Abstract Art For Sale

Page 1 of 559
Browse 16190 Abstract artworks for sale. Contemporary artists: Vincent Von Frese, Jean Judd, Ulrika Leander, Youri Messen-jaschin, Leo Evans, Nancy Bechtol, Denise Dalzell, Brian Devon, Ted Schaal, Dr. Muberra Bulbul, Terry Mollo, Stefan Fiedorowicz, Jinsheng You offering Abstract artworks. Links to more artworks by these contemporary artists and 559 pages for and further artists at the bottom of this page. To view a work by any of these contemporary artists simply click on the image or browse the artist's portfolio. To buy any Abstract art simply click on the image to go to a more detailed page about this work of art.


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Vincent Von Frese: 'Schlange', 2016 Neon, Abstract. Immense emotions with multi- dimensional range surface in the presence of a snake.  Here these striking forms and colors I use to symbolize this effect for myself.  One Shot enamel paint with Florence t blending on a framed board and blue Neon tube and electrical connection for a plug and ...
, 2016
Abstract - Neon
2 x 4 feet (0.61 x 1.22 m)
Jean Judd: 'abstract textures 3 4', 2024 Mixed Media, Abstract. Abstract Textures 3. 4 continues the spiral design form in larger repeats than found in the earlier pieces of this series. The whole cloth construction with hand applied dyes from condiment bottles and foam brush strokes for the backward aEURoeZsaEUR, created the ground for the artwork. Medium tones of yellow, ...
Abstract - Mixed Media
43.5 x 37.8 inches (110.5 x 96.0 cm)
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Ulrika Leander: 'moonlit', 2024 Fiber, Abstract. In this tapestry, I aimed to capture the exhilarating freedom of an abstract waterscape, using vibrant blues and scattered textures to evoke a sense of dreamlike wonder. Each thread of wool is an invitation to explore a serene yet dynamic celestial fantasy, offering a unique perspective that bridges abstract art ...
, 2024
Abstract - Fiber
30 x 56 inches (76.2 x 142.2 cm)
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Youri Messen-jaschin: 'fantasy', 2024 , Abstract. wall tapestry, lurex, polyacryl, acryl thread, lurex, wool, coton, copiryght 2024 Youri Messen- Jaschin, registred by Prolitteris CH, Transport, packaging is not included in the price, insurance, ...
, 2024
Abstract -
155 x 210 cm (61.0 x 82.7 inches)
Leo Evans: 'max', 2024 Acrylic Painting, Abstract. Life and love inspired me. . . Never have giving my art a lot of thought it comes automatic and I just follow that process. ...
, 2024
Abstract - Painting
18 x 24 inches (45.7 x 61.0 cm)
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Leo Evans: 'the ancestors are watching', 2024 Acrylic Painting, Abstract. Life and love inspired me. . . Never have giving my art a lot of thought it comes automatic and I just follow that process. ...
Abstract - Painting
18 x 24 inches (45.7 x 61.0 cm)
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Leo Evans: '936 x', 2024 Acrylic Painting, Abstract. Life and love inspired me. . . Never have giving my art a lot of thought it comes automatic and I just follow that process. ...
, 2024
Abstract - Painting
24 x 1 inches (61.0 x 2.5 cm)
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Leo Evans: 'markers of life', 2024 Acrylic Painting, Abstract. Life and love inspired me. . . Never have giving my art a lot of thought it comes automatic and I just follow that process. ...
Abstract - Painting
18 x 24 inches (45.7 x 61.0 cm)
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Nancy Bechtol: 'bronze bed', 2024 Other Photography, Abstract. a bronze bed relocates one s priorities. beautiful and abstractly comfy  solid. a feeling of presentation. ...
, 2024
Abstract - Photograph
11 x 9 inches (27.9 x 22.9 cm)
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Denise Dalzell: 'whisper', 2024 Acrylic Painting, Abstract. An abstract impressionistic summer portrait of a couple sitting in a window. ...
, 2024
Abstract - Painting
24 x 30 inches (61.0 x 76.2 cm)
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Denise Dalzell: 'quartetto', 2024 Acrylic Painting, Abstract. An imagined abstract portrait of a group of four travellers deciding where they are and where they go next. ...
, 2024
Abstract - Painting
16 x 20 inches (40.6 x 50.8 cm)
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Denise Dalzell: 'girl with a rainbow bag', 2024 Acrylic Painting, Abstract. An abstract portrait of a girl at the edge of a city, considering which advneture to start out on next. ...
Abstract - Painting
12 x 16 inches (30.5 x 40.6 cm)
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Brian Devon: 'the night bus', 2024 Giclee, Abstract. The interplay between colours creates a unique expression, a little shiver of communication between the viewer and the artist. If I get it right that is  When I feel I get it right it is a powerful impactaEUR|aEUR|one I can only hope IaEURtmm able to transmit through colour. ...
Abstract - Giclee
36 x 36 inches (91.4 x 91.4 cm)
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Brian Devon: 'strive', 2024 Giclee, Abstract. The interplay between colours creates a unique expression, a little shiver of communication between the viewer and the artist.  If I get it right that isWhen I feel I get it right it is a powerful impactaEUR|aEUR|one I can only hope IaEURtmm able to transmit through colour.  I ...
, 2024
Abstract - Giclee
34 x 34 inches (86.4 x 86.4 cm)
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Brian Devon: 'Face off', 2024 Giclee, Abstract. Conor can have a transformative impact on how we feel about the world.  I intend to use colour to heighten that impact.  I want you to stop and let the cooler speak to you from itvivd core, perhaps to send a shiver of light between us ...
, 2024
Abstract - Giclee
40 x 40 inches (101.6 x 101.6 cm)
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Brian Devon: 'Defiance', 2024 Giclee, Abstract. Colour, Colour, Colour. . . . . . . . .  I am hoping to create an impact. . . . . . .  image a striking image like this on your wall. . . . . . .  hopefully creating an impact on your day ...
, 2024
Abstract - Giclee
40 x 40 inches (101.6 x 101.6 cm)
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Jean Judd: 'stained glass mosaic 6', 2024 Mixed Media, Abstract. Stained Glass Mosaic6 is the sixth piece in the series.  The series started in 2006 with the first four pieces being completed by mid- 2008.  Two of the artworks in the series sold immediately.  In December of 2023 I carved out some time to begin working on two new pieces ...
Abstract - Mixed Media
19.5 x 19.8 inches (49.5 x 50.3 cm)
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Denise Dalzell: 'bankside', 2024 Acrylic Painting, Abstract. A scene from Suthbank, London, Winter 2023. ...
, 2024
Abstract - Painting
12 x 17 inches (30.5 x 43.2 cm)
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Jean Judd: 'rusted lace 8', 2024 Mixed Media, Abstract. Rusted Lace8 is the continuation of the ongoing Rusted Lace series.  The ground is a whole cloth textile that has been hand dyed using turquoise, fuchsia and yellow dyes in varying levels of intensity to create a smoky chartreuse.  Examining the piece from a distance and closely reveals arcs, rays, ...
Abstract - Mixed Media
43 x 32.4 inches (109.2 x 82.3 cm)
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Ted Schaal: 'ovilepod iv', 2024 Bronze Sculpture, Abstract. Ovilepod IV is my latest version in my Ovilepod series.  The main body of the sculpture is cast bronze with 24K gold leaf on the flat planes.  The Mirror polished orb is cast stainless steel.  Each piece in the series is individually hand crafted and unique. ...
Abstract - Sculpture
17 x 40 inches (43.2 x 101.6 cm)
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Dr. Muberra Bulbul: 'masks', 2019 Mixed Media, Abstract. Culture recognise us ...
, 2019
Abstract - Mixed Media
50 x 50 cm (19.7 x 19.7 inches)
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Jean Judd: 'Stained Glass Mosaic 5', 2024 Mixed Media, Abstract. Stained Glass Mosaic 5 is the fifth piece in the series.  The series started in 2006 with the first four pieces being completed by mid- 2008.  Two of the artworks in the series sold immediately.  In December of 2023 I carved out some time to begin working on two new ...
Abstract - Mixed Media
19.8 x 19.5 inches (50.3 x 49.5 cm)
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Terry Mollo: 'churchyard marble', 2024 Stone Sculpture, Abstract. A revitalized decades- old piece of marble found on the side of a churchyard, includes mossy discoloration and years of history...
Abstract - Sculpture
10 x 22 inches (25.4 x 55.9 cm)
Stefan Fiedorowicz: 'intoxication of her chalice', 2009 Oil Painting, Abstract. I was inspired by the song Whore of Babylon.And the woman was arrayed in purple and scarlet colourAnd decked with gold and precious stones and pearlsHaving a golden cup in her handFull of abominations and filthiness of her fornicationAnd upon her forehead was a name ...
Abstract - Painting
40 x 40 cm (15.7 x 15.7 inches)
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Ted Schaal: 'vortex i', 2023 Bronze Sculpture, Abstract. Vortex I is bronze and stainless steel. It is mounted to a black granite base. ...
, 2023
Abstract - Sculpture
28 x 24 inches (71.1 x 61.0 cm)
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Ted Schaal: 'metropolis', 2023 Mixed Media Sculpture, Abstract. This is a wall piece that is bronze, gold, silver, wood and steel. The raised bronze rectangles grew organically from the center out as I welded the shapes in a freeform progression. The gold a silver are applied leaf metal on to the black stained wood. The frame is welded ...
, 2023
Abstract - Sculpture
24 x 24 inches (61.0 x 61.0 cm)
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Jinsheng You: 'joy of life 1248', 2023 Acrylic Painting, Abstract. I d like to express my emotion with vibrant colors and unique brush. This is an originalabstract oil painting on canvas, it is one- of- kind, i have got it done recently.PLEASE KEEP THAT IN MIND: ALL MY PAINTINGS VIEWED IN PERSON MORE BEAUTIFUL THAN THE IAMGES BECAUSE...
Abstract - Painting
16 x 20 inches (40.6 x 50.8 cm)
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Jinsheng You: 'joy of life 1247', 2023 Acrylic Painting, Abstract. I d like to express my emotion with vibrant colors and unique brush. This is an originalabstract oil painting on canvas, it is one- of- kind, i have got it done recently.PLEASE KEEP THAT IN MIND: ALL MY PAINTINGS VIEWED IN PERSON MORE BEAUTIFUL THAN THE IAMGES BECAUSE...
Abstract - Painting
16 x 20 inches (40.6 x 50.8 cm)
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Jinsheng You: 'joy of life 1246', 2023 Acrylic Painting, Abstract. I d like to express my emotion with vibrant colors and unique brush. This is an originalabstract oil painting on canvas, it is one- of- kind, i have got it done recently.PLEASE KEEP THAT IN MIND: ALL MY PAINTINGS VIEWED IN PERSON MORE BEAUTIFUL THAN THE IAMGES BECAUSE ...
Abstract - Painting
16 x 20 inches (40.6 x 50.8 cm)
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Jinsheng You: 'joy of life 1251', 2023 Acrylic Painting, Abstract. I d like to express my emotion with vibrant colors and unique brush. This is an originalabstract oil painting on canvas, it is one- of- kind, i have got it done recently.PLEASE KEEP THAT IN MIND: ALL MY PAINTINGS VIEWED IN PERSON MORE BEAUTIFUL THAN THE IAMGES BECAUSE ...
Abstract - Painting
40 x 50 cm (15.7 x 19.7 inches)
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(Page 1 of 559) - MORE ARTWORKS
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  • Artists Describing Their Art:

    Vincent Von Frese - I love the reflection of a sense of wonder in nature while building a sculptural form. A clear presence of forms in metal, wood and stone has revealed to me a personal connection with what was formerly an inanimate object which has become transformed into a living presence quite alive and memorable to all who might be exposed to its existence. I believe we humans are generally speaking the sum total of all we have been and learned. Therefore I attempt to naturally transform my own life experience into each work I produce as art. Recognizing that life is seen and experienced by our senses individually it reveals cognition at varied levels of perception by each persons viewpoint individually. I am only concerned with how I myself personally perceive the art I am producing or have produced while in the act of being an artist. Abstraction in my work is the bending and molding of living entities which I call Zoomorphic Forms. I recognize the appearance of subtle entities which are the hallmark of these abstractions.The recognition of images in clouds, as an example, is subtle and surprising and I extrapolate this entity and integrate it into sculpture and ...

    Jean Judd - Every quilt tells a story and every quilt is unique. The common factor in all quilts is that fabric and thread are used to create a piece of art. To many viewers, cutting up perfectly good pieces of fabric into little pieces and then sewing them together again into a totally different looking piece of fabric, is unbelievable. Who would want to do this day in and day out The dedicated quilt artist and fabric collector I have always enjoyed putting jigsaw puzzles together and the same person who enjoys jigsaw puzzles discovering a finished masterpiece constructed of hundreds or even thousands of little pieces is drawn to the magic of quilt design. Each quilt design is a puzzle waiting to be put together. The design starts in the quilt artists mind and is eventually transferred into reality with the final stitch in the quilt. Many times the original design is nothing like the finished quilt but this just adds to the excitement and the design potential for the next quilt design. What starts in the mind is often transformed into a bigger, better and more dramatic finished quilt than the artist ever imagined. I prefer to make my own ...

    Ulrika Leander - My subject matter is primarily related to the inspiration that I find in the colors, shapes and movement in the natural world in all its forms my work is about expressing and conveying the feelings of joy, peace, and tranquility that come with the contemplation of Nature. I use a traditional weaving technique while constantly striving to extend my ability to capture nuances of color tone and structure. I work with a vertical tapestry loom together with the highest quality tapestry yarns from Scandinavia. I explore and develop my ideas through the medium of watercolor. When I reach the point where I feel that I am ready to commit to devoting 5-6 months or more to transforming my ideas into a tapestry, the outline of the water color design is traced and then digitally enlarged to the full size of the final tapestry. This enlargement provides the map for guiding the hand-weaving process while the watercolor provides the guide for the selection of the yarn colors and tones. During weaving, multiple fine threads of varying thicknesses are blended to achieve the delicate variations in the color tones of the watercolor. ...

    Youri Messen-Jaschin - Award 1963 1st Prize of contemporary engraving Center of Engraving Geneva MusA(c)e daEURtmart et daEURtmHistoire Geneva 1966 Grant of the Swedish state for study at the University of Gothenburg research in the textil in Op art 1969 USA Gould corporation 1st prize for the realization of a Op art sculpture 1970 2 nd prize for a textile work - electro-acoustic, University of Gothenburg 1971 1 st prize for a textile work - electro-acoustic, RAPhsska Museum Gothenburg 1985 Italiy Centro Studi e Ricerche delle Nazioni World Culture Award Statue of Victory 1985 1985 Centro Studi e Ricerche laEURtmAccademia daEURtmEuropa Diploma of Appointment of Academician of Europe for its cultural and professional activity 1986 Diploma European SchowmenaEURtms Union For his sincere efforts on behalf of the European ShowmenaEURtms Union we hereby extend our special appreciation to. Bruxelles IV73 1987 Diploma of nomination Golden Elephant for the merits that he acquired to the cause of the circus Schweizer National Circus GebrA1/4der Knie Rapperswil 1998 Installation Award Certificate of Merit Research in Op art Angel Orensanz Foundation, Center for the arts, New York 2000 Aim for Arts, International juried exhibition, celebrating artistic achievement Federation of ...

    Youri Messen-Jaschin - Nancy Bechtol - Artists explore and give the world a view of their personal heightened awareness. I visualize and think with keen beliefs and insights. Reflection of human and societal concerns which cross emotional boundaries-- communicating that which is unspoken. My traditional art foundations of drawing, painting and printmaking, evolved into video, digital photography and experimental media. I use digital photography and imaging to envision the concepts originating from the creative pulse.An individual artist explores and gives the world a view of their personal heightened awareness. Artists see and think with keen beliefs and insights.Reflection of human and societal concerns which cross emotional boundaries-- communicating that which is unspoken. My traditional art foundations of drawing, painting and printmaking, evolved into video, digital photography and experimental media. I use digital photography and imaging to envision the concepts originating from the creative pulse....

    Denise Dalzell - Painting. Illustration. Expressionism. Pop Art. Modern. Realism and, occasionally, a bit of Abstraction. My current work centers on my consideration of how we respond to each other, the stories that develop between us and around us, and how our collective stories reflect on and influence us individually. How our stories bounce off each other and combine to create new stories. My paintings are illustrations of the scenes that I encounter during my travels abroad and in daily life so, some scenes are more sweeping than others. How do we, as people of differing backgrounds, cultures, and experiences interact with each other Are we different people in a crowd than when alone How do we fit in or stand out where we find ourselves at any given moment, in any given story Stories are everywhere, and thereaEURtms no predicting what theyaEURtmll reveal. Body language, movement, color, contrast combine to illustrate my scenes of interaction between people and within environments. The excitement of being a part of something as unifying as a protest, the sense of adventure that comes from starting out with no particular destination, intimate moments with those we love and those we discover in the big events...

    Brian Devon - I began taking pictures at a very early age, about 8 if I remember correctly, and soon began to manipulate the images, painting on colors and adding my personal touches to create soft impressionist images. My interest in photography led to further study and eventually a career in commercial advertising and fashion photography and I worked in several studios in Dublin, London and San Francisco. I constantly experimented with the medium of photography, seeking to put my own mark or style on the finished image. I became interested in Pictorialism, a movement started in the late 1860s, it approached the camera as a tool that, like the paintbrush or a chisel, which could be used to make an artistic statement. Thus photographs could have aesthetic value and be linked to the world of art expression. It was my Eureka moment. I learned a lot working at several studios over the years and have hopefully have let that experience develop into my work today. The challenge for me is to capture the energy of the moment, its up to you to judge whether I achieve that. I have been lucky enough to have seek a path to expressing my view of...

    Ted Schaal - Lately I have been exploring the use of two enduring materials, bronze and stainless steel. I enjoy the juxtaposition of the primitive texture in the bronze with the mirror polished modern look of the stainless. Balance and symmetry dominate simple geometric forms. These sculptures are made to last through the ages with the highest level of craftsmanship and quality metals. Most of my latest work can be scaled up for public or corporate settings and commission inquiries are welcome. With over 20 years of sculpture experience anything is possible from desk top size to monumental fountains and sculpture. ...

    Dr. Muberra Bulbul - My art life that I started with realist oil painting in university years changed over time and became original. I couldnt get myself from the production of realistic work for a long time. I started to use collage technique in my years of masters, I have diversified it with watercolors and ink. I first worked on paper. Mythological stories and myths occurred in my head while making them. I tried to transfer them to my pictures. The myths had existed in every civilization, each society and faith reflected its own subjective existence. Different races and nations thought. Our essence was the same. We all believe in similar things and behave similarly. In my collages I tried to make a connection between the past and the present. I opened a personal exhibition that can exhibit their recognition. Later these collages became increasingly abstracted and turned into stains. Different painting techniques began to form tissue on the surface. In those tissues I caught the inner world of human. I, you, she or he. We have similar emotions, no matter who we are and wherever we are....

    Terry Mollo - ARTISTS STATEMENT Stone is my most important medium. The attributes of stone motivate me to seek and appreciate the beauty that has evolved with time and natures forces. Whether marble, travertine, alabaster, agate, onyx, each piece has its own story to tell. Its hues, striations, translucence, brilliance- and faults- have history and mystery to unlock. While carving I listen to the stone and carve only enough to find, and unleash, its organic lines and its aEURoevoice.aEUR Im inspired by the point at which natures organic form meets the inorganic. I concentrate on the force and tension created between the two, and search for the line that is formed by their union. In my sculpture, organic and inorganic form often conjure human emotion, human condition. Natures sea forms, shells and waves, suggest human form, depth, fluidity, texture, tone. Botanicals are sensuous with leaves and flowers that appear muscled and fleshy. Stems of flowers, such as orchids or lilies, stand tall, appear happy or courageous and proud, while other stems are viney or gnarled and appear desperate or defeated. All are similar to the ways in which the anatomy and musculature of the human body reflect its deepest feelings and emotion. Terry ...

    Stefan Fiedorowicz - The emotion in my work comes from somewhere deep down, and can speak to the inner part of each person... My work is intuitive and color is the language that I use to express an emotion. It is the interaction of colour that interests me. Painting does not come easy all the time, the more I paint the more difficult it becomes, or more exactly, the more I get stage fright. Sometimes anxiety can reach a high intensity that I get sick with it. I offer my work so that people can perhaps see some parts of themselves reflected in the work. I donaEURtmt ever stop painting in my mind.When I am lying in bed and cannot sleep I see paint moving across the ceiling and imagine it spilling and pouring as it flows through the cracks and converging in every corner. THESIS INTERVIEW WITH LYRICAL ARTIST STEFAN FIEDOROWICZ Personal Influence 1. Who are the artists both contemporary and historical that you can truly say have been a significant influence on your personal work Describe why for each artist. I would have to say that Kandinsky would be my all time inspirational artist. I have seen many exhibitions ...