Americana Art For Sale

Page 3 of 8
Browse 219 Americana artworks for sale. Contemporary artists: William Van Horn, Eduardo Diaz, Thomas Jewusiak, Dmitry Rakov, Carol Griffith, Roderick Briggs, Luis Guillermo Ramírez Ezquerra, Ellen Rosenberg, Tom Miller, Ron Zilinski, Tyler Alpern, Dennis Rennock, Michael Rusch, Giuseppe Saitta, Richard Lazzara offering Americana artworks. Links to more artworks by these contemporary artists and 8 pages for and further artists at the bottom of this page. To view a work by any of these contemporary artists simply click on the image or browse the artist's portfolio. To buy any Americana art simply click on the image to go to a more detailed page about this work of art.


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Eduardo Diaz: 'AMERICA', 2006 Oil Painting, Americana.  MIXABLE WATER OIL COLOR OVER PAPER ...
, 2006
Americana - Painting
15 x 20 inches (38.1 x 50.8 cm)
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Thomas Jewusiak: 'Morris Canal at Waterloo', 2007 Oil Painting, Americana.
Americana - Painting
26 x 20 inches (66.0 x 50.8 cm)
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Thomas Jewusiak: 'Ice Cream Parlour', 2007 Oil Painting, Americana.
Americana - Painting
28 x 20 inches (71.1 x 50.8 cm)
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Thomas Jewusiak: 'American Old Mill', 2007 Oil Painting, Americana.
Americana - Painting
26 x 20 inches (66.0 x 50.8 cm)
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Thomas Jewusiak: 'County Court House', 2007 Oil Painting, Americana.
Americana - Painting
30 x 20 inches (76.2 x 50.8 cm)
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Thomas Jewusiak: 'Bank House', 2007 Oil Painting, Americana.
, 2007
Americana - Painting
26 x 20 inches (66.0 x 50.8 cm)
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Thomas Jewusiak: 'American Country Barn', 2007 Oil Painting, Americana.
Americana - Painting
28 x 20 inches (71.1 x 50.8 cm)
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Thomas Jewusiak: 'American Farm House', 2007 Oil Painting, Americana.
Americana - Painting
24 x 20 inches (61.0 x 50.8 cm)
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Thomas Jewusiak: 'Old Town', 2006 Oil Painting, Americana. Although many don' t think of Florida for its picturesque historic towns, there are many. This oil on line canvas painting portrays the old movie theater in Cocoa Village Florida. Also available as a unique signed limited edition archival giclee on canvas, hand embellished in oil for $219 for size ...
, 2006
Americana - Painting
32 x 20 inches (81.3 x 50.8 cm)
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Dmitry Rakov: 'USD', 1998 Graphic Design, Americana. USD ( Dollar)The artstyle - IMP ART ( Impossible ART)Paper: stamping
, 1998
Americana - Graphic Design
12 x 16 inches (30.5 x 40.6 cm)
Carol Griffith: 'Sculpture Garden Kansas', 1984 Oil Painting, Americana. Born of a fondness for naive art and a reaction to
Americana - Painting
46 x 46 inches (116.8 x 116.8 cm)
Carol Griffith: 'Parade Series Local Theater', 1996 Oil Painting, Americana. Thise is one painting of 8 paintings that create the parade of the Parade Series, 376
Americana - Painting
60 x 46 inches (152.4 x 116.8 cm)
Carol Griffith: 'Lighthouse Gallery and Gifts', 1998 Oil Painting, Americana. this painting is about my love for fast vanishing
Americana - Painting
46 x 58 inches (116.8 x 147.3 cm)
Carol Griffith: 'Pistol Petes', 1992 Oil Painting, Americana. Pistol Pete' s is one of a series of paintings based on memories of roadside attractions and souvenir stands. This painting is a composite of many remembered trips. ...
Americana - Painting
66 x 48 inches (167.6 x 121.9 cm)
Roderick Briggs: 'Gas Forlorn Outpost', 2000 Oil Painting, Americana. This converted gas station, on the path to abandonment, still remained on a street of a Westen mining town, whose local industry closed....
Americana - Painting
48 x 36 inches (121.9 x 91.4 cm)
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Roderick Briggs: 'Hung Out to Dry', 1997 Oil Painting, Americana. This street corner scene reflects one aspect of a Western mining town' s predicament after corporate owners of the mine abandoned the operation, leaving its inhabitants adrift.  Each brick in the huge wall is detailed as a tribute to the 19th century bricklayers who erected the building and others like ...
Americana - Painting
50 x 40 inches (127.0 x 101.6 cm)
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Luis Guillermo Ramírez Ezquerra: 'PUNK POLICE', 2005 Oil Painting, Americana. DE LA SERIE AZTEK MACHINE COMIC 2005 CAP ONE...
Americana - Painting
100 x 100 mm ( x )
Ellen Rosenberg: 'Best Seat in House', 2005 Silver Gelatin Photograph, Americana.
Americana - Photograph
16 x 20 inches (40.6 x 50.8 cm)
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Ellen Rosenberg: 'Vogueing', 2005 Silver Gelatin Photograph, Americana.
, 2005
Americana - Photograph
20 x 24 inches (50.8 x 61.0 cm)
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Ellen Rosenberg: 'Chagall Through Lens', 2005 Silver Gelatin Photograph, Americana.
Americana - Photograph
20 x 24 inches (50.8 x 61.0 cm)
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Tom Miller: 'Coke and Bush', 2004 Computer Art, Americana. An American Classic! ...
Americana - Computer Art
800 x 600 inches (2032.0 x 1524.0 cm)
Tom Miller: 'Howdy Doody', 2004 Computer Art, Americana. Dirty Howdy Doody! ...
Americana - Computer Art
800 x 600 inches (2032.0 x 1524.0 cm)
Ron Zilinski: 'New York Memorial Drawing Prints', 2001 Pen Drawing, Americana. These are screenprints of the original drawing.  They are simply beautiful to look at.  Over 100 hours of tedious drawing went into the original drawing by hand with pens.  The original is for sale, with conditions.  These screenprint copies are available in a limited print.  The colors are rich and ...
Americana - Drawing
24 x 20 inches (61.0 x 50.8 cm)
Tyler Alpern: 'Rain', 2004 Oil Painting, Americana.  I made the raindrops closest to the viewer huge,  up to seven inches long.   By creating such large foreground elements, I placed the viewer right in the picture, in the rain, not merely looking at it from afar or thru a window.  You would have to be very close to...
, 2004
Americana - Painting
48 x 42 inches (121.9 x 106.7 cm)
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Dennis Rennock: 'September 11th', 2001 Pencil Drawing, Americana. With clever hidden symbolism, a well crafted rendering of a child passing an empty garden chair in memory of the historic events of September 11th 2001....
Americana - Drawing
22 x 30 inches (55.9 x 76.2 cm)
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Michael Rusch: 'Prospector and the Bear', 2001 Mixed Media, Americana. Originally published on the cover of Backwoodsman, this painting was altered afterward to include bear imagery in background. This painting is also available in various open series print forms and can be handsigned by artist for an additional handling fee....
Americana - Mixed Media
16 x 20 inches (40.6 x 50.8 cm)
Michael Rusch: 'Explorer 3000', 2000 Digital Print, Americana. This fictional work incorporates the figure of John Muir the explorer, who discovered landmark treasures, such as Yosemite National Park.  My concept, in this piece is exploring the idea of what the next explorer might find in the year 3000. Available in Limited Series Prints from publisher. Hand signed by ...
Americana - Digital Print
16 x 20 inches (40.6 x 50.8 cm)
Giuseppe Saitta: 'Mother of Tao', 2002 Giclee, Americana.
Americana - Giclee
42 x 35 inches (106.7 x 88.9 cm)
Richard Lazzara: 'bliss', 1974 Calligraphy, Americana. bliss 1974 by Richard Lazzara is available from the folio - Sumie Door Meditations, along with more fine arts from
, 1974
Americana - Calligraphy
18 x 24 inches (45.7 x 61.0 cm)
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Richard Lazzara: 'etherial flames', 1982 Calligraphy, Americana. etherial flames from 1982 is available within the LIGHTPATH EVENT HORIZONS FOLIO and with more fine arts from
Americana - Calligraphy
25 x 19 inches (63.5 x 48.3 cm)
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(Page 3 of 8) - MORE ARTWORKS

Artists Describing Their Art:

Eduardo Diaz - Statement My name is Eduardo DIaz and Iim a Mexican artist residing in the Bay Area since 2001. In my work I express different elements of Mexican culture, while emphasizing its Native American heritage. I incorporate native themes and images, both extant and prehispanic, into my works and combine them with personal feelings, experiences or fears. Although cultural elements are the essence of my art, through them I also like to express political and social opinions. As a Mexican, I feel in touch with the problems at the Mexican-American border, as well as with the issues facing Mexican immigrants. I also like to express the tension between the indigenous and the industrialized worlds, and to analyze the different elements that make up Mexican identity, especially when confronted with life in a different country. My favorite medium is oil painting. I use vivid and deep colors, with which I reflect the light of the Mexican sun. Some of my compositions are figurative, and oscillate between realistic scenes and more elaborated images, with affinity to surrealism. My most recent productions are less figurative and combine the same vivid colors into expressive abstract constructions. Biography My name is Eduardo D...

Thomas Jewusiak - Artist's Statement I reject the description of the style of my painting as photorealistic. I make no attempt to duplicate a photograph. Although there can be a valid artistic point in doing this, it is decidedly not my point. I attempt to communicate a reality or rather an illusion of actuality, as perceived by the eye and mind that is more intense, more concentrated than that which can be captured by the camera and lens alone. I also attempt a more honest portrayal of what is real than can be produced by the simple photograph. Since many of my paintings are purely conceptual, existing originally only in the imagination, or as a distillation or manipulation of many separate scenes that may exist, did exist or I think existed, the charge of "merely" duplicating a photograph is particularly galling. By representing the finest detail in paint I attempt to foster the illusion, (or foist the illusion), to give a perceived concrete existence to a pure product of the interpretive imagination. The sometimes excruciating detail is fundamental to the intended impression, a sleight of hand (or eye), where we are perhaps distracted by the minutia, enamored of it and thus lulled ...

Dmitry Rakov - Impossible reality (All new artworks and largerview at www.rakov.de and

Carol Griffith - My oil paintings are meditations triggered by places or situations in my memory, arrived at through a sort of daydreaming state of mind. I attempt to evoke that mood in the handling of the formal elements of the painting, especially the color and the perspectival point of view. I wish to create both a believable place and the sense of something more significant behind it. The viewer, in contact with the painting and their own memories, may then project into the space and experience the significance that I sensed. This approach has led me to an interest in souvenirs. I see them as an attempt to capture a special place or experience in concrete or symbolic form. By doing paintings of my own remembered places and experiences, I have been following a parallel path. I like the comparison with one purpose of art. I use borders in some of the paintings to function simultaneously as framing devices and as an arena in which to create a dialogue with the internal painting. The borders also extend the meaning of the internal subject. Memories often consist of simultaneous kaleidoscopic vignettes that, in combination, embody the whole, original experience. Each vignette is also ...

Luis Guillermo Ramírez Ezquerra - Luis RE. Artist statment. Versus: sobre Borderline borderline [boer-der-lain] s. Limite, orilla, frontera.- a. Incierto, dudoso. A borderline case, caso entre lo normal y lo subnormal. borderline (termino psicoanalitico): caso clinico de personalidad que oscila entre varias patologias, sin tendencia a alguna en particular. "El caracter de la imagen se determina por la relacion establecida entre el adorante y el adorado" Shukrasharia. La frontera entre una cosa y otra siempre ha sido creada, por lo tanto es siempre suceptible a la destruccion. Lo hermoso puede ser grotesco de un momento a otro. La vida tiene como companera mas cercana a la muerte. Nada es forma o pura, incluso lo que supone serlo. Entre los trazos basicos de las lineas se esconde una verdad. La imagen misma de las lineas del trabajo de luis RE Borderniline -horizontales pasivas o activas verticales- nos sugiere ya la idea misma de limite. ?limite de que? Borderline, actual peldano pictorico del aritsta, sugiere marcar y desvanecer limites, y confronta tres pares de ideas, fundamentales para su poetica pictorica: 1. La imagen vs. ...

Ellen Rosenberg - aEURoeWhen you approach something to photograph, first be still with yourself until the object of your attention affirms your presence. Then donaEURtmt leave until you have captured its essence.aEUR Minor White Art is neither a profession nor a hobby. Art is a way of being. It is an expression of the human spirit and an integral part of all beings. My creative passion is expressed through the art of photography, allowing for a vocabulary of imagery that is my own. These photographs arise out of my own spirituality, a practice of mindfullness and being fully awake to the present moment. As my journey has taken me deeper into the study of Dharma I have recognized that the camera becomes an extension of my being. I bring the camera to my eyes and aEURoefeelaEUR the image that appears in front of me with a heightened awareness. An opening to the world precisely as it is, offering up all the richness and beauty that is present within this moment of time. I seek to create an intimacy with my photographs, allowing for the viewer to feel the art form, not as a two dimensional visual archive of a moment, but to...

Tom Miller - My work is Rinky-Dink in nature; that being to do the least amount of effort with all the wrong tools for all the wrong reasons at the wrong time and place. Magic Marker is my specialty, but I often dabble in "fake" painting on the internet with shareware paint programs I download from random sites, glitter glue, xerox copies of originals (the originals then get destroyed and the xerox copies become the original work), and painting with my butt. I think of my art as generally worthless since nobody ever buys any of it. But I continue making it because they say that you live on in your work, and that is why my art is so silly. -- Tom Miller, Artist, UFO Expert...

Ron Zilinski - I have been drawing designs for thirty years. I first took an interest in spirograph but couldn't get used to the cog wheels. I doodled at first with 8.5 inch by 11 inch paper. Everyone wanted me to make them a design. I drew designs on a bigger scale and now draw on 22" by 28" poster paper. My drawings will take a minimum of 80 hours to complete. Some design drawings take me over 100 hours to complete. This type of artwork leaves no room for errors. Imagine drawing for 60 hours and make a mistake, it will show up in the drawing. There is no way to draw these designs fast and an incredible amount of determination is needed to complete a drawing. You must really enjoy it or it won't work out. Please look at my two NEW YORK MEMORIAL drawings on my website. They were drawn in memory of September 11/01. I use pens in my drawings. It is called Pen Art. I am currently looking for an agent who will handle my artwork, please contact artist. All my Originals are available for sale with the rights to them. The Originals can ...

Tyler Alpern - I Most importantly, there should exist a beautiful work of art; but upon closer inspection, my imagery often reveals a surprising message in the guise of something far more tame. I strive to make exquisite paintings, but also use the canvas as place to share and document what I am thinking. It can be a daunting challenge to use a visual language to express my very wordy thoughts. Thus details are everything. Any small object in a piece can carry significant meaning. My paintings are frequently inspired by something unconventional and can be highly narrative or even fable like. I admire unusual people who had the courage to be themselves and follow their own star. The characters I use can be historical, fictional, celebrity or personal acquaintances; but they often possess a beauty unappreciated by mainstream culture or values. The story I might be telling is a departure point from which I craft an image. The painting should intrigue and delight the viewer regardless of whether the events or characters are recognized or not. The essence of the meaning should be decipherable even if the particulars are unknown. Once I select my subjects and compositions, what consumes nearly all of ...

Dennis Rennock - Dennis Hugh Rennock artist statement From the pure and simple clarity of vision to the intensely multifaceted and complex visual arts purpose is to stimulate individual growth in thought, perspective, wonderment and truth. Intellectual and emotional representation of line, stroke and color breathe life into the artists vision of truth, beauty, concern and or belief. Along with freedom, the artist employs a wealth of pragmatic disciplines and self-imposed principles to craft and reveal or refine a work of art. My work appeals to the general American and British audience, black and other people of color, major influences come from the mastery of Da Vinci, Escher, Thiebaud, Basquiat, Cassatt, Augusta Savage, Norman Lewis Chuck Close....

Michael Rusch - It is interesting how the term Western Art is defined. For many it means cowboys and horses. While others think of the romantic exagerations by Remington. Still others will seriously consider Western Art, only if it represents the Southwest region. Well having been born in the American West.Living on a Farm/Ranch. Mining for coal and moly at one time. Living the city lifestyle as well, I see the the term Western Art as so much more. The color of the West encompasses its land, people and their attitudes . Whether from the past, future or present day, this color has its own unique quality. This is why I don't like to confine my subject matter to only the pre concieved traditional notions or ideas of what American Western Art is. Its the experiences I'm after so I can put them in the art. ...

Giuseppe Saitta - As a writer and a poet, I've known for some time that my words are the wings of my emotions. However, as an artist I know that my abstract images are my emotions made manifest. I also know that art is and always has been the language of the soul. And I believe that it is through art that I can best communicate with my soul and spirit and your soul and spirit, and in so doing transform and grow beyond my limiting beliefs and struggles into absolute freedom. All of the arts can be portals into the deepest and most remote aspects of who we really are. The Realm of art is music, dance, body movement, painting, drawing, design and architecture, sculpture, theater, writing prose or poetry, mythic ritual, and yes all of the highest and most aesthetic aspects of science, philosophy, and mathematics. By risking whatever we must risk to leap through any of the many gateways of art and science, we give ourselves the gift of opportunity to awaken within us the long dormant languages of image and rhythm. These are experiential languages, like the language of touch. Most of these languages are metaphors for expressing ...