Artists Describing Their Art:
Duygu Kivanc - Duygu Kivanc is an artist who has shown her work at the United Nations, Soho, Chelsea in NewYork; Alexandria, McLean and Fairfax in VA, in Washington DC as well as internationally in various countries. She considers her participation in the Art Students' League {open studio programs} in New York has influenced her development style in art. Especially, Knox Martin's instructions on abstraction has very strong influence. Duygu's work has been published in: -The Encyclopedia of Living Artists (4th.Edition) - Best of America, mixed Media artists (2007 and 2010) www.bestofartists.com/kivanc/abstract-portfolio/9545623 -International Contemporary Artists Best of Artists Collector's Edition. -Nominated for 2011 Palm Art Award
Robert Pulley - A friend told me recently that it was helpul for her to know how an art work is created and how the artist thinks. That led me to consider what I have to say about my art work. When one looks at my sculpture I hope one sees strength, mystery, sensuousness, spiritual energy and more. How these constructions in modeled clay can stir such responsed in myself and others is a mystery to me, but I can say something about my methods and way of thinking. I have always been intuitive, reactive and spontaneous. I love improvisation, expression and the power of chance and serendipity. This may not seem obvious in large pieces that must be carefully crafted over weeks or months. Here is how it works. When I began the first pieces in this body of work many years ago they were purely improvisational. I would begin each piece with a flat slab of clay that I cut into a shape that would be the bottom of the sculpture. I usually had a vague idea of the proportions I wanted. This general notion set the theme within which I worked. In the manner of free jazz I would consider ...
Katharina Eltringham - I begin with color or texture, adding layers as the personality of the piece speaks to me. My art beckons a closer look and I urge you to reach out and feel it. Life, like art demonstrates that although we may meet thousands of people in our lifetime, it is only when we take the time to appreciate the texture of their being that they become truly beautiful. The use of acrylic paints, as well as gesso, papers, fabrics, embellishments, stones, metals and unconventional tools offer endless possibilities and an intimacy between artist and audience....
Petros Karystinos - Petros Karystinos was born in Athens in 1954. He studied Scenery at the''School of Cinematography and Television Lykourgou Stavrakou'', Athens and Painting at the''Accademia di belle arti'', Florence (1972-1978). He was awarded with a scholarship from the Institution of National Scholarships (I.K.Y.) for his excellenl work in the art of painting (1990-93). He has been a teacher of fine Arts in secondary education since 1981. He has been a member of the Chamber of Fine Arts in Greece since 1981. ...
Costanza Zappa - Costanza Zappa (www.costanza.net). Farmacista, nata a Milano , acquarellista, sta portando avanti una singolare ricerca nell'alchim|a dei colori e dei soggetti pittorici, passando con estrema disinvoltura dal figurativo alle originali interpretazioni astratte. In entrambi i generi se ne riconosce l'impronta personale nel particolare utilizzo della pennellata. Si intuisce un percorso artistico preciso ed in continuo divenire. La sua formazione si >> avvalsa dell'aiuto di importanti maestri contemporanei quali Luigi Zucchero e Antonio Galloni. ...
Abiodun Ijiyera - Artist Statement In style, content and formal properties, my artwork reflects the motifs found in the traditional arts and crafts of the Yoruba people. The themes revolve around occupations, religious images, music, fashion designs, myths and folklores. Initially, when I was in college, the images recalled subconsciously. Recently, though, I make deliberate efforts to incorporate the familiar symbols and designs found in various traditional wears, musical instruments, carvings, and batik dyeing, in my artworks. The talking drums or the baritone igbin drums with their intricate carvings are much more than the sounds they produce. The formal elements expressed by the striped cords, and the wooden pegs that stretch the hide taut, beautifully illustrate graceful lines and textured organic shapes that end up as focal points in my works. Religious subjects from biblical stories are also a source of inspiration for my creative work. Though many of the stories can be narrative, I portray the images in stylized forms. The idea of stylizing started out as a way of getting kids to look for clues in solving puzzles about biblical personalities and events in our Children Ministry at church. It has since become another style of self-expression for me. ...
Corinne Medina-Saludo - Corinne Medina-Saludo: Creating a Figurative Kinestesic Art The basis of the art of this french contemporary painteri?1/2s research is the " body-mind", or better said, "body lenguage": the painter using her inside physical and emotionnal feelings, as a medium, and also, intention of her art. In her painting act, a mental representation of the body is, at least, coming into the canvas, as a plastic element of of "painted sintaxis" She is a member of Taylor's Fundation of Paris, since 2006, and represented by Drouot-Cotation since 2000. She recently exhibited some featured works, as "Resurrection" in the Miami Museum of the Americas", ( 2010 july, International ART Exhibition). ...