Americana Art For Sale

Page 6 of 13
Browse 355 Americana artworks for sale. Contemporary artists: Katha Teed, Daniel King, Dennis Rennock, Ernest Reich, Shmuela Padnos, Michael Rusch, D. Brent Miller, Giuseppe Saitta, Sonja Tellison, Mary Shobe, Jerry Di Falco, Andree Lisette Herz, Lynda Lehmann offering Americana artworks. Links to more artworks by these contemporary artists and 13 pages for and further artists at the bottom of this page. To view a work by any of these contemporary artists simply click on the image or browse the artist's portfolio. To buy any Americana art simply click on the image to go to a more detailed page about this work of art.


Contemporary Art / / Previous / Next
Katha Teed: 'The palms of Palm Desert', 2002 Color Photograph, Americana.
Americana - Photograph
5 x 7 inches (12.7 x 17.8 cm)
Daniel King: 'Lost structures 2 California', 2003 Black and White Photograph, Americana. Archival inkjet print, signed and numbered...
Americana - Photograph
14 x 6 inches (35.6 x 15.2 cm)
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Dennis Rennock: 'September 11th', 2001 Pencil Drawing, Americana. With clever hidden symbolism, a well crafted rendering of a child passing an empty garden chair in memory of the historic events of September 11th 2001....
Americana - Drawing
22 x 30 inches (55.9 x 76.2 cm)
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Ernest Reich: 'Fencerow Treasure', 2000 Marker Drawing, Americana. Magic marker on grey tinted paper....
Americana - Drawing
10 x 8 inches (25.4 x 20.3 cm)
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Shmuela Padnos: 'miss dale evans', 2003 Watercolor, Americana.
Americana - Watercolor
9 x 11 inches (22.9 x 27.9 cm)
Michael Rusch: 'Prospector and the Bear', 2001 Mixed Media, Americana. Originally published on the cover of Backwoodsman, this painting was altered afterward to include bear imagery in background. This painting is also available in various open series print forms and can be handsigned by artist for an additional handling fee....
Americana - Mixed Media
16 x 20 inches (40.6 x 50.8 cm)
Michael Rusch: 'Explorer 3000', 2000 Digital Print, Americana. This fictional work incorporates the figure of John Muir the explorer, who discovered landmark treasures, such as Yosemite National Park.  My concept, in this piece is exploring the idea of what the next explorer might find in the year 3000. Available in Limited Series Prints from publisher. Hand signed by ...
Americana - Digital Print
16 x 20 inches (40.6 x 50.8 cm)
D. Brent Miller: 'Bubble Gum Contest', 1992 Black and White Photograph, Americana. From the documentary project Fairs & Festivals...
Americana - Photograph
0 x 0 inches (0.0 x 0.0 cm)
D. Brent Miller: 'Bobs Lemonade', 1996 Black and White Photograph, Americana. From the documentary project Fairs & Festivals. ...
Americana - Photograph
0 x 0 inches (0.0 x 0.0 cm)
D. Brent Miller: 'Lunch Counter', 1995 Black and White Photograph, Americana. From the documentary project Fairs & Festivals. ...
Americana - Photograph
0 x 0 inches (0.0 x 0.0 cm)
Giuseppe Saitta: 'Mother of Tao', 2002 Giclee, Americana.
Americana - Giclee
42 x 35 inches (106.7 x 88.9 cm)
Sonja Tellison: 'White Rabbit Red', 2002 Color Photograph, Americana.
Americana - Photograph
18 x 24 inches (45.7 x 61.0 cm)
Shmuela Padnos: 'eDith', 2002 Watercolor, Americana.
, 2002
Americana - Watercolor
30 x 40 inches (76.2 x 101.6 cm)
Shmuela Padnos: 'buffalo bill wild west show in venice', 2002 Watercolor, Americana. watercolor and pastel...
Americana - Watercolor
5 x 5 inches (12.7 x 12.7 cm)
Mary Shobe: 'Old Store', 2001 Mixed Media, Americana. Watercolor, Pen & Ink and Pencil painting of an old store in South Carolina. ...
, 2001
Americana - Mixed Media
8 x 11 inches (20.3 x 27.9 cm)
Shmuela Padnos: 'american jewish cowgirls up', 2002 Oil Painting, Americana.
Americana - Painting
4 x 6 feet (1.22 x 1.83 m)
Shmuela Padnos: 'americandayofthedead', 2001 Collage, Americana. collage and mixed media...
Americana - Collage
18 x 24 inches (45.7 x 61.0 cm)
Jerry  Di Falco: 'MADAME AMERICANA THE FORTUNE READER', 2015 Etching, Americana. The title of this etching is, Fortune Teller. This is from the FIRST Edition of FOUR, and the editions are limited to SEVEN etchings each. This etching was published as print number FOUR of SEVEN. The zinc plate employed for this work measured SIX inches wide by NINE inches high, ...
Americana - Etching
11 x 15 inches (27.9 x 38.1 cm)
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Jerry  Di Falco: 'HAWAIIAN COTTAGE IN PINK', 2014 Etching, Americana. This ETCHING includes the printmaking techniques of intaglio, drypoint, Chine colle, and aquatint. I executed the print in black oil- based printing ink on Rives BFK white paper. I used three separate zinc plates, lined horizontally on the press, to create one printed image. The work also uses three different ...
Americana - Etching
14 x 8 inches (35.6 x 20.3 cm)
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Jerry  Di Falco: 'NEW JERSEY PARADE IN BLACK AND WHITE 1955', 2013 Intaglio, Americana. THE TITLE IS, Camden New Jersey Parade in Red White and Blue, 1955.  This artwork employs the ETCHING techniques of intaglio, drypoint, and aquatint I executed the etching in black oil based ink, Charbonnel brand from France, on RivesBFK white paper. This etching, adapted from a family snapshot taken in ...
Americana - Intaglio
14 x 8 inches (35.6 x 20.3 cm)
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Jerry  Di Falco: 'Parade in Red White and Blue', 2014 Intaglio, Americana. THE TITLE IS, Camden New Jersey Parade in Red White and Blue, 1955. This artwork employs the ETCHING techniques of intaglio, drypoint, and aquatint I executed the etching in a blend of oil based  inks, Charbonnel brand from France, on RivesBFK white paper. This etching was created using three separate ...
Americana - Intaglio
14 x 8 inches (35.6 x 20.3 cm)
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Jerry  Di Falco: 'Pyramid Scheme', 2011 Etching, Americana. The etching, PRYAMID SCHEME, uses intaglio, aquatint and chine collA(c) techniques; it was the first work created in my WORD PLAY SERIES, a group of prints designed to invoke humor through both title and visual relationship between the brain' s left and right hemispheres. It is rather intimate in ...
Americana - Etching
8 x 10 inches (20.3 x 25.4 cm)
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Jerry  Di Falco: 'Until Death', 2002 Other Printmaking, Americana. My monotypes ( or monoprints) are obtained by painting on a zinc plate and then pulling one print from the plate; Ergo, monotype.  This is from an Americana folkart series which polks fun at Amish weddings a la dia de los muertos.  Price includes mat, but not frame, handlings and shipping. ...
Americana - Other Printmaking
9 x 12 inches (22.9 x 30.5 cm)
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Andree Lisette Herz: 'Farm one', 2002 Mixed Media, Americana. Acrylic paint on handmade paper with collaged objects...
, 2002
Americana - Mixed Media
30 x 20 inches (76.2 x 50.8 cm)
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Lynda Lehmann: 'Remnants', 2009 Color Photograph, Americana.     An aging and abandoned mental hospital, overgrown and boarded up, conjures many tales.Keywords: urban, decay, building, architecture, doorway, window, broken, abandoned, disrepair, derelict, pathos, lonely, sad, institution, historic, vintage, americana, boarded up, forbidding, mental hospital, landmark, Americana, brick, moody, scary, architectural elements, old, antique, trees      ...
, 2009
Americana - Photograph
10 x 8 inches (25.4 x 20.3 cm)
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Lynda Lehmann: 'Best Forgotten', 2010 Color Photograph, Americana.  An aging and abandoned mental hospital, overgrown and boarded up, conjures many tales.  Keywords: bars, prison, mental hospital, window, rust, building, landmark, institution, vintage, Americana, brick, architecture, abandoned, moody, scary, architectural elements, old, antique   ...
Americana - Photograph
10 x 8 inches (25.4 x 20.3 cm)
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Lynda Lehmann: 'The Firedoor That Failed', 2009 Color Photograph, Americana.         An aging and abandoned mental hospital, overgrown and boarded up, conjures many tales.Keywords: urban, decay, building, architecture, window, door, broken, abandoned, disrepair, derelict, pathos, lonely, sad, institution, historic, vintage, forbidding, mental hospital, landmark, Americana, moody, scary, architectural elements, old, antique, vines          ...
Americana - Photograph
10 x 8 inches (25.4 x 20.3 cm)
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Lynda Lehmann: 'Forbidden', 2009 Digital Art, Americana.        An aging and abandoned mental hospital, overgrown and boarded up, conjures many tales.Keywords: urban, decay, building, architecture, window, broken, abandoned, disrepair, derelict, pathos, lonely, sad, institution, historic, vintage, fence, forbidding, mental hospital, landmark, Americana, moody, scary, architectural elements, old, antique, vines         ...
, 2009
Americana - Digital Art
10 x 8 inches (25.4 x 20.3 cm)
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Lynda Lehmann: 'Left for the Vines', 2009 Color Photograph, Americana.       An aging and abandoned mental hospital, overgrown and boarded up, conjures many tales.Keywords: urban, decay, building, architecture, doorway, window, broken, abandoned, disrepair, derelict, pathos, lonely, sad, institution, historic, vintage, americana, boarded up, forbidding, mental hospital, landmark, Americana, brick, moody, scary, architectural elements, old, antique, vines        ...
Americana - Photograph
10 x 8 inches (25.4 x 20.3 cm)
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Lynda Lehmann: 'Barred', 2010 Color Photograph, Americana.   Window of an aging and abandoned public institution, with rusted bars and cracked glass, conjures many tales.  Keywords: bars, prison, mental hospital, window, rust, building, landmark, institution, vintage, Americana, brick, architecture, abandoned, moody, scary, architectural elements, old, antique  ...
, 2010
Americana - Photograph
8 x 10 inches (20.3 x 25.4 cm)
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(Page 6 of 13) - MORE ARTWORKS
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  • Artists Describing Their Art:

    Katha Teed - Please tune into my station Chill-n-Groove on live 365 www.live365.com/ stations/ sir_licksalot Chill'n'Groove broadcasts deluxe sexy grooves and world influenced downtempo sound 24 hours 7 days a week on live365.com. This station is for all aficionados of Ambient, Downbeat, Sexy Deep House, World Fusion, Arabic Grooves, Brazilian and New Latin Jazz and more. Chill n Groove is playing music that blends global offerings with the hottest grooves. Check out www.chill-n-groove.com for more information. Join the group'chill'n'groove radio with DJ Sir Licksalot' on www.facebook.com or check out www.myspace.com/djsir_licksalot ...

    Daniel King - Daniel spent his childhood in the midwestern United States, received his BFA in Media Studies at the Columbus College of Art & Design, and served as an Air Force Officer at the airplane maintenance/storage center in Tucson, Arizona. He is still making up for time lost. In 2006 Daniel returned to personal/experimental film. He began interrogating his relationship with military power, personal authority and the public representation of each. "The images I seek are beneath the surface, and along the perimeter of the designed social landscape, off the beaten path but not out of the city's shadow. I place the burden of dreams, yours and mine, on the places we live and work. Artificial and haphazard landscapes often ignored by society, or hidden from its inhabitants interest me in a very fundamental way.' 'From 2003-2004 I photographed the series "Grounded" focusing on the dreamlike experience of working at the military-industrial storage facility in Southern Arizona often referred to as "the Boneyard." This facility contains the wreckage of out-modded 20Th century defense, and offense, technology splayed across 1200 acres of the desert southwest.' 'By combining antiquated photo-mechanical cameras with the use of digital printing, I ...

    Dennis Rennock - Dennis Hugh Rennock artist statement From the pure and simple clarity of vision to the intensely multifaceted and complex visual arts purpose is to stimulate individual growth in thought, perspective, wonderment and truth. Intellectual and emotional representation of line, stroke and color breathe life into the artists vision of truth, beauty, concern and or belief. Along with freedom, the artist employs a wealth of pragmatic disciplines and self-imposed principles to craft and reveal or refine a work of art. My work appeals to the general American and British audience, black and other people of color, major influences come from the mastery of Da Vinci, Escher, Thiebaud, Basquiat, Cassatt, Augusta Savage, Norman Lewis Chuck Close....

    Ernest Reich - The reason I decided to pursue painting as a career was the cash. The bling bling. The bread. Dead presidents. I considered tort law, plastic surgery, and organised crime, among other things, as a vehicle to great wealth, but honestly, there is no shortage of those guys. I knew I had to blaze a new path if I was to acheive the huge monetary rewards I craved. Painting skulls, cars, and robots is what I do. Any high school guidance counselor will tell you that is the fastest way to get rich. As I light my cuban with a wad of hundred dollar bills, I feel thankful that I didn't waste my time at colledge. Whenever I have time to answer my fan mail from the youth of America, I always tell them to stop studying and concentrate instead on artwork or rap music. Yes indeed, as I stroll the grounds of my palatial estate, I can't help but think that the best source of inspiration is pure, unadulterated greed. So buy one of my paintings; the solid gold horseshoes on my purebred racehorse is looking a bit tarnished. ...

    Shmuela Padnos - ARE YA READY TA GET THE BIG LEG BLUES FROM THE GAS MAN AS THE SPECIAL RIDER MAKES YOU MISSISSIPPI MOAN? ARE YA GONNA RIDE THE NEW HAMHOUND CRAVES A BLACK SNAKE MOAN WITH THE LITTLE LEG OUTSIDE WOMAN BLUES? WELL TAKE A LITTLE WALK WITH ME AS i TELL YOU ABOUT THAT CHERRY WOMAN ARTIST SHMUEL A PADNOS. AS THE DEVIL SENT THE RAIN TA N'AWLINS SHMUEL A WAS CONCEIVED DURING MARTI GRAS FUN OF LE BON TON ROULET. 9 MONTHS LATER IN THE FOOT HILLS OF NORTH CAROLINA, LAND OF RATTLE SNAKIN DADDY& STEP IT UP & GO, SHMUEL A WAS BORN. ALTHOUGH EXPOSED TO THE EAST COAST PICKIN OF BLIND BOOY FULLER, BUDDY MOSS& JOSH WHITE BY HER GRANDPARENTS, SHMUELA WAS ALWAYS FOUND WITH A PAINTBRUSH IN HER HAND INSTEAD OF A GUITAR. SHE FOUND THE MOVING OF THE BRUSH CREATED ITS OWN FUNKY SOUND&RHYTHM....

    Michael Rusch - It is interesting how the term Western Art is defined. For many it means cowboys and horses. While others think of the romantic exagerations by Remington. Still others will seriously consider Western Art, only if it represents the Southwest region. Well having been born in the American West.Living on a Farm/Ranch. Mining for coal and moly at one time. Living the city lifestyle as well, I see the the term Western Art as so much more. The color of the West encompasses its land, people and their attitudes . Whether from the past, future or present day, this color has its own unique quality. This is why I don't like to confine my subject matter to only the pre concieved traditional notions or ideas of what American Western Art is. Its the experiences I'm after so I can put them in the art. ...

    D. Brent Miller - First and foremost, I approach photography the same as a writer--as a storyteller. My mission is helping others tell their story. As a photographer, the images must capture more than a pleasing image, it must say something about the person, the event or location. Sometimes, it takes a series of images to tell the story, like a photo essay. I want the viewer, or my customers, to respond to the images with a positive feeling, to smile or laugh a little at what's going on in the photo, to be reminded of fond memories, or to just express great satisfaction. Secondly, photography is a tremendous tool and method to bring people together, to find a common ground of understanding. It is to this end that I have been a life-long student of human behavior, and a documentarian of shared experiences. Thirdly, photography enhances my writing, as writing enhances my photography. To me, both are essential tools to telling complete stories. ...

    Giuseppe Saitta - As a writer and a poet, I've known for some time that my words are the wings of my emotions. However, as an artist I know that my abstract images are my emotions made manifest. I also know that art is and always has been the language of the soul. And I believe that it is through art that I can best communicate with my soul and spirit and your soul and spirit, and in so doing transform and grow beyond my limiting beliefs and struggles into absolute freedom. All of the arts can be portals into the deepest and most remote aspects of who we really are. The Realm of art is music, dance, body movement, painting, drawing, design and architecture, sculpture, theater, writing prose or poetry, mythic ritual, and yes all of the highest and most aesthetic aspects of science, philosophy, and mathematics. By risking whatever we must risk to leap through any of the many gateways of art and science, we give ourselves the gift of opportunity to awaken within us the long dormant languages of image and rhythm. These are experiential languages, like the language of touch. Most of these languages are metaphors for expressing ...

    Sonja Tellison - More than simple faerie tales, myths can teach, heal, act as morality guides, or beacons of inspiration along a sometimes murky spiritual path. The myths of a culture are it's soul. They are what's left behind when the political border lines have changed and the people themselves are gone. Myth helps us to understand our own nature as well as that of the world around us. Joseph Campbell, noted scholar and one of the foremost authorities on mythology states, "Myth must be kept alive. The people who can (do this) are artists . . . . The function of the artist is the mythologization of the environment and the world." At a time when we, as a society, rely more on science and technology for answers to our various quandries, than a collective, traditional knowledge, refocusing on mythologization is more important then ever. Are you anxious? Here, take a new pill! Are kids more violent? Must be the video games! The adage "There's nothing new under the sun." is itself certainly not a new concept. If we delve deep enough, the answers are already existent, like diamonds in the dark. When we forget the stories of our ancestors, we forget our...

    Mary Shobe - Following a childhood dream of learning to paint, I received my first Art lessons in the fall of 1999, taking a basic drawing/painting class in acrylics. As an amateur photographer, I learned that the ability to see a good picture also allowed me to be able to recreate a good picture from Pen and Ink. With my teacher, Vivian Edwards as my mentor, she encouraged me to continue learning to use Pen and Ink as my main media. My desire to become a better painter and learn more of the basics in painting. I have now started advancing into watercolor and acrylic. ...

    Jerry Di Falco - Photography inspires my art and acts as a vital element in my etchings. The images I employ originate from my own photographs, as well as from the images I find from my research into the digital archives of universities, historical societies, libraries, and museums. Upon locating a documented scene I wish to etch, my first step involves the execution of two to five original drawings of the photograph. My collaboration between photography and printmaking allows me the independence to integrate my personal interpretations into the scene. Moreover, I create bridges between the physical and metaphysical visual realities in the same way that a camera intersects with human creativity . . . the nexus between the mechanical and the cerebral art tools. Art unveils everything that we mask behind our belief systems conversely, I strive in my creations to clarify those phenomena we overlook as a result of our egocentric assumptions. Ironically enough, I blame this failure to notice things, a process I label, the phenomenology of connectedness, on todayaEURtms very infatuation with and addiction to the new communicational technologies of social media. My artworks therefore become like windows through which to examine the mysteries of aEURoeeveryday consciousnessaEUR. In fact, my use of ...

    Lynda Lehmann - I have participated in numerous juried shows and had solo shows of my paintings. Ive sold my photography and digital art online, in galleries and other real-time venues, although I am currently marketing my work primarily online. My stock art sells well and Ive sold at least 2400 images in that venue. Life events had steered me away from painting but I am jumping back into that part of my process and hope to have new paintings online within the next few months. OTHER STUFF My painting Bibliophiles Dream has been featured on the cover of the Insights Journal of Austin Seminary. My paining Damariscotta Dream has been used for the cover of Chuck Sweetmans poetry chapbook published by Dream Horse Press. My image Enchanted Forest was used by the Sierra Club in their online feature Daily Ray of Hope. The Yellow Door has been published in Long Islands Canvas Magazine. I was a featured artist at Imagekind in July and have been featured from time to time on my other sites as well. February 1 - 28, 2009 - Metrimorphic III featuring new abstract paintings combining biomorphic and geometric elements, Harborfields Library, Greenlawn, NY. Due to time constraints I will ...