Artists Describing Their Art:
Janice Young - I work in multiple mediums. When I get an idea, I think, how can I express this visually. Sometimes the medium is the inspiration. I reuse materials from demolition, use leftovers from construction, gather raw materials from nature, and experiment with commercially produced materials. I have a drive to create. I would like what I create to provoke thought as to the beauty and importance of all life and the effect our massive appetites have on that life. ...
Vyacheslav Shcherbakov - My name is Vyacheslav Shcherbakov. I am a professional full-time artist. I live and create in Belarus, where I have my own studio. I do my paintings in acrylics on canvas or fiberboard. But I also plan to paint oil paintings. I have been selling my artworks successfully onoff-line. Graduated from Grodno Art School Belarus. I paint people mostly women and their emotions and feelings. And it is perfectly displayed in my works, they are saturated with light, color, radiate emotions and feelings. Color became my language - this is the way I can express myself best of all other languages. Painting leads me each time to a new exploration of being in the moment. I will never stop. The mixing and making of hues and tones, the flow of brush, the texture of the paint aEUR" is my passion. ...
Ryota Matsumoto - Matsumotos artworks initially start out as several fragmentary variants that are derived from the elements of his previous works. They are then merged into the artwork through the application of a recursive algorithm and its embedded matrices of transition probabilities. Consequently, the new work captures and appropriates some of the conceptual substructure of the previous works, while they can stand on their own as a self-referential multiplicity. The concept of his work pertains to the actualization of the temporal dimensions of molecular entities that are eventually reconfigured as urban aggregates. In this respect, his work correlates with the whole perception of the molecular lines that are immanent in the meaning-making processes of living and nonliving alike, which eventually leads to the diachronic emergence of an ecological assemblage. There is also a common thread with regard to visual abstraction in the artworks the multiplicity of hybrid objects that unfold within their own spatiotemporal coordinates of phase space and are transcribed to an image plane. In that regard, the creative process of drawing henceforth can be defined as the variable intensities of movement that are reconfigured as the cartography of spatiotemporal reality. Moreover, each artwork is perceived as the process ...