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"AA Bronson: Mirror Mirror"
2002-02-07 until 2002-03-31
MIT List Visual Arts Center
Cambridge, MA, USA United States of America

The MIT List Visual Arts Center is pleased to announce the opening of Mirror Mirror by AA Bronson, a celebrated Toronto and NY- based multimedia artist, on February 7, 2002. Bronson is the surviving member of the legendary Canadian conceptual art collective General Idea, and this is his first solo exhibition in New England, since his 25-year collaboration in art and life with Felix Partz and Jorge Zontal was ended when they died of AIDS in 1994.

In this exhibition, Bronson explores the crucial theme of how to persevere and learn to flourish in the face of the unavoidable tragedies of life. It includes photographs, installation works, wall paintings, and video. Weaving together concepts derived from such seemingly disparate sources as Tibetan Buddhism and Post-Modernism, Bronson uses the particulars of his own biography - professional and personal - to address the universal issues of humanity. Utilizing language taken from the Holocaust and our knowledge of post-traumatic stress disorder, Bronsonís works transport us from the specific traumas of his personal loss, to the global tragedy of AIDS, to a beginning understanding of the transient and illusory nature of life and love. Employing dream narratives and conveying a Buddhist understanding of perceived reality as an illusion, Bronson's new photographs and objects transform crippling tragedy into spiritual growth.

General Idea was a unique, influential practitioner of a type of high-camp conceptualism in which performance strategies, punk-rock aesthetics, drag queen bravado, intellectual rigor, and political resistance were blended into an irresistible mťlange. Bronson, with Partz and Zontal, is among the first internationally recognized contemporary artists to produce artwork in a group structure. General Ideaís later collaborative works, produced in response to AIDS, are among the masterworks in the literature of this plague. His partnersí influence on Bronson during their lifetimes, as well as the legacy of their deaths, figure prominently in the artistís current work.

In his early small black and white photographs, made before General Idea coalesced, Bronson depicts the messy process of attempting to create a whole, coherent identity. Employing the disorienting properties of convex mirrors and other strategies, he presents his body as a collection of disassociated fragments. Thirty years later, he tackles issues of identity and loss from the perspective of a survivor. Bronson bears testimony to great trauma and spiritual right of passage in the documentation of the deaths of his colleagues through a series of photographs and journal and dream related texts. Felix, June 5, 1994 is the striking centerpiece of the series, a larger-than-life image of Partz taken shortly after his death. Enveloped in the brightly colored and luxuriantly patterned bedclothes that comforted him in illness with the television remote control still in his hand, the contrast of Partzís skeletal face and unclosing dead eyes reveal the inescapable reality of his passing and a sorrow too profound for words.

In Arbeit Macht Frei (Work Will Set You Free), Bronson reinvents his use of the convex mirrors, installing the mirrors in the gallery, so that the viewers are essentially viewing themselves. The words Arbeit Macht Frei are reproduced digitally, translocating the slogan which originally appeared at the entrance to Auschwitz into contemporary culture, and relating it to the work ethic in North America. For the Canadian Bronson, the axiom, Work will set you free, is a conspicuously American idea of freedom.

Nayland and AA, June, 20, 2001 (coat), a video collaboration with Nayland Blake, an American conceptual artist, will be presented in the Bakalar Gallery through the exhibition. The images of Blakeís and Bronsonís cake-frosting each otherís beards and kissing, projected with two monitors, explore the ideas of sexuality, masculinity, food and nurturing, and the complexity of multi-racial identity.

Most recently, AA Bronson has been awarded the Bell Award in Video Art (2001). Other awards include The Gershon Iskowitz Prize (1988), The Lifetime Achievement Award from the City of Toronto (1993), the Banff Centre for the Arts National Award (1993), and the Jean A. Chalmers Award for Visual Arts (1994). Bronsonís work has been shown in numerous places such as Museum of Contemporary Art, Chicago, and The Balcony, Toronto, and he is one of the participants in the 2002 Whitney Biennial, Whitney Museum of American Art in New York. General Idea exhibited in private galleries and major museums in North America, Europe, Japan, and Australia, and undertook countless temporary public art projects around the world. This exhibition, organized by the List Visual Arts Center, will accompany the artist designed exhibition catalogue with an introduction by LVAC curator, Bill Arning who is organizing the exhibition.

IMAGE
AA Bronson
from Mirror Sequences, 1969-70
One of seven black and white photos
4-5/8 x 7-1/2 inches
Courtesy of the artist


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