Artists Describing Their Art:
Christine Dumbsky - "Paintings of women" In the best cases they are portrayals of women, by women. However, the artist, Christine Dumbsky from Sommerach, divests this notion of its'perceived pre-set programme that seems often to delve into the realms of Womens Liberation; at least at first sight. Christine Dumbsky's women appear to project the image of wanting to share their world with those outside. In fact, they provoke the viewer to connect with them through the painting by seeming to invite the viewer to touch the sculptural elements included. She does not denegrate her women to objects of male fantasy, and she does not support sexual voyeurism. Because of this, her women retain their secrets but also seem willing and able to share those secrets for the same reason. These are women with yearnings and illusions that wish to be understood. That the artist has a dreamy, romantic streak is not only a pre-requisite for her work, it is also what gives it it`s special charm. Wolf-Dietrich Weissbach (Journalist) ...
Clinton Lown - " Should you ask me, whence these stories? Whence these legends and traditions, With the odors of the forest, With the dew and damp of meadows, With the curling smoke of wigwams, With the rushing of great rivers, With their frequent repetitions, And their wild reverberations, As of thunder in the mountains? I should answer, I should tell you," Damn the Damp and where the hells Dave Cramp? Last time I saw him was when we was pulled over on Bathhurt by the Bronze dogs....
Alan Falk - In the tradition of great figurative painting, my work reflects a synthesis of craftsmanship, conscious and subconscious relationships, and emotional and social content. It is an ongoing quest to define the sublime and the ineffable and a deep heartfelt yearning for harmony. I am energized by the belief that here, at the dawning of the 21st century, the process of creating art through traditional media is very much alive and continues to evolve and remains as relevant as it ever was. The primary influences on my current work are diverse Judaic sources including biblical passages, prophetic writings, rabbinical teachings and contemporary Judaic philosophy that shape my conscience. These timeless commentaries, informed by the core moral and universal humanistic values of Jewish tradition and ethos, are an integral part of the shaping of our western civilization, as they encompass a fundamental desire for personal spiritual and global peace, equality and social justice. The jumping off points for my paintings are these universal metaphors and messages of good and evil, questions and commentaries on integrity and moral/ethical choice, parables on mortality and the quest for spiritual connection. Through careful crafting of thematic coloring, expressive line, I attempt to develop a new ...
Bodo Gsedl - In my works - portraits of individuals, surroundings and music - my goal is to catch what can not be seen at a glance. What is behind the image of a person? How can I make music visible? My art has to be explored. There is always something behind the first impression. ...
Dana Zivanovits - Dana Zivanovits was born in 1958 in Columbus, Ohio and received his art training from the Columbus College of Art and Design (1978 to 1982). After art school, he went abroad for a year and studied the art of the old masters in London, Paris, Madrid, Rome and Venice. Returning to his studio in Columbus to develop these influences into a new body of work, he then traveled to Mexico and studied the sculpture and painting of that country for an extended period. The unique and vivid colors of Palenque and Vera Cruz intensified his palette. After a period in Ohio, he then moved to Venice Beach, California where the brilliant light of the region reinforced his desire to capture effects of sunlight and atmosphere. Returning to Ohio in 1995, he has continued to paint themes deriving inspiration form sources such as world mythology, classic and B-grade cinema, literature and dreams. However his primary inspiration is direct observation from nature, versus an approach based in art theories or cultural critique. Dana has been widely represented by galleries and exhibition projects including Julie Rico and Mega Boom in Los Angeles, the Venice Art Detour, Around the Coyote Festival in Chicago ...
Loretta Nash - I love to create things. I got into being an artist because it allowed me to let my imagination flourish with out judgment. I like the encouragement and the satisfaction that I did something with my own hands. I received my Bachelors of Arts in Art in 1992. My themes of my works go everywhere. Everything inspires me. For example just recently a hand dryer blowing on my skin gave me an idea. I run with the ideas or I just let them die. The pencil/pen has always been my tools of choice because they were easy to sneak to paying jobs with the sketch book to do during downtime and breaks. The paint brush is just an extension on the pencil/ink. Since 1999, I upload design pieces onto various art production retail sites. (i.e. www.redbubble.com/lorgh, www.loretta-nash.fineartamerica.com, www.zazzle.com/lorettanash, www. artwanted.com/lorgh, www.flickr.com/lorgh, www.lorettanash.co.cc, etc.) Since October 2010, I created caricatures at local events and of private citizens. I have not stopped creating. ...
Loretta Nash -
Zoraida Haibi Figuera - Zoraida Haibi Artist Statement My work is a diary or narrative of the relationships that I have with family and people closest to me. There are different components of each individual represented in the works. Use of collage and mix media, allows me to be able to put fragments of each personi?1/2s character in my artwork. Each painting is cultivated through methods of collecting memoirs and stitching them together creating a quilt of memories. Through use of vibrant colors, expressive brushstorkes, cuts in the canvases, sewing surfaces and collage, I am able to convey a medley of these visions. The awkwardness of some of my canvases reflects the indifference for traditional values that is characteristic in the Latin culture and break from the customary size and shape of the canvas. ...
Veronica Shimanovskaya - Shimanovskaya's work is concerned with the interplay of materials, shapes and colours orchestrated into harmonies informed by personal experiences. Aspiring to simultaneously explore the poetry and semantics of the visible world, she is convinced that the the viewer will make his or her own connections. ...
Paul Orzech - Paul Orzech Sculpture Studio Artist Statement: The heart of my artwork is expressed by the words "Classical form with a modern edge." As an artist, I feel the need to incorporate the classic concepts of the human figure from the Ancient Greek and Italian Renaissance periods, with the more message-oriented elements of today's art. My belief in the beauty and power of the raw human form is exquisitely celebrated in the classical forms of sculpture. The modern themes I treat in my art include feminism; contemporary ideas of spirituality and love; and the all consuming presence time plays in our fast-paced American lives. I feel there is a quiet strength in the combination of established classics and contemporary expression that demonstrates a smooth continuity of social history. ...
Arthur Robins - I WORK FROM A PLACE IN THE MIND, THAT I DISCOVERED, WHERE REALITY, IMAGINATION, MEMORY, AND THE DREAM WORLD MEET. MY Art , the creation of it, starts as either a drawing from on site [life], a drawing from imagination, or a direct painting or sculpting without preperation. I dont use photo or models. i paint how the mind sees....