawing', 1995 Watercolor, Visionary. crystal eyed lingam yantra drawing  1995 from the folio DRAWING ON SHIVA is available at
Visionary - Watercolor
12 x 18 inches (30.5 x 45.7 cm)
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Guy Octaaf Moreaux: 'Frogs', 2005 Watercolor, nature. Sumi e ( Japanese black ink) on rice paper, with Haiku from Wakya.
, 2005
nature - Watercolor
67 x 35 cm (26.4 x 13.8 inches)
Lucille Rella: 'Veronique', 2004 Watercolor, Figurative.
, 2004
Figurative - Watercolor
24 x 18 inches (61.0 x 45.7 cm)
Bessie Papazafiriou: 'House With Shadows', 1999 Watercolor, Landscape.      House With Shadows depicts an old Greek house I found in the mountains of Pilio, Greece.  I was fascinatd by this place and its timelessness.  This wonderful house expresses both the atmosphere and sense of mystery one experiences there.Limited edition - signed and numbered...
Landscape - Watercolor
23 x 22 inches (58.4 x 55.9 cm)
Bessie Papazafiriou: 'Transience III', 1987 Watercolor, Still Life.      In Transience III, objects rest precariously on shelves to symbolize the fragile nature of our existence.  The ephemeral poppies symbolize both the beauty of life and life' s transient quality.  The chain of paper dolls symbolizes generations and continuity of the life cycle....
Still Life - Watercolor
28 x 21 inches (71.1 x 53.3 cm)
Bessie Papazafiriou: 'Mountain Girl', 1998 Watercolor, Portrait.      Mountain Girl depicts a young girl exploring the mountains of Greece.Comments:  Framed...
Portrait - Watercolor
28 x 16 inches (71.1 x 40.6 cm)
Bessie Papazafiriou: 'First Snow', 1999 Watercolor, Landscape.  First Snow depicts a landscape located in the mounains near Pertouli, Greece.  The backlighting adds sparkle to the scenery and I love the way the vegetation adds contrast.  These elements combine to give this painting its fresh and luminous quality.CommentsFramed...
, 1999
Landscape - Watercolor
17 x 20 inches (43.2 x 50.8 cm)
(Page 4 of 127) - MORE ARTWORKS
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  • Artists Describing Their Art:

    Stephen Mead - In the early 1990's Stephen Mead's poems began appearing in such journals as Onionhead, Bellowing Ark, and Invert, but upon moving to Provincetown, Mass., Stephen decided to concentrate more on visual work. It was in the year 2000, after moving back to NY, that Stephen started seeking publication again for both his writing and his art combined. Since, then, thanks to the wonders of the World Wide Web, his work has appeared internationally both in cyberspace, hard copy, and physical Gallery Space. Often the writing has appeared along side his paintings, and at other times with the text superimposed. In 2004 Stephen began experimenting even more with these poetry/art hybrids creating a series of e books, including the award winning "We Are More Than Our Wounds". From there Stephen began experimenting with his art and poems as films, at first creating slideshows with captions, and then doing his own soundtracks and voice overdubs. These DVDs are available through Indieflix.com In 2006 Stephen put this technology to use releasing a CD of poems set to music "Safe & Other Love Poems" (CDBaby.com), as well as two print editions of his image/art hybrids, "Selected Works" and "Tree ...

    Eve Co - I began painting and drawing in 1987 and have not stopped. I have a wide range from, landscapes, still-lifes, Hubble art galaxies nebulas, abstracts, florals, architectural art and so much more. I draw every day and paint as much as I can afford. I paint more watercolors than acrylic and oil canvas art. I would prefer more canvas art, but I make do with what I have. I try to express myself in artwork as well as with words. I paint landscapes, the glorious colors of nature, water, the ever expressive sky and more, primarily with watercolors on paper. These paintings are usually thought out and planned because they represent nature as I see nature. I paint still-lifes of everyday objects. To teach me about one particular color, shading and or painting glass. I think of still-lifes as a learning process that literally has me pulling my hair out in frustration, but I still paint through how they make me feel... I am fascinated with Hubble Space Technology so, I paint galaxies and nebulas on canvas with acrylic paints. I have sold many of these paintings and I must admit they are some of my favorite subjects...

    William Christopherson - The viewer sees a finished canvas. The artist relishes its journey of creation. A thought, a feeling, an experience, a place. These are the most essential of supplies as the artist tasks to expand, explore, and evolve along the path. All are welcome here, to view, appreciate contemplate, and possess the journeys I have made, and the journeys yet to come. Over the past several years I have explored the oil medium, borrowing technique from both historical and present day impressionism. Its a medium I love to work in, even though my wardrobe and studio surfaces have suffered immensely. Much of my work now reflects the pallet knife, and explores a prolific use of heavy colorful brush stroke. Everything continues to evolve, and thats a good thing Enjoy. William Christopherson, 2017 ...

    Lou Posner - FLASH New offer on the classic 1982 Posners Pocket Guide to Oil Painting. Hand-written, then reproduced by offset process. Hand-assembled. Original, unique art attached to EVERY cover. No two alike. Some in oil paint, some in other media. Collectors item. Best pocket guide to oil painting, ever. For beginners as well as advanced artists. 450 dollars each plus first class postage. Indiana residents add 7 percent sales tax to merchandise not including postage and shipping. Selection of cover art offered, but not guaranteed. Use email messaging here to contact the artist. No postage if you pick it up about 10 mi. north of Tell City, Indiana. Not set up for credit card sales. Check or cash only. Buy one or more, OR later on, kick yourself in the behind for passing up a real bargain and an investment opportunity. After you reach the main or first Posner portfolio page, the tour is pretty intuitive. Please click on an image to enlarge it and bring up further details about the piece of art and a description or story about it. Once you have done this, you may also click on zoom-in, a function, which may or may not...

    Lou Posner - Kichung Lizee - After coming to this country from Korea in the mid 60's to study art, among the many forms of Western art that I was introduced to, Abstract Expressionism interested me most. Currently I am in the process of synthesizing Eastern and Western approaches to art. Specifically, I'm adopting the techniques and materials of Eastern calligraphy to Western thematic material, my primary goal being to close the gap between East and West and reach for universal creativity. Eastern calligraphy I learned is a living and breathing spirit, rather than the dead and rigid tradition of thousands of years. It is uniquely a form that conveys the pulsation of life energy. Through it, one can experience all aspects of the living spectrum. Eastern calligraphic form reveals the kind of life the artist has led, as well as foreshadowing the person one will become. It is the art form that manifests the self as a way of life or philosophy of life. It is a powerful art form that operates through direct intuition. As an artist I rely heavily on creative intuition. Moving with changes in the stream of consciousness, my creative intuition somehow brings out the subconscious and superconscious through ...

    Emilio Merlina - I was born in 1950 in the North East of Italy from a polish mother and a sicilian father. I toured the world until I was 35, then I returned to Italy and picked up again my old passion painting and sculpture. As for myself, I can only say thoughts and paintings, paintings and thoughts. Everything maybe useless, however everything is life. i?1/2The human being leaves its signs, graffiti, indian dreams and imagination. Now I only have left a few more possibilities to express the colors which are not. Only the sign, scratched, angry or brushed is the witness. The sign has passed from there and there it has lived.i?1/2 Emilio Merlina Some hear if a door opens Others hear a latch which opens or closes Others more they hear the Angel when he turns over a page of the Great Book From the novel Missa Sine Nomine By Ernst Wiechert I have words which relegate my hunger And the hunger which owns my body but which do not confine them I have words which are both my confined hunger and body By the Italian poetess Paola Lovisolo ...

    Tamara Sorkin - I have always worked from organic subjects- plants, animals, or the human body, but usually I arrive at an abstract, "zoomorphic" description, that enables me a wider perspective. ...

    Hope Brooks - I am often asked the question what is my work about which is a little like being asked what is life about because in art as in life each person must bring their own experience and provide their own answers. Quite simply my work is about life and the enigma that surrounds existence. I make reference to specific experiences or draw on visual reality to act as a frame to the broader content and people bring their own interpretations as well. When I began painting in the 60's I was focused on talking about natural phenomena that I found around me in Jamaica, such as the sea, the mountains, or the moon but I was also trying to find a language that expressed the essence of that place I called home. In 1980 I travelled to Baltimore USA and my visual surroundings changed completely. This city had none of the natural landscape but it had beautiful stained glass windows and during my year at the Maryland Institute I produced a large body of work called "Windows". This included prints as well as paintings of the secular as well as the ecclesiastical windows. Someone looking at the work once said ...

    Luise Andersen - Luise'Mignon' Andersen Luise'Mignon' Andersen has only recently begun to reveal her lifes work. Soon after her debut she exploded onto the mainstream art world. Her breathtaking pieces have captured international interest. The stories Luise'Mignon' is telling through her truly deep, layered works seem to decipher the past and foretell the future, perhaps sharing her window to other dimensions and a seventh sense. Her detailed acrylic'Mignon' series speaks to the beholder. They inspire raw emotion and ignite ones imagination. The indescribable nature of the "Duree De Ma Vie" in particular has a growing portion of the art community considering it the conception of an entirely new style. By Maxi c)2006 Guided Through Inner Mind- Intuition- Mental Imagery- I Create The Final Of What I Am Consciously Not Aware Of.. That I Want...... Need... With Each Completed Painting... Eye Of Core Gains a Glimpse Of My Tomorrow.... c) LA I crave.. painting...drawing... sculpting... writing... Like re-inventing my life... my purpose... myself.. .Gives me a direction.. the courage to look at myself ..and find'ME' there... At least for the duration of creating.. ....and once I collect these shards of my core within colors, shapes... form...

    Lucille Rella - Color, I can't imagine life without it. We are surrounded by it. Our attention is drawn to it and it creates a variety of moods in our environment. It motivates me to paint. A spectrum of lights and darks, high colors and muted tones get me involved in a painting. The wonderful transparency and spontaneity of the watercolor medium, helps me to utilize these qualities in expressing my art work. ...

    Philip Hallawell - I work in various media: oil, watercolor, dry pastels, pen and ink and mixed media. My work is a result of a fragmented view of the world, which gives it a surreal quality. However, my process is not surreal, because I start with a definite theme that I wish to investigate. My main area of interest is people and the human form and I am constantly investigating the physical, intellectual, emotional and spiritual aspects of Man. Over the years I have developed various series, which I revisit periodocally, investigating different aspects. In purely visual terms, what fascinates me is light and form and how I can use diverse visual elements in a complementary way, opposing, for instance, line and form, or rough and smooth textures. The use of diferent materials to achieve diverse expressions, either alone or as mixed media, along with alternating between a graphic representation and a painterly one, or mixing the two, is a very important aspect of the way I materialize my thinking into images. Equally important is the transition from very realistic images to a totally abstract means of expression and alternating between control and expressiveness....

    Guy Octaaf Moreaux - Since the end of August 2019 I moved back to Brussels, Belgium. The three years I spent in Kenya have been super interesting and moved me to paint my african impressions. I feel privileged to have learned so much of this wonderful part of the world which was quite foreign to me before. Life is full of emotions about people, nature, things etc...and leaving Kenya will be hard indeed. One of the biggest luxuries in life, is to live surrounded by beauty. This is what I am trying to do. And yes one can see beauty everywhere...it is a state of mind. Harmony is an integral part of beauty, this is what I am trying to convey in my work. It is indeed a necessity for me to create. It has always been this way for as far as I can remember. Not creating makes me feel empty and unfulfilled. In every day life it pervades all my actions, from cooking to finding different places to visit, walk, etc....Have a look at the furniture I created lower in my portfolio. The architects who sold my furniture were the first ones to sell my paintings. For painting, nature ...

    Bessie Papazafiriou - Through my work I'm able to express reality in my own way. With a brush in hand suddenly horses can fly, the sky is ablaze, myths become reality and the world is transformed. To me, this is freedom. There is an unequaled sense of joy and satisfaction that comes from being able to express my vision and share it with others. I love it when a stranger views my work and feels a connection...suddenly we're no longer strangers. A new line of communication is open, one that transcends language....