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"Christo and Jeanne-Claude in the Vogel Collection"
2002-02-02 until 0000-00-00
National Gallery of Art
The first survey mounted in the United
States encompassing four decades of work by Christo and
Jeanne-Claude will be on view at the National Gallery of Art, East
Building, 3 February through 23 June 2002. Christo and
Jeanne-Claude in the Vogel Collection presents 61 works,
including preparatory drawings, collages, scale models, and
photographs of the artists' large-scale projects, as well as several
of Christo's early packages and wrapped objects. The show
draws its contents from the collection of Dorothy and Herbert
Vogel at the National Gallery of Art, an important collection of
contemporary art acquired in 1991. The show also includes
works given and promised to the nation in honor of Dorothy and
The Christos have created some of the most visually breathtaking works of the 20th century
using fabric in, over, through, and around natural and constructed forms, said Earl A. Powell,
director, National Gallery of Art. The Gallery is grateful to Dorothy and Herbert Vogel, Christo
and Jeanne-Claude, and a private collector for generously pledging these inspiring works to the
The variety of media and the breadth of the work offer a unique overview of Christo and
Jeanne-Claude's career, tracing the development from the contained forms toward the freer, more
open structures that approach tensile architecture. As the Christos have created an individual
expression using fabric, their art has transcended the traditional boundaries of painting, drawing,
sculpture, and architecture.
The exhibition opens with several of Christo's earliest packages and wrapped objects, including
Package 1961, a wrapped and intricately bound mass of objects, and Package 1974, made for
the Vogels, whom Christo and Jeanne-Claude met in 1971. The installation continues with
drawings and collages for most of the artists' monumental projects and includes large-scale
photographs of the completed works.
The first of the artists' temporary projects in a rural setting, Wrapped Coast, One Million
Square Feet, Little Bay, Sydney, Australia, 1968-69 entailed wrapping a portion of the
Australian coastline with one million square feet of erosion control synthetic mesh fabric the
color of straw and 35 miles of rope.
Valley Curtain, Grand Hogback, Rifle, Colorado, 1970-72 marked a significant development in
the artists' oeuvre, signaling the first time they used fabric in an open, noncontaining manner.
Valley Curtain was also the first work by the artists situated in the American landscape. For the
installation, a bright orange curtain of nylon was suspended in a V-shaped valley between two
mountains and set against the blue Colorado sky. The vertical veil format of Valley Curtain
evolved in a logical, though ambitious, progression into a white, ribbon-like structure (24 miles
long and 18 feet high) in Running Fence, Sonoma and Marin Counties, California, 1972-76.
In Wrapped Walk Ways, Loose Park, Kansas City, Missouri, 1977-78, Christo and
Jeanne-Claude covered 2.7 miles of walkways and jogging paths with 135,000 square feet of
saffron-colored nylon fabric. This work provided a more intimate experience, for visitors to the
park actually walked on the fabric.
Considered for its planarity as their most painterly project, Surrounded Islands, Biscayne Bay,
Greater Miami, Florida, 1980-83 involved floating 6.5 million square feet of bright pink woven
polypropylene fabric on the water around 11 islands in Miami's Biscayne Bay. The last project
the Christos conceived that involved wrapping a pre-existing structure was The Pont Neuf
Wrapped, Paris, 1975-85. For this work, the artists covered the 16th-century Pont-Neuf--the
oldest bridge in Paris--with 440,000 square feet of golden sandstone polyamide fabric and eight
miles of rope.
The only project to introduce more than one color into the landscape was The Umbrellas
Japan--U.S.A., 1984-91. It was simultaneously installed in two locations on opposite sides of
the Pacific Ocean, with 1,340 blue umbrellas in the Ibaraki Prefecture of Japan and 1,760 yellow
umbrellas in Los Angeles and Kern Counties, California. These colors represented the
respectively wet and dry environments in which they were installed.
Wrapped Reichstag, Berlin, 1971-95, the most ambitious of the artists' wrapped buildings,
represents perhaps the greatest challenge and achievement in the career of Christo and
Jeanne-Claude. Wrapped Trees, Fondation Beyeler and Berower Park, Riehen, Switzerland,
1997-98, an idea Christo and Jeanne-Claude had tried to realize since 1966, was their last
Three projects are in varying states of progress: The Mastaba of Abu Dhabi, Project for the
United Arab Emirates, begun in 1977; The Gates, Project for Central Park, New York City,
begun in 1979; and Over the River, Project for the Arkansas River, Colorado, begun in 1992.
The Gates emphasizes the footpaths in a park setting and underscores the organic design of
Frederick Law Olmsted's plan for Central Park. In this project, translucent saffron-colored fabric
will be suspended from 15-foot steel gates along the pathways to form a 26-mile golden passage.
With Over the River, Project for the Arkansas River, Colorado, seven miles of fabric panels
will be suspended horizontally above the Arkansas River over a 40-mile stretch (with
interruptions) from Salida to Caņon City. The project may be seen from above (by motorists on
the road that runs along the river and by hikers on the footpaths leading to the water) and from
below (by rafters and kayakers on the river).
Valley Curtain, Project for Colorado,
Grand Hogback, collage 1971,
of Art, Washington,
The Dorothy and Herbert
Ailsa Mellon Bruce Fund,
Patrons' Permanent Fund, and
Gift of Dorothy
and Herbert Vogel 1992.7.1
Copyright Christo 1971