Astronomy Art For Sale
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Browse 69 Astronomy artworks for sale. Contemporary artists: Wendy Lippincott, David Larkins, Themis Koutras, Shelley Catlin, Roger Williams, Cathy Dobson, Roz Zinns, Rosalyn M. Gaier, Eve Co, Ted Schaal, Agnieszka Boron, Gustavo Moller, Mariela Rios, Sara Diciero, Hong Lu, Jan Lambert Kruse, Kate Storm offering Astronomy artworks. Links to more artworks by these contemporary artists and 3 pages for and further artists at the bottom of this page. To view a work by any of these contemporary artists simply click on the image or browse the artist's portfolio. To buy any Astronomy art simply click on the image to go to a more detailed page about this work of art.
David Larkins - Ii?1/2ve always been intrigued by the luminosity and transparencies found in watercolor, Oil and acrylic mediums. I believe an artist must experience the painting i?1/2 to absorb the surroundings, the atmosphere, to have a oneness with the subject matter before the first brush stroke is applied. My style is described as i?1/2Abstract Realismi?1/2 and my strength is found in the composition. Ii?1/2m drawn to diverse subject matter that challenges the viewer to see abstraction in the ordinary i?1/2 to meld the i?1/2reali?1/2 world with the i?1/2abstracti?1/2. ...
Themis Koutras - MY JOB IN GOD THE TRINITY JEHOVAH CREATOR OF LIFE IS TO CREATE THINGS AS A ARTIST AND PLACE SCRIPTURE ON THEM TO RELATE IT TO THAT ITEM MY IDEA IS TO REACH OUT TO THE WORLD IN EVANGELIST REASONS TO GIVE OUT SOMETHING WITH A MESSAGE ON IT THAT RELATES TO THE WORK DONE AND FROM THE GOSPEL ALTHOUGH I MIGHT MAKE THINGS WITHOUT SCRIPTURE LIKE TOYS FOR CHILDREN TO HAVE FUN IN LIFE I WOULD THEN PRAY THAT GOD WILL TAKE A HOLD OF WHAT I DO AND LEAD ALL PEOPLE TO HIS SON HOLY THAT THEY BE SAVED SO ON FOR I RECON WE ALL NEED JESUS CHRIST...
Roz Zinns - Roz Zinns has been involved in art for the last 40 years, from oil painting to weaving to contemporary art quilts. Her work has been displayed nationally and has been reproduced in US and international publications. She majored in Arts Administration and owned a San Francisco gallery specializing in original art and quality artisan crafts. Recently she has come full-circle, back to painting, and is enjoying the creativity and challenge of working in acrylics and water-immersible oils She has always had a love of the land which is evident in her work. Although she is currently focusing on landscapes, she is finding that the compositional element of land in an urban environment has become a fascinating study for her. She also loves to travel and has been interpreting her images on to canvas. She has observed that over the years many of the places she has painted either don't exist anymore or have changed drastically in their usage or appearance. So how wonderful to have captured them as they existed, but with her own interpretation....
Rosalyn M. Gaier - Beauty. Meditative thought. Nuance. These are subjects of my collagraphs. They take on important implications when examined in light of today's American instant gratification culture. While convenience, speed and availability have become hallmarks of our American way of life and our society's progress, there remains a need for something more meaningful. That something is beauty. From my frame of personal artistic reference, "beauty" involves the viewer by initiating the response of taking pause, suddenly, unawares. Arousing the response from deep within, beauty disarms and fulfills at one and the same time. This elusive beauty is vital nourishment for mind and soul. Does today's American art disarm and fulfill? How well are our minds and souls being nourished? Unfortunately, Americans' appreciation and awareness of beauty are partially numbed by their frenzy experience of instant gratification. Beauty falls prey to the mindset of fast food, "Shop till you drop" and instant access to just about everything. We sacrifice refined taste, uniqueness and rewarded perseverance for what often is ephemeral and not quite satisfying. What this means for artists is that their best pieces can be easily overlooked. Unless relevance and nuance of an artwork can be realized immediately, instant ...
Eve Co - I began painting and drawing in 1987 and have not stopped. I have a wide range from, landscapes, still-lifes, Hubble art galaxies nebulas, abstracts, florals, architectural art and so much more. I draw every day and paint as much as I can afford. I paint more watercolors than acrylic and oil canvas art. I would prefer more canvas art, but I make do with what I have. I try to express myself in artwork as well as with words. I paint landscapes, the glorious colors of nature, water, the ever expressive sky and more, primarily with watercolors on paper. These paintings are usually thought out and planned because they represent nature as I see nature. I paint still-lifes of everyday objects. To teach me about one particular color, shading and or painting glass. I think of still-lifes as a learning process that literally has me pulling my hair out in frustration, but I still paint through how they make me feel... I am fascinated with Hubble Space Technology so, I paint galaxies and nebulas on canvas with acrylic paints. I have sold many of these paintings and I must admit they are some of my favorite subjects...
Ted Schaal - Lately I have been exploring the use of two enduring materials, bronze and stainless steel. I enjoy the juxtaposition of the primitive texture in the bronze with the mirror polished modern look of the stainless. Balance and symmetry dominate simple geometric forms. These sculptures are made to last through the ages with the highest level of craftsmanship and quality metals. Most of my latest work can be scaled up for public or corporate settings and commission inquiries are welcome. With over 20 years of sculpture experience anything is possible from desk top size to monumental fountains and sculpture. ...
Gustavo Moller - What i do is originals prints "Colografia" and apply multiple colors on the same time, i use spanish, italian and french paper, hollands tint and modern materials. i also make print on canvas, my technique is original. my new artwork are petroglifos of coahuila, and 2011 my digital art in micro-universos ....
Sara Diciero - Her philosophy: "The light, joy, optimism, hope, dreams, colors and music are my guide, my way, your way, that if you want we can share together ... looking at my artworks! " Her painting is part of Abstract Expressionism; image tends toward nature and conveys strong emotions. She captures from a point so far from Earth, another point on the earth as usual, so infinitesimal as close as observed under a microscope. In this way, you can see in her paintings from microorganisms to mountains, plowed fields, large trees, volcanoes, forest fires, remote villages, and coasts, rivers. And of course land of fantasy landscapes. Sara works the oil diluted with own inventive visual textures that puts on the canvas in each new proposal for enhancing the work, with intense color, energy and passion that invite the imagination to travel to places undreamed. ...
Hong Lu - From western modern art, Cubism and Surrealism are two fundamental conceptual influences on me. However, the overall construction of my work is still rooted in traditional Chinese painting, both in terms of composition and technique. I try to focus on the lyric element in an image, a symbolist approach: to suggest, not to define. Since I was a child, the unconsciousness and subconsciousness have always intrigued me. It seems to me they compose expression in art, as logic guides explanation in science. I have spent considerable time on psychology, anthropology and religious studies. I borrow thematic elements from various ethnic cultures and religions to support my creativity. I am looking for humanness, as a whole, rather than individual specifics, to depict and express in my work. Sometimes I get lost in my own search for expression and can only probe my way through the process without knowing what and why. The only saving grace for me is that I am an artist, not a scientist: I am here to describe, not to explain. I hope my paintings work as a well of dreams that can communicate and inspire others to their own interpretation and expression. ...
Jan Lambert Kruse - Relying on the most basic shapes of the materials, his organic sculptures remind of natural phenomena. In "Milky Way", a swirl of frosted glass bulbs lined up on spiralling metal threads flows in the air. It is surrounded by multicoloured spheres, imitating an imaginary universe. While in this piece the metal plays a supporting role, more complicated forms like the bubbly "Cocoon"-series shape the glass with a cage made of iron threads. The glass is frozen just when it is starting to expand, displaying the restricting forces of metal. ...
Kate Storm - Kate Storm's work is about the patterns and landscapes of her life, especially the journeys she has made into and out of relationships, places and experiences. Using clothing patterns, maps, journals, stamps, fortunes, photographs, journal writing and poetry, she presents a personal narrative of journey and struggle by utilizing collage, paint, and multimedia techniques in combination. The textures and translucent applications of pigment in Storm's work culminate in a series of evocative, multi-layered pieces that symbiotically merge the processes of personal and aesthetic decision-making. ...
(Page 1 of 3) - MORE ARTWORKS
Artists Describing Their Art:
Wendy Lippincott - Complex allegories dominate the many themes that pervade Ms. Lippincott's paintings. She prefers incorporating science into her art, consistent with her background in electrical engineering, but often gets waylaid with mythological and historical visions. Her paintings are currently only available for licensing. She hopes to have prints available soon. ...David Larkins - Ii?1/2ve always been intrigued by the luminosity and transparencies found in watercolor, Oil and acrylic mediums. I believe an artist must experience the painting i?1/2 to absorb the surroundings, the atmosphere, to have a oneness with the subject matter before the first brush stroke is applied. My style is described as i?1/2Abstract Realismi?1/2 and my strength is found in the composition. Ii?1/2m drawn to diverse subject matter that challenges the viewer to see abstraction in the ordinary i?1/2 to meld the i?1/2reali?1/2 world with the i?1/2abstracti?1/2. ...
Themis Koutras - MY JOB IN GOD THE TRINITY JEHOVAH CREATOR OF LIFE IS TO CREATE THINGS AS A ARTIST AND PLACE SCRIPTURE ON THEM TO RELATE IT TO THAT ITEM MY IDEA IS TO REACH OUT TO THE WORLD IN EVANGELIST REASONS TO GIVE OUT SOMETHING WITH A MESSAGE ON IT THAT RELATES TO THE WORK DONE AND FROM THE GOSPEL ALTHOUGH I MIGHT MAKE THINGS WITHOUT SCRIPTURE LIKE TOYS FOR CHILDREN TO HAVE FUN IN LIFE I WOULD THEN PRAY THAT GOD WILL TAKE A HOLD OF WHAT I DO AND LEAD ALL PEOPLE TO HIS SON HOLY THAT THEY BE SAVED SO ON FOR I RECON WE ALL NEED JESUS CHRIST...
Roz Zinns - Roz Zinns has been involved in art for the last 40 years, from oil painting to weaving to contemporary art quilts. Her work has been displayed nationally and has been reproduced in US and international publications. She majored in Arts Administration and owned a San Francisco gallery specializing in original art and quality artisan crafts. Recently she has come full-circle, back to painting, and is enjoying the creativity and challenge of working in acrylics and water-immersible oils She has always had a love of the land which is evident in her work. Although she is currently focusing on landscapes, she is finding that the compositional element of land in an urban environment has become a fascinating study for her. She also loves to travel and has been interpreting her images on to canvas. She has observed that over the years many of the places she has painted either don't exist anymore or have changed drastically in their usage or appearance. So how wonderful to have captured them as they existed, but with her own interpretation....
Rosalyn M. Gaier - Beauty. Meditative thought. Nuance. These are subjects of my collagraphs. They take on important implications when examined in light of today's American instant gratification culture. While convenience, speed and availability have become hallmarks of our American way of life and our society's progress, there remains a need for something more meaningful. That something is beauty. From my frame of personal artistic reference, "beauty" involves the viewer by initiating the response of taking pause, suddenly, unawares. Arousing the response from deep within, beauty disarms and fulfills at one and the same time. This elusive beauty is vital nourishment for mind and soul. Does today's American art disarm and fulfill? How well are our minds and souls being nourished? Unfortunately, Americans' appreciation and awareness of beauty are partially numbed by their frenzy experience of instant gratification. Beauty falls prey to the mindset of fast food, "Shop till you drop" and instant access to just about everything. We sacrifice refined taste, uniqueness and rewarded perseverance for what often is ephemeral and not quite satisfying. What this means for artists is that their best pieces can be easily overlooked. Unless relevance and nuance of an artwork can be realized immediately, instant ...
Eve Co - I began painting and drawing in 1987 and have not stopped. I have a wide range from, landscapes, still-lifes, Hubble art galaxies nebulas, abstracts, florals, architectural art and so much more. I draw every day and paint as much as I can afford. I paint more watercolors than acrylic and oil canvas art. I would prefer more canvas art, but I make do with what I have. I try to express myself in artwork as well as with words. I paint landscapes, the glorious colors of nature, water, the ever expressive sky and more, primarily with watercolors on paper. These paintings are usually thought out and planned because they represent nature as I see nature. I paint still-lifes of everyday objects. To teach me about one particular color, shading and or painting glass. I think of still-lifes as a learning process that literally has me pulling my hair out in frustration, but I still paint through how they make me feel... I am fascinated with Hubble Space Technology so, I paint galaxies and nebulas on canvas with acrylic paints. I have sold many of these paintings and I must admit they are some of my favorite subjects...
Ted Schaal - Lately I have been exploring the use of two enduring materials, bronze and stainless steel. I enjoy the juxtaposition of the primitive texture in the bronze with the mirror polished modern look of the stainless. Balance and symmetry dominate simple geometric forms. These sculptures are made to last through the ages with the highest level of craftsmanship and quality metals. Most of my latest work can be scaled up for public or corporate settings and commission inquiries are welcome. With over 20 years of sculpture experience anything is possible from desk top size to monumental fountains and sculpture. ...
Gustavo Moller - What i do is originals prints "Colografia" and apply multiple colors on the same time, i use spanish, italian and french paper, hollands tint and modern materials. i also make print on canvas, my technique is original. my new artwork are petroglifos of coahuila, and 2011 my digital art in micro-universos ....
Sara Diciero - Her philosophy: "The light, joy, optimism, hope, dreams, colors and music are my guide, my way, your way, that if you want we can share together ... looking at my artworks! " Her painting is part of Abstract Expressionism; image tends toward nature and conveys strong emotions. She captures from a point so far from Earth, another point on the earth as usual, so infinitesimal as close as observed under a microscope. In this way, you can see in her paintings from microorganisms to mountains, plowed fields, large trees, volcanoes, forest fires, remote villages, and coasts, rivers. And of course land of fantasy landscapes. Sara works the oil diluted with own inventive visual textures that puts on the canvas in each new proposal for enhancing the work, with intense color, energy and passion that invite the imagination to travel to places undreamed. ...
Hong Lu - From western modern art, Cubism and Surrealism are two fundamental conceptual influences on me. However, the overall construction of my work is still rooted in traditional Chinese painting, both in terms of composition and technique. I try to focus on the lyric element in an image, a symbolist approach: to suggest, not to define. Since I was a child, the unconsciousness and subconsciousness have always intrigued me. It seems to me they compose expression in art, as logic guides explanation in science. I have spent considerable time on psychology, anthropology and religious studies. I borrow thematic elements from various ethnic cultures and religions to support my creativity. I am looking for humanness, as a whole, rather than individual specifics, to depict and express in my work. Sometimes I get lost in my own search for expression and can only probe my way through the process without knowing what and why. The only saving grace for me is that I am an artist, not a scientist: I am here to describe, not to explain. I hope my paintings work as a well of dreams that can communicate and inspire others to their own interpretation and expression. ...
Jan Lambert Kruse - Relying on the most basic shapes of the materials, his organic sculptures remind of natural phenomena. In "Milky Way", a swirl of frosted glass bulbs lined up on spiralling metal threads flows in the air. It is surrounded by multicoloured spheres, imitating an imaginary universe. While in this piece the metal plays a supporting role, more complicated forms like the bubbly "Cocoon"-series shape the glass with a cage made of iron threads. The glass is frozen just when it is starting to expand, displaying the restricting forces of metal. ...
Kate Storm - Kate Storm's work is about the patterns and landscapes of her life, especially the journeys she has made into and out of relationships, places and experiences. Using clothing patterns, maps, journals, stamps, fortunes, photographs, journal writing and poetry, she presents a personal narrative of journey and struggle by utilizing collage, paint, and multimedia techniques in combination. The textures and translucent applications of pigment in Storm's work culminate in a series of evocative, multi-layered pieces that symbiotically merge the processes of personal and aesthetic decision-making. ...