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March 8, 2013
AUDITION!
Burning Coal Theatre Company of Raleigh, NC will hold auditions for its 2013/2014 on Saturday, April 20th from 9 am to 5:30 pm. Actors of ages, races, genders and ethnicities are encouraged to attend. Please bring two copies of your picture/resume and two one-minute contrasting monologues (one Shakespeare, one contemporary). To register for a timeslot, please email coalartisticdir@ncrrbiz.com with a time you would like to audition. We will respond with a specific timeslot. Auditions will be held at Burning Coal Theatre, 224 Polk Street, Raleigh, NC 27604. www.burningcoal.org for additional details.
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CALENDAR/THEATRE LISTING: Please run in your THEATRE Listings, Calendar and/or other applicable Section(s) as often as possible from receipt through Saturday, April 20 , 2013.
Auditions. Burning Coal Theatre Company will hold auditions for its 2013/2014 season of plays in Raleigh, NC on Saturday, April 20, 2013 from 9 a.m. to 5:30 pm. Actors should email coalartisticdir@ncrrbiz.com for a timeslot. Please prepare two one-minute contrasting monologues (one Shakespeare, one contemporary) and bring two copies of your picture resume. Arrive 15 minutes before your appointed timeslot to 224 Polk Street, Raleigh, NC 27604 For further information please visit us at www.burningcoal.org.
NOTE: If possible, please include “Burning Coal Theatre Company” as part of these listings.
Thank you.
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Burning Coal Theatre Company is one of Raleigh's intimate, professional theatres. Burning Coal is an incorporated, non-profit [501 (c) (3)] organization. Burning Coal's mission is to produce literate, visceral, affecting theatre that is experienced, not simply seen. Burning Coal produces explosive reexaminations of overlooked classic and modern plays, as well as new plays, whose themes and issues are of immediate concern to our audience, using the best local, national and international artists available. We work toward a theatre of high-energy performances and minimalist production values. The emphasis is on literate works that are felt and experienced viscerally, unlike more traditional linear plays, at which audiences are most often asked to observe without participating. Race and gender non-specific casting is an integral component of our perspective, as well as an international viewpoint.
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