Ecological Art For Sale

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Browse 81 Ecological artworks for sale. Contemporary artists: Wendy Lippincott, Edem Elesh, Hope Brooks, Shelly Leitheiser, Rita Levinsohn, Kimberly Ruttenberg, Marie Weaver, Alessandro Zanazzo, Lian-chye Teh, Janice Young offering Ecological artworks. Links to more artworks by these contemporary artists and 3 pages for and further artists at the bottom of this page. To view a work by any of these contemporary artists simply click on the image or browse the artist's portfolio. To buy any Ecological art simply click on the image to go to a more detailed page about this work of art.


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Wendy Lippincott: 'best laid plans', 2024 Oil Painting, Ecological. Planning often goes Awry, Title is  Best Laid Plans of Mice and Men ...
Ecological - Painting
24 x 30 inches (61.0 x 76.2 cm)
Wendy Lippincott: 'the road to hell', 2020 Oil Painting, Ecological. The Road to Hell is Paved with Good Intentions...
Ecological - Painting
18 x 24 inches (45.7 x 61.0 cm)
Edem Elesh: 'sky warden ii', 2018 Mixed Media, Ecological.
Ecological - Mixed Media
48 x 24 inches (121.9 x 61.0 cm)
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Edem Elesh: 'the anthropocene stairway', 2018 Mixed Media, Ecological.
Ecological - Mixed Media
48 x 48 inches (121.9 x 121.9 cm)
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Edem Elesh: 'happy trails', 2018 Mixed Media, Ecological.
Ecological - Mixed Media
72 x 48 inches (182.9 x 121.9 cm)
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Hope Brooks: 'Goat Island Suite  a suite of four paintings', 2017 Mixed Media, Ecological. Currently on show at the XI Florence Biennale October 6 - 15 2017 this painting is about The Goat Islands that are located on the south west coast of Jamaica that became the centre of attention in 2015 when the Government of Jamaica proposed to sell the Islands to the Government ...
Ecological - Mixed Media
64 x 64 inches (162.6 x 162.6 cm)
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Hope Brooks: 'Goat Island  Preservation or Profit', 2015 Mixed Media, Ecological.  The first of a series of four mixed media paintings each comprising four panels looking at the Development of the Goat Islands situated on the South East coast of Kinston Jamaica. The Goat Islands are protected by the Portland Bight Agreement made by the Government of Jamaica to preserve the...
Ecological - Mixed Media
13 x 13 inches (33.0 x 33.0 cm)
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Wendy Lippincott: 'In The Year 2155', 2013 Oil Painting, Ecological.  Doomsday, Evolution, Destruction            ...
Ecological - Painting
18 x 24 inches (45.7 x 61.0 cm)
Shelly Leitheiser: 'No Way Out II', 2012 Acrylic Painting, Ecological.  A shark jumps from the ocean. My original intent was because the ocean is polluted or acidifying, but you can get whatever meaning from it you choose. Keywords: shark, ocean, atlantic, leitworks, shelly leit, environment, pollution, climate change, nature, ocean life ...
Ecological - Painting
12 x 24 inches (30.5 x 61.0 cm)
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Shelly Leitheiser: 'Inevitable Inferno', 2012 Acrylic Painting, Ecological.  This painting is beautiful to look at with its chaotic colors, but it represents a serious situation. Inevitable Inferno refers to the changing climate we humans are creating, and the wild fires this is exacerbating in the Southwest US and other areas of the world that are susceptible to drought...
Ecological - Painting
18 x 24 inches (45.7 x 61.0 cm)
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Hope Brooks: 'Painting for the Planet Earth', 2011 Mixed Media, Ecological.     Global warming and pollution appear to be a threat to the planet.  To reverse this threat man must reduce pollution caused by fossil fuel, preserve the forests and reduce the destructive effects of global warming.  In the painting man is represented by the twenty central panels while the leaves symbolize...
Ecological - Mixed Media
6 x 9 feet (1.83 x 2.74 m)
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Rita Levinsohn: 'Global Warning', 2008 Acrylic Painting, Ecological.  The effect of Global Warming in the artic.  Polar Bears are now in  endanger of extinction. ...
Ecological - Painting
40 x 30 inches (101.6 x 76.2 cm)
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Rita Levinsohn: 'Aerial Killing', 2008 Acrylic Painting, Ecological.  A family of wolves threatened by Aerial Hunters while grazing on preserved land in Alaska. ...
Ecological - Painting
40 x 30 inches (101.6 x 76.2 cm)
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Kimberly Ruttenberg: 'spring in monroe', 2020 Digital Photograph, Ecological. A beautiful spring day in Southeast Michigan...
Ecological - Photograph
8.9 x 8.9 inches (22.6 x 22.6 cm)
Marie Weaver: 'gulf fury', 2012 Ceramics, Ecological. Ceramic sculpture response to the Gulf of Mexico oil spill...
, 2012
Ecological - Ceramics
13 x 35 inches (33.0 x 88.9 cm)
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Marie Weaver: 'guardian of the reef', 2012 Ceramics, Ecological. This ceramic sculpture is a guardian for the Gulf of Mexico s environment...
Ecological - Ceramics
16 x 20 inches (40.6 x 50.8 cm)
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Alessandro Zanazzo: 'Winter song of forgotten dreams', 2015 Digital Photograph, Ecological. ORIGINAL PRINT , LIMITED EDITION. AVAILABLE ON DIFFERENT SIZES , SIGNED ON THE BACK SIDE, CERTIFICATE OF AUTHENTICITY. ...
Ecological - Photograph
40 x 30 cm (15.7 x 11.8 inches)
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Alessandro Zanazzo: 'unknown rainbows', 2007 Digital Photograph, Ecological. Dam Wall, Africa. print available on paper , different sizes up to 50x70 cm, signed and dated on the back side. ...
Ecological - Photograph
40 x 30 cm (15.7 x 11.8 inches)
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Alessandro Zanazzo: 'in the bush of ghosts', 2015 Digital Photograph, Ecological. This original print, limited edition, is available on several sizes, on request. Signed on the back side , certificate of authenticity available . Print available  on paper or aluminium. ...
Ecological - Photograph
30 x 40 cm (11.8 x 15.7 inches)
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Alessandro Zanazzo: 'water from the fifth element', 2008 Color Photograph, Ecological. Picture taken from an helicopter over the Victoria falls, Zimbabwe, Africa . This print is available on different sizes on request, signed and dated on the back side, limited editions. ...
Ecological - Photograph
40 x 30 cm (15.7 x 11.8 inches)
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Alessandro Zanazzo: 'green world', 1998 Color Photograph, Ecological. Thgis picture is part of a wider Art project : a way of existing in Nature, to live Nature within ourselves, to listen to Nature, recognizing her true spirit , at the same time this project is the opportunity to document and communicate the critical situations created by mankind and by his ...
Ecological - Photograph
30 x 40 cm (11.8 x 15.7 inches)
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Alessandro Zanazzo: 'The king I like', 2007 Digital Photograph, Ecological. By the visual Universal language of Images we are allowed to discover the memories of our Planet and the secrets of visible and invisible lives. images, by travelling thropugh our minds, through times and space, are a silent language and shape of our thoughts, echoes of our existence.This Image ...
Ecological - Photograph
30 x 40 cm (11.8 x 15.7 inches)
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Alessandro Zanazzo: 'water earth air', 2014 Digital Photograph, Ecological. reflections, a stone, water. . . . Limited editions print on paper 1 10 . This picture is available in different sizes , o ndemand. Signed on the back side by the author. Certificate of authenticity available on demand. ...
Ecological - Photograph
30 x 40 cm (11.8 x 15.7 inches)
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Lian-chye Teh: 'Jungle House', 2015 Watercolor, Ecological.  This house was built around several trees to preserve the natural feel. . . ...
Ecological - Watercolor
35 x 48 cm (13.8 x 18.9 inches)
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Lian-chye Teh: 'BAKAU', 2015 Mixed Media, Ecological.  Near my home, there are mangrove swamps by a river teeming with migratory birds, fishes and crabs.  The mangrove trees are called 'Bakau' in local language. ...
, 2015
Ecological - Mixed Media
56 x 34 cm (22.0 x 13.4 inches)
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Alessandro Zanazzo: 'ECLIPSE OF SUN LIQUID BLACKNESS Deep Horizon', 2015 Mixed Media, Ecological.  Natural elementswood, barks, sand, mineral, etc. Painted in glossy black , the colour of Oil spin and environments destruction, on canvas . This painting is part of a series which sizes are different, up to 1 meter x 70 cm. ...
Ecological - Mixed Media
50 x 70 cm (19.7 x 27.6 inches)
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Janice Young: 'Hide and Seek', 2014 Mixed Media, Ecological.    Log cross section, drift wood, porcelain, oil paint, finishers                               ...
Ecological - Mixed Media
19 x 17 inches (48.3 x 43.2 cm)
Janice Young: 'Bed and Breakfast', 2014 Mixed Media, Ecological.   Log cross section, drift wood, porcelain, oil paint, finishers                              ...
Ecological - Mixed Media
22 x 19 inches (55.9 x 48.3 cm)
Janice Young: 'Organic shape and Negative Space', 2014 Mixed Media, Ecological.  Driftwood cross sections, on wood, paint and finish             oil on canvas over wood                  ...
Ecological - Mixed Media
25.8 x 19.5 inches (65.5 x 49.5 cm)
Janice Young: 'On Watch', 2014 Mixed Media, Ecological.         Log cross section, drift wood, porcelain, stain, oil paint, and finish                              ...
, 2014
Ecological - Mixed Media
16 x 16 inches (40.6 x 40.6 cm)
(Page 1 of 3) - MORE ARTWORKS

Artists Describing Their Art:

Wendy Lippincott - Complex allegories dominate the many themes that pervade Ms. Lippincott's paintings. She prefers incorporating science into her art, consistent with her background in electrical engineering, but often gets waylaid with mythological and historical visions. Her paintings are currently only available for licensing. She hopes to have prints available soon. ...

Edem Elesh - I am interested in examining the miracle of everyday existence. I have lead a very unique life. Born in Los Angeles and educated from an early age at English boarding schools, I have been exposed to two different cultures. This gives my work an American energy with English sensibilities. I am intrigued by the interplay born of this duality: order and chaos, old and new, the conscious and unconscious, structure and freedom. Not to mention expectation and accident. I am currently working with a new form of mixed media which allows, to an even greater extent, the chances of an interplay between process and providence....

Hope Brooks - I am often asked the question what is my work about which is a little like being asked what is life about because in art as in life each person must bring their own experience and provide their own answers. Quite simply my work is about life and the enigma that surrounds existence. I make reference to specific experiences or draw on visual reality to act as a frame to the broader content and people bring their own interpretations as well. When I began painting in the 60's I was focused on talking about natural phenomena that I found around me in Jamaica, such as the sea, the mountains, or the moon but I was also trying to find a language that expressed the essence of that place I called home. In 1980 I travelled to Baltimore USA and my visual surroundings changed completely. This city had none of the natural landscape but it had beautiful stained glass windows and during my year at the Maryland Institute I produced a large body of work called "Windows". This included prints as well as paintings of the secular as well as the ecclesiastical windows. Someone looking at the work once said ...

Shelly Leitheiser - Art comes from my head and my heart. I care deeply about the environment and often do artwork expressing my interest in environmental topics. I also use my art work to tell stories and uncover truths. Water and paint are sometimes used but often I will use photography and digital painting programs to get the images I envision. I am a formally trained artist in fine art, and have recently left the world of painting realism as my interest in photography grows. Why should art and photography look the same? Now I do more impressionist art and also abstracts, many of them inspired by other worlds. The realistic painting I do these days is very contemporary. Art is a lot of work but it's also very rewarding for me when someone inquires further into the meaning of my art....

Rita Levinsohn - Welcome to my world of Other Realities. I am a painter of mystical figurative paintings and abstractions composed of acrylic paint and found objects. My concern is for the future of our planet. The animate and inanimate objects within the paintings reflect many incarnations. The message being that it is possible to create rather than destroy....

Marie Weaver - In part because of my academic background I work in various mediums, but I focus primarily on ceramics. Im drawn to the physicality of natural materials and the process-oriented nature of clay. I respond to the creative and observational challenge of drawing in space as well as on the surfaces, the intellectual engagement of meeting technical and conceptual challenges that are as engaging as a puzzle, and the hazard of chance introduced both by the materials, the firing process, and ongoing inspiration. Vulnerability, protection, and strength are central concepts in my figurative work. Although a particular current event or passing interest may capture my attention and result in a piece, I have an ongoing concern with threats to our planet. ...

Alessandro Zanazzo - Alessandro Zanazzo was born in Rome. He is Professor of Photography at Temple University and John Cabot University in Rome. He has been working at several Art projects concerning the interaction between different artistic languages photography, video, installations, performances, music. He spent many years abroad, living in in Bergen Norway and in Paris France and has participated to the French Biennial of Photography i?1/2Le Mois de la Photoi?1/2 where he showed his artworks inspired by two classic latin writers i?1/2The Metamorphosisi?1/2 by Ovidio and i?1/2The Rerum Naturai?1/2 by Lucrezio. His pictures habe been exhibited in European Art Galleries and Museums and in places like the deconsacrated church of S. Peter at Melle France or the S. Angel Castle in Rome. Beside his artistic researches, Alessandro Zanazzo is a professional free lance photographer available for assignments worldwide. In June 2007 he has been invited as Media Photographer by Zimbabwe Tourism Authority and the Embassy of Zimbabwe to take pictures in Africa. In April 2007 he has been the official photographer for the Embassy of Belgium during the visit of her Majesty the Queen Paola of Belgio,in Italy. His works incklude Advertising campaigns, Editorial Photography, PortraitPeople , Fashion , Architecture and Interiors, Landscape, ...

Janice Young - I work in multiple mediums. When I get an idea, I think, how can I express this visually. Sometimes the medium is the inspiration. I reuse materials from demolition, use leftovers from construction, gather raw materials from nature, and experiment with commercially produced materials. I have a drive to create. I would like what I create to provoke thought as to the beauty and importance of all life and the effect our massive appetites have on that life. ...