Conceptual Art For Sale

Page 5 of 19
Browse 526 Conceptual artworks for sale. Contemporary artists: Romanova Nadia, Randall Fox, Paul Litherland, Marco Battaglini, Robert Pennekamp, Anindya Roy, Tomas Mayer, Sheila Fraga, Mir Kian Roshannia, Haris Imtiyaz Khan, Jym Shipman, Tirzo Martha, Pedro Ramon Rodriguez Quintana, Subhadeep Bandyopadhyay, Brikena Berdo, Joao Carlos Pompeu, Ana Marini Genzon, Hanna Haska offering Conceptual artworks. Links to more artworks by these contemporary artists and 19 pages for and further artists at the bottom of this page. To view a work by any of these contemporary artists simply click on the image or browse the artist's portfolio. To buy any Conceptual art simply click on the image to go to a more detailed page about this work of art.


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Romanova Nadia: 'barracuda', 2010 Color Photograph, Conceptual.  beauty is not so nice inside us sometimes. ...
, 2010
Conceptual - Photograph
60 x 90 cm (23.6 x 35.4 inches)
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Randall Fox: 'RECYCLED MEMORY OF THREE REVOLUTIONS  ', 1995 Mixed Media Sculpture, Conceptual.
Conceptual - Sculpture
10.25 x 9.5 inches (26.0 x 24.1 cm)
Paul Litherland: 'Force Majeure', 2010 Video Art, Conceptual.  A video installation of falling people referring to the idea of trying maintain control in a difficult situation.  ...
Conceptual - Video Art
0 x 0 inches (0.0 x 0.0 cm)
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Marco Battaglini: 'Exhibition', 2010 Mixed Media, Conceptual.  Expressive RealismA new RenaissanceWhen the canvas takes own lifecreating a figure- ground symbiosis.It is a torment behind a calm exterior.It's a revolutionary and timeless aesthetic at the same time.The rigid limits of representation disappearto open the space.The emotional content breaks the...
, 2010
Conceptual - Mixed Media
213 x 120 cm (83.9 x 47.2 inches)
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Robert Pennekamp: 'installation', 2010 Assemblage, Conceptual.  overconsumption in art production ...
Conceptual - Assemblage
0 x 0 inches (0.0 x 0.0 cm)
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Anindya Roy: 'conceptual scape 55', 2009 Acrylic Painting, Conceptual.  A typical land scape , I tryid to catch the game of light and shade of a open field. the relation with living and non- livilg objects. ...
Conceptual - Painting
48 x 36 inches (121.9 x 91.4 cm)
Tomas Mayer: 'Chart 3', 2006 Oil Painting, Conceptual.
, 2006
Conceptual - Painting
160 x 160 cm (63.0 x 63.0 inches)
Sheila Fraga: 'Island', 2009 Oil Painting, Conceptual.  Woman as an Island  ...
, 2009
Conceptual - Painting
36 x 44 inches (91.4 x 111.8 cm)
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Mir Kian Roshannia: 'The Last performance', 2008 Color Photograph, Conceptual.  The concept of human sence  ...
Conceptual - Photograph
55.8 x 42.3 inches (141.7 x 107.4 cm)
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Mir Kian Roshannia: 'Passion of Life', 2009 Other Photography, Conceptual.  Sence of life in Desert ...
Conceptual - Photograph
56 x 42 cm (22.0 x 16.5 inches)
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Haris Imtiyaz Khan: 'prison of life', 2009 Charcoal Drawing, Conceptual.  This painting shows the Sorrow, Pain & wounds of life. It means it is necessary to face the facts of life till your last breath. Once you will free from life ( the end of life) , you will be free from all your sorrow & pain. So concept of this painting is that...
Conceptual - Drawing
76 x 56 cm (29.9 x 22.0 inches)
Jym Shipman: '40 Years: The Struggle Continues', 2009 Color Photograph, Conceptual.  A work inspired by the 40th anniversary of Stone Wall and my 40 year on the earth.There are six individually framed images that make up the whole. It can be displayed as seen or vertically. ...
Conceptual - Photograph
11 x 46 inches (27.9 x 116.8 cm)
Tirzo Martha: 'Tourism', 2009 Indoor Installation, Conceptual.  How people deal with tourism in the Caribbean region ...
, 2009
Conceptual - Installation
5 x 4 m (16.40 x 13.12 feet)
Pedro Ramon Rodriguez Quintana: 'Evolution', 2004 Watercolor, Conceptual.
, 2004
Conceptual - Watercolor
50 x 65 cm (19.7 x 25.6 inches)
Tirzo Martha: 'Pilgrimage To The Holy Caribbean', 2009 Indoor Installation, Conceptual.   Tourism in the Caribbean ignoring the reality of the Caribbean people daily life  ...
Conceptual - Installation
4 x 3 m (13.12 x 9.84 feet)
Tirzo Martha: 'Afro Victimize', 2009 Video Art, Conceptual.   The using of the skin color black as a tool to victimize themselves  ...
Conceptual - Video Art
1 x 2 m (3.28 x 6.56 feet)
Pedro Ramon Rodriguez Quintana: 'over there', 2004 Watercolor, Conceptual.
, 2004
Conceptual - Watercolor
50 x 65 cm (19.7 x 25.6 inches)
Pedro Ramon Rodriguez Quintana: 'the rigtht things', 2004 Watercolor, Conceptual.
Conceptual - Watercolor
50 x 65 cm (19.7 x 25.6 inches)
Subhadeep Bandyopadhyay: 'FALLEN DOME MISSING TIGER', 2009 Pen Drawing, Conceptual.  Not everything can be victory but strength of tigers lie in looking up and not down, never broken in spirit. ...
Conceptual - Drawing
0 x 0 inches (0.0 x 0.0 cm)
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Subhadeep Bandyopadhyay: 'THOSE WHO ARE MASKED AND THOSE WHO ARE NOT', 2009 Pencil Drawing, Conceptual.  Not all have the comfort of covering themselves in masks. Can the true emotion come out when the mask is pulled out? . Human saga emoting with and without the mask. ...
Conceptual - Drawing
0 x 0 inches (0.0 x 0.0 cm)
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Romanova Nadia: ' ascendence', 2008 Color Photograph, Conceptual. happiness loneliness risque brave unknown future...
Conceptual - Photograph
60 x 90 cm (23.6 x 35.4 inches)
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Tirzo Martha: 'Goodbye Caribbean', 2008 Indoor Installation, Conceptual.  What the people consider as the most important to take when leaving the Caribbean ...
Conceptual - Installation
3 x 4 m (9.84 x 13.12 feet)
Brikena Berdo: 'I killed my dog', 2007 Oil Painting, Conceptual.  Shame and pleasure of doing something bad. These are the first feelings I want to convey through the perplexed- angelic face of a kid. An disturbing feeling of having done something wrong and don' t know what to feel about it ...
Conceptual - Painting
95 x 120 cm (37.4 x 47.2 inches)
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Joao Carlos Pompeu: 'LOS PASAJEROS 41 Sao Paulo City Brazil 2008', 2008 Black and White Photograph, Conceptual.  Photograph Black and White size 30x45 not frame.In Villa- Lobos Park. ...
Conceptual - Photograph
30 x 45 cm (11.8 x 17.7 inches)
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Joao Carlos Pompeu: 'INSTALATION 60 Sao Paulo City Brazil china again', 2009 Color Photograph, Conceptual.   Photograph color size 30x50 not frame.Objet trouve in Sao Paulo City. Street Art Ephemeral. China again. ...
Conceptual - Photograph
30 x 50 cm (11.8 x 19.7 inches)
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Joao Carlos Pompeu: 'INSTALATION 65 Sao Paulo City Brazil Memorial da America Latina', 2008 Color Photograph, Conceptual.   Photography Color size 30x45 not frame. Sao Paulo City Brazil, 2008.   ...
Conceptual - Photograph
45 x 30 cm (17.7 x 11.8 inches)
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Ana Marini Genzon: 'Silence II', 2009 Indoor Installation, Conceptual.  Mixed Media ...
, 2009
Conceptual - Installation
0 x 0 inches (0.0 x 0.0 cm)
Hanna Haska: 'BUILDERS  Shifters III', 2008 Other Printmaking, Conceptual.  fine graphic, own technique, giclee print I/ A, HP Hahnemuhle Fine Art 265 g/ m2 ...
Conceptual - Other Printmaking
30 x 30 cm (11.8 x 11.8 inches)
Hanna Haska: 'BUILDERS  Shifters I', 2007 Other Printmaking, Conceptual.  fine graphic, own technique, giclee print I/ A, HP Hahnemuhle Fine Art 265 g/ m2 ...
Conceptual - Other Printmaking
30 x 30 cm (11.8 x 11.8 inches)
Hanna Haska: 'AXIS OF SYMMETRY Gigantomania I', 2007 Other Printmaking, Conceptual.  fine graphic, own technique, giclee print I/ A, HP Hahnemuhle Fine Art 265 g/ m2 ...
Conceptual - Other Printmaking
30 x 30 cm (11.8 x 11.8 inches)
(Page 5 of 19) - MORE ARTWORKS
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  • Artists Describing Their Art:

    Randall Fox - I am interested in making visual statements about the interaction of time, history, cultures, memory, intellect, intuitions, experiences and the spiritual, in and on the human creative process. "inherent in all manifest in the few" Born: 1960 Education: Bachelor of Science Degree, Industrial Technology (Technical Management) California Polytechnic State University, San Luis Obispo A.S. Degree Canada Collage, Redwood City, California (General Engineering-Pre Med.) Other: Art History/Art Studies - Stanford University, Palo Alto California Collected in: United States, Holland, Norway, Puerto Rico, Germany, Mexico, England, Brazil ...

    Paul Litherland - Artist Statement - Paul Litherland Paul Litherland is a visual artist/performer living in Montreal. Primarily a photographer and producer of multimedia performances, Litherland works with themes of vulnerability, masculinity and ideas pertaining to how communications take place. His relationship to technology, one of simultaneous attraction and rejection is a constant underlying theme in all of his photo-based work. In life, as in his art, Litherland is compelled to create situations of physical and psychological danger. Finding ways to go through fear without panicking is a game of self-control that he enjoys on an almost daily basis. This desire to live an intense experience, as seen through his participation in the extreme sports of skydiving, motorcycling, BASE jumping and boxing is translated directly into his art practice. Litherland pinpoints these difficult, complex and sometimes cumbersome situations as mediums for direct and honest communications. His most recent works include multimedia productions and photographic projects such as: Art Photography, a photographic project inspired by the information that accompanies an artwork when it is photographed badly. It was developed while in residence in Mexico City. Most recently, the projects BOX, and ASCII Fighter, are boxing performances created for Le Rencontre Internationale ...

    Anindya Roy - Here you can see a brief about my painting , my bio- data, and some recent paintings.A BRIEF INTRODUCTION TO MY RECENT PAINTINGS During the period of training my works were mostly the reflectionof the city life, the aspiration and dreams of the urban middle class living in a molt-cultural and multi-lingual society. Those days I crated the works like ' back to the city', 'nagorik' etc., by mixed media. To develop the concept I have been traveling historical, and culturally significant places and try to conceptualize the togetherness of living and non-living objects and a sense of mystery. Things and particular colour encompassed me, thus my creative mind and feelings is blend. Through I have social, ritual relation with my surroundings, I would like to search there hidden relations of mine in my works. It is known there a relation among the living and non- living beings in nature. I saw a rhythm with the costume, ornaments, happiness, sorrow and habits of the rural people, I is wonderful to me when I inhale those things then, I express my feelings of love through my visual art work. Some times ' composition ' starts from my dream, which leads to ...

    Sheila Fraga - Woman figure is the main theme of this exhibition entitled "Hope." Woman body has been an inspirational and interest motive for many artists in the Art History. I had intended to take this concept in order to reflect not only the woman beauty and sensuality but also to incorporate my own living experiences within the history frame that my generation had lived. I would like to establish a dialogue between the audience and my paintings to provoke controversy and interest toward concepts of identity, spirituality and love. Characters portray feelings of love, defiance, meditation, hope, and encourage the spectator to dream. Nudity is not used to identify woman figure as a sex symbol but a bearer of feelings, spirituality, expressiveness and determination to pursue happiness and new ideas in the social scenario. The use of celestial settings depicted In the skies and clouds are implemented to reflect spirituality and its interaction with daily life. Techniques such as oil, pastel and cut-out are present in my paintings and drawings as a mean to transmit emotions and expressiveness. It's creativity that strives me to seek new ways of expression to materialize my work. To create multiple scenarios with the only...

    Jym Shipman - Once Upon a time in the early nineteen seventies there was a boy. This boy was very sick and had to live on a bed in a plastic oxygen bubble. Due to his illness he was alone without the usual ways to meet people and make friends. One day the boy's mother brought him a box of crayons and a pad of paper. He took the tools he was given and created a new life for himself. In this new life he created a healthy boy with friends and a world that understood and accepted him. Weeks had past and the boy soon left the "real" world to never come back. Weeks turned into years and the boy's mother greatly missed him. The mother reached into the boy's new world, with the help of a great doctor. Together the mother and the doctor did what they thought was best for the boy and brought him back to their "real" world. In the years since, the boy has grown into a man. His physical health has improved. However, because of his travels when he was a boy, he remained between the two worlds. This leaves the man today...

    Tirzo Martha - The material doesn't need to be filled with words. It speaks for itself. It is our consciousness that has to translate it for us. My work is a loyal mirror of our societies, a reflection of a fragment from the thin line between fiction and reality. Tirzo Martha 2004...

    Pedro Ramon Rodriguez Quintana - Hi,my name is Pedro Ramon,I'm a painter of Spain,I work in Spain,and I'm work in art since a know the plastic art and concrete the paint plastic art,but I'm a artis to touch more form of expressions,sculpture,video,computer,photograf,and other temes,my referent idols in the paint work there are so mutch,and i'm have another idols to bright to me i'm my inspirations,like other artist of all genered of music overthere of modern musik,or cinema stars ,or films that all epoques, however I don't real in agree with all of they think and some postures and forms of live acctions,I'm don't considere me that a right or left political,I'm in the middel of some possitions in the world political,somewere I conffusion in this auctitudes,beacouse I don't have a great resolutions. I like painting in american and european styles,expressionism abstract,pop art and conceptual art,and some times I painting in all styles of the world.I'm living in Alcorcon, Madrid when I study and work with art since 1991,I compart my ...

    Subhadeep Bandyopadhyay - Welcome to SUBHADEEP'S ART ENCLAVE! As you venture through it, I hope you find joy and wish to spend considerable time in the abode of my art. "WHILE EVERYTHING GOES FOR TRANSITION EYES THAT RESTED ON BEAUTY OF TRUE ART RATHER THAN THE ART ITSELF LASTS FOREVER!"...

    Brikena Berdo - I cannot say what really led me to painting. I guess it is related to that inner desire which has made me express myself in this visual language. But what has mostly marked my art and driven me towards endless research is composed of notions such as the sense of time, childhood, human psychology and nature. I think, for some artists, it is true that what they have sought for in their art is something they have missed during their own life, a lack of anything from the real world of ours. I grew up in a aEURoegrey countryaEUR. I lived under a dictatorial regime until the 90aEURtms, which was followed by a transit period of destruction. Hence, so little has been inherited by the previous system. As a result what I perceived of those times came in colourlessly, greyish and meaninglessly in all aspects. It did not make sense at all. The absence of colours led to a hungriness and craving for greens and blues and yellows etc. This thirst for colours found expression later greatly and strongly in my paintings. I love colours and they are important, sometimes more than shape. I like to impose myself through ...

    Ana Marini Genzon - Personal Statement My art is about people and the way they experience their lives. I intend for my artwork to reflect emotions and thoughts. While creating sculptures and paintings, I try to suggest a story, not only of the moment but also of an entire life. Not only of what we can see, but what is invisible to the eyes. Art is always a mirror. That is why it is so powerful. It speaks not only about my subject, but also speaks about my perceptions. In the process of expressing the mood of the subject's substance, I constantly go deep inside myself searching for answers about human relations in this fast and ever changing world. My work is a conversation in color inspired by the intricacies of nature. Through my paintings I explore texture, color and process. Texture is a significant component of my work as my goal is to create a surface, not just paint one. Education Ana studied art at The National Institute of Fine Arts Manuel Belgrano where she earned a BFA and at the National Academy of Fine Arts Pridiliano Pueyrredon in Buenos Aires, Argentina where she graduated with an MFA. Upon her arrival ...