Cityscape Art For Sale

Page 3 of 32
Browse 928 Cityscape artworks for sale. Contemporary artists: Wayne Wilcox, Roz Zinns, Lou Posner, Michael Puya, Ron Anderson, Ron Ogle, Austen Pinkerton, Richard Lazzara, Ruth Zachary, Paola Di Renzo, Shoshannah Brombacher, Robin Richard Emrich, David Larkins, Rachel Schneider, Ghassan Rached, Rumen Sazdov, Monica Puryear offering Cityscape artworks. Links to more artworks by these contemporary artists and 32 pages for and further artists at the bottom of this page. To view a work by any of these contemporary artists simply click on the image or browse the artist's portfolio. To buy any Cityscape art simply click on the image to go to a more detailed page about this work of art.


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Wayne Wilcox: 'Cocktails', 2006 Other Drawing, Cityscape.
, 2006
Cityscape - Drawing
17 x 13 inches (43.2 x 33.0 cm)
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Roz Zinns: 'Urban Landscape', 2006 Acrylic Painting, Cityscape.  Trees soften the city scene. ...
Cityscape - Painting
24 x 24 inches (61.0 x 61.0 cm)
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Lou Posner: 'Well Into March inkjet signed print', 2006 Giclee - Open Edition, Cityscape. Description This inkjet print on matte art paper has an image size of approximately 18x24 and generous white borders of 5- 6 to allow for personal matting and framing choices.  Registration marks indicate a border at top and sides of 3 12, at bottom of 3 34.  Total size of ...
Cityscape - Giclee - Open Edition
36 x 30 inches (91.4 x 76.2 cm)
Michael Puya: 'Ville Marocaine', 2006 Acrylic Painting, Cityscape. Subtitle: Hommage at Jorge Oramas. ...
Cityscape - Painting
32 x 24 inches (81.3 x 61.0 cm)
Roz Zinns: 'Spanish Hilltown', 2006 Acrylic Painting, Cityscape. Ronda, Spain: a beautiful city with sweeping vistas.  Deep gorges and dramatic views....
Cityscape - Painting
36 x 24 inches (91.4 x 61.0 cm)
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Ron Anderson: 'Lafayette Street', 2004 Oil Painting, Cityscape. Original oil painting by artist Ron Anderson. Painting entitled Lafayette Street. SoHo, N. Y. Painting is priced and sold unframed. Buyer is responsible for all shipping fees, insurance costs and any applicable sales tax and duties. Artist reserves all rights to reproduction and copyright. ...
Cityscape - Painting
44 x 38 inches (111.8 x 96.5 cm)
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Ron Ogle: 'Curbside Puddle on Church Street', 2004 Color Photograph, Cityscape.  I was walking home from downtown Asheville in the early  afternoon of the first day of December 2004. I stepped outside of  Gallery Minerva , took a left down the sidewalk and  saw in the rainfilled gutter these leaves, some submerged and some reflected, and the sky, reflected, and I leaned...
Cityscape - Photograph
16 x 12 inches (40.6 x 30.5 cm)
Austen Pinkerton: 'Sunset City', 2003 Acrylic Painting, Cityscape. Towerblocks seen from the street and lit by a cloud- banded sunset sky which is reflected in the windows of the buildings....
Cityscape - Painting
350 x 450 mm ( x )
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Richard Lazzara: 'kashi down river  scene', 2005 Acrylic Painting, Cityscape. kashi down river scene 2005 by Richard W. Lazzara and
Cityscape - Painting
13 x 11 inches (33.0 x 27.9 cm)
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Ruth Zachary: 'Twentieth Century I', 1997 Color Photograph, Cityscape. Larger than life faces, electric bus, taxi, crossed wires and tracks. Bold shapes, line, contrast and color. Movement captured!  The old- fashioned trolley a bright swathe of orange. Iconic yellow taxi waiting its turn. Male models stare down in classic black and white.  A century of contrast coming together at ...
Cityscape - Photograph
16 x 20 inches (40.6 x 50.8 cm)
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Paola Di Renzo: 'on the water', 2004 Mixed Media, Cityscape.
Cityscape - Mixed Media
120 x 80 cm (47.2 x 31.5 inches)
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Shoshannah Brombacher: 'The Bridge of Maastricht', 2002 Other Drawing, Cityscape. This is the famous Roman Bridge of Maastricht which features in many of my drawings....
Cityscape - Drawing
18 x 24 inches (45.7 x 61.0 cm)
Robin Richard Emrich: 'Boston', 1996 Etching, Cityscape. Boston Circa 1977, Hancock Towers, Prudential and the Ritz, with footbridge in foreground. 5th burn, with aquitint. ...
, 1996
Cityscape - Etching
24 x 18 inches (61.0 x 45.7 cm)
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Robin Richard Emrich: 'Newbury Street', 1997 Etching, Cityscape. Boston' s Newbury Street, spring blossoms from the Magnolia trees.  In this case I experimented, applying the randowm free lines I usually use for works of nature to the buildings, works of man.  I think in this case it worked, what are your thoughts. This edition has had 18 of ...
Cityscape - Etching
18 x 22 inches (45.7 x 55.9 cm)
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Robin Richard Emrich: 'Felton House', 2003 Etching, Cityscape. Nathaniel Felton, Juniors house, second oldest home in Peabody.  Etching....
Cityscape - Etching
6 x 5 inches (15.2 x 12.7 cm)
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Shoshannah Brombacher: 'The Bridge of Maastricht', 1997 Oil Painting, Cityscape. I grew up close to Maastricht ( Holland) , which derives its name from Mosae trajectum, a place to cross the river Maas. The bridge in this painting was build by the Romans and it is still there, now I take my children to walk over it. Maastricht is a beautiful old ...
Cityscape - Painting
16 x 20 inches (40.6 x 50.8 cm)
Michael Puya: 'Venice', 2003 Other Painting, Cityscape. This painting ( 80x60 cm) is done with acryl color and black indian ink on canvas, finished with special UV- lacquer against light influences.The price for this artwork includes the shipping costs and insurance worldwide. ( Price updated, 2009, april, 6th. )...
, 2003
Cityscape - Painting
31 x 23 inches (78.7 x 58.4 cm)
David Larkins: 'Siesta Time Cozumel', 1993 Watercolor, Cityscape. My wife Laura and I vacationed on the Island of Cozumel Mexico and became enchanted with the town of San Miguel.We ventured deep into the town and loved the rustic laid- back lifestyle.  The stucco buildings and the many dogs roaming the back streets all inspired me to paint ...
Cityscape - Watercolor
22 x 18 inches (55.9 x 45.7 cm)
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David Larkins: 'The Conformist', 1986 Giclee, Cityscape.
Cityscape - Giclee
16 x 22 inches (40.6 x 55.9 cm)
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Rachel Schneider: 'New York 1', 2002 Black and White Photograph, Cityscape.
, 2002
Cityscape - Photograph
10 x 7 inches (25.4 x 17.8 cm)
Rachel Schneider: 'London 21', 2002 Black and White Photograph, Cityscape.
, 2002
Cityscape - Photograph
6 x 9 inches (15.2 x 22.9 cm)
Rachel Schneider: 'London 20', 2002 Black and White Photograph, Cityscape.
, 2002
Cityscape - Photograph
7 x 10 inches (17.8 x 25.4 cm)
Rachel Schneider: 'London 19', 2002 Black and White Photograph, Cityscape.
, 2002
Cityscape - Photograph
9 x 6 inches (22.9 x 15.2 cm)
Michael Puya: 'Salvador da Bahia', 2002 Acrylic Painting, Cityscape.
Cityscape - Painting
19 x 23 inches (48.3 x 58.4 cm)
Ghassan Rached: 'Wandering in Kuwait', 1998 Watercolor, Cityscape. The old part of Kuwait City. ...
Cityscape - Watercolor
48 x 36 cm (18.9 x 14.2 inches)
Rumen Sazdov: 'night in the town', 2007 Oil Painting, Cityscape. Old Town lit by the moon. Oil on board, frame included. ...
Cityscape - Painting
26 x 50 cm (10.2 x 19.7 inches)
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Monica Puryear: 'san antonio', 2019 Pen Drawing, Cityscape. This well known city has many different sides which I have tried to capture in this drawing. ...
Cityscape - Drawing
8 x 10 inches (20.3 x 25.4 cm)
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Monica Puryear: 'houston', 2019 Pen Drawing, Cityscape. Having lived in Houston I appreciate the architecture and wanted to pay tribute with this piece. ...
, 2019
Cityscape - Drawing
8 x 10 inches (20.3 x 25.4 cm)
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Monica Puryear: 'dallas in wonderland', 2019 Pen Drawing, Cityscape. This is my twist on the city of Dallas and it over the top reputation. ...
Cityscape - Drawing
8 x 10 inches (20.3 x 25.4 cm)
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Monica Puryear: 'austin skyline', 2019 Pen Drawing, Cityscape. Austin is an iconic city known for its music and charm, I live nearby and drew this composite. ...
Cityscape - Drawing
8 x 10 inches (20.3 x 25.4 cm)
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(Page 3 of 32) - MORE ARTWORKS
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  • Artists Describing Their Art:

    Wayne Wilcox - ArtistaEURtms statements have always seemed redundant to me. The work generally speaks for itself. But here goes.. For me itaEURtms about shapes, color and lines interacting and relating to each other. Representational, abstract, non-objective theyaEURtmre all the same. Light against dark, color against color, line intersecting line. IaEUR~m as comfortable with super realism as I am with abstract expressionism. Then, of course, thereaEURtms the medium. I love the paint. I love the act of painting. I love how it flows and how it takes on a direction on itaEURtms own. ItaEURtms like magic. With one stroke something appears before your eyes that wasnaEURtmt there before. An image. An emotion. With each stroke or drip it changes. ItaEURtms an amazing experience. I highly recommend it. And then thereaEURtms image. I am a visual artist. IaEUR~m after strong images, images that evoke a feeling. Starkness, warmth, love, violence, emptiness, beauty, strength. I want the painting or drawing to stand on itaEURtms own. I am a painter. I cannot escape that fact. There have been times IaEUR~ve tried but I always return. ItaEURtms not what I do. ItaEURtm...

    Roz Zinns - Roz Zinns has been involved in art for the last 40 years, from oil painting to weaving to contemporary art quilts. Her work has been displayed nationally and has been reproduced in US and international publications. She majored in Arts Administration and owned a San Francisco gallery specializing in original art and quality artisan crafts. Recently she has come full-circle, back to painting, and is enjoying the creativity and challenge of working in acrylics and water-immersible oils She has always had a love of the land which is evident in her work. Although she is currently focusing on landscapes, she is finding that the compositional element of land in an urban environment has become a fascinating study for her. She also loves to travel and has been interpreting her images on to canvas. She has observed that over the years many of the places she has painted either don't exist anymore or have changed drastically in their usage or appearance. So how wonderful to have captured them as they existed, but with her own interpretation....

    Lou Posner - Dear Friends, The Posner Covid-19 sale of the past year has closed. To those who took advantage of the price breaks during the sale, congratulations on pocketing a tidy sum. Since I have not updated my price list here in well over a decade I thought I would take this end-of-the-year opportunity to do so. Updating the prices is a tedious and time-consuming process. I have to research current trends in the national and worldwide art market, examine auction results, research what art critics are saying about what is being shown, what the art magazines are writing about, what the vector and availability of art supplies is, etc. in order to arrive at fair market prices for my works. I feel glad for those patrons of mine who have enjoyed my work in their homes and workplaces over the years while they have seen a healthy increase in the market value of the work. I sold my first painting over 50 years ago for 25. Today, although the prices are higher, the bargains are still there, backed up by 50 years of experience at the easel. As you know buying here on absolutearts cuts out ...

    Ron Anderson - Working as an illustrator and painter for more than 20 years, I have often utilized the figure in narratives to communicate the nature of the human condition. I give each of my characters a role in my paintings that plays out like a scene from a motion picture. Carefully scripted by a personal experience, these characters go about their lives like you and me. Many of my paintings depict tension or energy in some way. The tension is exhibited in an attitude, an action or in some activity on the canvas. The tension is either overt or more kinetic, but is almost palpable in each piece of artwork. The size of my paintings, along with some personal connection, pulls you into the canvas. The drag of an alto saxophone fills the room in one painting while the noise deafens you; the smoke chokes you. A fight breaks out in the corner of the room on another canvas while a pool hustler wins a round. The subjects are infinite. Henry O. Tanner, John Sloan, and George Bellows were masters at observing and translating these types of human conditions onto a canvas in oil. My technique, drawn from what I have observed ...

    Ron Anderson - Austen Pinkerton - Artists Statement Austen Pinkerton If I turn my mind to it very quickly I can come up with several ideas for works aEUR|paintings, drawings, or sculptures. Sometimes ideas come to me when I least expect it, or when my mind is on other things. Ideas can be related to my current experiences, or to my feelings about things that are happening to me in my life at that particular time. Alternatively they can be related to a current interest, or something that occupies my attention at that moment, and my ideas and feelings about which Id like to share with others. A lot of my work is autobiographicalaEUR|either directly or indirectly, consciously or subconsciously. It is frequently very personal, and expresses events or circumstances or experiences in my life. I usually work in either Acrylic on Canvas, Crayon or Pastel, or both together, with Gouache, on card, Drawing in pencil, or Ink, or both, or with creating SculptureaEUR|for which I use fired artists clay. Sculpture follows a completely different set of rules and values from two-dimensional art, obviously, I think of it as Drawing in three dimensions and I take this into account when creating mine. In...

    Ruth Zachary - My goal is to create striking images that touch the viewer emotionally. I try to capture the essence of a subject or scene, so that the viewer reacts with an immediate recognition, and immediate click of Yes. I depend upon composition, simplicity, shape and contrast, as well as my own aesthetic sense and emotional responses. I love creating art through photography. For me it is an opportunity for self-expression, a means of capturing a moment in time and creating beauty, as well as am important means of communication. My education includes a Masters in Social Work and a BA in English Literature. I have done formal study in drawing and pastel, but my photographic study has been informal and self-taught. Since 1980, I have been a frequent visitor to Monhegan Island, 12 miles off the coast of Maine, a remote lobstering island with a summer artists colony. On Monhegan, I became friends with a group of painters and photographers. I applied what I learned from them to my own work. Those I am most grateful to include Frances Kornbluth, Leo Brooks, Robin Young, Judi Wagner, Josie Vargas and Nancy Stanich. I show my art summers on Monhegan Island ...

    Paola Di Renzo - Born in Abruzzo, I live and work in Sardinia .Pure amateur artist,I used to work with paper,mainly magazine paper,sand,acrylic and tempera.Nowadays I look for the pleasure of playing with colours with which I try to express feelings and emotions. If I was able to express in words what I try to convey with colours.......I would be a writer!...

    Shoshannah Brombacher - Art makes the world within the artist visible. Classical music, poetry, Jewish and Chassidic stories, traveling, the love for people and memories of eras gone but not forgotten, cities where I lived and worked, like Amsterdam, Berlin, Jerusalem, New York, or visitedm, lie Prague and Sicily, are the main ingredients of my art. My art is like the water of the canals of my native Amsterdam, Rembrandts city, the deeper you look into it, the more you see. A reflection of a reflection of a reflection...look, what you see is not what you see. My art contains texts and letters, lets writing come alive, and reflects my deep connection with the Dutch 17th century Masters, German expressionism, Russian art and medieval miniatures. My art is also a tribute to music and the world of the great Chassidic masters of Eastern Europe. The Kotzker Rebbe listened to a Chassidic storyteller in the street and stated He told what he wanted and I heard what I needed. That is Art. ...

    Shoshannah Brombacher - David Larkins - Ii?1/2ve always been intrigued by the luminosity and transparencies found in watercolor, Oil and acrylic mediums. I believe an artist must experience the painting i?1/2 to absorb the surroundings, the atmosphere, to have a oneness with the subject matter before the first brush stroke is applied. My style is described as i?1/2Abstract Realismi?1/2 and my strength is found in the composition. Ii?1/2m drawn to diverse subject matter that challenges the viewer to see abstraction in the ordinary i?1/2 to meld the i?1/2reali?1/2 world with the i?1/2abstracti?1/2. ...

    Rachel Schneider - Rachel Schneider is an American Photographer well received by the American artistic community. Ms. Schneider's works have been regularly exhibited in galleries throughout the state of Texas. Her academic credentials include 5 years of formal study at Sam Houston State University in Texas as well as training at the Texas School for Professional Photography. Ms. Schneider prefers to photograph in Black and White; however, she also uses color film. Her images yield a very different and crisp vantage point of life. A trained eye will find her images to be high in contrast and highly detailed. When photographing, Ms. Schneider contemplates every technical and artistic aspect of the image in her mind before she even considers pushing the shutter. She believes in finding the subject, determining the tonal values, then taking the picture that completely utilizes the negative's space. Ms. Schneider does not believe in wasting any silver on the negative, and therefore, does not crop her images during the printing process. Critics have noted that her photographic style has the characteristics of Straight Photography and Documentary Photography. Ms. Schneider's portfolio contains images from her travels around the United States, England, Singapore, Tokyo and Malaysia. Her passion ...

    Ghassan Rached - I am a geoscientist. I paint, but painting is only a hobby. I paint, whenever I can spare the time, what is relaxing, touches my heart and pleasant to me for enjoyment. I love to use oil and watercolor as media to express beauty. Comments of visitors would be appreciated....

    Rumen Sazdov - aEURoeI was five years old, my friendA's grandmother who was a prewar academic painter, taught us how to draw and paint human body and animals. Since that time I always liked to create aEURz My Own Things aEURoe. Later, at the secondary school and at the Academy I cared to learn everything about the anatomy of the eye, hand, horse as well as how to mix colors and how to make a composition. After my Master Degree I was so excited to be aEURoefree painteraEUR Finally, I had the aEURoefreedomaEUR to paint, sculpt, cut, fix, and compose all my experiences and dreams with every material, which came through my hands. Many years later in Paris, a French Art dealer and a wise man told me about my work aEURoeRumen itA's a good Lyric Cubism collectionaEUR. Nice words, however for me they are still aEURoeMy Own ThingsaEURaEUR Author is registered in MAYER auction catalogue 1995 and 1996 today artnet.com, member of ADGAP since 1995...

    Monica Puryear - My paintings and drawings portray personal stories, dreams and fantasies of my deep connection with nature. I frequently use animals and plants that intersect in some way to create a feeling of intimacy and mystery. I use vivid colors and rich details of my subjects in the hope of inticing the viewer into my world to discover and relish the beauty they possess. It is my intention to provide the viewer with a respite from the violent imagery that is so prevalent in our daily lives, so one may enter into a richly colored world in a moment of intense beauty....