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Indepth Arts News:
"Esther Shalev-Gerz: Geht Dein Bild mich an- Does Your Image Reflect Me-
Est-ce que ton image me regarde-"
2002-05-26 until 2002-09-22
Sprengel Museum
Hannover, ,
DE
The Sprengel Museum Hannover has invited Esther Shalev-Gerz to develop
one of her projects about remembrance. Her research commenced at the former
concentration camp, Bergen-Belsen, near Hanover, a place filled with horrifying
history yet, oddly, this history is entirely absent in nearby Hanover today.
Shalev-Gerz approached this period by examining historical and current
photographic documentation, focussing on the stories of two women: one was in
Bergen-Belsen during the war, the other in nearby Hanover.
Her installation
forces the viewer to reflect on what remains as traces of history and the hidden
histories and fates contained in everyday existence, the image of a city and the
landscape.
"History is like a text in which the past is captured as if it was an image on
light-sensitive paper. At first, the future has the necessary chemicals to
develop the image so that it can be recognised clearly and in focus." (Walter
Benjamin, Collected Works, Frankfurt / Main, 1980, illustration no.1,3,
pg.1238)
Isabelle Choko grew up in Lodz as the daughter of assimilated Jews. After
Hitler's troops invaded Poland, she had to relocate to the Jewish ghetto. After
her father's death, the Nazis deported the girl and her mother to Auschwitz,
then Celle, and finally Bergen-Bergen. Her mother died there. Isabelle Choko
was 16 years old at the end of the war. Charlotte Fuchs is an actress. She
studied in Gera, where she first appeared in the theatre professionally. She
relocated to Berlin in 1932, moving on. In 1934, she followed her husband to
Hanover, who was also an actor. Her two sons were born there in 1939 and in
1944. Her husband was shot by Canadian troops in 1945; she didn't know of
his fate until 1948. Neither of the women knew each other until this video
project brought them together.
Isabelle Choko tells the viewer about starvation, abuse and survival strategies
in the ghetto and in the camps. "I was always hungry...I never had enough to
eat. I noticed that reading helped enormously. That was my way of spending
time. I worked and I read." "When I returned, my father was dead. What did I
do? I found a book and read all night long." Charlotte Fuchs tells, among other
things, about how difficult it was to get by in the collective political
atmosphere. "Intelligence and circumspection helped her to live well. The
worst was in 1939; that was the most difficult period in terms of hiding one's
anti-fascism. In our first flat, every morning when a neighbour appeared,
greeting me with a "Heil Hitler", I let them in and didn't go out. I waited until
they had disappeared into their own flat before I went out."
Working with the stories of these two women's lives is Esther Shalev-Gerz' way
of posing the question, " Does Your Image Reflect Me?" the concept and
exhibition title. The front section of the Upper Gallery contains an installation
in two rooms. There are four video images projected in the first room,
diagonally. The two women tell their stories, listening to each other. In the
second room, large format photographs hang, showing the past and present
Bergen-Belsen.
Financial support, graphic design and Vincent Perrottet's translation of the text
was made possible with the assistance of the Institut Francais de Hanovre
(www.kultur-frankreich.de)
Esther Shalev-Gerz
Esther Shalev-Gerz was born in Vilnius (Lithuania) in 1948. She studied at the
Bezalel Academy of Art and Design in Jerusalem from 1975-1979, and then
spent a year in New York. Shalev-Gerz has been working three-dimensionally
since 1971; her photographic oeuvre dates back to 1973. She taught at the
Bezalel Academy and at the Bat Yam Academy for the Arts as well from
1982-1983. She and Jochen Gerz married in 1984 and they worked together
on numerous projects as well. The Departamento de Escultura of the Valencia
Polytechnic University, Ecoles des Beaux Arts in Paris, Marseilles and
Cherbourg invited her to teach from 1988-1989. In 1984 she settled in Paris,
making it her focal point. Her installations in the 1980s included L'Huile sur
pierre at Tel-Hai (Israel)and the Mahnmal gegen den Faschismus (monument
against fascism) in Hamburg-Harburg together with Jochen Gerz. Towards the
end of the 1990s, her interest moved towards multimedia projects using video
and photography. Esther Shalev-Gerz' work is repeatedly concerned with the
"Third Reich" period. After the "Mahnmal gegen den Faschismus" project, in
which a lead column carrying a petition signed by local residents was then,
step by step, lowered into the ground until it could no longer be seen, she
commented, "For me, the monument is a building block in a process that
continues. The idea could revolve around fascism or any theme that comes out
of it, those are concepts that I can work with. Whether as a monument, a video,
or a book. The monument was a means to confront people. I believe that this
process will continue as it takes root in language so that we can write with it,
tomorrow."
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