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Indepth Arts News:

"State of the Art: Digital Prints, a panel discussion in conjunction with the opening reception of DIGITAL'2000"
2000-06-28 until 2000-07-14
Art and Science Collaborations, Inc. (ASCI)
Staten Island, NY, USA United States of America

Digital images, no longer just experiments in Photoshop, are rapidly becoming the medium-of-choice by both fine art photographers and printmakers. Not that long ago, artists could make and view digital images on their computer screens but had no way of printing out a product suitable for collection or sale. Today, digital artists have many choices of print output methods with image permanence that surpasses that of traditional color photographs. Digital prints can be made in huge sizes, and on many types of material. Recent technological innovations in improved ink-sets and photo-quality printers have allowed fine art digital prints to share the distinction of net.art as one of the newest media in the lexicon of legitimate contemporary art (shown at museums). So new, that the Brooklyn Museums prestigious 26th National Print Biennial next year will be the first such biennial exhibition to be devoted solely to the digital print.

State of the Art: Digital Prints will examine important technical aspects that artists should know about creating long-lasting digital prints with Henry Wilhelm announcing surprising results of his recent testing that will revolutionize fine art digital prints! In addition, the panel will explore the issues that artists, museum curators, and gallery owners are dealing with today. For instance: What criteria do museum curators use to decide which department will collect a digital print, Photography or Prints and DrawingsNULL Are artists following strict copyright rules regarding appropriation of images from other print media when creating digital montageNULL How should digital images be reviewed by curators, at what resolution is realisticNULL And are artists homepages valuable for the initial review process? Why do artists not know about longevity information of the newest digital printers and ink-sets? Is this even important to collectors?

PANELISTS:
Meghan Boody, artist, whose digital prints have been purchased by the Whitney Museum of American Art, NYC;
Matthew Drutt, Curator in Media Arts, Guggenheim Museum, New York, who has been following the impact of digital technology on photography;
Marilyn Kushner, Curator of Prints & Drawings at the Brooklyn Museum of Art whose National Print Biennial (invitational) in 2001 will solely be digital prints;
Cynthia Pannucci (moderator), ASCI Director, trained as a printmaker whose prints were represented by the AAA Gallery, NYC and in national print exhibitions;
Michal Smith, owner-printmaker, Silicon Gallery Fine Art Prints, Ltd. (New York and Philadelphia). One of the first galleries in world to exclusively show digital art. http://www.fineartprint.com
Henry Wilhelm, preeminent researcher/consultant in testing of ink-sets, papers and printers on longevity issues for digital fine art and photography printmaking field. http://www.wilhelm-research.com

DIGITAL2000

An exhibition of digital art by 23 artists that was selected from an international Open Competition. Approximately 350 entries from as far as Tokyo, Beijing, Australia, Brazil,Slovenia, and throughout the USA, Canada, and Mexico.

This years jurors were: Digital Prints Marilyn Kushner, Curator of Prints and Drawings, the Brooklyn Museum of Art; and for Net.art Jon Ippolito, artist, Curator of Media Arts, the Guggenheim Museum.

DIGITAL PRINT Winners: David Arky, Daniel Ayars, Kristine Campbell, Liz Demaree, Robin Germany, Michi Itami, Adrienne Klein, Zi Wen Li, CarmeLizardo, Anna Munster, Barbara Robertson, Ed Ross, Naomi Spellman, Terry Towery, Sarah Vinci, Lui Wei, and Cece Wheeler.

NET.ART Winners: David Crawford, Mary Flanagan, Marc Lafia, Golan Levin, Judd Morrissey, and Kazushi Mukaiyama.

NET.ARTIST PRESENTATIONS - Four of the six net.art winners will give live Internet presentations of their net.art projects from 6-7pm during the Opening Reception on Wednesday, June 28th for the exhibition.

DIGITAL2000 will travel to three venues:
- Central Fine Arts in Soho (June 28 - July 14)
- Technology Gallery, The New York Hall of Science (9/18 -11/26)
- Silicon Gallery, Philadelphia (Dec.1 - Dec.31)

ASCIs third annual international competition exhibition June 28, at Central Fine Arts (212) 966-8836 596 Broadway (just south of Houston St), New York City

IMAGE:
David Arky
Life Saver, 1999,
30 x 40,
digital C-print


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