Culture Art For Sale

Page 1 of 28
Browse 786 Culture artworks for sale. Contemporary artists: Edem Elesh, Vishal Gurjar, Jerry Di Falco, Asbjorn Lonvig, Michael Garr, Harry Weisburd, Pol Ledent, Lynda Lehmann, Wayne Quilliam, Vincenzo Montella, Robert H. Stockton, Kichung Lizee, Wendy Lippincott, Hans-ruedi Kammermann, Ron Ogle, Storm Hammond offering Culture artworks. Links to more artworks by these contemporary artists and 28 pages for and further artists at the bottom of this page. To view a work by any of these contemporary artists simply click on the image or browse the artist's portfolio. To buy any Culture art simply click on the image to go to a more detailed page about this work of art.


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Edem Elesh: 'earthling', 2016 Mixed Media, Culture. Examing the concept of  foreign  cultures, and it s effect on perception. ...
, 2016
Culture - Mixed Media
24 x 36 inches (61.0 x 91.4 cm)
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Vishal Gurjar: 'the lustrous decanter', 2019 Acrylic Painting, Culture. This modern art depicts the silver curtlery and a few silver utensils. Silver is the symbol of love, strength, loyalty. Alongside it also shows thethe beautiful nature through the window. It is probably going to rain here. This painting is made on canvas and colours have been vvidly used to ...
Culture - Painting
30 x 36 inches (76.2 x 91.4 cm)
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Jerry  Di Falco: 'storm', 2018 Etching, Culture. The artist created this watercolor at The Center for Works on Paper in Philadelphia, Pennsylvania, as a study for a possible aquatint etching.  Please note that this painting on paper is shipped to the collector without a frame or mat.  This keeps the price low and affords the collector a ...
, 2018
Culture - Etching
15 x 22 inches (38.1 x 55.9 cm)
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Jerry  Di Falco: 'orvieto under red clouds', 2017 Etching, Culture. The studio techniques used to produce this etching were aquatint Chine colle, and intaglio.  Three limited editions of four prints were published.  This work is executed on two zinc plates, each measuring six inches high by nine inches wide, or 15. 240cm by 22. 860cm.  This makes the printed image ...
Culture - Etching
18 x 24 inches (45.7 x 61.0 cm)
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Asbjorn Lonvig: 'Sacre Coeur Basilica Color II', 2016 Other Printmaking, Culture.  Sacre Coeur Basilica Color - II signed...
Culture - Other Printmaking
84 x 112 cm (33.1 x 44.1 inches)
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Asbjorn Lonvig: 'Alhambra', 2016 Other Printmaking, Culture.  Alhambra Granada Spain signed...
, 2016
Culture - Other Printmaking
86 x 85 cm (33.9 x 33.5 inches)
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Jerry  Di Falco: 'ANGELIC HEIRACHY ROUEN', 2016 Intaglio, Culture. ANGELIC HEIRACHY, ROUEN, CHURCH OF SAINT OVEN AND THE GREEN MUSHROOM VISION. This original, hand- pulled intaglio etching by Jerry Gerard Di Falco was based on an archival photograph from the digital archives of The New York City Public Library. The artist first creates several original drawings of the photo, ...
Culture - Intaglio
11 x 15 inches (27.9 x 38.1 cm)
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Jerry  Di Falco: 'THE SOUL OF FERENCZY KAROLY ', 2014 Etching, Culture.  Title is ARCHAEOLOGY AND WINDOWS INTO THE SOUL OF FERENCZY KAROLY aEUR
Culture - Etching
15 x 18 inches (38.1 x 45.7 cm)
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Michael Garr: 'outhouse', 2004 Pen Drawing, Culture.
, 2004
Culture - Drawing
11 x 8 inches (27.9 x 20.3 cm)
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Harry Weisburd: 'Woman in Red Shutters Window  3D', 2011 Watercolor, Culture.  Realism, Figurative, Erotic, Senual, woman, female, Window  3D Image         ...
Culture - Watercolor
11 x 14 inches (27.9 x 35.6 cm)
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Harry Weisburd: 'Art Patron ', 2011 Watercolor, Culture.   Realism, Figurative, male, man , Art Gallery, Museum Wall, culture , erotic, female, woman sensual             ...
Culture - Watercolor
11 x 14 inches (27.9 x 35.6 cm)
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Pol Ledent: 'venitian mak 561110', 2010 Oil Painting, Culture.   original oil on canvas stretched on a wooden frame 23. 62 x 19. 69 inches ( 50 x 60 cm)can be shipped worldwide ( insurance)price :     750 usd payment via paypal   ...
Culture - Painting
50 x 60 cm (19.7 x 23.6 inches)
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Lynda Lehmann: 'Broken Promises', 2009 Color Photograph, Culture.  The darkness is evident in the interior of an abandoned building, through a dark, broken window that might symbolize broken promises or broken dreams. Taken at Nissequogue Park on Long Island, where buildings from King's Park State Hospital stand in disrepair. Image c Lynda Lehmann.Archival print 8 x...
Culture - Photograph
10 x 8 inches (25.4 x 20.3 cm)
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Wayne Quilliam: 'Garma ', 2008 Black and White Photograph, Culture.  Wayne Quilliam from Garma ...
, 2008
Culture - Photograph
0.2 x 30 cm (0.1 x 11.8 inches)
Lynda Lehmann: 'Deadbolt', 2007 Other Photography, Culture.  An intriguing bolt on a weathered door. The worn and rustic surfaces tell stories of another era, and hint at more personal tales unfolding in that time. Some features of architecture, whether of modern or more ancient origin, evoke their own symbology. Freudian and sexual interpretations aside, I think that...
, 2007
Culture - Photograph
10 x 8 inches (25.4 x 20.3 cm)
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Vincenzo Montella: 'Fruit market', 2007 Other Photography, Culture.  laser print ...
Culture - Photograph
60 x 40 cm (23.6 x 15.7 inches)
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Robert H. Stockton: 'The Things That We Depend On', 2007 Mixed Media, Culture.  This mixed media piece incorporates a variety of found, and appropriated materials, as well as acrylic paint.  It is matted with white museum board, and framed in black metal, under glass, to a finished size of 13 x 13.  The actual size of the artwork is 8 x 8.  ...
Culture - Mixed Media
13 x 13 inches (33.0 x 33.0 cm)
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Lynda Lehmann: 'Light', 2005 Other Photography, Culture.  Light coming through the dome of a medieval church in Imperia Vecchia, northern Italy. Image c Lynda Lehmann. ...
, 2005
Culture - Photograph
11 x 8 inches (27.9 x 20.3 cm)
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Kichung Lizee: 'Plum Blossom II', 2001 Other, Culture.  done on mulberry paper, using Chinese ink and Eastern calligraphy brush. ...
Culture - Other
23 x 18 inches (58.4 x 45.7 cm)
Kichung Lizee: 'Plum Blosson I', 2001 Other, Culture.  done on mulberry paper, using Chinese ink, Eastern calligraphy brush and water color.  presented as a traditional Asian scroll. ...
Culture - Other
36 x 21 inches (91.4 x 53.3 cm)
Kichung Lizee: 'Orchid II', 2001 Other, Culture.  done on mulberry paper, using Chinese ink and Eastern calligraphy brush. ...
, 2001
Culture - Other
17 x 23 inches (43.2 x 58.4 cm)
Kichung Lizee: 'Orchid I', 2001 Other, Culture.  done on mulberry paper, using Chinese ink and Eastern calligraphy brush.  presented as a traditional Asian scroll. ...
, 2001
Culture - Other
24 x 51 inches (61.0 x 129.5 cm)
Wendy Lippincott: 'Millenium I', 2000 Oil Painting, Culture. This painting celebrates the turn of the Millenium.  The figure in the lower left represents History turning the page to open the new Millenium.  It also has a companion piece, Millenium II....
Culture - Painting
50 x 58 inches (127.0 x 147.3 cm)
Hans-ruedi Kammermann: 'morning land', 2005 Oil Painting, Culture.
Culture - Painting
90 x 95 cm (35.4 x 37.4 inches)
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Ron Ogle: 'In the Box', 2005 Color Photograph, Culture.  Is love pleasure ? . . . that is what we are pursuing, consciously or unconsciously. Our gods are the result of our pleasure. Our beliefs, our social structure, the morality of our society - which is essentially immoral - is the result of our pursuit of pleasure. And when you say,' I love somebody' , is...
, 2005
Culture - Photograph
16 x 12 inches (40.6 x 30.5 cm)
Ron Ogle: 'Ent', 1999 Assemblage, Culture. ThisASSEMBLAGE isthe most complex grouping of FOUND ITEMS I have ever assembled, nailed down, and titled. Note the FURLED flag. [ let your hair unfurl, andyour heart ] ENT: in Tolkien' s books about Middle Earth; an ENT was an individual and self consciousOLD- GROWTH TREE, vital and self aware and ...
, 1999
Culture - Assemblage
36 x 24 inches (91.4 x 61.0 cm)
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Ron Ogle: 'Balanced Rock Number  389', 2005 Color Photograph, Culture.  Zoom in. All I can figure is that my practice at balancing stones found along side that creek has resulted in me being able to balance them. Unless it is raining. ...
Culture - Photograph
12 x 18 inches (30.5 x 45.7 cm)
Storm Hammond: 'Mona Lisa Study', 2005 Oil Painting, Culture.
Culture - Painting
12 x 16 inches (30.5 x 40.6 cm)
Ron Ogle: 'Number One', 1996 Assemblage, Culture. My first assemblage.  It is framed. You sure can zoom in on this one. ...
, 1996
Culture - Assemblage
24 x 18 inches (61.0 x 45.7 cm)
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Richard Lazzara: 'Venetia Lazzara Salute Grande Canal Estuary', 2004 Other Painting, Culture. Venetia Lazzara Salute Grande Canal Estuary 2004 from the folio
Culture - Painting
22 x 10 inches (55.9 x 25.4 cm)
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(Page 1 of 28) - MORE ARTWORKS
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  • Artists Describing Their Art:

    Edem Elesh - I am interested in examining the miracle of everyday existence. I have lead a very unique life. Born in Los Angeles and educated from an early age at English boarding schools, I have been exposed to two different cultures. This gives my work an American energy with English sensibilities. I am intrigued by the interplay born of this duality: order and chaos, old and new, the conscious and unconscious, structure and freedom. Not to mention expectation and accident. I am currently working with a new form of mixed media which allows, to an even greater extent, the chances of an interplay between process and providence....

    Vishal Gurjar - I am Vishal gurjar artist born in Rajasthan, India 1992. I live in Jodhpur, Rajasthan. Jodhpur is known for its rich heritage and lavish culture and traditions. In my family, my grandfather was an artist and my two uncles. So from childhood till now, I brought up in that culture. I learned paintings from my grandfather. He passed away but his education is still alive in me. Being an artisan, painter and sketch creator from last 10 years I found the art of painting and sketching so mesmerizing and rejuvenating. In this journey of 10 years, I have been awarded by more than 5 prestigious awards and got the recognition across the state. I am honored to be the purveyor of that art which has the perfect blend of pictorial depiction....

    Jerry Di Falco - Photography inspires my art and acts as a vital element in my etchings. The images I employ originate from my own photographs, as well as from the images I find from my research into the digital archives of universities, historical societies, libraries, and museums. Upon locating a documented scene I wish to etch, my first step involves the execution of two to five original drawings of the photograph. My collaboration between photography and printmaking allows me the independence to integrate my personal interpretations into the scene. Moreover, I create bridges between the physical and metaphysical visual realities in the same way that a camera intersects with human creativity . . . the nexus between the mechanical and the cerebral art tools. Art unveils everything that we mask behind our belief systems conversely, I strive in my creations to clarify those phenomena we overlook as a result of our egocentric assumptions. Ironically enough, I blame this failure to notice things, a process I label, the phenomenology of connectedness, on todayaEURtms very infatuation with and addiction to the new communicational technologies of social media. My artworks therefore become like windows through which to examine the mysteries of aEURoeeveryday consciousnessaEUR. In fact, my use of ...

    Michael Garr - I have been drawing and painting since Junior High. I enjoy quick art, impressionistic yet realistic, and minimal. There are interesting subjects all around us. My inspirations are architecture, people, light and shadow, the sea and boats, imagination... and the old masters. Get out and enjoy your surroundings. All my works are available as signed and numbered prints. I also do commission works, some examples of which are in the portfolio. I donate all proceeds to charity (I have a day job). My opportunities for artistic expression have included drawing on napkins during airplane rides and waiting during my sons' music lessons. In 2012 I took up oil painting for the first time, and my mentor is Lorena Pugh of North Kingstown. I've done both Plein air and studio work in her presence, and am benefitting from the association. We have an informal group who meet and paint in Lorena's studio on Monday nights throughout the indoor season. I will continue to pursue art on a daily basis, and post the finished works here and on facebook for any and all to peruse. In 2003, I legally changed my name back to my original name, Michael Garr, so ...

    Harry Weisburd - Harry Weisburd is an Internationally Represented Artist, including, USA, Expressions Gallery, Berkeley, California,

    Pol Ledent - I am a self-taught artist. I was born in Belgium o, 23rd October 1952. I started painting in 1995 . I took some drawing lessons in the art academy in Dinant. I try to paint the landscapes of the countryside where I am living : the southern part of Belgium. Firts I took part in many collective exhibitions . Than, I had personal exhibitions in Rochehaut (Galerie La Potele), in Dinant (Galerie L'impression), in Paris (Rive Gauche Galerie Artimus) in Brussels (Galerie G-Loft).In 2004, I had three exhibitions, again In Rochehaut, galerie La Potele in May. Then, in September Exhibition Libr'art in Libramont. In November, Galerie Impression in Dinant. What people like most in my paintings are the colours. My art doesn't speak to the intellect but to the soul and to the feelings. Talink the risk to seem old fashioned , I would say it is rather romantic. I wish you much pleasure looking at my paintings. Pol Ledent ...

    Lynda Lehmann - I have participated in numerous juried shows and had solo shows of my paintings. Ive sold my photography and digital art online, in galleries and other real-time venues, although I am currently marketing my work primarily online. My stock art sells well and Ive sold at least 2400 images in that venue. Life events had steered me away from painting but I am jumping back into that part of my process and hope to have new paintings online within the next few months. OTHER STUFF My painting Bibliophiles Dream has been featured on the cover of the Insights Journal of Austin Seminary. My paining Damariscotta Dream has been used for the cover of Chuck Sweetmans poetry chapbook published by Dream Horse Press. My image Enchanted Forest was used by the Sierra Club in their online feature Daily Ray of Hope. The Yellow Door has been published in Long Islands Canvas Magazine. I was a featured artist at Imagekind in July and have been featured from time to time on my other sites as well. February 1 - 28, 2009 - Metrimorphic III featuring new abstract paintings combining biomorphic and geometric elements, Harborfields Library, Greenlawn, NY. Due to time constraints I will ...

    Wayne Quilliam - Adjunct Professor Wayne Quilliam is a professional Australian Aboriginal Photographic artist/film maker/cultural advisor working on the international stage. With more than 20 years experience working in all areas of photography including social documentary, sport, tourism, fashion,weddings, movies, event documentation and exhibitions, Wayne is recognised as a leading contemporary in his field. His work is a fusion of traditional spirituality and contemporary photographic processes,each image represents an interpretation of culture in the modern world. His dream is to work with all races of the world and conduct exhibitions in every country....

    Vincenzo Montella - Vincenzo Montella was born in Benevento, Italy the 7/14/1952 and lives in Naples where works as psychiatrist. He is graduated in Medicine and Philosophy and specialist in psychiatry and family psychotherapy. He is artist, poet and photographer. He studied photography at the Toscana Photographic Workshops attending courses of William Allard, Michael Yamashita, Machiel Botman, Alex Webb, Jeff Jacobson, Arkady Llove, Sarah Moon, Carol Dragon. ...

    Vincenzo Montella - Kichung Lizee - After coming to this country from Korea in the mid 60's to study art, among the many forms of Western art that I was introduced to, Abstract Expressionism interested me most. Currently I am in the process of synthesizing Eastern and Western approaches to art. Specifically, I'm adopting the techniques and materials of Eastern calligraphy to Western thematic material, my primary goal being to close the gap between East and West and reach for universal creativity. Eastern calligraphy I learned is a living and breathing spirit, rather than the dead and rigid tradition of thousands of years. It is uniquely a form that conveys the pulsation of life energy. Through it, one can experience all aspects of the living spectrum. Eastern calligraphic form reveals the kind of life the artist has led, as well as foreshadowing the person one will become. It is the art form that manifests the self as a way of life or philosophy of life. It is a powerful art form that operates through direct intuition. As an artist I rely heavily on creative intuition. Moving with changes in the stream of consciousness, my creative intuition somehow brings out the subconscious and superconscious through ...

    Wendy Lippincott - Complex allegories dominate the many themes that pervade Ms. Lippincott's paintings. She prefers incorporating science into her art, consistent with her background in electrical engineering, but often gets waylaid with mythological and historical visions. Her paintings are currently only available for licensing. She hopes to have prints available soon. ...

    Hans-Ruedi Kammermann - Painting for me is passion, a fascinating process of seeing that alters the vision of things. The everyday becomes special, unique, unknown. What is seen, is never what is painted, yet the painting becomes a new reality. I don't invent abstract images but the act of accumulating material on the canvas creates form and color - being materialistic in order to transform matter into imagination and perception. In the process of painting I find new images, something appears, stimulates vision, projects lost or remembered entities, becomes alive and finally communicates. ...

    Hans-Ruedi Kammermann - Storm Hammond - In many of the paintings, my intention was to give the viewer a glimpse into a peaceful moment in the Italian sense of capriccio. In others, particularly those which make use of funerary statuary, one is left questioning aspects of human solitude. It has been said that a landscape does not come alive until there is a figure in it. By using sculptures of human forms, I offer the viewer an identity within the painting. As they are stone, subtly a coldness permeates and a peculiar isolation sets in emotionally. This shifts the pastoral mood to a quiet thoughtful meloncholia. This gives some observers a surrealistic impression of my work. In the architectural alleys, the viewer stands alone on the path. There is always the unseen, something more, a mystery around the corner or through the gate. I use an indirect Old Master's method of oil painting. The process begins with the application of an abstract acrylic ground. Next, an oil grisaille is painted defining the light and dark areas. Then, multiple layers of oil glazes and varnishes finish the piece. The first drawing, painted as the ground utilizes the divine geometry of the Golden Section. The divine ratio, ...