Artists Describing Their Art:
Alain Nicolet - Alain Nicolet was born in 1951. He works on painting since 1977 and had a lot of exhibitions in France Switzerland, USA, etc. His work is like a long way to understand what painting, life, time or memory could mean. This painting asks questions, doesn't show final answers and try to find a way to ask more and more, and better...... Exhibitions selection 2010 Biennale Art Contemporain, Nogent-sur-Marne 2008 Galerie de l'Eveche, Vence 2007 Galerie Marlyse Calame, Vence 2006 Galerie Marlyse Calame,Vence 2005 Galerie Marlyse Calame, Valbonne 2005 Intra/Extra Muros, Yverdon-les-Bains 2003 Galerie Marlyse Calame, Vence 2002 Atelier 348 Bruxelles 2002 Galerie J-J. Hofstetter, Fribourg 2002 Galerie Marlyse Calame, Vence 2000 Galerie Terre d'Ombre, Sommieres 2001 START Foire d'Art Contemporain, Strasbourg 2001 Artenim,Foire d'Art Contemporain, Nimes 2000 Galerie Odile Mauve, Paris 2000 Artenim,Foire d'Art Contemporain, Nimes 1998 Galerie Jonas, Cortaillod 1995 Galerie Espace suisse, Strasbourg 1994 Galerie Nane Cailler, Lausanne 1993 Manoir de la Ville, Martigny 1993 Galerie Europeenne, Boston Alain Nicolet has artsworks in many collections in Europe, USA and Japan. ...
Alain Nicolet -
Boyko Asparuhov - An imaginative expressionist,Boyko,s oil paintings are a treat to the eye and the soul with their strong brilliant colors,fantasy characters and symbolic elements fused into a bold,graphic style."My work conveys the positive energy of the universe-love,romance,dreams,music,nature,beauty and freedom,"says Boyko. Born in Pleven,Bulgaria in1959,Boyko began painting at age six.After graduating from the Bulgarian Academy Of Fine Art,he muved to Prague in the Czech Republic where he operated his own gallery until 2005 year. Boyko lives and works in Chicago,United States...
John Tierney - The paintings I make are charts of wanderings; what I mean by that is: you can wander around a painting and have, at least sometimes, a feeling of recognition of the place where you are. But the place can shift into a new location, you lose your bearings and then find yourself by intuition. You don't know how you got there, but you know where you are. There are well-beaten tracks and waymarkings that appear familiar. When I set off on a new canvas, white, pristine, in the morning, I often think why should I want to mess this up? It's like an empty mirror, but when the first few marks are made, it changes. It has direction, it begins to beckon you. Making the decision to start is the important thing, it doesn't seem to matter what you do. Disparate things can be united, related somehow. Dialogue begins. You're conscious of what is going on in one direction, but a lot is happening along the wayside. Contrasts are important: for example, organic versus geometric. Organic forms arise from memory. There is the energy of the life form against the rectangle of geometric space. Color...
Mark Schwing - Ideally the artist is employed by society at large. The artist helps define culture and culture makes us who we are in whatever time and place we are at. Of course most of us are not living in caves anymore but even then art helped society function; helped the hunter hunt, showed people what to do. Art is still showing people what to do in a way. Whether it is raising awareness by showing what is going on, teaching by example or simply exploring ideas that give people ideas. My art is about ideas as much as anything else but it is a surrealistic and intuitive approach. So what is presented isn't a literal interpretation, it is more like exploring the idea with art. It is really another reality. It mirrors our reality and/or it is influenced by our reality. I can't help but be affected by what is going on around me and I am interested in the transcendental as well. Please visit my website, www.markschwing1.com, for more images....
Martha Hayden - My painting is both realistic and abstract, it is on that elusive edge between there and not there. On first look everything is in place, then all dissolves. I want realism and abstraction to take turns. I want a painting sometimes very evocative of time and place, sometimes overwhelming in abstract, structural logic. I look for a surprise, a drama, a different way of seeing. I try not to see anything for itself alone, but as a part of the whole. In this context, my subjects take on meanings other than the accustomed ones. They are more than still life and landscape; they are comments on thinking and seeing. ...
Steve Doan - A Precarious Balance For The Abstract Painter "Doan's abstract paintings a precarious balance of abrupt explosions of uncontainable gestural energy and soothing, stabilizing structure, which seem to transcend the painterly marks that constitute it. The best abstract painting manages the doubleness with deceptive ease: this simultaneous sense of equilibrium and disequilibrium--not just 'dynamic equilibrium', as Kandinsky called it, but a double vision in which the picture seems a sum of disequilibrated parts that do not add up to a whole and an organically equilibrated whole that is more than the sum of any of its details. Indeed, it rises above then like a mirage of higher unity. Doan's recent abstractions achieve this complex magic. Whether mimetic of abstract, it is the undercurrent of abstract, seemingly arbitrary vividness-willing intensity--that is Doan's basic subject matter." Andrew Dunning - Blue Sky Creative "Ne au Texas, il a grandi en Afrique et en Arizona. Son travail est tres impregne des lumieres et des couleurs vives de ces regions ensoleillees. Il vit depuis plusieurs annees e Bruxelles, apres avoir parcouru l'Europe. Ces differentes terres d'accueil ont influence des style de cr...
Iana Sophia - In my work I strive to create a fusion of traditional and experimental, figurative and abstract visions to arrive at a texture, an implication of a landscape, where the familiar dissolves into mostly impressionistic colour fields or configurations with physical, emotional or even cosmic ramifications. Iana Sophias art pulsates between the seen and envisioned, the figurative and abstract. Inspired by a mystical sensitivity and an appreciation of nature, these paintings draw the viewer into a place of contemplation, where the secrets of the work begin to unfold.A(c) DLS ...
Lelia Demello - I have enjoyed the creative process since early childhood. My professional career started in the late 80's in the beautiful Islands of Hawaii. Since that time, over 550 original pieces have been acquired by collecors from around the world. I have had over 11 solo shows and participated in numerous museum exhibitions. I have been commissioned to paint over 65 paintings for private and coorporate clients. I am self taught and continue to learn with each new painting....
Susan Ross Donohue - Born in Montreal, Canada, Susan Ross Donohue works primarily in oil pastel. The Paris images, inspired by her frequent trips to the city she considers her second home, remain a favourite theme. Nee a Montreal, Quebec, Canada, Susan Ross Donohue utilise surtout l'art de l'imprimerie et les crayons pastel a l'huile. Les images de Paris, inspirees par ses frequents voyages a la ville lumiere, qu'elle considere sa deuxieme ville, demeurent un theme favori. ...
Caren Keyser - My expressionist paintings are done using an intuitive process. I begin with the paint and then allow the paint and my subconscious to lead me to the subject matter. Exciting interactions between colors evolve from brushwork, pouring, glazing, spraying and other techniques. I strive to show the essence of the subject rather than paint an overly realistic image. I never know what I will find next in my work. I hope it will be dramatic and emotional. Note that the paintings are not framed. ------------------------------------- I began painting professionally in 1977 after studying art at Florida Atlantic University. There I explored the many styles and techniques available to the acrylic painter. My first photo-realism style piece was created while attending FAU. I knew from that moment that realistic nature scenes would be my style of choice. This remained my theme and style until after 2005. As time has passed my work has changed and become more creative in its processes. Color is still the dominant feature in my work. As my focus has shifted toward expressionism I stored my realism pieces. The originals of many of them are still available for purchase and are included in my inventory here at ...
Alessandro Andreuccetti - I was born in San Gimignano, Italy, in 1955. I studied art and architecture in Florence attending the Academy of Fine Arts, and I started my job in 1980 as a graphic designer while continuing my research in artistic painting. Through my work I try to analyze and represent the life that surrounds me or pass me by, just brushing . My favorite subjects are human figures immersed in their world, educated , that is, in poses and attitudes that identify the mood and suggest their personality. What interests me most is to discover the relationships between shapes and colors that are evident from the careful observation of reality and this is expressed in a strictly personal representation of the object. Through the filter of my work observers can therefore grasp the point of view of my own , but they are also free to interpret the subject as they please , so participate in the re-creation of the work perfect. Ultimately with my colors , my drawings , the shapes that I paint I suggest a possible interpretation of reality, mine, but the case remains open to the infinite possibilities of the personal experience of each. The ideas Each painting has its own history ...
Laurie Macmillan - Born in Greece, and having also lived in Israel and Nicaragua as a young child, I never felt as if I belonged in the Illinois of my childhood. I was irresistibly drawn to the West, where spaces were large and choices were expansive. To me, that landscape was exotic, and the geology was fascinating. I was also driven to explore the world. In 1973 I visited several third world nations and saw horribly overcrowded slums, realizing then that overpopulation was the world's worst problem. Travel was my focus for thirty years, along with hiking in the jagged, dramatic mountains of California's eastern Sierra. Now, painting has become my new travel, and an even more rewarding path to discovery. Although largely self-taught, I attended a weekly abstract painting workshop for several years, and have participated in numerous other workshops. Probably the artistic movement that has influenced me the most is abstract expressionism, and I love its depictions of pure energy. Tonalist paintings have always appealed to me; realism does not. I'm most interested in the play between color, texture and shape, and I paint with both ends of the brush, a palette knife, combs, sponges, seed pods ...