Culture Art For Sale

Page 10 of 27
Browse 772 Culture artworks for sale. Contemporary artists: Frank Shifreen, Queenie Lam, Augie Nkele, Shmuela Padnos, Gilberte Vermeulen, Yoshihito Une, Pamela Henry, Carl Gray Witkop, Janet Allinger, Marybeth Drake, Rikki Power, Matthew Hickey, Wayne Quilliam, Jerry Di Falco, Richard Lazzara offering Culture artworks. Links to more artworks by these contemporary artists and 27 pages for and further artists at the bottom of this page. To view a work by any of these contemporary artists simply click on the image or browse the artist's portfolio. To buy any Culture art simply click on the image to go to a more detailed page about this work of art.


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Queenie Lam: 'San Francisco China Town', 2002 Watercolor, Culture. Drawn to the attention of an advertisement on a street pole, I was looking from where I stood to the other side of the street.  It was a sunny day and the street was busy.  ...
Culture - Watercolor
15 x 13 inches (38.1 x 33.0 cm)
Augie Nkele: 'Chokwe Mask', 2000 Aluminum Sculpture, Culture.
Culture - Sculpture
12 x 24 inches (30.5 x 61.0 cm)
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Shmuela Padnos: 'calgary stampede', 2002 Collage, Culture.
Culture - Collage
9 x 12 inches (22.9 x 30.5 cm)
Shmuela Padnos: 'buffalo soldier', 2002 Collage, Culture.
Culture - Collage
9 x 14 inches (22.9 x 35.6 cm)
Gilberte Vermeulen: 'collage', 2001 Collage, Culture. watercolor collage ...
, 2001
Culture - Collage
60 x 50 cm (23.6 x 19.7 inches)
Yoshihito Une: 'small Mon', 2001 Bronze Sculpture, Culture. This is a model of MON.  ...
, 2001
Culture - Sculpture
10 x 10 inches (25.4 x 25.4 cm)
Pamela Henry: 'Soul Sisters', 1998 Mixed Media, Culture. This painting has detail done in pen and ink and the background is acrylic. It is part of my Hair and Lips series....
Culture - Mixed Media
16 x 16 inches (40.6 x 40.6 cm)
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Carl Gray Witkop: 'Sinagua Dawn', 2001 Handbuilt Ceramics, Culture. Burnished handbuilt pot with incised band, . This piece was fired with coffee grounds and peat, with cow tail, wolf, and human hair, grass, and milkweed seed pods....
Culture - Ceramics
10 x 9 inches (25.4 x 22.9 cm)
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Janet Allinger: 'Ester', 2001 Computer Art, Culture. Giclee prints on quality glossy photo paper signed by artistGiclee' is a high quality printing process using original digital artwork. LE- 250 signed...
, 2001
Culture - Computer Art
20 x 20 inches (50.8 x 50.8 cm)
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Yoshihito Une: 'MON', 2001 Wood Sculpture, Culture.
, 2001
Culture - Sculpture
95 x 97 inches (241.3 x 246.4 cm)
Marybeth Drake: 'Oya', 2000 Assemblage, Culture. Seated altar figure of an image received through collective unconscious.She is made from plaster, wire, papiermache, cloth, and found objects. I had not studied African art prior to my vision. This summer I attended a week long institute on African American Art and identity at the Virginia Museum ...
, 2000
Culture - Assemblage
38 x 52 inches (96.5 x 132.1 cm)
Yoshihito Une: 'Untitled', 2001 Mixed Media Sculpture, Culture. This is a Tokonoma piece....
, 2001
Culture - Sculpture
26 x 24 inches (66.0 x 61.0 cm)
Yoshihito Une: 'untitled', 2001 Pottery, Culture.
, 2001
Culture - Pottery
8 x 8 inches (20.3 x 20.3 cm)
Rikki Power: 'BATIK', 2001 , Culture. Anything is possible, with the skilled and creative knowledge for mixing colours with the assistance of Rikki! Bright and colourful tribal design. . ....
, 2001
Culture -
3 x 5 feet (0.91 x 1.52 m)
Matthew Hickey: 'At rest', 2001 Oil Painting, Culture. oil on canvas...
, 2001
Culture - Painting
48 x 36 inches (121.9 x 91.4 cm)
Wayne Quilliam: 'BeachCeremony', 2000 Color Photograph, Culture. Aboriginal dancers performing an important dance at my brothers wedding in Tasmania...
Culture - Photograph
0 x 0 inches (0.0 x 0.0 cm)
Jerry  Di Falco: 'TEMPLE OF THE MINOTAURS PERFECTION', 2014 Monoprint, Culture. Combination od two techniques, ETCHING and MONOPRINT. Please note that this etching is shipped to the collector without a frame or mat. This keeps the price low and allows the collector personal choice in matt selection and framing. A sturdy cardboard box is employed for shipping the work. The etching ...
Culture - Monoprint
18 x 22 inches (45.7 x 55.9 cm)
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Jerry  Di Falco: 'Victorian Tomb Kiss', 2004 Black and White Photograph, Culture. One of my favorite subjects in photography is tombstone- art, especially from the Victorian Period.  This elaborate grave in Philadelphia dates to 1886 and is one of the most interesting I have encountered. It shows both the intered soul escaping into paradise, as well as the person from when they ...
Culture - Photograph
9 x 6 inches (22.9 x 15.2 cm)
Jerry  Di Falco: 'The Devil in the Flesh', 1990 Acrylic Painting, Culture. Some religious processions can produce some scary shadows, not to mention wild dreams. Price does not include shipment. This work was inspried by a stay in Madrid. ...
Culture - Painting
32 x 28 inches (81.3 x 71.1 cm)
Jerry  Di Falco: 'Procession of the Salt and Pepper Ladies', 1990 Acrylic Painting, Culture. Easter Week in Madrid is a perfect metaphor for the city itself: a balance between the sacred and the profane . . . the old and the new . . . the scientific and the folkloric.  Price does no include shipment...
Culture - Painting
32 x 28 inches (81.3 x 71.1 cm)
Richard Lazzara: 'Venetia Lazzara Grande Canal Regatta', 2004 Other Painting, Culture. Venetia Lazzara Grande Canal Regatta 2004 from the folio
Culture - Painting
13 x 13 inches (33.0 x 33.0 cm)
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Richard Lazzara: 'Venetia Lazzara San Marco Scoula', 2004 Other Painting, Culture. Venetia Lazzara San Marco Scoula 2004 from the folio
Culture - Painting
12 x 12 inches (30.5 x 30.5 cm)
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Richard Lazzara: 'Venetia Lazzara Giustiniani Palazzo', 2004 Other Painting, Culture. Venetia Lazzara Giustiniani Palazzo 2004 from the folio
Culture - Painting
16 x 10 inches (40.6 x 25.4 cm)
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Richard Lazzara: 'Venetia Lazzara Knight of Colleoni', 2004 Other Painting, Culture. Venetia Lazzara Knight of Colleoni 2004 from the folio
Culture - Painting
12 x 12 inches (30.5 x 30.5 cm)
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Richard Lazzara: 'Venetia Lazzara San Giorgio Maggiore', 2004 Other Painting, Culture. Venetia Lazzara San Giorgio Maggiore from the folio
Culture - Painting
18 x 11 inches (45.7 x 27.9 cm)
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Richard Lazzara: 'Venetia Lazzara Gondola Ride for You', 2004 Other Painting, Culture. Venetia Lazzara Gondola Ride for You 2004 from the folio
Culture - Painting
13 x 13 inches (33.0 x 33.0 cm)
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Richard Lazzara: 'siva field', 1998 Acrylic Painting, Culture. siva field by Richard Lazzara is from the
, 1998
Culture - Painting
121 x 66 inches (307.3 x 167.6 cm)
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Richard Lazzara: 'spiral gifts', 1990 Acrylic Painting, Culture. spiral gifts by Richard Lazzara is from the
Culture - Painting
121 x 66 inches (307.3 x 167.6 cm)
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Richard Lazzara: 'story puzzle', 1992 Acrylic Painting, Culture. story puzzle by Richard Lazzara is from the
Culture - Painting
121 x 66 inches (307.3 x 167.6 cm)
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Richard Lazzara: 'swimming upstream', 1991 Acrylic Painting, Culture. swimming upstream by Richard Lazzara is from the
Culture - Painting
121 x 66 inches (307.3 x 167.6 cm)
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(Page 10 of 27) - MORE ARTWORKS
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  • Artists Describing Their Art:

    Frank Shifreen - My art is about the power of the image to bypass the limitations of the self, controlled through language and its paradigms. The image is a life raft. The connection of the seer to the seen is the same as self to other , or me to you. Images, whether they be paintings, digital works or videos are gestalts, and embody identity. My art is about figure and ground that is transformed in many ways- materials, subject and meaning. I am a situationist and believe that art can create new paradigms for the future. It is a protected frame of content that can carry meaning, experimental ideas and projections. I have been a painter and sculptor, and still work in those media, but my primary form is now digital art and video, or hybrid combination. Besides being an artist, I have curated and organized many exhibitions, in New York. The Monumental Shows, Terminal Show (Co-curator), Pan Arts, Plexus. Recently curated "From the Ashes" 911 Memorials and "Ground Zero" at the Detroit Museum of New Art, and Freyberger Gallery - Penn State Berks Campus I am a Doctoral Candidate in Art and Art Education at Columbia University Teachers College...

    Queenie Lam - I use acrylic and oil to showcase my imaginative world and to make a religious comment on the ideals. I also want my art to be a way to record the history of life as it has gone through, with occasional integration of my feelings at that particular moment. I am particularly interested in creating my work with a variety of vibrant colors because I believe that this is the way life is supposed to be portrayed. ...

    Augie Nkele - Born: Kisangani, Congo, Africa BFA: Emphasis Painting, 1979, Academie Des Beaux-Arts, Kinshasa and Lubumbashi Additional Studies: Notre Dame de la Sagesse, School of Interior Design, Brussels, Belgium, 1980-82 Currently a US citizen residing in Fort Worth, Texas I am from the Kongo people. Before Columbus sailed to the New World, the Portuguese had already established trade relations with the kingdom of Kongo. Members of the royal court of Kongo attended the university in Lisbon. I speak the Kikongo language, as well as Lingala, Swahili, French and English. Congo is always in my heart although it has been many years since I have been there in person. My country has a rich artistic and cultural history and the Congolese people have made important contributions to art and music. One of my goals with my art is to introduce our history and culture to others. When you know Africa you will love Africa. I love learning about different ethnic and national cultures. I look for links that can unite people rather than divide them. Having lived on three continents has given me a broader interest perhaps than if I had only lived in one community all my life. We must ...

    Shmuela Padnos - ARE YA READY TA GET THE BIG LEG BLUES FROM THE GAS MAN AS THE SPECIAL RIDER MAKES YOU MISSISSIPPI MOAN? ARE YA GONNA RIDE THE NEW HAMHOUND CRAVES A BLACK SNAKE MOAN WITH THE LITTLE LEG OUTSIDE WOMAN BLUES? WELL TAKE A LITTLE WALK WITH ME AS i TELL YOU ABOUT THAT CHERRY WOMAN ARTIST SHMUEL A PADNOS. AS THE DEVIL SENT THE RAIN TA N'AWLINS SHMUEL A WAS CONCEIVED DURING MARTI GRAS FUN OF LE BON TON ROULET. 9 MONTHS LATER IN THE FOOT HILLS OF NORTH CAROLINA, LAND OF RATTLE SNAKIN DADDY& STEP IT UP & GO, SHMUEL A WAS BORN. ALTHOUGH EXPOSED TO THE EAST COAST PICKIN OF BLIND BOOY FULLER, BUDDY MOSS& JOSH WHITE BY HER GRANDPARENTS, SHMUELA WAS ALWAYS FOUND WITH A PAINTBRUSH IN HER HAND INSTEAD OF A GUITAR. SHE FOUND THE MOVING OF THE BRUSH CREATED ITS OWN FUNKY SOUND&RHYTHM....

    Yoshihito Une - "Mon" is a gate or a gateway in English. Mon in general are situated between two spaces, typically private property and public property. In some cultures a Mon also has a spiritual meaning. Growing up in Japan I still remember being taught to always refresh my mind when entering the Mon into a temple or a shrine. This element of "mind refreshing" is a major theme of this particular work. By using Japanese caligraphic strokes into a three-dimensional object the front and the back have slight altered forms. Furthermore, it has always been of great importance to me to include the element of actual physical experience into my works. I have tried to make a work of large dimensions without the overpowering atmosphere typically created by enormous works. ...

    Pamela Henry - Who is to say what art is or is not? I am a spirit that captures emotions and place them on a canvas. My emotions seem to create my art and I hope that you will feel something special when you view it. It doesn't matter what you feel, just as long as it can leave you with a thought. I have been an artist since I was 5 years old. That was sometimes the only way I could get any special attention. As an adult, I use my art to say what I feel without the limitations of words. I love it when someone tells me that my art made them feel something and that is why they had to buy it, or that my art caused them to think. My job is done when I can make you feel and think. ...

    Carl Gray Witkop - Beauty created by natural forces is sublime, sometimes so intense, sometimes hidden. I allow fire to finish my pots to include natural beauty in my creations. I handbuild pots by the coil method then burnish them with a smooth stone. There is no glaze. Other than some color in the clay slips, all the color results from the firing. I remove the pots red hot from the kiln, then finish the firing in a pit. The hot pots contact various fuels such as sawdust, hair, flowers, or weeds, which leave smoke stains and areas which are reduced or oxidized. ...

    Janet Allinger - Curriculum Vitae: Janet Allinger was born in 1964 in Detroit MI and lives and works in Santa Cruz, CA. An artist from day one, she perfected her skills over the years in design by working along side top designers in the graphic design trade and constantly experimenting with her artistic abilities. Her medium of choice, is acrylics. Allinger has shown her works at many businesses and shows including the 2002-05 Open Studio exhibits held in Santa Cruz, CA, and the first Santa Cruz Digital Art Festival. She had displayed at the SFMOMA artist gallery at the Fort Mason center and has been published in newspapers and art used for promotional pieces other than her own. Mrs. Allinger has been chosen for Chicago's Woman Made Gallery "Her mark" date book, the Kellogg University art gallery, Carmel CA Winfield gallery, Siggraph animation conference in San Diego, CA, Biddle gallery in Wyandotte MI, Thacher gallery in San Francisco, Red Ink studios in San Jose, La Bussola in Reno NV, POD & Stage gallery in New York plus several online U.S. and U.K. galleries. In 2005, she was a recipient of Santa Cruzi?1/2s prestigious Gail Rich Award. To see more ...

    Marybeth Drake - I make my art from dreams( including daydreams),wordplay,and visions. I prefer 3-dimensional assemblage pieces and collect man-made and natural materials, junk, and even furniture everywhere I go. I like making art from recylced and cast off items. I am a true pack rat. Recently I picked up an old skill--sewing--and have started designing some funky dresses made of combined fabrics and trims from vintage and gently used clothing. I love the stalwart spirits of trees through all seasons. I enjoy making sculpture and collage that gives trees personality with facial expressions and gestures. When people tell me they love my work, I say it isn't work,it is play. I teach writing classes and try to bring my creativity to class to inspire students to think outside their personal boxes....

    Matthew Hickey - Matthew Hickey is a 38 year old artist originally from Levittown, New York. He graduated with honors from the School of Visual Arts in Manhattan in 1995. He lives and works in the northeast of England, and his work is featured in private collections worldwide. Figure paintings as well as portraiture and landscape are the focus of Hickey's career, offering a prevailing and unique insight into the optical nuances of this new century. Commissions and studio visits are always welcome at Hickey Studio. Call or email for inquiries, questions, comments. ...

    Wayne Quilliam - Adjunct Professor Wayne Quilliam is a professional Australian Aboriginal Photographic artist/film maker/cultural advisor working on the international stage. With more than 20 years experience working in all areas of photography including social documentary, sport, tourism, fashion,weddings, movies, event documentation and exhibitions, Wayne is recognised as a leading contemporary in his field. His work is a fusion of traditional spirituality and contemporary photographic processes,each image represents an interpretation of culture in the modern world. His dream is to work with all races of the world and conduct exhibitions in every country....

    Jerry Di Falco - Photography inspires my art and acts as a vital element in my etchings. The images I employ originate from my own photographs, as well as from the images I find from my research into the digital archives of universities, historical societies, libraries, and museums. Upon locating a documented scene I wish to etch, my first step involves the execution of two to five original drawings of the photograph. My collaboration between photography and printmaking allows me the independence to integrate my personal interpretations into the scene. Moreover, I create bridges between the physical and metaphysical visual realities in the same way that a camera intersects with human creativity . . . the nexus between the mechanical and the cerebral art tools. Art unveils everything that we mask behind our belief systems conversely, I strive in my creations to clarify those phenomena we overlook as a result of our egocentric assumptions. Ironically enough, I blame this failure to notice things, a process I label, the phenomenology of connectedness, on todayaEURtms very infatuation with and addiction to the new communicational technologies of social media. My artworks therefore become like windows through which to examine the mysteries of aEURoeeveryday consciousnessaEUR. In fact, my use of ...