Abstract Figurative Art For Sale

Page 6 of 138
Browse 4000 Abstract Figurative artworks for sale. Contemporary artists: Eve Co, Lois Di Cosola, Micha Nussinov, John Sims, Harry Weisburd, Environmental Artist Apollo, Michael Puya, Maciej Hoffman, Lucille Rella, Donna Gallant, Andrew Wielawski, Kichung Lizee, Isaac Brown, Rosalyn M. Gaier, Noel Stavropoulos, Pilar Pérez-prado, Kyle Foster offering Abstract Figurative artworks. Links to more artworks by these contemporary artists and 138 pages for and further artists at the bottom of this page. To view a work by any of these contemporary artists simply click on the image or browse the artist's portfolio. To buy any Abstract Figurative art simply click on the image to go to a more detailed page about this work of art.


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Eve Co: 'Never been touched like this', 2011 Watercolor, Abstract Figurative. Title Never Been Touched Like ThisCompleted 01032011Size 18 x 12WatercolorAbstract shapes, bright colorful, yellow, blue, brown, green, odd, unique ...
Abstract Figurative - Watercolor
18 x 12 inches (45.7 x 30.5 cm)
Eve Co: 'Palette 1', 2011 Watercolor, Abstract Figurative. Title: Palette- 1Completed: 01/ 01/ 2011Size: 24
, 2011
Abstract Figurative - Watercolor
24 x 18 inches (61.0 x 45.7 cm)
Lois Di Cosola: 'Haiti drawing', 2010 Other Drawing, Abstract Figurative. C print- art work for Haiti- artists benefit- special price at this time- - for donation to Doctors Without Borders- 12 prints left ...
Abstract Figurative - Drawing
15 x 11 inches (38.1 x 27.9 cm)
Micha Nussinov: 'Obstructions', 2009 Other Photography, Abstract Figurative.  Colors in variable densities and light sources are juxtaposed and filtered through, to make obstructed image with fuzzy edges a dreamy world.The image is printed on canvas'Giclee print' , can be printed on other materials. ...
Abstract Figurative - Photograph
111 x 80 cm (43.7 x 31.5 inches)
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John Sims: 'Rape of the Sabines', 2009 Oil Pastel, Abstract Figurative.  Transcription from Rubens ...
Abstract Figurative - Oil Pastel
33 x 33 cm (13.0 x 13.0 inches)
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Harry Weisburd: 'Pole Dancers', 2000 Watercolor, Abstract Figurative.  Erotic exotic dancers in bar known as
Abstract Figurative - Watercolor
18 x 24 inches (45.7 x 61.0 cm)
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Environmental Artist Apollo: 'Afternoon Delight', 2002 Acrylic Painting, Abstract Figurative. This is an image from my Muse Series.  You may view more images from this series at
Abstract Figurative - Painting
33 x 48 inches (83.8 x 121.9 cm)
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Michael Puya: 'Voodoo Satan Gnu und Muh', 2009 Acrylic Painting, Abstract Figurative.
Abstract Figurative - Painting
24 x 27 inches (61.0 x 68.6 cm)
Maciej Hoffman: 'Calculation', 2009 Oil Painting, Abstract Figurative.
Abstract Figurative - Painting
165 x 155 cm (65.0 x 61.0 inches)
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Maciej Hoffman: 'Curve', 2009 Oil Painting, Abstract Figurative.
, 2009
Abstract Figurative - Painting
70 x 100 cm (27.6 x 39.4 inches)
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Maciej Hoffman: 'Process', 2009 Oil Painting, Abstract Figurative.
, 2009
Abstract Figurative - Painting
155 x 180 cm (61.0 x 70.9 inches)
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Maciej Hoffman: 'Distance', 2009 Oil Painting, Abstract Figurative.
, 2009
Abstract Figurative - Painting
235 x 155 cm (92.5 x 61.0 inches)
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Lucille Rella: 'San Francisco Old and New', 2009 Acrylic Painting, Abstract Figurative.
Abstract Figurative - Painting
40 x 60 inches (101.6 x 152.4 cm)
Lucille Rella: 'Self Portrait 4', 2009 Acrylic Painting, Abstract Figurative.
Abstract Figurative - Painting
40 x 60 inches (101.6 x 152.4 cm)
Lucille Rella: 'Self Portrait 2', 2009 Acrylic Painting, Abstract Figurative.
Abstract Figurative - Painting
40 x 60 inches (101.6 x 152.4 cm)
Lucille Rella: 'Women of Kalaw', 2009 Acrylic Painting, Abstract Figurative.
Abstract Figurative - Painting
50 x 40 inches (127.0 x 101.6 cm)
Harry Weisburd: 'Low Cut Red Dress', 2009 Watercolor, Abstract Figurative.  Original Watercolor on Canvasalso AVAILABLE:Limited Ed, 50, color xerox print, signed by Artist25 Dolllars, Unframed ...
Abstract Figurative - Watercolor
12 x 9 inches (30.5 x 22.9 cm)
Harry Weisburd: 'Blue Print Dress', 2009 Watercolor, Abstract Figurative.  Watercolor on Canvas ...
Abstract Figurative - Watercolor
12 x 9 inches (30.5 x 22.9 cm)
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Donna Gallant: 'Whos carrying my cross', 2004 Mixed Media, Abstract Figurative.  Mixed media on paper with gold leaf.This image emerges out of the darkness with her back towards you and a cross behing her.  Very intreging. ...
Abstract Figurative - Mixed Media
15 x 21 inches (38.1 x 53.3 cm)
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Andrew Wielawski: 'Mermaid and Fisherman', 2007 Bronze Sculpture, Abstract Figurative.  In this piece, I'm going more for movement than for detail, as you can see from the lack of definition of the features. Color is used as well as the positioning of the figures, to try to create an harmonious composition. ...
Abstract Figurative - Sculpture
14 x 9 inches (35.6 x 22.9 cm)
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Kichung Lizee: 'Water Beings I', 2008 Mixed Media, Abstract Figurative.  oil and water on paper ...
Abstract Figurative - Mixed Media
19 x 26.5 inches (48.3 x 67.3 cm)
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Isaac Brown: 'flower for my love', 2008 Digital Art, Abstract Figurative.
Abstract Figurative - Digital Art
0 x 0 inches (0.0 x 0.0 cm)
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Rosalyn M. Gaier: 'Objection', 2004 Other Printmaking, Abstract Figurative.  OBJECTION, portrays an event of some importance, with figurative elements alert and engaged. This collagraph required four plates printed over each other to reach completion. It was hand- pulled by the artist, on acid free Rives BFK paper....
, 2004
Abstract Figurative - Other Printmaking
17 x 14 inches (43.2 x 35.6 cm)
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Eve Co: 'As I See', 2006 Other Drawing, Abstract Figurative.  As I see, Drawing on paper. ...
, 2006
Abstract Figurative - Drawing
12 x 18 inches (30.5 x 45.7 cm)
Noel Stavropoulos: 'Aphotic Zenith', 2008 Oil Painting, Abstract Figurative.
Abstract Figurative - Painting
28 x 40 inches (71.1 x 101.6 cm)
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Noel Stavropoulos: 'Perpetual Prism', 2007 Oil Painting, Abstract Figurative.
Abstract Figurative - Painting
28 x 40 inches (71.1 x 101.6 cm)
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Pilar Pérez-prado: 'Nocturne', 2006 Acrylic Painting, Abstract Figurative.   100. 0 ...
, 2006
Abstract Figurative - Painting
100 x 100 cm (39.4 x 39.4 inches)
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Kyle Foster: 'Winter Solace', 2007 Oil Painting, Abstract Figurative.
Abstract Figurative - Painting
14 x 16 inches (35.6 x 40.6 cm)
Kyle Foster: 'Migrant Worker', 2008 Oil Painting, Abstract Figurative.
Abstract Figurative - Painting
24 x 20 inches (61.0 x 50.8 cm)
Kyle Foster: 'Introspective', 2008 Oil Painting, Abstract Figurative.
Abstract Figurative - Painting
20 x 16 inches (50.8 x 40.6 cm)
(Page 6 of 138) - MORE ARTWORKS
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  • Artists Describing Their Art:

    Eve Co - I began painting and drawing in 1987 and have not stopped. I have a wide range from, landscapes, still-lifes, Hubble art galaxies nebulas, abstracts, florals, architectural art and so much more. I draw every day and paint as much as I can afford. I paint more watercolors than acrylic and oil canvas art. I would prefer more canvas art, but I make do with what I have. I try to express myself in artwork as well as with words. I paint landscapes, the glorious colors of nature, water, the ever expressive sky and more, primarily with watercolors on paper. These paintings are usually thought out and planned because they represent nature as I see nature. I paint still-lifes of everyday objects. To teach me about one particular color, shading and or painting glass. I think of still-lifes as a learning process that literally has me pulling my hair out in frustration, but I still paint through how they make me feel... I am fascinated with Hubble Space Technology so, I paint galaxies and nebulas on canvas with acrylic paints. I have sold many of these paintings and I must admit they are some of my favorite subjects...

    Eve Co - Micha Nussinov - Nussinov's Statement Oct 2012 Drifting, being transient, in between various states of body/mind, like when we travel physically and with our imagination, as in a 'waking dream'. My work represents a world of ambiguity and illusion, of recognized and abstracted scenes embedded as a tapestry of matter, illustrating different relationships. Somewhere in the process of creating artworks these worlds are mixed in an harmonious and conflicting manner, representing the contradiction and collision between languages and landscapes. At all times the viewer is challenged to unfold the mystery, to explore and discover. The works of art are created not through a planned process but rather the starting point is an impulse, a visual or musical trigger. These signals lure the me into the unknown territories where my intuition and inner vision leads to spontaneous discoveries. As a teenager my box camera was an excuse to drift away from trouble, to capture in a photo something, that was at the same time ambiguous and exciting. As a cinematographer/ director of documentaries from1976 to1980 I was acknowledged as an acute observer of people and an highly experimental filmmaker. I have been working in various fields of the arts, consistently for the ...

    John Sims - Following some thirty years working as a graphic designer and illustrator I began stone carving in 2000 and in 2002 I returned to college at Christ Church Canterbury in England to study BA Fine Art. In 2007 I went to the Cyprus College of Art to study for a Post Grad Diploma in Fine Art under the great Cypriot artist, Stass Paraskos. At the end of the course I was asked to stay on and run the Summer Schools and to be tutor on the Post Grad course. An incredible experience and an enormous influence on my work. My work now involves less stone carving more often found timber or kebab sticks My drawing in some respects has turned a full circle in the sense that prior to sculpture my illustration work was colourful but painstakingly detailed and stylised. At college I concentrated on measured observational life drawing in pencil which fed into the simple lines of my mainly figuratively based stone carvings. Whilst in Cyprus I re-discovered colour in both my drawing and sculpture. Dreams and mythology filled my waking and sleeping hours. Oil pastel and oil sticks became my favourite mediums to quickly capture these glimpses of ...

    Harry Weisburd - Harry Weisburd is an Internationally Represented Artist, including, USA, Expressions Gallery, Berkeley, California,

    Environmental Artist Apollo - "The beauty of our planet should be held in respect as well as reverence and awe! As the care takers of this precious jewel called Earth it is our duty to become more harmonious with our environment, for what we hold in our hands is a trust for future generations. What we do today, creates tomorrow." APOLLO Internationally Renowned Environmental Artist. Apollo is one of the World's Leading Environmental Artists. Apollo started painting dolphins and whales when He first moved to Maui in 1980. Since that time he has developed a Worldwide Following and has had the privilege to work with several Environmental Groups to raise both funding and awareness. ...

    Maciej Hoffman - First there is always a concept, an idea. Sometimes, I have an impression that the painting is painting itself, an intuition is guiding me while painting. The subjects which interest me result from my experience, from everyday life, from the everyday problems, and the issues that puzzle us throughout the years, forming our way of looking at the world, changing us. My observations are directed to catch the moments of tension, drama, and the clashes in the everyday life. I am formally interested in contrasts of textures, colors and the means of presentation. Sometimes, one line or one spot influences the entire painting. If there is no feeling of suspense, it means that it is not done yet. I like to work at a fast rate, I paint as if I were throwing out of me a painting hidden inside. In painting, I appreciate the courage of opinion and the freedom in the means of expression. I do not like decorativeness and submission to trends or fashion. I do not place emphasis on means of expression or artistic techniques &...

    Lucille Rella - Color, I can't imagine life without it. We are surrounded by it. Our attention is drawn to it and it creates a variety of moods in our environment. It motivates me to paint. A spectrum of lights and darks, high colors and muted tones get me involved in a painting. The wonderful transparency and spontaneity of the watercolor medium, helps me to utilize these qualities in expressing my art work. ...

    Donna Gallant - Art is a daily routine in my life. I see, hear, taste, feel and smell the life that surrounds me and I am inspired by the simplest aspects of this world. Whether it be the way the light hits an object or the way objects or forms move in space. I find it all so fascinating and alive. I try to portray these experiences and expressions through my art making....

    Andrew Wielawski - Art must communicate ideas and have them received the way the artist intends, reaching as many viewers as possible to provoke an emotional response. If you go for those who are in the know about artistic periods, about current trends, and about a symbolic language that requires training to understand, then the artist will miss a huge audience. The artist then becomes a slave to styles created by others. If on the other hand, you work towards reaching multiple levels of viewers, then your task becomes more difficult, and at the same time, more fulfilling. An artist who creates a language will not fit into any already existing niche, and will alienate those looking for something they already know about, like gallerists, collectors and museums. Creativity, however, is like water...it will find its way around such obstructions, and bring the artist satisfaction and a clientele that appreciates what they create without regard for what's in fashion. Most of all, this way of producing reflects the rarity of truth in a world mostly dedicated to superficial values. ...

    Kichung Lizee - After coming to this country from Korea in the mid 60's to study art, among the many forms of Western art that I was introduced to, Abstract Expressionism interested me most. Currently I am in the process of synthesizing Eastern and Western approaches to art. Specifically, I'm adopting the techniques and materials of Eastern calligraphy to Western thematic material, my primary goal being to close the gap between East and West and reach for universal creativity. Eastern calligraphy I learned is a living and breathing spirit, rather than the dead and rigid tradition of thousands of years. It is uniquely a form that conveys the pulsation of life energy. Through it, one can experience all aspects of the living spectrum. Eastern calligraphic form reveals the kind of life the artist has led, as well as foreshadowing the person one will become. It is the art form that manifests the self as a way of life or philosophy of life. It is a powerful art form that operates through direct intuition. As an artist I rely heavily on creative intuition. Moving with changes in the stream of consciousness, my creative intuition somehow brings out the subconscious and superconscious through ...

    Isaac Brown - ISAAC S. BROWN As his day job Isaac is president and CEO of Baltic Street AEH Inc. A non-for profit agency that helps people coping with mental health issues deal with advocacy, employment and housing based in New York city. Mr. Brown has been painting for over 35 years. This self-taught artist has been previously employed in a variety of jobs including lumberjack, diamond cutter, welder and sergeant in the Israeli Defense Forces. It was during his time in the IDF as a young sergeant during periods of down time that he first picked up a brush and paints to begin to express his artistic creativity. Later in between maneuvers, during his time in the first Lebanese War, he began experimenting with whatever materials were available to a young soldier, creating sculptures and roadside art along the way from one camp to another as a release from the daily pressures and responsibly of caring for his fellow soldiers. After leaving the army he traveled the world extensively continuing painting and sculpting along the way. He spent a considerable time amount living in Europe and thus bringing to his art a unique worldwide perspective. His artwork reflects the passion...

    Rosalyn M. Gaier - Beauty. Meditative thought. Nuance. These are subjects of my collagraphs. They take on important implications when examined in light of today's American instant gratification culture. While convenience, speed and availability have become hallmarks of our American way of life and our society's progress, there remains a need for something more meaningful. That something is beauty. From my frame of personal artistic reference, "beauty" involves the viewer by initiating the response of taking pause, suddenly, unawares. Arousing the response from deep within, beauty disarms and fulfills at one and the same time. This elusive beauty is vital nourishment for mind and soul. Does today's American art disarm and fulfill? How well are our minds and souls being nourished? Unfortunately, Americans' appreciation and awareness of beauty are partially numbed by their frenzy experience of instant gratification. Beauty falls prey to the mindset of fast food, "Shop till you drop" and instant access to just about everything. We sacrifice refined taste, uniqueness and rewarded perseverance for what often is ephemeral and not quite satisfying. What this means for artists is that their best pieces can be easily overlooked. Unless relevance and nuance of an artwork can be realized immediately, instant ...

    Noel Stavropoulos - There is great power being an artist. They have influenced and recorded every culture's histories. Much of our knowledge of ancient and modern history today is taken from artifacts (art-i-facts). To have the ability to translate the growth of our civilization today is a gift. I want to give future generations tangible evidence from their history to contemplate and compare to the world we built for them, all the good times as well as the bad. They may learn from our mistakes and take the human race another step in the eternal journey of progression toward "Unity." I seek exhibitions in different countries and cities around the world. This allows me to see how wide, or limited my visual vocabulary really is. Not just from one cultural point of view, but from the masses of the Earth, the people. I then learn from the "Earth's Public" what ideas to expand or abandon. However, in the end, I am still the one who decides the direction of my works. When I create works I am conscious of the world around, so political and social undertone is imminent. I don't think about this while I'm working...

    Kyle Foster - For a more complete look at Kyle Foster's work: