Indepth Arts News: |
"Ansel Adams: A Life s Work"
2001-01-27 until 2001-03-25
Eiteljorg Museum of American and Western Art
Sometimes I get to places when God's ready to have somebody click the
shutter. -- This is how the late Ansel Adams explained the seeming
perfection of his photographs, seen by more people throughout the world than
any other photographer. His black-and-white images of Yosemite National
Park, the Grand Tetons, Monument Valley and other spectacular Western
landscapes adorn many a home in the form of calendars, prints and
coffee-table books, and every photography enthusiast learns about the man
who made photography an art.
In the five years leading up to his death in 1984, Adams selected 75
photographs he felt best represented the range and quality of his work. Now,
this Museum Set is coming to the Eiteljorg Museum of American Indians and
Western Art in Indianapolis. Ansel Adams: A Life's Work opens Jan. 27 and
runs through March 25, 2001.
Adams' explanation may give credit to luck, but in reality, each of his
finished prints was a studied effort to achieve an artistic result.
Ansel Easton Adams was born Feb. 20, 1902, in San Francisco, the only child
of Olive Bray and Charles Hitchcock Adams. A curious and gifted child, Adams
himself to play the piano at age 12 and would initially pursue a career as a
concert pianist. Unable to stand the regimented structure of school, Adams
began working with a private tutor at 13.
The next year, 1916, he persuaded his parents to take a vacation in Yosemite
National Park. That event was a turning point in Adams' life. From that
first visit to Yosemite until his death, Adams maintained a love affair with
the land and became an advocate for the environment.
The Yosemite visit also was the beginning of Adams' involvement with
photography. Armed with his father's Kodak Brownie box camera and with one
of the country's most beautiful landscapes before him, young Adams began
taking photographs. And he never stopped.
Taking photographs quickly became more than a hobby. For the next several
years, Adams began to articulate his ideas about the creative potentials of
photography. In 1927, he created what he called his first print using
visualization, in which he determined the qualities of the final print
even before he snapped the shutter. His first one-man exhibition was in
1928, the same year he married Virginia Best in Yosemite. All the while,
however, he worked toward a career as a pianist.
He opened a studio in San Francisco and, in only two years, became a
founding member of one of the most important groups of photographers ever
assembled. Group f/64 was made of up Edward Weston, Imogen Cunningham, Henry
Swift, Sonya Noskowiak, John Paul Edwards, Willard Van Dyke and Adams, who
joined forces to promote what they called straight or pure photography.
(The group's name refers to the smallest aperture setting on camera lenses,
one that gives great depth of field and maximum sharpness.) Even though
Group f/64 met only a few times and had only three exhibitions, it affected
a turning point in the history of photography, proclaiming that photography
was a new American fine art form.
The artistic nature of his photographs, his experiments behind the camera
and in the darkroom, and his recognition by such powerful photographers as
Alfred Stieglitz won Adams many friends and admirers. Stieglitz, in fact,
was so impressed that he gave Adams an exhibition in 1936, the first
exhibition this photographic giant had given to a photographer since Strand
Having maintained a constant involvement with the Sierra Club, Adams was
to its board of directors in 1934. He spoke eloquently and often to Congress
and, over his lifetime, met with four presidents to discuss his country's
lack of concern for the land and its resources.
With the nation's involvement in World War II in the 1940s, Adams'
photographs became, according to biographer James Alinder, expansive and
heroic. Though he could not serve on active duty, he desperately wanted to
be part of the war effort. He was able to find minor roles, such as teaching
photography to army officers, but his most important contribution was in
show America something of what it was fighting for, wrote Alinder in Ansel
Adams: Classic Images. This was the period of epic vistas, photographs that
captured the glory of the country.
He received fellowships to photograph national treasures and, in 1953, did a
Life magazine photo-essay with Dorothea Lange on the Mormons in Utah.
These were the most productive years of Adams' career.
In 1962, he and his wife built a home with an extensive darkroom overlooking
the Pacific Ocean in California. Over the next 20 years, Adams produced most
of the finest and now-famous prints of his career.
He finally stopped taking orders for prints at the end of 1975, but the
3,000 last-minute orders that came in took Adams three years to complete.
By 1979, Adams prints accounted for half of the total dollar value of
photography sales in the United States. This humble, easy-going man was the
subject of a Time magazine cover story, the only photographer ever to make
the cover. He was awarded the Presidential Medal of Freedom, the nation's
highest civilian honor, by President Jimmy Carter and received the first
Ansel Adams Award for Conservation ever given by The Wilderness Society.
Adams celebrated his 80th birthday in 1982 amid 200 guests at a dinner
sponsored by The Friends of Photography, during which he was presented with
the Decoration of Commander in the Order of the Arts and Letters, the
highest cultural award given by the French government to a foreigner.
Adams died of heart failure in 1984. In a fitting tribute exactly one year
later, an 11,760-foot peak in Yosemite was named Mount Ansel Adams. The
exhibition Ansel Adams: Classic Images drew 6,000 viewers a day at the
National Gallery of Art in Washington, D.C.
The Museum Set by Ansel Adams is on loan to the Eiteljorg Museum from
the collection of The Capital Group Foundation. For more information, call
(317) 636-WEST, or visit www.eiteljorg.org.
The Eiteljorg Museum of American Indians and Western Art opened June 24,
1989. Harrison Eiteljorg (1903-1997), an Indianapolis businessman and
philanthropist, worked with officials of the city of Indianapolis and of
Lilly Endowment Inc. to build a museum to house his collection of Native
American objects and Western paintings and sculptures. To his collection
were added the holdings of the now-defunct Museum of Indian Heritage. The
Eiteljorg Museum is the only museum in the Midwest to combine Western art
and Native American art and artifacts.
The Eiteljorg Museum is part of White River State Park along Central Canal.
Other attractions are the Indianapolis Zoo, White River Gardens, Victory
Field, the IMAX Theater, the Congressional Medal of Honor Memorial, the NCAA
Hall of Champions, the National Institute for Fitness and Sport, and