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Death Art For Sale (176)

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Browse 176 Death artworks for sale. Contemporary artists: Eduardo Diaz, Matthew Hickey, Gian Michael Merlevede, Philip Hallawell, Hisham Zreiq offering Death artworks. Links to more artworks by these contemporary artists and 7 pages for and further artists at the bottom of this page. To view a work by any of these contemporary artists simply click on the image or browse the artist's portfolio. To buy any Death art simply click on the image to go to a more detailed page about this work of art.


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Matthew Hickey: 'Untitled', 2001 Oil Painting, Death.
, 2001
Death - Painting
36 x 24 inches (91.4 x 61.0 cm)
Gian Michael Merlevede: 'Message from Eden', 1996 Acrylic Painting, Death. Artist Description: The painting Message from Edenshows a composition unifying two distinct zones.a) The upper zone refers to the supernatural; the heavenly realm. The kind of porch with pillars gives entry to a wide panorama. The two columns ( like angelcherubs) in the very centre lead to the throne- ...
Death - Painting
96 x 56 cm (37.8 x 22.0 inches)
Philip Hallawell: 'The Hands of Fate', 1988 , Death. Artist Description: This painting, part of my Illiad series, discusses the question of fate. The Greeks believed that each person' s destiny was planned before birth by mythological beings called the Fates: one wove the person' s lifeline, another measured it and a third cut it where it was to ...
Death -
60 x 80 inches (152.4 x 203.2 cm)
Hisham Zreiq : 'The Birth of Death', 2000 Computer Art, Death.
Death - Computer Art
100 x 75 cm (39.4 x 29.5 inches)
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Artists Describing Their Art:

Eduardo Diaz - Statement My name is Eduardo DIaz and Iim a Mexican artist residing in the Bay Area since 2001. In my work I express different elements of Mexican culture, while emphasizing its Native American heritage. I incorporate native themes and images, both extant and prehispanic, into my works and combine them with personal feelings, experiences or fears. Although cultural elements are the essence of my art, through them I also like to express political and social opinions. As a Mexican, I feel in touch with the problems at the Mexican-American border, as well as with the issues facing Mexican immigrants. I also like to express the tension between the indigenous and the industrialized worlds, and to analyze the different elements that make up Mexican identity, especially when confronted with life in a different country. My favorite medium is oil painting. I use vivid and deep colors, with which I reflect the light of the Mexican sun. Some of my compositions are figurative, and oscillate between realistic scenes and more elaborated images, with affinity to surrealism. My most recent productions are less figurative and combine the same vivid colors into expressive abstract constructions. Biography My name is Eduardo D...

Matthew Hickey - Matthew Hickey is a 38 year old artist originally from Levittown, New York. He graduated with honors from the School of Visual Arts in Manhattan in 1995. He lives and works in the northeast of England, and his work is featured in private collections worldwide. Figure paintings as well as portraiture and landscape are the focus of Hickey's career, offering a prevailing and unique insight into the optical nuances of this new century. Commissions and studio visits are always welcome at Hickey Studio. Call or email for inquiries, questions, comments. ...

Gian Michael Merlevede - Christian-contemporary artist Christlich-zeitgenoessischer Kuenstler Christelijk-hedendaagse kunstenaar . . . . . . . Anointed for Vision, With an Inspiration in Departure of False Pride, And Zeal to Believe in a Reward. As Swordmanship for What Truthfully has Origins, Leads my Pioneering for the Personal Creator Who Is, Through Word and Spirit, and Creations Praise. . . . . . . . Visit my WEBSITE Artborne Erdeborn www.artduo.weebly.com + + + + + + + Hans Sedlmayr - Master dissertation titled Centre Lost Art Society, Hans Sedlmayrs Critique on Modern Art Society, Ghent University, 2000, written in Dutch CENTRUMverloren KunstWENDE. De Visie van Hans Sedlmayr op de moderne kunstwende Universiteit Gent 2000. Willem L. Meier, Hans Rookmaaker, Francis A. Schaeffer, et.al. Check fragments of my former website www.reocities.comgmerlevefilos1.html...

Philip Hallawell - I work in various media: oil, watercolor, dry pastels, pen and ink and mixed media. My work is a result of a fragmented view of the world, which gives it a surreal quality. However, my process is not surreal, because I start with a definite theme that I wish to investigate. My main area of interest is people and the human form and I am constantly investigating the physical, intellectual, emotional and spiritual aspects of Man. Over the years I have developed various series, which I revisit periodocally, investigating different aspects. In purely visual terms, what fascinates me is light and form and how I can use diverse visual elements in a complementary way, opposing, for instance, line and form, or rough and smooth textures. The use of diferent materials to achieve diverse expressions, either alone or as mixed media, along with alternating between a graphic representation and a painterly one, or mixing the two, is a very important aspect of the way I materialize my thinking into images. Equally important is the transition from very realistic images to a totally abstract means of expression and alternating between control and expressiveness....

Hisham Zreiq - My art is a private perspective on life, private pains and disappointments, society, Death and a philosophical look at life. Death is the source for creation and the motor of life. Crucifixion a symbol for pain, pain caused by social, political and religious systems. I think that art is another way to communicate, to express my ideas , for me art should have a message of a sort. This is the way I saw art when I was a little boy trying to express his Ideas with simple drawings, and this is the way I see art when working on my digital art or writing poetry today. Some times I ask myself, if we can reach people through "reason"! but I think its better to get to people's hearts through emotions, through ART, and from there we might get to their reason. Or maybe use extremes in art - and that is what I usually try - in order to make people think and ponder after their emotions become tens. Then their analyses might bring with it reasoning. ...