Archetypal Art For Sale

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Browse 115 Archetypal artworks for sale. Contemporary artists: Jerry Di Falco, Roz Zinns, Raphael Perez Israeli Painter , Lynda Lehmann, Hyacinthe Kuller-baron, Margaret Stone, Heather Hyatt, Lou Posner, C. A. Hoffman, Elizabeth Frank, Malcolm Moran, Rene Trujillo, Corinne Medina-saludo, Kimmie Hamm, Derek Dey, Stephen Vattimo, Gian Michael Merlevede, Randall Fox offering Archetypal artworks. Links to more artworks by these contemporary artists and 4 pages for and further artists at the bottom of this page. To view a work by any of these contemporary artists simply click on the image or browse the artist's portfolio. To buy any Archetypal art simply click on the image to go to a more detailed page about this work of art.


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Jerry  Di Falco: 'pink grotesque', 2019 Etching, Archetypal. The intimate size of this etching by Di Falco projects a rather imposing mood.  The etching, inspired by a photo that the artist shot in 1987, was based on two of his own pencil drawings.  This specific print is from the Second Edition of Four, and each edition is limited ...
Archetypal - Etching
9 x 12 inches (22.9 x 30.5 cm)
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Jerry  Di Falco: 'i am seraph', 2019 Etching, Archetypal. This hand printed etching of a Seraph employs the studio techniques of intaglio.  The work pictured here is from the FIRST EDITION of FOUR, and all editions are limited to only five prints.  I executed the work on a zinc plate covered with hard ground and etched the plate twice ...
Archetypal - Etching
13 x 17 inches (33.0 x 43.2 cm)
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Roz Zinns: 'bird in flightr', 2017 Acrylic Painting, Archetypal.
Archetypal - Painting
24 x 24 inches (61.0 x 61.0 cm)
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Raphael Perez  Israeli Painter : 'paint like a child', 2017 Acrylic Painting, Archetypal. paint like a child  paintings  children art artist...
Archetypal - Painting
120 x 120 cm (47.2 x 47.2 inches)
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Jerry  Di Falco: 'The Malta Angel', 2015 Etching, Archetypal. The title of this double plate etching is, MALTA ANGEL, from Edition ONE of THREE, and Print Number ONE of FIVE. The artist manually prints all etchings on a STRAND press. The two zinc plates employed for this work each measured 4 inches wide by 3  inches high, or 10. ...
Archetypal - Etching
10 x 11 inches (25.4 x 27.9 cm)
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Jerry  Di Falco: 'WINDOWS INTO FERENCZY KAROLY', 2014 Etching, Archetypal. ARCHAEOLOGY AND THE RUSTED WINDOWS OF FERENCZY KAROLY, NUMBER TWO. aEUR
Archetypal - Etching
15 x 18 inches (38.1 x 45.7 cm)
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Lynda Lehmann: 'Victorian Friends', 2012 Color Photograph, Archetypal.  Your child or the child in you, will love these Victorian Friends: a cute goat and a squirrel visiting a vintage house with a cozy warm glow inside. This images evokes the mystery of myth and fairy tale.Keywords: goats, goat, animals, animal, squirrel, fantasy,
Archetypal - Photograph
10 x 8 inches (25.4 x 20.3 cm)
Hyacinthe Kuller-baron: 'DOGS OF WAR', 2011 Giclee - Open Edition, Archetypal.    This work of art is available from the artist's Collection. $140,000 for oringal painting in oil. Giclee, limited edition, signed and numbered, on canvas, hand touches by Hyacinthe $1500. 00ea.  For more information contact barongallery@ aol. com or visit www. barongallery. comor call: 760 408 1881   ...
Archetypal - Giclee - Open Edition
40 x 30 inches (101.6 x 76.2 cm)
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Lynda Lehmann: 'Cloud Fire', 2010 Digital Art, Archetypal.  Intense, swirling digital image with bright colors and lots of energy.  For me it evokes turbulence in the heavens, planetary movement or conflagration, but you will see in it what you want!Keywords: lights, color, multicolored, intense, vibrant, movement, energy, space, planets, cosmic, evocative, moody, physics, neon, crashing, confrontation, drama...
, 2010
Archetypal - Digital Art
10 x 8 inches (25.4 x 20.3 cm)
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Lynda Lehmann: 'Nature Takes Back Whats Owed', 2010 Color Photograph, Archetypal.  An abandoned greenhouse beckons entry, offering only a sense of abandonment and apprehension for a would- be intruder. Keywords: architectural elements, greenhouse, vintage, Americana, estate, abandoned, ruins, derelict, crumbling, overgrown, sinister, forbidding, loneliness, rust, wild, nature's tenacity, strange, brush, cluttered, inhospitable, scary, symbolic ...
Archetypal - Photograph
10 x 8 inches (25.4 x 20.3 cm)
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Lynda Lehmann: 'Inner Life', 2010 Color Photograph, Archetypal.  An abandoned greenhouse beckons entry, offering only a sense of abandonment and apprehension for a would- be intruder. Keywords: architectural elements, greenhouse, vintage, Americana, estate, abandoned, ruins, derelict, crumbling, overgrown, sinister, forbidding, loneliness, rust, wild, nature's tenacity, strange, brush, cluttered, inhospitable, scary, symbolic  ...
, 2010
Archetypal - Photograph
10 x 8 inches (25.4 x 20.3 cm)
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Margaret Stone: 'A Thousand Doorways', 2012 Acrylic Painting, Archetypal.  Much to ponder and connect to in ones psyche.  A dyptich, acrylic and ink on masonite, each painting is 16 12 inches by 60 inches and totals 33 inches by 60 inches.  Can be hung together or spaced as pleased.  Strip- framed with dark stained wood. ...
Archetypal - Painting
33 x 60 inches (83.8 x 152.4 cm)
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Heather Hyatt: 'Empress  Tarot card III', 2007 Oil Painting, Archetypal. ' Empress' is from a series on the theme of the Tarot shown at the Yukon Arts Centre Nov/ Dec 2007.  The medium is oil and gold leaf. ...
Archetypal - Painting
18 x 48 inches (45.7 x 121.9 cm)
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Lou Posner: 'The Butcher Shop', 2008 Oil Painting, Archetypal.  A tribute to Ludwig Meidner, Bruno Schulz and Itchky of Itchkys Liberty Kosher Meat Market, Market St. , Trenton, New Jersey. Drawing on elements as diverse as European butcher shops of the 19th century, contemporary Brazilian art, vanitas symbolism, and hermetic Cubism of 1910- 12, etc. , this painting combines a number...
Archetypal - Painting
60 x 40 inches (152.4 x 101.6 cm)
C. A. Hoffman: 'Winter Criss Cross', 2008 Black and White Photograph, Archetypal.  Black and white of an everyday piece of the American life.  The criss- crossing pattern of the lattice helps this piece to project the solitary and cold of the dead of winter. ...
Archetypal - Photograph
8 x 10 inches (20.3 x 25.4 cm)
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Elizabeth Frank: 'illumination', 2019 Mixed Media Sculpture, Archetypal. This figure is carved from fallen aspen branches. It stands on a wall mounted carved wooden sconce. Atop the head is a crown made with carved and reclaimed wood, found objects and tiny carved flowers and leaves. There s an antique skeleton key nailed in the figure s body. Inlaid ...
Archetypal - Sculpture
15 x 30 inches (38.1 x 76.2 cm)
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Malcolm Moran: 'the glutton', 1997 Other Painting, Archetypal. portrait, people...
Archetypal - Painting
10 x 9 inches (25.4 x 22.9 cm)
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Rene Trujillo: 'gratificar', 2018 Computer Art, Archetypal. Spanish to gratify ...
, 2018
Archetypal - Computer Art
24 x 36 inches (61.0 x 91.4 cm)
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Rene Trujillo: 'amplificar', 2018 Computer Art, Archetypal. Spanish to Amplify  From my  Car tunes  series...
, 2018
Archetypal - Computer Art
24 x 36 inches (61.0 x 91.4 cm)
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Corinne Medina-saludo: 'mother s song', 2017 Oil Painting, Archetypal. oil on canvas, painted borders, unframed. ...
Archetypal - Painting
58 x 46 cm (22.8 x 18.1 inches)
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Corinne Medina-saludo: 'is love like a palymobile game', 2017 Oil Painting, Archetypal.
Archetypal - Painting
100 x 30 cm (39.4 x 11.8 inches)
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Kimmie Hamm: 'Princess Moon Flower', 2015 Watercolor, Archetypal. On the eve of her emergence ceremony the princess gathers blue and white moon flowers, for tomorrow the Harvest moon will be full and golden yellow. The whole clan will help her prepare for the journey ahead. She will travel to the world of humans and become one of them. ...
Archetypal - Watercolor
18 x 24 inches (45.7 x 61.0 cm)
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Derek Dey: 'The Dreamtime', 2015 Acrylic Painting, Archetypal. This painting was triggered by the Platonic idea - things remembered vaguely as in a dream. It is represented by a day in the World before the age of war; a memory of a time before suffering. It points to a bygone age of innocence and a striving for excellence where ...
Archetypal - Painting
36 x 36 inches (91.4 x 91.4 cm)
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Rene Trujillo: 'PacifiCAR', 2014 Digital Print, Archetypal.
, 2014
Archetypal - Digital Print
24 x 36 inches (61.0 x 91.4 cm)
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Stephen Vattimo: 'The Three Witnesses', 2014 Mixed Media, Archetypal.  Acrylic on CanvasSize : 48
Archetypal - Mixed Media
38 x 68 inches (96.5 x 172.7 cm)
Corinne Medina-saludo: 'EVA AND ADAM', 2014 Oil Painting, Archetypal.  EVA AND ADAM,  ...
Archetypal - Painting
60 x 60 cm (23.6 x 23.6 inches)
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Gian Michael Merlevede: 'Painful Beauty', 2012 Acrylic Painting, Archetypal. More details:
Archetypal - Painting
62 x 72 cm (24.4 x 28.3 inches)
Corinne Medina-saludo: 'Noisy wings of angels', 2013 Mixed Media, Archetypal.  angels, spirituality, angel picture, mixed media, ...
Archetypal - Mixed Media
30 x 40 cm (11.8 x 15.7 inches)
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Randall Fox: 'Memory  VS3 1996', 1996 Mixed Media Sculpture, Archetypal.    Oil paint, Titanium, copper, aluminum memory disc, stainless steel     ...
Archetypal - Sculpture
4 x 11 inches (10.2 x 27.9 cm)
Rene Trujillo: 'Solidificar', 2013 Digital Print, Archetypal.  'Solidificar' , spanish to solidify. from my' Car/ tunes series         ...
Archetypal - Digital Print
24 x 36 inches (61.0 x 91.4 cm)
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(Page 1 of 4) - MORE ARTWORKS

Artists Describing Their Art:

Jerry Di Falco - Photography inspires my art and acts as a vital element in my etchings. The images I employ originate from my own photographs, as well as from the images I find from my research into the digital archives of universities, historical societies, libraries, and museums. Upon locating a documented scene I wish to etch, my first step involves the execution of two to five original drawings of the photograph. My collaboration between photography and printmaking allows me the independence to integrate my personal interpretations into the scene. Moreover, I create bridges between the physical and metaphysical visual realities in the same way that a camera intersects with human creativity . . . the nexus between the mechanical and the cerebral art tools. Art unveils everything that we mask behind our belief systems conversely, I strive in my creations to clarify those phenomena we overlook as a result of our egocentric assumptions. Ironically enough, I blame this failure to notice things, a process I label, the phenomenology of connectedness, on todayaEURtms very infatuation with and addiction to the new communicational technologies of social media. My artworks therefore become like windows through which to examine the mysteries of aEURoeeveryday consciousnessaEUR. In fact, my use of ...

Roz Zinns - Roz Zinns has been involved in art for the last 40 years, from oil painting to weaving to contemporary art quilts. Her work has been displayed nationally and has been reproduced in US and international publications. She majored in Arts Administration and owned a San Francisco gallery specializing in original art and quality artisan crafts. Recently she has come full-circle, back to painting, and is enjoying the creativity and challenge of working in acrylics and water-immersible oils She has always had a love of the land which is evident in her work. Although she is currently focusing on landscapes, she is finding that the compositional element of land in an urban environment has become a fascinating study for her. She also loves to travel and has been interpreting her images on to canvas. She has observed that over the years many of the places she has painted either don't exist anymore or have changed drastically in their usage or appearance. So how wonderful to have captured them as they existed, but with her own interpretation....

Raphael Perez Israeli Painter - Pride and Prejudice: on Raphael Perez's Artwork Raphael Perez, born in 1965, studied art at the College of Visual Arts in Beer Sheva, and from 1995 has been living and working in his studio in Tel Aviv. Today Perez plays an important role in actively promoting the LGBT (lesbian, gay, bisexual and transsexual) art and culture in Tel Aviv, and the internet portal he set up helps artists from the community reach large audiences in Israel and abroad. Hundreds of his artworks are part of private collections in Israel and abroad, and his artworks were shown in several group exhibitions: in Tel Aviv Museum of Art, "Zman Le'Omanut" art gallery, Camera Obscura, The Open House in Jerusalem, Ophir Gallery, The Haifa Forum and other private businesses and galleries. In 2003-4 his paintings and studio appeared in a full-length movie, three student films and two graduation films. Raphael Perez is the first Israeli artist to express his lifestyle as a Gay. His life and the life of the LGBT community are connected and unfold over hundreds of artwork pieces. His art creation is rare and extraordinary by every Israeli and international artistic standard. His sources of inspiration ...

Lynda Lehmann - I have participated in numerous juried shows and had solo shows of my paintings. Ive sold my photography and digital art online, in galleries and other real-time venues, although I am currently marketing my work primarily online. My stock art sells well and Ive sold at least 2400 images in that venue. Life events had steered me away from painting but I am jumping back into that part of my process and hope to have new paintings online within the next few months. OTHER STUFF My painting Bibliophiles Dream has been featured on the cover of the Insights Journal of Austin Seminary. My paining Damariscotta Dream has been used for the cover of Chuck Sweetmans poetry chapbook published by Dream Horse Press. My image Enchanted Forest was used by the Sierra Club in their online feature Daily Ray of Hope. The Yellow Door has been published in Long Islands Canvas Magazine. I was a featured artist at Imagekind in July and have been featured from time to time on my other sites as well. February 1 - 28, 2009 - Metrimorphic III featuring new abstract paintings combining biomorphic and geometric elements, Harborfields Library, Greenlawn, NY. Due to time constraints I will ...

Lynda Lehmann - Margaret Stone - Here we are, physically cemented to the earth by gravity. But - our imaginations stretch and soar, taking us beyond our planet and connecting us with far places in the universe. Being part of this, do we indeed live and bloom in a cosmic garden? Ah, perhaps so. I am exploring this connection in my new artwork....

Heather Hyatt - In my work as a fine artist, I use the mediums of graphite, coloured pencil and oil, in the styles realism, photo-realism, trompe l'oeil and portraiture, Ideas come from literature, metaphors, and the real world. Rather than the imitation of appearance, my concern is with the essence of the subject. In trompe l'oeil, it is the hardness and softness of guns and lingerie, which, when mounted in shadow boxes, become real. In the series,'Dante's Divine Comedy', executed in graphite, the object was to depict the universality of his ideas as they appear today. In all of my work, realism is my focus and goal. ...

Lou Posner - After you reach the main or first Posner portfolio page, please click on an image to enlarge it and bring up further details about the piece of art, including THE PRICE and a description or story of it. Once you have done this, you may also click on zoom-in, a function which may or may not work. At the bottom of Posners main portfolio page Page No.1 you will see instructions for navigating to the rest of my art. There are presently a total of about 237 pieces of art to be viewed. Most are oil paintings, and the rest are charcoal and pencil drawings, watercolors, prints, etc. The first set of images will tell you if the piece is NFS Not For Sale or SOLD. I include these on the website to give viewers a sense of the scope of my work. Prices for each piece USED TO BE SHOWN next to the initial encounter with the image. NOW...all my prices are gone from the intial images, and the words REQUEST PRICE appear for all pieces that are still for sale. NOTE YOU DO NOT HAVE TO CONTACT ME TO REQUEST ANY PRICES. IF YOU CLICK ...

C. A. Hoffman - For me, my artwork is very personal. It reflects a lot about how I am feeling at any given time and place. I feel that art has to be on this personal level to completely capture how the artist is feeling daily, or trying to convey a certain thought or emotion at that particular moment. We all, at one time or another try to express our thoughts or ideas, whether it is to others or just to ourselves, by words, actions, ideas or pictures. If we are sucessful in this attempt, I think it shows through in our everyday work or art. I believe that one is either born to create art naturally or by learning. For me, I feel that I was born with this wonderful gift, and I try to improve upon it every day. In my photos and art, I hope to show how everyday objects and nature can capture our imaginations and feelings. Sometimes I work with an image to improve it, inhance it, or just to fuel the imagination. I truly hope this shows in all of my art. ...

Elizabeth Frank - My artworks begin with fallen aspen branches. I make at least one trip annually to the mountains of the southwestern United States to gather the aspen that I'll use over the course of the year. My visits to the forest are like a pilgrimage. Every time I return I'm inspired by the strength and the delicacy of the natural world. After the aspen is collected it's dried in a room on my studio roof. Once dry, I cut and shape the rough branches with a band saw. Next I make a puzzle of all the odd parts. I spread them out on the floor, stack them up on a table and move them around until everything fits. The pieces are carved in small components that are joined together with pegs and nails. The surface is painted with acrylic, metal leaf and wax. I combine my carvings with found objects. The carving style is simple, inspired by iconic images found in folk, tribal and primitive art. The themes I use are personal yet universal. My love of the natural world and my concern for the environment translate into works about the intricate relationship between man and nature. I ...

Rene Trujillo - Un Creyo (Spiritus MercuriU.S.) I'm giving back to the Universe what the Uni-VERSE gave to me. Participacion Mystique I'm letting go of what is. Being. Of what is to become. L' Avenir. Letting go of what I AM up to now which in turning echoes what is. (H)echo. Letting go, for there is no need to take. Everything has been given to you. Every-thing and no-thing is in front of you. Gnosis. Therefore, let go of what you possess. Deseo. For when one lets go, one receives. What does one gain by worrying of the day. Oh anxious eye! One must learn to breathe again. The first breath was born from a serene one. (Circular Time) The second from an earnest one. (Linear Time) Unos Mundos. Death to all anxious objects! I'm in the world now. I'm out of the wor(l)d now. "The Uroboros" Between and including Consciousness and Unconsciousness there is becoming. There is connectedness. Mysterium Coniunctionis. There is balance. It is a prime mover. It is creation. We are the re-sounding fact of creativeness. (H)echo returns! It is sufficient unto itself. That is all! -Rene'...

Corinne Medina-Saludo - Corinne Medina-Saludo: Creating a Figurative Kinestesic Art The basis of the art of this french contemporary painteri?1/2s research is the " body-mind", or better said, "body lenguage": the painter using her inside physical and emotionnal feelings, as a medium, and also, intention of her art. In her painting act, a mental representation of the body is, at least, coming into the canvas, as a plastic element of of "painted sintaxis" She is a member of Taylor's Fundation of Paris, since 2006, and represented by Drouot-Cotation since 2000. She recently exhibited some featured works, as "Resurrection" in the Miami Museum of the Americas", ( 2010 july, International ART Exhibition). ...

Kimmie Hamm - Everywhere you dream to go can become a part of you and everywhere you have been is a part of you. I am an explorer and optimist at heart, so when I set out to create something one word always comes to mind: Possibilities I feel that through art I can explore the visions in my mind, everything from a small flower or blade of grass to distant worlds filled with whimsy and thoughts of what ifaEUR|aEUR|. Culturally I have two aspects that influence me one being my Native American ancestry and the other my German immigrant ancestry. I am deeply rooted in the beauty and wonderment of nature. My wise grandmother told me if you have strong roots your sprit can fly anywhere and still return home. That saying has always stuck with me and in many ways sparked my imagination. The explorer in me must come from my immigrant ancestry. My great grandfatheraEURtms family traveled to America on a steam ship in 1874. I can imagine them traveling for what must have seemed like an eternity. I often contemplate what they must have been thinking, and try to express the excitement of the unknown and the anticipation ...

Derek Dey - Many times I am asked where ideas come from. There's never been any difficulty with that, because they arose one by one in almost linear fashion. The full idea for a painting would emerge in my mind as a complete mental picture somewhere towards the end of the painting I was working on before. From this, I would jot down a clear thumbnail image and pretty much work from that alone. Looking back on it, it seems to me the subconscious was prompting this process in an effort to build wholeness out of chaos within me. Almost like the process of art itself. I am in Europe painting writing and working up some 3D stuff. Caio! ...

Gian Michael Merlevede - Christian-contemporary artist Christlich-zeitgenoessischer Kuenstler Christelijk-hedendaagse kunstenaar . . . . . . . Anointed for Vision, With an Inspiration in Departure of False Pride, And Zeal to Believe in a Reward. As Swordmanship for What Truthfully has Origins, Leads my Pioneering for the Personal Creator Who Is, Through Word and Spirit, and Creations Praise. . . . . . . . Visit my WEBSITE Artborne Erdeborn www.artduo.weebly.com + + + + + + + Hans Sedlmayr - Master dissertation titled Centre Lost Art Society, Hans Sedlmayrs Critique on Modern Art Society, Ghent University, 2000, written in Dutch CENTRUMverloren KunstWENDE. De Visie van Hans Sedlmayr op de moderne kunstwende Universiteit Gent 2000. Willem L. Meier, Hans Rookmaaker, Francis A. Schaeffer, et.al. Check fragments of my former website www.reocities.comgmerlevefilos1.html...

Randall Fox - I am interested in making visual statements about the interaction of time, history, cultures, memory, intellect, intuitions, experiences and the spiritual, in and on the human creative process. "inherent in all manifest in the few" Born: 1960 Education: Bachelor of Science Degree, Industrial Technology (Technical Management) California Polytechnic State University, San Luis Obispo A.S. Degree Canada Collage, Redwood City, California (General Engineering-Pre Med.) Other: Art History/Art Studies - Stanford University, Palo Alto California Collected in: United States, Holland, Norway, Puerto Rico, Germany, Mexico, England, Brazil ...