Artists Describing Their Art:
Gary Drostle - My inspiration could be summed up by the many hand print impressions found in cave art around the world. This simple hand impression can be seen as lying at the core of my artistic vision, it's origin is perhaps human kinds most ancient creative expression and can be seen in cave paintings over 50,000 years old, the signature of the first mural artists. Of course it's not a print, rather the impression left after the hand has been removed and as such symbolises the marks left on the environment by people now departed. To me this is a profoundly democratic view of art for all, on the street, enhancing and changing our environment, interacting with people, landscape and architecture reflecting a sense of place through the expression of our history and humanity, it is this that inspires me. My practice concentrates on working in large scale painted murals, mosaics for floors and walls and mosaic sculptures. In developing this work I draw on the specific site, its history and stories, its architecture and landscape and its community and users to create works which are specific to each site, enduring and beautiful. My experience includes working with other...
Gary Drostle -
Petros Karystinos - Petros Karystinos was born in Athens in 1954. He studied Scenery at the''School of Cinematography and Television Lykourgou Stavrakou'', Athens and Painting at the''Accademia di belle arti'', Florence (1972-1978). He was awarded with a scholarship from the Institution of National Scholarships (I.K.Y.) for his excellenl work in the art of painting (1990-93). He has been a teacher of fine Arts in secondary education since 1981. He has been a member of the Chamber of Fine Arts in Greece since 1981. ...
Patrick Sean Kelley - Behind the Art There is nothing more intimidating than standing in front of a blank canvas and wondering what it will become. There is also nothing more exhilarating. As I begin to apply paint to canvas I find my work seems to be in continuous motion. Always changing. Always progressing. Much like the oil paints that actually embody my visions. I am influenced by many places, things, people and of course, many artists. My latest work is changing yet again. The palette has become softer more jewel toned and the subjects more somber. They speak to me as I paint each stroke awaiting life on the canvas. I am clearly influenced by some of the more modern masters like, Klimpt, Kandinsky, Mirot, Caldwell and as always, Picasso. The art is Inspired by the subject. By a woman's beauty as it is seen and felt both internally and externally. The images in my vision actually seem to mask their true identities as they glance out at the viewer exuding an air of aloofness and mystique. Each stroke is painstakingly smoothed and controlled to create subtle dimensions and color that create the mysterious creatures that appear to come to life on ...
Tineke Kleij-Van Den Boomen -
Younhee Yang - "My goal always was to make people wonder, to remind them, and to have them ask themselves questions." The development of my topics required me to move away from only painting and include the third dimension into my artistic work. I am planning more public works connected to space, such as installations, or time, such as contemporary Art Video. I want to explore the reactions of the passer-by and the impact that the messages of my work may have on them. Unfortunately, temporary installations are very fleeting and only the pictures as documentation stay. That is why I also plan to start working with sculptures, which are much more permanent. I also want to explore more about how Germany with its people and its contemporary art dealt with the separation and subsequent reunification. One of my interests here is about what problems and scars still have to be overcome. I will further develop those ideas. My current projects revolve around the exploration of humankind itself: human behavior, feelings, and mind. My artwork is all interconnected, be it painting, installation, or video-art. In the future I hope to completely intertwine these different modes of art and use them all...
Sherry Harradence - Sherry M. Harradence Artist Statement: What inspires me is in the form of being challenged with Mixed Media Printmaking that uses a matrix such as plexi-glass plates, copper or blocks that produces one of a kind impressions that are most unique. Monoprint/Relief Printing has a history from as far back as the Masters, Rembrandt, Pablo Picasso, Albrecht Durer and many others. Multiple unique impressions printed from a single matrix are known as variable editions (original and ghost copies AKA). There are many techniques used in Monoprinting, including collagraph, collage, hand painted additions, and a form of tracing by which thick paint or ink are laid down on a monoprint press, registering the paper on the painted plate and passing through the press for the transferring of the paint or ink to the paper. Monoprints can also be made by altering the type, color, and viscosity of the ink or paint used to create different prints. Its a challenging medium and you are also painting in reverse. When I am pulling the first print/edition its like Christmas and cannot wait to see what is under the press blankets. My love for color is an obsession and expressed in ...
Duygu Kivanc - Duygu Kivanc is an artist who has shown her work at the United Nations, Soho, Chelsea in NewYork; Alexandria, McLean and Fairfax in VA, in Washington DC as well as internationally in various countries. She considers her participation in the Art Students' League {open studio programs} in New York has influenced her development style in art. Especially, Knox Martin's instructions on abstraction has very strong influence. Duygu's work has been published in: -The Encyclopedia of Living Artists (4th.Edition) - Best of America, mixed Media artists (2007 and 2010) www.bestofartists.com/kivanc/abstract-portfolio/9545623 -International Contemporary Artists Best of Artists Collector's Edition. -Nominated for 2011 Palm Art Award
Xiaoyang Galas - There is so much darkness and sorrow in this world. I no longer want to paint the dark side... I would like my art to be a contribution to the beauty of this world... I want it to be heart warming for all people... I would like my art to be a message of peace....
Robert Pulley - A friend told me recently that it was helpul for her to know how an art work is created and how the artist thinks. That led me to consider what I have to say about my art work. When one looks at my sculpture I hope one sees strength, mystery, sensuousness, spiritual energy and more. How these constructions in modeled clay can stir such responsed in myself and others is a mystery to me, but I can say something about my methods and way of thinking. I have always been intuitive, reactive and spontaneous. I love improvisation, expression and the power of chance and serendipity. This may not seem obvious in large pieces that must be carefully crafted over weeks or months. Here is how it works. When I began the first pieces in this body of work many years ago they were purely improvisational. I would begin each piece with a flat slab of clay that I cut into a shape that would be the bottom of the sculpture. I usually had a vague idea of the proportions I wanted. This general notion set the theme within which I worked. In the manner of free jazz I would consider ...
Katharina Eltringham - I begin with color or texture, adding layers as the personality of the piece speaks to me. My art beckons a closer look and I urge you to reach out and feel it. Life, like art demonstrates that although we may meet thousands of people in our lifetime, it is only when we take the time to appreciate the texture of their being that they become truly beautiful. The use of acrylic paints, as well as gesso, papers, fabrics, embellishments, stones, metals and unconventional tools offer endless possibilities and an intimacy between artist and audience....