Americana Art For Sale (385)

Page 14 of 14
Browse 385 Americana artworks for sale. Contemporary artists: Jay Lusk, Shoshannah Brombacher, Russell Bentley, D. Brent Miller, Sonja Tellison-foster, Giuseppe Saitta, David Larkins, Shmuela Padnos, Lou Posner, Richard Montemurro, Jerry Di Falco, Jack Earley, Mary Shobe offering Americana artworks. Links to more artworks by these contemporary artists and 14 pages for and further artists at the bottom of this page. To view a work by any of these contemporary artists simply click on the image or browse the artist's portfolio. To buy any Americana art simply click on the image to go to a more detailed page about this work of art.


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Jay Lusk: 'Apple  Pie', 1999 Watercolor, Americana. Artist Description: How  many  times   have  you  watched  Mom  Or Gramps  peel  apples  for  a  pie. (  Prints   available)...
, 1999
Americana - Watercolor
20 x 16 inches (50.8 x 40.6 cm)
Jay Lusk: 'Cass  Railway', 2001 Watercolor, Americana. Artist Description: This  railway  in  the  past  hauled  lumber   from  the  woods  around  Cass,  WVa.  It  is  used  now  for  Mountain  trips  for  tourists. (   Prints   available)...
Americana - Watercolor
20 x 16 inches (50.8 x 40.6 cm)
Jay Lusk: 'remember  when', 1998 Watercolor, Americana. Artist Description: How  many  times have  you  spent  a  day  like  this?   (  Prints   available)...
Americana - Watercolor
30 x 24 inches (76.2 x 61.0 cm)
Shoshannah Brombacher: 'dialogue 9 11', 2002 Pen Drawing, Americana. Artist Description: This drawing was used as an invitaion for an art show in Downtown Brooklyn, NY.It shows the bewilderment and questions which remanined after the attack of 11 September. For a long time afterwards I have made work relating to this theme....
Americana - Drawing
12 x 16 inches (30.5 x 40.6 cm)
Shoshannah Brombacher: 'kaddish for 9 11', 2001 Other Drawing, Americana. Artist Description: Two days after seeing the billowing smoke column from my balcony in Brooklyn and smelling the acrid burning odor of the Twin Towers and hearing stories of people who fled over the Brooklyn Bridge, I made this kaddish written in smoke. Since September 11 I have made quite ...
Americana - Drawing
18 x 24 inches (45.7 x 61.0 cm)
Russell Bentley: 'Redan Georgia', 2003 Giclee, Americana. Artist Description: As a young boy, growing up in this small town located about 25 miles east of Atlanta, I never dreamed that about forty years later I would be doing a painting of the little town as I remember it.  Though many of us that grew up in Redan ...
Americana - Giclee
15 x 13 inches (38.1 x 33.0 cm)
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Russell Bentley: 'Flying the Farm', 2003 Giclee, Americana. Artist Description: Growing up in a farm filled area of Georgia, on any given day you might see a small plane flying below the tree tops, just above the sage fields.  Of course as kids, we always had dreams of the pilot landing in one of the nearby fields and ...
Americana - Giclee
19 x 15 inches (48.3 x 38.1 cm)
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D. Brent Miller: 'Lunch Counter', 1995 Black and White Photograph, Americana. Artist Description: From the documentary project Fairs & Festivals. ...
Americana - Photograph
0 x 0 inches (0.0 x 0.0 cm)
D. Brent Miller: 'Bubble Gum Contest', 1992 Black and White Photograph, Americana. Artist Description: From the documentary project Fairs & Festivals...
Americana - Photograph
0 x 0 inches (0.0 x 0.0 cm)
D. Brent Miller: 'Bobs Lemonade', 1996 Black and White Photograph, Americana. Artist Description: From the documentary project Fairs & Festivals. ...
Americana - Photograph
0 x 0 inches (0.0 x 0.0 cm)
Shoshannah Brombacher: 'New York city of immigrants', 2001 Other Drawing, Americana. Artist Description: Many of my drawings deal with New York, where I have lived for the last 11 years. It is a fascinating city with its bridges, all its different immigrants and different neighborhoods. Here you see the Lower Eastside, the Manhattan Bridge and the word Barukh ( from a welcome ...
Americana - Drawing
24 x 36 inches (61.0 x 91.4 cm)
Sonja Tellison-foster: 'White Rabbit Red', 2002 Color Photograph, Americana.
Americana - Photograph
18 x 24 inches (45.7 x 61.0 cm)
Giuseppe Saitta: 'Mother of Tao', 2002 Giclee, Americana.
Americana - Giclee
42 x 35 inches (106.7 x 88.9 cm)
David Larkins: 'Laura s Quilt', 1990 Watercolor, Americana. Artist Description: I bought my wife Laura a hand sewn quilt as a present one year and eventually thought it would make interesting painting.  The composition is almost daring in its symmetry but seems to work with the two windows and pallet of blues and greens.The quilt, now safely ...
Americana - Watercolor
27 x 20 inches (68.6 x 50.8 cm)
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Shmuela Padnos: 'american jewish cowgirls up', 2002 Oil Painting, Americana.
Americana - Painting
4 x 6 feet (1.22 x 1.83 m)
Shmuela Padnos: 'buffalo bill wild west show in venice', 2002 Watercolor, Americana. Artist Description: watercolor and pastel...
Americana - Watercolor
5 x 5 inches (12.7 x 12.7 cm)
Lou Posner: 'The Red White and Blue', 2002 Oil Painting, Americana. Artist Description: After Sept. 11, 2001, it was easy to see the colors of the American flag everywhere. [ SOLD 8- 15- 05]...
Americana - Painting
14 x 11 inches (35.6 x 27.9 cm)
Lou Posner: 'Hooters Meets Home Depot', 2002 Oil Painting, Americana. Artist Description: These two Atlanta, Georgia, based companies use the same colors to clothe their employees....
Americana - Painting
41 x 27 inches (104.1 x 68.6 cm)
Richard Montemurro: 'SAX MEN', 2002 Color Photograph, Americana. Artist Description: Who can resist a parade.  Especially if the participants are in colorful cosutmes.  This is a digital photo, manipulated in Photoshop 6. 0....
, 2002
Americana - Photograph
6 x 7 inches (15.2 x 17.8 cm)
Jerry  Di Falco: 'Until Death', 2002 Other Printmaking, Americana. Artist Description: My monotypes ( or monoprints) are obtained by painting on a zinc plate and then pulling one print from the plate; Ergo, monotype.  This is from an Americana folkart series which polks fun at Amish weddings a la dia de los muertos.  Price includes mat, but not frame, handlings ...
Americana - Other Printmaking
9 x 12 inches (22.9 x 30.5 cm)
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Shmuela Padnos: 'eDith', 2002 Watercolor, Americana.
, 2002
Americana - Watercolor
30 x 40 inches (76.2 x 101.6 cm)
Jack Earley: 'Red Cloud', 1990 Other Painting, Americana. Artist Description: Red Cloud, the famous Oglala Lakota Sioux Leader. I love how he shows the same dignity of George Washington. The work is done in sumi- e ink on acid- free paper and surrounded by acid- free material for longevity. It has ultraviolet light resistant glass and a rich ...
, 1990
Americana - Painting
21 x 28 inches (53.3 x 71.1 cm)
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Jack Earley: 'Sierra Tarahumara', 1990 Other Painting, Americana. Artist Description: An Indian with the eyes of a great soaring bird.The work is done on acid- free paper and surrounded by acid- free material for longevity.  It has ultraviolet light resistant glass and a rich gold and brown frame....
Americana - Painting
21 x 28 inches (53.3 x 71.1 cm)
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Jack Earley: 'Buffalo Dancer', 1990 Other Painting, Americana. Artist Description: All I know about this young dancer is that he is filled with humility and grace. He is painted with sumi- e inks on acid- free paper. Sumi- e inks is the medium used in many Asian paintings. The work is surrounded by acid- free material, giving it ...
Americana - Painting
42 x 34 inches (106.7 x 86.4 cm)
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Jack Earley: 'Corn Nubbin', 1990 Other Painting, Americana. Artist Description: Corn Nubbin.  Does he look like his name should be Corn Nubbin?  I certainly never thought so.  Not much power in the name Corn Nubbin, but there is certainly plenty of power in this man.The work is done on acid- free paper and surrounded by acid- free ...
Americana - Painting
21 x 27 inches (53.3 x 68.6 cm)
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Jack Earley: 'Dancer at Fort Hall', 1990 Other Painting, Americana. Artist Description: Look at this painting.  Is it any wonder that we who are non- Indians love Indian cultures, even if we have treated them as badly as a people can be treated?The work is done on acid- free paper with sumi- e inks, the medium used extensively by ...
Americana - Painting
11 x 17 inches (27.9 x 43.2 cm)
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Jack Earley: 'Big Mountain Indian', 1990 Other Painting, Americana. Artist Description: The portrait is of a Big Mountain Indian from the Black Mesa area near Four Corners, probably in northern Arizona.The work is done with sumi- e inks, the medium used in many Asian paintings, and is on acid- free paper.  It is surrounded by acid- free material, ...
Americana - Painting
24 x 30 inches (61.0 x 76.2 cm)
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Jack Earley: 'Comanche Kiva', 1990 Other Painting, Americana. Artist Description: The work is done with sumi- e inks, the medium used in many Asian paintings.  It is on acid- free paper and surrounded by acid- free materials for longevity.It is in a two- tone gold luxurious frame with ultraviolet light resistant glass....
Americana - Painting
35 x 29 inches (88.9 x 73.7 cm)
Mary Shobe: 'Old Store', 2001 Mixed Media, Americana. Artist Description: Watercolor, Pen & Ink and Pencil painting of an old store in South Carolina. ...
, 2001
Americana - Mixed Media
8 x 11 inches (20.3 x 27.9 cm)
Shmuela Padnos: 'americandayofthedead', 2001 Collage, Americana. Artist Description: collage and mixed media...
Americana - Collage
18 x 24 inches (45.7 x 61.0 cm)
(Page 14 of 14) - MORE ARTWORKS
  • MORE »
  • Artists Describing Their Art:

    Jay Lusk - After leaving the United States Navy Nuclear Submarine service, I needed something to take up my time that would be fulfilling and give me a sense of satisfaction, and also to give me an avenue to reach people and I thought Art would do the trick. I am mostly self taught with some other artists help, Lou Williams was my main teacher, along with Hall Groat. and now I let my art speak for itself. By the way... all art pictured on this site may be purchased by print, The cost of a 16x20 framed and matted print is $55.00 shipped...

    Jay Lusk - Russell Bentley - When creating a new painting I always like to view my canvas as if I were looking out an open door or window and seeing something happen that in real life would only be accessible from a great distance. I hope that when you look at a finished work, you feel as though you could walk right into the picture. I strive for detail and realism although some of my paintings have a touch of surrealism included which gives the finished art a slight "Disney" quality such as "Out on a Limb" and "Sneaking out". But it's always interesting to hear how others view my work so please sign my guest list and let me know how they look through your eyes. Thanks, Russell Bentley ...

    D. Brent Miller - First and foremost, I approach photography the same as a writer--as a storyteller. My mission is helping others tell their story. As a photographer, the images must capture more than a pleasing image, it must say something about the person, the event or location. Sometimes, it takes a series of images to tell the story, like a photo essay. I want the viewer, or my customers, to respond to the images with a positive feeling, to smile or laugh a little at what's going on in the photo, to be reminded of fond memories, or to just express great satisfaction. Secondly, photography is a tremendous tool and method to bring people together, to find a common ground of understanding. It is to this end that I have been a life-long student of human behavior, and a documentarian of shared experiences. Thirdly, photography enhances my writing, as writing enhances my photography. To me, both are essential tools to telling complete stories. ...

    Sonja Tellison-Foster - More than simple faerie tales, myths can teach, heal, act as morality guides, or beacons of inspiration along a sometimes murky spiritual path. The myths of a culture are it's soul. They are what's left behind when the political border lines have changed and the people themselves are gone. Myth helps us to understand our own nature as well as that of the world around us. Joseph Campbell, noted scholar and one of the foremost authorities on mythology states, "Myth must be kept alive. The people who can (do this) are artists . . . . The function of the artist is the mythologization of the environment and the world." At a time when we, as a society, rely more on science and technology for answers to our various quandries, than a collective, traditional knowledge, refocusing on mythologization is more important then ever. Are you anxious? Here, take a new pill! Are kids more violent? Must be the video games! The adage "There's nothing new under the sun." is itself certainly not a new concept. If we delve deep enough, the answers are already existent, like diamonds in the dark. When we forget the stories of our ancestors, we forget our...

    Giuseppe Saitta - As a writer and a poet, I've known for some time that my words are the wings of my emotions. However, as an artist I know that my abstract images are my emotions made manifest. I also know that art is and always has been the language of the soul. And I believe that it is through art that I can best communicate with my soul and spirit and your soul and spirit, and in so doing transform and grow beyond my limiting beliefs and struggles into absolute freedom. All of the arts can be portals into the deepest and most remote aspects of who we really are. The Realm of art is music, dance, body movement, painting, drawing, design and architecture, sculpture, theater, writing prose or poetry, mythic ritual, and yes all of the highest and most aesthetic aspects of science, philosophy, and mathematics. By risking whatever we must risk to leap through any of the many gateways of art and science, we give ourselves the gift of opportunity to awaken within us the long dormant languages of image and rhythm. These are experiential languages, like the language of touch. Most of these languages are metaphors for expressing ...

    David Larkins - I've always been intrigued by the luminosity and transparencies found in watercolor and acrylic mediums. I believe an artist must experience the painting - to absorb the surroundings, the atmosphere, to have a oneness with the subject matter before the first brush stroke is applied. My style is described as "Abstract Realism" and my strength is found in the composition. I'm drawn to diverse subject matter that challenges the viewer to see abstraction in the ordinary - to meld the "real" world with the "abstract". ...

    Shmuela Padnos - ARE YA READY TA GET THE BIG LEG BLUES FROM THE GAS MAN AS THE SPECIAL RIDER MAKES YOU MISSISSIPPI MOAN? ARE YA GONNA RIDE THE NEW HAMHOUND CRAVES A BLACK SNAKE MOAN WITH THE LITTLE LEG OUTSIDE WOMAN BLUES? WELL TAKE A LITTLE WALK WITH ME AS i TELL YOU ABOUT THAT CHERRY WOMAN ARTIST SHMUEL A PADNOS. AS THE DEVIL SENT THE RAIN TA N'AWLINS SHMUEL A WAS CONCEIVED DURING MARTI GRAS FUN OF LE BON TON ROULET. 9 MONTHS LATER IN THE FOOT HILLS OF NORTH CAROLINA, LAND OF RATTLE SNAKIN DADDY& STEP IT UP & GO, SHMUEL A WAS BORN. ALTHOUGH EXPOSED TO THE EAST COAST PICKIN OF BLIND BOOY FULLER, BUDDY MOSS& JOSH WHITE BY HER GRANDPARENTS, SHMUELA WAS ALWAYS FOUND WITH A PAINTBRUSH IN HER HAND INSTEAD OF A GUITAR. SHE FOUND THE MOVING OF THE BRUSH CREATED ITS OWN FUNKY SOUND&RHYTHM....

    Lou Posner - After you reach the main or first Posner portfolio page, please click on an image to enlarge it and bring up further details about the piece of art, including THE PRICE and a description or story of it. Once you have done this, you may also click on zoom-in, a function which may or may not work. At the bottom of Posners main portfolio page Page No.1 you will see instructions for navigating to the rest of my art. There are presently a total of about 237 pieces of art to be viewed. Most are oil paintings, and the rest are charcoal and pencil drawings, watercolors, prints, etc. The first set of images will tell you if the piece is NFS Not For Sale or SOLD. I include these on the website to give viewers a sense of the scope of my work. Prices for each piece USED TO BE SHOWN next to the initial encounter with the image. NOW...all my prices are gone from the intial images, and the words REQUEST PRICE appear for all pieces that are still for sale. NOTE YOU DO NOT HAVE TO CONTACT ME TO REQUEST ANY PRICES. IF YOU CLICK ...

    Richard Montemurro - The artist is self taught and began his artistic journey with abstract oil painting. He later became interested in photography and has since integrated the use of the computer in his creative artistic endeavors. He uses his digital cameras and his digital paintings of abstracts in his creations, combining them, when appropriate, to create unusual works of art. His desire is to create images that are unique and interesting to look at. They are seldom created to make statements about the human condition or to express displeasure with society. The artist feels that there is room in life to create images for the sake of creating them as individual expressions of one's imagination....

    Jerry Di Falco - Photography inspires my art and acts as a vital element in my etchings. The images I employ originate from my own photographs, as well as from the images I find from my research into the digital archives of universities, historical societies, libraries, and museums. Upon locating a documented scene I wish to etch, my first step involves the execution of two to five original drawings of the photograph. My collaboration between photography and printmaking allows me the independence to integrate my personal interpretations into the scene. Moreover, I create bridges between the physical and metaphysical visual realities in the same way that a camera intersects with human creativity . . . the nexus between the mechanical and the cerebral art tools. Art unveils everything that we mask behind our belief systems conversely, I strive in my creations to clarify those phenomena we overlook as a result of our egocentric assumptions. Ironically enough, I blame this failure to notice things, a process I label, the phenomenology of connectedness, on todayaEURtms very infatuation with and addiction to the new communicational technologies of social media. My artworks therefore become like windows through which to examine the mysteries of aEURoeeveryday consciousnessaEUR. In fact, my use of ...

    Jack Earley - After writing for two decades, I was developing an idea that I knew could be better expressed as a painting. So in the mid-eighties I took up full-time a life-time passion: painting. My work is about inner energy; about, first of all, my own energy and internal balance, reinforced through the practice of yoga and tai chi. I sign the inner energy of the subject matter onto the canvas. I work with acrylics on canvas and sumi-e inks on rice paper. I also sculpt using wood, copper and leather. Along with focusing on the inner energy of my subject matter, I am constantly working with an awareness that humans have an ancient need to see form, be it in clouds or in chipped paint on a wall or in waving leaves. The ability to decipher forms is part of our oldest survival skills. Imagine the advantage of being able to quickly spot the approaching bear among the shifting shadows of trees. Imagine the advantage and the thrill. On many canvases, I create forms so the viewer "discovers" them in an uplifting act. Often, I give the paint its head in creating forms, like freeing a captured ...

    Mary Shobe - Following a childhood dream of learning to paint, I received my first Art lessons in the fall of 1999, taking a basic drawing/painting class in acrylics. As an amateur photographer, I learned that the ability to see a good picture also allowed me to be able to recreate a good picture from Pen and Ink. With my teacher, Vivian Edwards as my mentor, she encouraged me to continue learning to use Pen and Ink as my main media. My desire to become a better painter and learn more of the basics in painting. I have now started advancing into watercolor and acrylic. ...