Artists Describing Their Art:
Ivan Kosta - My mission? To give some resemblance of our lives, to touch our fears,concerns, evoke dreams and give hope in time of dispair... ...
Marc De Groote - One of the top 25 Canadian artist invited to compete in the Wildlife Habitat Canada Conservation Stamp Competition. Wildlife artist extraordinaire, come and experience wildlife art as you rarely will see today, Marc's extreme detailed artworks will amaze you. His ability to capture nature at its finest will allow you the experience of being at one with nature. I consider myself a realist artist, greatly influenced by the beauty of nature. The extreme detail created in the natural world is beyond comprehension. My primary objective is to capture that detail with the intent for viewers to contemplate these familiar visions from a different vantage point of being there with nature. To be able to get close to wildife is an near impossible task my art allows the viewer to experience the feeling of being real close. ...
Carol Tipping - Carol Tipping - aka - Carol Ballard/ Carolyn Taylor. PT lecturer John Moore's University, Liverpool. Wirral Metropolitan College, U.K - at the same time as painting and showing work in mixed and one-man exhibitions in Liverpool. Changed direction and studied Astrology. 1989 Astrologer for Radio City Gold, Liverpool. Combining photography with painting has been what I was always looking for. I like the fact that I can create anything that I want and still look for innovative ways to work with this medium. Associateship of the Royal Photographic Society in March 2002 - work accepted in the London Salon of Photography 2000 (medal) 2001, 2002 (medal) 2003, 2008 and 2009, the Austrian Supercircuit and the Royal Photographic Society Print Exhibition 2002 /2003.. Exhibited in Deland, Florida, Oct.2002. Feb 2008 Awarded AFIAP by the The International Federation of Photographic Art. Awarded Fellowship of the Royal Photographic Society 2009 NOV 2009 Awarded FELLOWSHIP of the ROYAL PHOTOGRAPHIC SOCIETY Featured artist for Wacom Europe
Robert Tittle - I like to experiment with different surfaces, such as painting on burlap, I like the challenge of painting clean edges on the rough, bumpy and fuzzy surface. My creations have led some viewers to described them as having characteristics of romanticism. My desire is to stimulate emotions and imaginations, to invoke curiosity in the viewer and create a feeling of being there in the location the painting depicts. I hope my paintings reveal my spiritual character, my faith in God, and the beauty of nature. I have been taught, when an artist puts creativity and spirituality into a painting, they will then have something to leave to the world. ...
Lynn Rupe - "EXPECT DELAYS" URBAN HABITAT Some background on these paintings... The gorillas, lions, rhinos, narwhals, warthogs that inhabit these paintings are passing through the "urban jungle". They show up as very unusual pedestrians on very busy streets or perhaps they are stranded on a bit of grass or water in an otherwise completely hardened, urban situation. Sure, there are animals that can thrive in cities with humans - the pigeons, the rats, the dogs and the cats. And of course there is the stray moose or two that wanders down Main Street. Most wild animals, though, have crawled far away from humans to find some peace and refuge in remnants of forests and swamps. It is absurd to believe that these minuscule islands of habitat are adequate homes for wild animals. On these canvases I depict my fantasies of animals appearing in cities. Cities will be what is left for them so they had just better adapt! ...and there they are--calmly crossing the downtown streets. So I guess we had better expect a few traffic jams and a few delays! Ha! Note: The rhinos, elephants and gorillas that frequent my paintings can be easily identified but I'm not sure most...
Stan Harmon - Retirement brought Stan Harmon's passion into the daylight. Finally quitting his "day job", after a career with an environmental water management company, Harmon found himself able to devote more time to artistic endeavors that he had previously crammed into late night hours after everyone else was asleep. Following his dream to learn to blow glass he enrolled at the famous Penland School of Craft in the North Carolina mountains, quickly succumbing to the addictive nature of glass blowing. However, blowing glass requires at least one helper and that wouldn't fit into his new schedule (which was no schedule). Not to mention the constant overhead involved in firing a glass furnace 24/7. While at Penland, Harmon was introduced to the technique of kiln-forming glass which being taught in the next studio. This proved to be the best of both worlds, embracing the serendipity of hot glass creation and the advantages of a flexible schedule because a computer runs the kiln, taking care of the most time consuming aspects of creation. Thus no helper was needed, no outrageous gas bill to stress about, and still reaping the creative opportunities afforded by hot glass. Kiln-formed or fused glass ...
Dion Mcinnis - Anyone can take a photograph...push a button. The magic is in the seeing...seeing with all your senses. My work, no matter the subject, comes from seeing with all my senses and then creating to share with others. www.PoetVision.com...
Dariya Afanaseva - All my works are dedicated to the themes of relationship and sensation translated on a language of painting. For example, relationship between people. Relationships human about him/her self and to outward things. And some of my works are about memories and thoughts. And also it is interesting for me to reproduce an eluding moment, an impression in a matter of seconds, fragments of life. Just because everything depends on nuance. Three main styles I work in are abstractionism, expressionism and a bit of pop-art. But these styles are not just as they are, it`s always a combination of them. Some of my Abstract works represent things that aren't visual, such an emotion, mood, feeling, sound and so on. These works are very association. My figurative abstractions are simplifications of reality, where detail is eliminated from recognisable objects leaving only the essence or some degree of recognizable form. Some works are expressive. I just let my intuition guide me. Not to thinking, not to be doubt of anything. It is about trusting the process and setting free the instincts. And also I like decorativeness and beauty of coloring. My choice of medium are acrylic and mixed media ...
Maria Parenteau - My work is the fruit of who I am. Does not matter if I like it or not, I am an artist. It comes from an intrinsic need to "create" something. I create an image and call that the essence of my soul and allege that it is just enough to explain everything else in my whole life. Now at this stage of my existence, I am far away from the time when these things may caused me embarrassment. What? An artist? What do you mean by that? I mean an artist, just an artist It is simple like that. ...
Mark Dedrie - Mark Dedrie, an artist in motion by Robin d'Arcy Shillcock The first things you notice when confronted by work of Belgian sculptor Mark Dedrie (1962) are the stylized shapes and their highly polished finish. Although working within the tradition in which colour is omitted in favour of form, his approach is not so much classical an literal as turning a refined distillation of visual reality into a sculptural statement. He transforms a world of colour and movement into a world of presences, of volumes and elegant lines, and manages weightlessness in heavy bronze. This results in tactile, visually attractive sculptures. There aren't too many sculptors who know how to stylize animal shapes well, and even fewer that seek the degree of refinement Dedrie is striving for. It results in soft and sensual surfaces that underline the exquisite grace of birds like ducks and long-legged waders. There are honestly merely a few I can name. Francois Pompon (France 1855-1933) worked on Rodin's marble sculptures before becoming one of the greatest animal sculptors of the modern era. His work instigated what I call the Movement of Form, comprising the sculptors who preferred to distance themselves from ...