Artists Describing Their Art:
Mark Dedrie - Mark Dedrie, an artist in motion by Robin d'Arcy Shillcock The first things you notice when confronted by work of Belgian sculptor Mark Dedrie (1962) are the stylized shapes and their highly polished finish. Although working within the tradition in which colour is omitted in favour of form, his approach is not so much classical an literal as turning a refined distillation of visual reality into a sculptural statement. He transforms a world of colour and movement into a world of presences, of volumes and elegant lines, and manages weightlessness in heavy bronze. This results in tactile, visually attractive sculptures. There aren't too many sculptors who know how to stylize animal shapes well, and even fewer that seek the degree of refinement Dedrie is striving for. It results in soft and sensual surfaces that underline the exquisite grace of birds like ducks and long-legged waders. There are honestly merely a few I can name. Francois Pompon (France 1855-1933) worked on Rodin's marble sculptures before becoming one of the greatest animal sculptors of the modern era. His work instigated what I call the Movement of Form, comprising the sculptors who preferred to distance themselves from ...
Deborah Wilson - ARTIST STATEMENT - DEBORAH WILSON Ii?1/2m a native of Missouri, but, my husband and I have taken many opportunities to experience other areas of the US and our neighboring countries. So, my artwork is influenced by all of those cultures and environments which we have spent time in. This includes cross-country camping and hiking trips, which dip into Canada or Mexico, along with various missions trips, working vacations and temporary residences. We have gone on working vacations for extended time periods in USVI (St. John) and Yellowstone National Park. And, my husband and I were dual residents of Missouri and Hawaii for about 5 or 6 years. So, as you can imagine, there is great diversity of subject matter and I need several more lifetimes to paint everything that is wanting to be painted! Some paintings have been done in our camper, some in a makeshift studio in the closet, on the floor or on the dining room table. Here in Missouri, I have a studio separate from our house on our land, just outside of Springfield. Who we are and whatever is in our hearts tends to come out in our artwork. So, you will find a lot ...
Michael Arnold - Art for me is a creative release, therefore I have no boundaries in my work. I work on what moves me spiritually, visually and creatively. I enjoy many different styles including impressionism, pop art, abstract expressionism, naturalism, post-impressionism, art deco and contemporary. All of these styles influence my work, but do not define my style. I primarily work in acrylics, but have produced works in pastels, graphite, charcoal colored pencils and ink. Artists Affiliations 2005 Leadership Citrus 2007 Visual Arts Award-Central Florida Community College Member of Citrus County Chronicle Editorial Board Member of the Citrus Art Center Florida State University Graduate...
Christine Alfery - My current thinking seems to be asking the age old question what is art Well - dont know why I say my current thinking - I have been asking that question ever since post modernism and all its relativity. Not only has art become part of the postmodern movement it has also become less precious because it seems everyone accepts the comments anyone can make art and its all about your own personal interpretation or how one sees things. I believe art, aesthetics, are all about personal interpretation. That does not make art relative and subjective. How can I say that Everyone is unique, all aEURoeartaEUR is unique. If an object is not unique, original, one of a kind, then it isnaEURtmt art. The idea, the concept, their uniqueness is art. Just like one person is unique to themselves, to their own individuality, aEURoeartaEUR is unique to itself and itaEURtms own individuality. It does not depend on collective thinking. NOT everyoneaEURtms ideas, concepts are art. Not every individual is an artist. They may create something that looks like art, it has a frame, it is in a gallery, the person who made it called themselves artists and their work ...
Susan Baquie - My art work varies in style as it is the result of experience and observation, as well as formal studies. From a type of surrealism to expressionism, sometimes more realistic and at others abstract in conception, many of my pictures reveal a psychological awareness, at times a depiction of trauma, and at others, the joys of colour, pattern, design and the flow of paint or ink across canvas or paper. Painting is like life itself, a constant mirroring of energy, a dynamic pouring of the soul onto two dimensions. It can be caring or selfish, it can be political, humanistic and even cruel. It is a way of life and as with poets and writers, often a happy work and often hard. It is wonderful to be able to show work on the Internet in this way. ...
Kees Van Eyck - My works of art express a metarealistic perception of our world, traditional in the history of Dutch painting. However, the source of my inspiration can also be found in European surrealism as well in American hyper-, and photo realism. In my collection Portraits of Icons of the post-war period of the 20th century I introduced the iconography of our era. These images of celebrities characterise movie-stars, media personalities plus inspirational individuals from the field of music, art, politics and philosophy. With these portraits I pay tribute to famous people with extraordinary gifts and talents, who influenced the development of mankind and left their mark on various fields during the 20th century. My perception of life on Earth is often depicted in a surrealistic manner. My attitude towards our environment is charged with criticism as well as hope for a better future. My paintings aspire to evoke the sense of beauty and to raise awareness of burning issues in todays world....
Tzipi Biran - I try to express the feminine experience as a complete individual that is constantly engaged in fulfilling her independence and femininity. Parallel to this, I emphasize the potential of a harmonious and holistic connection within a nourishing, supporting and creative relationship between a couple, a promoting and protective partnership within a spiritual and physical connection. The figures in my works are like the dance of life in which the steps of one are adjacent, connecting, opposing, and supporting to that of others, creating a changing and constant movement. ...
Mary Hatch - Mary Hatch has had a strong interest in art beginning painting and art classes when she was twelve, and visiting the Dallas Museum of Art, and A The Chicago Art Institute regularly made an impression on her style by seeing famous paintings. She studied art at UT Arlington, and transferred in her junior year to the Architecture department from the Art department, graduating with a Bachelor of Science in Architecture and is a Registered Texas Architect and Interior Designer. She additionally studied printmaking at TCU and the University of Dallas. Seeing other museums also created a great love for art including the Kimbell Art Museum, Louvre, Prada, Kunsthistorisches, Ufizzi, and The National Gallery. In the late 70s, she participated in multiple gallery art shows, university exhibits and Dallas WomanaEURtms Caucus of Art and Texas Visual Artist competitions. In the mid 80aEURtms she attended an Adams Middleton Gallery, Dallas, TX, art show for the abstract expressionist, Herbert Ferber, at his art exhibition. His vast canvases with sculptured facade inspired her to paint large. In the 90's, the New Mexico Series was inspired by the Southwest and multiple trips to Santa Fe, NM. During 2006-2009, she was painting seascapes ...
Debbi Chan - I am going to do an updated artist's statement. But until I submit it you have a short temporary one. As an artist I an fullfilled and contend. But at the same time I seek more , absorb more, and enjoy more. Art fills and fullfills me..I am always being an artist. My eyes see art always. This is not a hobby that I partake of when time suits. Art feeds me. Art consoles me. And being prolific it also takes my time. And for this I am thankful that i listened to my inner self. I am thankful for a following that grows by the minute. I enjoy you enjoying my portfolio. I also have come to realize that the coined phrase "starving artist" is a reality for some of us. But if you take another quote, my own , you will see that starving and rich pertain to material $. because of you the viewers , and because art is my life and my passion I can truly say that I AM RICH.. RICH WITH NO MONEY... and I can also say with truth that I am happy. I chose the path that allowed this rich life. There will continue ...
Clinton Lown - " Should you ask me, whence these stories? Whence these legends and traditions, With the odors of the forest, With the dew and damp of meadows, With the curling smoke of wigwams, With the rushing of great rivers, With their frequent repetitions, And their wild reverberations, As of thunder in the mountains? I should answer, I should tell you," Damn the Damp and where the hells Dave Cramp? Last time I saw him was when we was pulled over on Bathhurt by the Bronze dogs....
Ken Hillberry - In art and in life, dynamics of balance, integrity and tolerant interaction of all elements or participants ought to be see, experienced and maintained. At the same time, the challenge of affecting this balance is creatively encountering all changes and adapt accordingly. For some, the destination or pre-determined outcomes are sought more often than not. Then there are some who savor the journey, thus witnessing and enjoying developments along the way. I fall into the latter category. It's like watching the film develop in a darkroom. the image takes form a little at a time right before my eyes. The creative process, for me, is void of pressure and timeless. The ability and practice and discipline are central in my approach. My creative intent is to engage a viewer in thought and emotion, as well as, with their eyes. Using imagination, retrospect or model, my range of composition can be conceptual, perhaps impressionistic or abstract in application, but always developed to evoke an awareness and appreciation for the relative conditions in life experience and art form as I incisively or playfully interpret my experiences along the way. ...