Automotive Art For Sale

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Browse 128 Automotive artworks for sale. Contemporary artists: Julius Maurer, Francisco Landazabal, Asbjorn Lonvig, John Gamache, David Larkins, Geo Sipp, Luise Andersen, Roz Zinns, C. A. Hoffman, Tom Lund-lack, Robert H. Stockton, Maryann Burton, Paul Edwards, Bill Lopa, S Brian Berkun, Kees Van Eyck, Neil Howe, Ronnie Caplan offering Automotive artworks. Links to more artworks by these contemporary artists and 5 pages for and further artists at the bottom of this page. To view a work by any of these contemporary artists simply click on the image or browse the artist's portfolio. To buy any Automotive art simply click on the image to go to a more detailed page about this work of art.


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Julius Maurer: 'porsche lemans mcqueen', 2018 Digital Print, Automotive. Limited Edition of 50 with artist markings and Certificate Of Authenticity. Available in 3 sizes, with 25x34w being the largest. ...
Automotive - Digital Print
34 x 25 inches (86.4 x 63.5 cm)
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Julius Maurer: 'moss won in it', 2018 Digital Print, Automotive. Limited Edition of 25 with artist markings and Certificate Of Authenticity. Available in 3 sizes, with 19x24w being the largest. ...
Automotive - Digital Print
24 x 19 inches (61.0 x 48.3 cm)
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Julius Maurer: 'ferrari jr', 2018 Digital Print, Automotive. Limited Edition of 25 with artist markings and Certificate Of Authenticity. Available in 3 sizes, 23x30w being the largest. ...
, 2018
Automotive - Digital Print
30 x 23 inches (76.2 x 58.4 cm)
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Julius Maurer: 'ferrari f50', 2018 Digital Print, Automotive. Limited Edition of 25 with artist markings and Certificate Of Authenticity. Available in 3 sizes, 16x30w being the largest. ...
Automotive - Digital Print
30 x 16 inches (76.2 x 40.6 cm)
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Francisco Landazabal: 'beetle', 2017 Acrylic Painting, Automotive. Beetle, old car, old city, blue tones...
, 2017
Automotive - Painting
150 x 100 cm (59.1 x 39.4 inches)
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Asbjorn Lonvig: 'Al Capones Cadillac', 2016 Other Printmaking, Automotive.  Al Capones Cadillac, Chicago signed...
Automotive - Other Printmaking
112 x 49 cm (44.1 x 19.3 inches)
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John Gamache: '1929 Duesenburg Model A Boatail Speedster', 2016 Oil Painting, Automotive.  1926 Duesenburg Model A Boatail Speedster - parked in a French a brick courtyard - Brick garages - estate - color white as sun goes down ...
Automotive - Painting
30 x 24 inches (76.2 x 61.0 cm)
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David Larkins: 'The Blue Print Room', 2015 Acrylic Painting, Automotive.  The Blue Print RoomThese are the stairs that Henry Ford walked everyday along with his engineers to the drafting room where the Model T was born.  Just imagine the creative conversations that were exchanged up and down these hallowed stairs.My working life has been made possible by the...
Automotive - Painting
30 x 40 inches (76.2 x 101.6 cm)
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Geo Sipp: 'Citroen', 2012 Woodcut, Automotive.  Citroen is a woodcut, illustrating a scene of Algiers during the French- Algerian War. The image is part of a graphic novel entitled Wolves in the City, which I am currently illustrating.  ...
, 2012
Automotive - Woodcut
13.5 x 18.5 inches (34.3 x 47.0 cm)
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Luise Andersen: 'BEFORE CHRISTMAS PARADE X Early Morning', 2010 Color Photograph, Automotive. You can see, bright sunny morning. . mention the Santa Ana Winds too. . .   Fire Trucks with the Fire Fighters on board held my attention. . . usually see them rush by, sirens going.lights flashing, honking hornstowards emergencies. . this was opportunity for me, to capture them on my way down Sierra Avenue. . ...
Automotive - Photograph
11 x 17 inches (27.9 x 43.2 cm)
Luise Andersen: 'BEFORE CHRISTMAS PARADE IX Early Morning', 2010 Color Photograph, Automotive. Beautiful bright sunny morning. . with Santa Ana Winds. . Walking down Sierra Avenue,  Fire Trucks with the Fire Fighters on board held my attention. .. . . usually see them rush by, sirens going. lights flashing, honking hornsrushing to emergencies. . this was opportunity for me, to capture them on my way down' Sierra' ...
Automotive - Photograph
11 x 17 inches (27.9 x 43.2 cm)
Luise Andersen: 'BEFORE CHRISTMAS PARADE VIII Early Morning', 2010 Color Photograph, Automotive.  Fire Trucks with the Fire Fighters on board. . . usually see them rush by, sirens going.lights flashing, honking horns. . direction emergencies. . This was opportunity for me, to capture them on my way down Sierra Avenue. . a main Street through downtown Fontana. . that is too, where my daily walk was to...
Automotive - Photograph
11 x 17 inches (27.9 x 43.2 cm)
Roz Zinns: 'Windy Day', 2009 Acrylic Painting, Automotive.      Martinez Shoreline Park    ...
, 2009
Automotive - Painting
12 x 12 inches (30.5 x 30.5 cm)
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C. A. Hoffman: 'Blue Heavens Steering Right IV', 2009 Color Photograph, Automotive.
Automotive - Photograph
10 x 8 inches (25.4 x 20.3 cm)
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C. A. Hoffman: 'Blue Heaven 1961 Morgan II', 2009 Color Photograph, Automotive.
Automotive - Photograph
10 x 8 inches (25.4 x 20.3 cm)
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C. A. Hoffman: 'Blue Heaven 1961 Morgan', 2009 Color Photograph, Automotive.  This is an original photo of a blue, 1961 British- made Morgan.All original pieces come in sizes up to 16x20 inches.  ...
Automotive - Photograph
10 x 8 inches (25.4 x 20.3 cm)
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Tom Lund-lack: 'Mclaren 2008', 2009 Oil Painting, Automotive.  A generic painting of the drama of Formula 1, using the 2008 Mclaren as driven by Lewis Hamilton as the motif.  This is a reworked image too which I have tried to incorporate elements of graphic design. ...
Automotive - Painting
12 x 12 inches (30.5 x 30.5 cm)
Tom Lund-lack: 'High Point', 2009 Oil Painting, Automotive.  Whilst a generic painting of the drama of F1 racing, this small box canvas nevertheless represents Jacques Villenueve at the wheel of the Renault when he won the F1 title in 1997. ...
, 2009
Automotive - Painting
12 x 12 inches (30.5 x 30.5 cm)
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Tom Lund-lack: 'Velocity', 2018 Oil Painting, Automotive.  I could not resist the temptation to paint this very powerful image of a Ferrari, to let rip with the red well actually cadmium red, a cadmium yellow and another colour to get close to the Ferrari colour just had to be done.The Scuderia Ferrari F2008 is the fifty...
, 2018
Automotive - Painting
76 x 61 cm (29.9 x 24.0 inches)
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Robert H. Stockton: 'How to Solve Problems', 1999 Other Printmaking, Automotive. The artwork is a laser color copy of a mixed media piece, housed in a white, 8
Automotive - Other Printmaking
5 x 3 inches (12.7 x 7.6 cm)
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Maryann Burton: 'old chevy pickup', 2017 Watercolor, Automotive. unframed...
Automotive - Watercolor
9 x 12 inches (22.9 x 30.5 cm)
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Paul Edwards: 'karmann exposed', 2017 Black and White Photograph, Automotive.
Automotive - Photograph
8 x 10 inches (20.3 x 25.4 cm)
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Paul Edwards: 'yacht club', 2017 Black and White Photograph, Automotive. Ford Truck Under Filters...
, 2017
Automotive - Photograph
8 x 10 inches (20.3 x 25.4 cm)
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Bill Lopa: 'corvette logo', 2017 Giclee, Automotive. Corvette Logo...
Automotive - Giclee
40 x 30 inches (101.6 x 76.2 cm)
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Bill Lopa: 'corvette', 2017 Giclee, Automotive. Corvette Logo...
, 2017
Automotive - Giclee
40 x 30 inches (101.6 x 76.2 cm)
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S Brian Berkun: 'Three In A Row', 2016 Other Photography, Automotive.
Automotive - Photograph
30 x 20 inches (76.2 x 50.8 cm)
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Kees Van Eyck: 'Green Spicy Motion', 2014 Acrylic Painting, Automotive. Tesla electric cara couple of red ibises...
Automotive - Painting
77 x 29 inches (195.6 x 73.7 cm)
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Neil Howe: 'Sunday Racer', 1993 Black and White Photograph, Automotive.  Australia             ...
Automotive - Photograph
22 x 16 inches (55.9 x 40.6 cm)
Ronnie Caplan: 'Truckin', 2014 Color Photograph, Automotive. A retro, antique feeling emanates from this semi- dilapidated truck, parked on a field of cobblestones, as if fixed in time.  .  .  Antiquated and enduring, the vehicle still stands bold against a brick wall in an almost monochromatic composition that features dulcet hues of brown, ochre, rust, ash.  .  .  ...
, 2014
Automotive - Photograph
9 x 12 inches (22.9 x 30.5 cm)
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Ronnie Caplan: 'Abbott Kinney Truck', 2014 Color Photograph, Automotive.   This fat fendered classic Ford pickup truck sits beautifully positioned along Abbot Kinney Blvd in Venice, California. It's light gray- blue color, offset with the rust hood and yellow rim tires give it a classic, lazy feel and look. It is situated in front of a deserted storefront with...
Automotive - Photograph
12 x 12 inches (30.5 x 30.5 cm)
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(Page 1 of 5) - MORE ARTWORKS

Artists Describing Their Art:

Francisco Landazabal - In a world where life passes too quickly and the instant runs away suddenly I chose to live calmly to study the inner nature of things. I have been my entire life enquiring about the whole reality, and hence my journey through various disciplines like fine arts, philosophy and even technology. My art is a human art, where being in touch with people and nature is extremely important, but then, I always return to the silent retreat of my Atelier in the mountains of Colombia to find the essence of things on the tip of my brushes and painting knives which results in the form of colorful and vibrant compositions, where a sort of magic is revealed. Sometimes it is very close to impressionism or expressionism, and sometimes it is fully abstract, a dance of the mere color masses and shades changing to allow the watcher to dream and complete the artwork. ...

John Gamache - If I come across something of interest that will be a focal point for me to build on, that excites my passion for elements of the pastaEUR"old, cast-off objects,aEUR"run down barns, old junk cars, and abandoned houses. These are the objects I collect and infuse with new life through my paintings. When I create such a piece, I wish to convey the emotions I feel for the scene or objects to the viewer. I want the viewer to be an active participant in my joy, melancholy, humor, nostalgia. Through my textures, layers, earth-tones, and choice of images, I strive to convey these feelings. To me, the process of creating a work is transcendental I am completely lost in the making, I am part of each piece. It does take time to finish each painting as I work on several at once. Each painting is a slow build up of many layers to reach the final detailing. My goal is to create and master my craft, not just in the painting but in the feelings Ive described previously to the viewer. To elicit emotion will make the piece and my goal complete as a work of art. ...

David Larkins - I've always been intrigued by the luminosity and transparencies found in watercolor and acrylic mediums. I believe an artist must experience the painting - to absorb the surroundings, the atmosphere, to have a oneness with the subject matter before the first brush stroke is applied. My style is described as "Abstract Realism" and my strength is found in the composition. I'm drawn to diverse subject matter that challenges the viewer to see abstraction in the ordinary - to meld the "real" world with the "abstract". ...

Geo Sipp - Geo Sipp Artist Statement: The primary emphasis of my images is to reflect our experiences as consumers of the media in the aftermath of September Eleventh. As we go about our lives the media constantly reminds us of our exposure and vulnerability. The visual perception that is promoted is of our being continuous observers of the human condition. A sense of being under threat heightens our awareness and is implicit in our roles as parents, friends and guardians. The media trivializes threats by distilling them into short, dramatic events. Meaning and emotion become codified. I create images as responses to social and political situations, but no attempt is made to editorialize the content. The work is intended to reevaluate the visual narrative to which we've become conditioned. A variety of media is used to create my work. The decision to create a drawing or a painting or a print is primarily intuitive. Yet, because they are multiples, prints reference the mass marketing of published imagery in a news cycle. The Algeria Series references the Iraq War and Middle East instability. The fact that the images are multiples printed from several plates alludes to the tradition of photojournalism and role...

Luise Andersen - Luise'Mignon' Andersen Luise'Mignon' Andersen has only recently begun to reveal her lifes work. Soon after her debut she exploded onto the mainstream art world. Her breathtaking pieces have captured international interest. The stories Luise'Mignon' is telling through her truly deep, layered works seem to decipher the past and foretell the future, perhaps sharing her window to other dimensions and a seventh sense. Her detailed acrylic'Mignon' series speaks to the beholder. They inspire raw emotion and ignite ones imagination. The indescribable nature of the "Duree De Ma Vie" in particular has a growing portion of the art community considering it the conception of an entirely new style. By Maxi c)2006 Guided Through Inner Mind- Intuition- Mental Imagery- I Create The Final Of What I Am Consciously Not Aware Of.. That I Want...... Need... With Each Completed Painting... Eye Of Core Gains a Glimpse Of My Tomorrow.... c) LA I crave.. painting...drawing... sculpting... writing... Like re-inventing my life... my purpose... myself.. .Gives me a direction.. the courage to look at myself ..and find'ME' there... At least for the duration of creating.. ....and once I collect these shards of my core within colors, shapes... form...

Roz Zinns - Roz Zinns has been involved in art for the last 40 years, from oil painting to weaving to contemporary art quilts. Her work has been displayed nationally and has been reproduced in US and international publications. She majored in Arts Administration and owned a San Francisco gallery specializing in original art and quality artisan crafts. Recently she has come full-circle, back to painting, and is enjoying the creativity and challenge of working in acrylics and water-immersible oils She has always had a love of the land which is evident in her work. Although she is currently focusing on landscapes, she is finding that the compositional element of land in an urban environment has become a fascinating study for her. She also loves to travel and has been interpreting her images on to canvas. She has observed that over the years many of the places she has painted either don't exist anymore or have changed drastically in their usage or appearance. So how wonderful to have captured them as they existed, but with her own interpretation....

C. A. Hoffman - For me, my artwork is very personal. It reflects a lot about how I am feeling at any given time and place. I feel that art has to be on this personal level to completely capture how the artist is feeling daily, or trying to convey a certain thought or emotion at that particular moment. We all, at one time or another try to express our thoughts or ideas, whether it is to others or just to ourselves, by words, actions, ideas or pictures. If we are sucessful in this attempt, I think it shows through in our everyday work or art. I believe that one is either born to create art naturally or by learning. For me, I feel that I was born with this wonderful gift, and I try to improve upon it every day. In my photos and art, I hope to show how everyday objects and nature can capture our imaginations and feelings. Sometimes I work with an image to improve it, inhance it, or just to fuel the imagination. I truly hope this shows in all of my art. ...

Tom Lund-Lack - I am an experienced artist whose work uses the power of imagination to find find the essence of the subject.A It is grounded in the need to celebrate life, and to portray the subject through the transforming power of colour and light. Arrangements of shape, line, pattern and colour are brilliant at conjuringA up powerful expressions, sometimes these can be dreamlike and at peace sometimes exciting and dramatic. My work does not always represent an actual moment, place or object in time, but they areA the result of a process of reflection, recollection and reinvention, a distillation of experience. Art is a very small word having the widest possible meaning appreciation is a subjective judgement and no artist or workA can please everyone.A My aim is to please at least some of you and I am very confident that this aspiration is achievable ...

Tom Lund-Lack - Maryann Burton - Find more of my work at MaryannBurton.com Creating a painting is an adventure that begins with how I perceive the world around me. Inspiration, many times, comes from the play of light, how it creates and dissipates color, and whether it is absorbed or reflected. It is a challenge to my senses and technical skills, expressing these effects on paper. The flow, spontaneity, and feel of painting with watercolor thrills me. The unpredictability of the medium is part of the fun. Whether evoking a feeling or a memory, bringing someone a sense of peace or joy, or reminding them of a familiar time or place, I like to make an emotional connection through my artwork. ...

S Brian Berkun - Statement Brian personally prints each photograph using traditional black and white silver based processing on fiber paper, toning the prints in a selenium toning solution. Additional processing steps in the darkroom contribute to archival permanence. Some of his photos include handcoloring selected areas of the photograph which adds greater visual depth and interest to the image. Current works focus on historic subject matter found in the primitive and remote areas of Utah, and modern day "roadside attractions". Travels into remote areas of the desert Southwest have yielded images of ancient America. Traveling the backroads he has found a wealth of subject matter left over from the time before there was the national interstate highway program of the'60's. These images, combined with hand coloring, have provided a direction in his work reminiscent of picture postcards of the'50's. ...

Kees Van Eyck - My works of art express a metarealistic perception of our world, traditional in the history of Dutch painting. However, the source of my inspiration can also be found in European surrealism as well in American hyper-, and photo realism. In my collection Portraits of Icons of the post-war period of the 20th century I introduced the iconography of our era. These images of celebrities characterise movie-stars, media personalities plus inspirational individuals from the field of music, art, politics and philosophy. With these portraits I pay tribute to famous people with extraordinary gifts and talents, who influenced the development of mankind and left their mark on various fields during the 20th century. My perception of life on Earth is often depicted in a surrealistic manner. My attitude towards our environment is charged with criticism as well as hope for a better future. My paintings aspire to evoke the sense of beauty and to raise awareness of burning issues in todays world....

Neil Howe - You might say I am a post-postmodernist, my art is eclectic, I borrow from contemporary electronic media and from the past to create new digital images. The images I create I call 'BODYSCAPES', that is, landscapes of the human body and it's social condition. These BODYSCAPES are created in the computer through a process where photographic images of the human body, either photographed by the artist or sourced and collaged from the public domain, are transformed into a simulated landscape that is richly varied in form and texture, in essence a virtual 3D matrix populated with simulated organic forms which in part are influenced by Bill Brandt's enigmatic figures in the landscape and Man Ray's experiments with light and form. These landscapes of the body, while synthetic, deliberately remind the viewer of forms and textures from the natural world but at the same time confound with unexpected surrealism prompting questions like, where is the light coming from? Is it a body part or a rock form? So BODYSCAPES are about landscapes in and of the body, this concerns both form and meaning encompassing social politics as well as politics of the body. In other words I ...

Ronnie Caplan - Presented in a myriad of mixed medias and emotions, with modish subjects and series, my work ultimately evokes poignant ruminations on art in the streets, with new portrayals of hackneyed tourismo topics, found rhapsodies in the everyday mundane scenes, and, by looking ever so closely, finding buried beauty and covert charm where no one is used to seeing it. Composition and color play a large part in unearthing the esoteric appeal and symmetry to be found in atypical urban and landscapes . . . ...