Abstract Landscape Art For Sale

Page 2 of 100
Browse 2881 Abstract Landscape artworks for sale. Contemporary artists: Michael Schaffer, Ben Hotchkiss, Mac Worthington, Vladimir Volosov, Kichung Lizee, Bob Dornberg, Joyce Waddell Bailey, Larysa Uvarova, William B Hogan, Jerry Di Falco, Jim Lively, Jyoti Thomas, Wayne Quilliam, Harry Weisburd, Engelina Zandstra, Nicholas Down, Paulo Medina, Jose Freitascruz offering Abstract Landscape artworks. Links to more artworks by these contemporary artists and 100 pages for and further artists at the bottom of this page. To view a work by any of these contemporary artists simply click on the image or browse the artist's portfolio. To buy any Abstract Landscape art simply click on the image to go to a more detailed page about this work of art.


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Ben Hotchkiss: 'Composition 2020', 1989 Oil Painting, Abstract Landscape. It is part of a 14 by 18 series of paintings that I painted in the 1980s.  It is amongst my earliest abstract oils. ...
Abstract Landscape - Painting
18 x 14 inches (45.7 x 35.6 cm)
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Michael Schaffer: 'my reality your reality', 2021 Mixed Media, Abstract Landscape. In our world today it is not uncommon to see two different realities of the same thing.  This work showswhat we want to see and what is. ...
Abstract Landscape - Mixed Media
30 x 30 inches (76.2 x 76.2 cm)
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Mac Worthington: 'horizon', 2021 Acrylic Painting, Abstract Landscape. Original acrylic on stretched canvasAvailable. Signed   dated. Certificate of Authenticity.Delivery, hanging   shipping availableStudio: 5935 Houseman Rd, historic Ostrander, Ohio.For further information on this piece or to discuss a custom design please call 614 | 582 | 6788 or email: macwartist aol. com...
, 2021
Abstract Landscape - Painting
30 x 14 inches (76.2 x 35.6 cm)
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Mac Worthington: 'stillness', 2021 Acrylic Painting, Abstract Landscape. Acrylic on stretched canvas.Available.  Signed dated.  Certificate of Authenticity.Delivery, hanging shipping availableStudio 5935 Houseman Rd, historic Ostrander, Ohio.For further information on this piece or to discuss a custom design please call 614 | 582 | 6788 or email macwartist aol.  com...
, 2021
Abstract Landscape - Painting
15 x 57 inches (38.1 x 144.8 cm)
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Vladimir Volosov: 'aura of an artist', 2008 Oil Painting, Abstract Landscape. This artwork is an textured oil painting on Nanvas stretched on a wooden frame, painted using a palette knife. Original artistaEURtms style aEUR
Abstract Landscape - Painting
24 x 28 inches (61.0 x 71.1 cm)
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Kichung Lizee: 'connection', 2020 Mixed Media, Abstract Landscape. abstract landscape with interesting images...
, 2020
Abstract Landscape - Mixed Media
11 x 14 inches (27.9 x 35.6 cm)
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Bob Dornberg: 'beach homes', 2020 Oil Painting, Abstract Landscape. Along Beach Front...
Abstract Landscape - Painting
20 x 16 inches (50.8 x 40.6 cm)
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Bob Dornberg: 'hyattstown', 2020 Oil Painting, Abstract Landscape. Old Homes along road home...
, 2020
Abstract Landscape - Painting
20 x 16 inches (50.8 x 40.6 cm)
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Joyce Waddell Bailey: 'Roman Candles', 2004 Oil Painting, Abstract Landscape. Roman Candles portrays an abstract, fantasized family of Tilandsia spikes interacting in fluid response to a light breeze in the host tree.  The components of this specimen suggest a functional division of the spikes.in the middle foreground a small shoot leans on a moving leaf that extends into the ...
Abstract Landscape - Painting
60 x 48 inches (152.4 x 121.9 cm)
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Larysa Uvarova: 'tender sea', 2019 Oil Painting, Abstract Landscape. The series of artworks is about the internal silence that is on the deep each of us. This is the silence we listen to and plunge when our soul and body need a peace. We feel calmness and protection here. There is no time here, just we real. There is ...
, 2019
Abstract Landscape - Painting
100 x 120 cm (39.4 x 47.2 inches)
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Larysa Uvarova: 'you are my gold', 2018 Oil Painting, Abstract Landscape. A series of artworks about feelings and sensations that arise when love lives inside you. After all, everything in life is tied to love. I think that love is a kind of super- feeling, which includes many different feelings. Love is a certain point to which everyone aspires and without ...
Abstract Landscape - Painting
80 x 100 cm (31.5 x 39.4 inches)
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Larysa Uvarova: 'cote dazur', 2018 Oil Painting, Abstract Landscape. A series of artworks about feelings and sensations that arise when love lives inside you. After all, everything in life is tied to love. I think that love is a kind of super- feeling, which includes many different feelings. Love is a certain point to which everyone aspires and without ...
, 2018
Abstract Landscape - Painting
70 x 70 cm (27.6 x 27.6 inches)
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William B Hogan: 'travel country blues', 2020 Acrylic Painting, Abstract Landscape. What inspires me is the Pandemic Covid19 that we are experiencing in 2020. I understand the terrible heart break people are experiencing. I m 81. I want to create colorful abstract representational experiences of absurdity, love, music and rhythms. ...
Abstract Landscape - Painting
40 x 40 inches (101.6 x 101.6 cm)
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Bob Dornberg: 'junk cars', 2020 Oil Painting, Abstract Landscape. JUNKED CARS IN YARD...
, 2020
Abstract Landscape - Painting
20 x 16 inches (50.8 x 40.6 cm)
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Bob Dornberg: 'houses at the beach', 2019 Oil Painting, Abstract Landscape. HOUSES ALONG THE OCEAN...
Abstract Landscape - Painting
20 x 16 inches (50.8 x 40.6 cm)
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Jerry  Di Falco: 'stone gods of the virus', 2020 Intaglio, Abstract Landscape. In this special hand printed etching, DiFalco combines the studio techniques of intaglio and drypoint.  The size of the zinc etching plate used was nine inches wide by six inches high, or 22. 86cm x 15. 24cm, and it required six individual baths in Nitric acid to reach the final ...
Abstract Landscape - Intaglio
15 x 11 inches (38.1 x 27.9 cm)
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Jim Lively: 'urban green', 2020 Acrylic Painting, Abstract Landscape. Asian Influenced...
Abstract Landscape - Painting
20 x 16 inches (50.8 x 40.6 cm)
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Jyoti Thomas: 'natures way', 2020 Pastel, Abstract Landscape. this is no. 7 in the New Life Series depicting the magic of life energy as I experience it every day. ...
Abstract Landscape - Pastel
40 x 50 cm (15.7 x 19.7 inches)
Wayne Quilliam: 'saltwater wayne quilliam', 2020 Color Photograph, Abstract Landscape. indigenous artist wayne quilliam decodes and deciphers the connection of land and sea through spiritual connection...
Abstract Landscape - Photograph
80 x 65 mm ( x )
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Jyoti Thomas: 'new life no3', 2019 Pastel, Abstract Landscape. new life series expresses the way I see and experience life after a Near death experience.  one beautiful life energy manifested in different forms, alive and vibrant, ever- changing...
Abstract Landscape - Pastel
30 x 42 cm (11.8 x 16.5 inches)
Jyoti Thomas: 'new life no5', 2019 Pastel, Abstract Landscape. The new life series expresses the way I see and experience the vibrant and alive natural world after a life threatening illness. ...
Abstract Landscape - Pastel
30 x 42 cm (11.8 x 16.5 inches)
Jyoti Thomas: 'new life series no 2', 2019 Pastel, Abstract Landscape. The New Life series is an expression of the way I experience the natural world after a near death experience...
Abstract Landscape - Pastel
30 x 42 cm (11.8 x 16.5 inches)
Harry Weisburd: 'carmel california', 2015 Acrylic Painting, Abstract Landscape. California Landscape in Northern California inspires me...
Abstract Landscape - Painting
32 x 40 inches (81.3 x 101.6 cm)
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Engelina Zandstra: 'composition 5123', 2019 Acrylic Painting, Abstract Landscape. abstract, landscape, people, meeting, expressionism, yellow, red, blue, white...
Abstract Landscape - Painting
90 x 90 cm (35.4 x 35.4 inches)
Nicholas Down: 'seeking balance', 2019 Mixed Media, Abstract Landscape. Graphite, charcoal and Acrylic on Gesso...
Abstract Landscape - Mixed Media
36 x 12 inches (91.4 x 30.5 cm)
Engelina Zandstra: 'composition 1611', 2011 Acrylic Painting, Abstract Landscape. landscape, composition, abstract, painting, canvas, modern, original, lyrical, figurative, expressionistic, colorful, acrylic, surrealistic, people...
Abstract Landscape - Painting
100 x 90 cm (39.4 x 35.4 inches)
Paulo Medina: 'Promised land', 2016 Acrylic Painting, Abstract Landscape. Las nubes pasan veloces sobre la soledad del desierto.  promised land...
Abstract Landscape - Painting
80 x 100 cm (31.5 x 39.4 inches)
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Jose Freitascruz: 'cerrado 04', 2019 Acrylic Painting, Abstract Landscape. contemporary art, brazil, cerrado, savannah...
, 2019
Abstract Landscape - Painting
12 x 12 cm (4.7 x 4.7 inches)
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Wayne Quilliam: 'aboriginal art', 2019 Digital Photograph, Abstract Landscape. Aboriginal photographic art by Wayne Quilliam...
Abstract Landscape - Photograph
40 x 60 inches (101.6 x 152.4 cm)
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Azhar Shemdin: 'active landscape', 2017 Acrylic Painting, Abstract Landscape. Exciting and gorgeous painting on Canvas pad thick paper. Original painting. ...
Abstract Landscape - Painting
20 x 16 inches (50.8 x 40.6 cm)
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(Page 2 of 100) - MORE ARTWORKS
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  • Artists Describing Their Art:

    Michael Schaffer - Exploring the realms of color, texture, drama, and feelings are the main ingredients of my art work. To inspire the viewer to deal with the issues presented to him is my goal. To inspire the viewer to interpret and react is my passion. I hope you have been inspired... or at least have an opinion. Art and life have many of the same ingredients for us to enjoy....

    Ben Hotchkiss - My name is Ben Hotchkiss. I am 75 years old and have been painting abstract paintings for over 40 years. My interest in art germinated in my fathers studio when I was very young. I used to watch him paint. Often, while watching him paint I would thumb thru his bools on earlier painters of the 20th Century. I especially liked those of the Expressionists,Imressionists,Cubists and Abstract Painters. I was expecially intrigued by the color plates of abstract artists. They did not depect anythingwhat did they mean. But I didnt really begin painting for another 20 years when I was down and out in a rooming house in San Francisco. I actually started doing abstract water colors . In 1980 I moved to Northampton, Ma. and discovered an Art Supply store near by. At this point I had an inspiration to switch from water colors to oils. i started on a shoe string with canvas boards, Duro oil paints and small brushes. I am still painting to this day but on masonite now. I have always been a student of visual expression. I especially like compositions of thingsi.e. many visual en entities working together to create a composite ...

    Mac Worthington - BIO Internationally recognized and locally renowned, Mac Worthington continues his inspirational fine art past his studio and into your home. Each piece reflects his desire for difference and neglect for the norm. Born and raised in Canton, Ohio also known as i?1/2Little Chicagoi?1/2, Mac was privileged to be molded around a family of artists. His father John i?1/2Jacki?1/2 Worthington was a local artist, well-known for this bronze sculptures, specifically busts for movie stars and sports figures included in the Pro Football Hall of Fame located in Canton, Ohio. His mother Marion Worthington was skilled in enameling and silver work. The combination of creative talent and environment made him destined for artistic success. Serving in the jungles of Vietnam at the age of nineteen Mac interpreted the indescribable feelings of war into powerful expressions of art. He attributes additional creativeness to influences such as Hells Angels, Elvis, Bob Dylan, Marlon Brando and the 60i?1/2s era. Going back to his roots he entered the world of heavy metal. Teaching himself to weld he used steel and iron to create massive, grandiose outdoor sculptures. Becoming more skilled with his mediums, he discovered the versatile use of high tech aluminum. This skill ...

    Vladimir Volosov - I was born in 1937 in Leningrad, USSR (now St. Petersburg, Russia). My way to art was a lengthy one. Before becoming an artist, I studied for thirty years at the forefront of modern physics as a PhD scientist and professor, author more than 150 scientific articles in contemporary laser physics. Thirty years of strenuous scientific work on the front edge of modern physics gives me a deep feeling for the anxiety and unprotectedness of the world's beauty. The formula, "beauty saves the world" fits my own attitude. My creed is also embodied in the statement: "to have time to realize everything given to you by Nature." At the threshold of my fifties, I decided to live one more life, a new, alluring life of the free artist. I walked away from my established scientific career and completely devoted myself to painting. In 1991 I founded and headed the association "Light, Color and Art" to connect with scientists engaged in the arts. The main directions of my paintings are lyrical realism and abstract compositions. My paintings are about light, color, atmosphere and space. For me, the most important elements are light and color and their juxtaposition/nexus/meeting of...

    Kichung Lizee - After coming to this country from Korea in the mid 60's to study art, among the many forms of Western art that I was introduced to, Abstract Expressionism interested me most. Currently I am in the process of synthesizing Eastern and Western approaches to art. Specifically, I'm adopting the techniques and materials of Eastern calligraphy to Western thematic material, my primary goal being to close the gap between East and West and reach for universal creativity. Eastern calligraphy I learned is a living and breathing spirit, rather than the dead and rigid tradition of thousands of years. It is uniquely a form that conveys the pulsation of life energy. Through it, one can experience all aspects of the living spectrum. Eastern calligraphic form reveals the kind of life the artist has led, as well as foreshadowing the person one will become. It is the art form that manifests the self as a way of life or philosophy of life. It is a powerful art form that operates through direct intuition. As an artist I rely heavily on creative intuition. Moving with changes in the stream of consciousness, my creative intuition somehow brings out the subconscious and superconscious through ...

    Bob Dornberg - Art ELEMENTS include; relationships of objects, shapes, lines, spaces, colors, rhythm and balance. ELEMENTS are seen when observing any work. An artist should learn while observing, exploring and inventing. While subject matter is important, it should remain subservient to these ELEMENTS. MY WEBSITES:

    Joyce Waddell Bailey - WELCOME if you love art, you will love my website. I work in all media and create works of art in a distinct series of related by style and iconography. Underpinning all of my work is drawing--it all starts with the pencil. Even ideas for photographs and digital prints are sketched out. Each series stands by itself Wash Drawings, Botanical Forms, Digital Prints, Photographs, Miniatures. As for my focus on botanical forms in Southwest Florida, these are wonders that compel fascination. I admit to careful study of botanical sources but l am not a Botanist--Botany is a science. Rather, I choose a subject, make drawings, take photographs and observe its response to i environment, placement, water, light, soil. Some plants are unlucky, others, breathe great growth into their lives by an accident of Nature. When I select a subject, I re-compose its attributes in a way harmonious, even surprising, to the viewer. This is in the way of following a logical perfection of the components in relation to each other and the viewer. Most of my work does not represent quiet scenes, they demand viewer participation. I do this by way of shapes, placement, color and a ...

    William B Hogan - Statement My paintings are inventions form my imagination and start where my mind, eyes, conscious and unconscious meet. I start by sketching ideas that inspire my imagination and design them into a composition of my unusual visual reality. With pen and ink on 8x11 paper I sketch my ideas until I reach a satisfactory visual compositional solution. Transforming a blank canvas has always been a magic, challenging and exciting journey. My images in composition always seems to be in some state of magic and discovery. The magic begins by taking a visual idea and creating a composition that embraces my ideas on a blank surface and the creative discovery is building the painting with color one brush stroke after another until my idea meets my visual reality. The last brush stroke of my finished painting is the stimulus to begin the journey of another. Biography When I was in 6th grade I won a competition to do the cover for the Christmas pageant. The size was 5 12 x 8- 12, vertical. I drew the driver sitting in a sleigh wearing a cap with ear flaps, not ear muffs. It was snowing of course. I thought the flaps looked neat. ...

    Jerry Di Falco - Photography inspires my art and acts as a vital element in my etchings. The images I employ originate from my own photographs, as well as from the images I find from my research into the digital archives of universities, historical societies, libraries, and museums. Upon locating a documented scene I wish to etch, my first step involves the execution of two to five original drawings of the photograph. My collaboration between photography and printmaking allows me the independence to integrate my personal interpretations into the scene. Moreover, I create bridges between the physical and metaphysical visual realities in the same way that a camera intersects with human creativity . . . the nexus between the mechanical and the cerebral art tools. Art unveils everything that we mask behind our belief systems conversely, I strive in my creations to clarify those phenomena we overlook as a result of our egocentric assumptions. Ironically enough, I blame this failure to notice things, a process I label, the phenomenology of connectedness, on todayaEURtms very infatuation with and addiction to the new communicational technologies of social media. My artworks therefore become like windows through which to examine the mysteries of aEURoeeveryday consciousnessaEUR. In fact, my use of ...

    Jim Lively - Whether portrayed in the abstract, realism, or somewhere in between, I am most influenced by both the beautiful and unattractive components of contemporary urban culture. Many times, one painting will reflect both components. My art tends to focus upon interesting juxtapositions of close-up images of human faces. Often, the larger images border upon realism and are caught expressing a panoply of emotions usually directed at the other images that share the canvas. Several of my recent works such as the tongue in cheek entitled "Lenin and Things" contain unlikely combinations of images such as a statue of Lenin which is dwarfed by a billboard size fashion model displaying a vacuous stare. A number of works contain both large images and interrelated small images. For example in the painting "Staring at Natalie", all the smaller images are a depiction of a collective group of voyeurs staring at a larger image of a posed fashion model. I want those viewing the painting to be the ultimate voyeur. The viewer is not only drawn initially to the larger image in its own right but also cannot help but then notice the relationship of the smaller images to the large image. Works displayed ...

    Jyoti Thomas - I feel passionate about creating in many different forms and mediums but I'm predominantly a painter. My art comes from my inner world giving a voice to thoughts and emotions that can't always be adequately expressed in other ways. I am always in awe of the deep power of creativity to heal and bring deep insight. Most of my works are rich in colour and symbols and are an emotional and soul felt interpretation of the world within me and around me. The works shown here are from several bodies of work those being Meet Anita, Gifts of Descent, Below the Surface, Fragments, Oceans of Choice. and Night Sea Journey. My artwork has been a constantly changing river of works following the journey of my life, through good times and difficult times and has always been a refuge and a deep love. While the artwork just IS in its own right I also hope that it taps into others experiences of life and links us together in our common humanity. I love art just for its own sake and nothing else in my world has the ability to lift my heart and soul like making art does. I ...

    Wayne Quilliam - Adjunct Professor Wayne Quilliam is a professional Australian Aboriginal Photographic artist/film maker/cultural advisor working on the international stage. With more than 20 years experience working in all areas of photography including social documentary, sport, tourism, fashion,weddings, movies, event documentation and exhibitions, Wayne is recognised as a leading contemporary in his field. His work is a fusion of traditional spirituality and contemporary photographic processes,each image represents an interpretation of culture in the modern world. His dream is to work with all races of the world and conduct exhibitions in every country....

    Harry Weisburd - Harry Weisburd is an Internationally Represented Artist, including, USA, Expressions Gallery, Berkeley, California,

    Engelina Zandstra - In the labyrinth of my thoughts there are many roads that are leading to the unknown. many roads are leading to the unknown - around every corner a surprise - fata morganas unprecedented views - paintings designed according to laws of their own. ...

    Nicholas Down - During the past few years I have had the privilege of visiting some of the most beautiful landscapes on earth including California's Sequoia National Forest, Yosemite and Joshua Tree National Parks, the red rocks of Sedona Arizona, the tough deserts of Canyonlands and Arches in Utah, Monument Valley in Navajo Nation, and of course the Grand Canyon. I was awestruck with the beauty and silences of these places and deeply inspired to create a number of new paintings and films which attempt to capture the essence of what I felt both as an artist and as a human being. I am increasingly aware of the threats to these landscapes, not just in the short term, but in the future, as the effects of climate change begin to alter rain patterns, glaciers and local ecologies in ways we are only just beginning to comprehend. My paintings are part of my extended homage to nature and are my abstract impressions of colour, mystery, and the spirit of place. My recent paintings have been hugely influenced by the winter here in New York State... frozen waterfalls, ice, snow drifts and landscapes blazing in winter hues. Technical Notes I continue to use the ...

    Paulo Medina - Para mA, el arte, ha sido como una pequeA+-a barca en donde he cruzado muchas veces el mar. Una barca frA!gil y pequeA+-a, sin embargo, capaz de cruzar hacia grandes horizontes. La barca ha sido un instrumento Aotil, pero nada mA!s... La pintura es poesAa silenciosa SimA3nides Artistic experience, as a spectator, and then, more directly, as an artist, has meant for me the possibility of transcending and reaching certain spaces that are intangible, but lived daily. As a creator, to be in front of a blank canvas or a digital image to be manipulated, is to be faced with a challenge that of translating to the language of forms, textures and colors something that has not yet been conceptualized, but that exists somewhere and that I desire to capture, expressing it through those materials and tools at my disposal. It thereby becomes a kind of game, in which time disappears and one enters into communion with the aesthetic experience with its infinity of moments, which go from pain to ecstasy. Self-taught experimentation in the field of art, has been for me one of the great pleasures of life. La experiencia artAstica ...

    Jose Freitascruz - Borneo > 2003 The tropical rainforest and tales of maritime exploration continue to be reflected in my work. Indeed, travel and displacement condition my work - the many places I lived in throughout my childhood and those others my chronic wanderlust has led me to since then have always had an impact on the choices and directions I have taken. The knowledge that a new perspective can be acquired over things we believe to be "fixed" triggers curiosity and fosters a certain degree of unconformity. The need to find and learn new ways to depict whatever it is I wish to depict keeps me on my toes and doesn't allow me to settle with the tools or the style I am already familiar with - I am constantly "on the move" and my painting is meant to be a record of the path I move along. Perceived from a distance my approach tends to be cyclic, each cycle divided into series. Progression occurs from the outside in aEUR" from the surface to the core, from a certain degree of figuration to abstraction. Upon tackling each new theme I will be struck by the outward aspect of things and charged with a strong desire ...