Browse over works of contemporary art for sale in the price range . On this page you can find works by Bernard Muller, Shoshannah Brombacher, Ronnie Rivera, Lenilson Barreto, Wendy Lippincott, Maria Teresa Fernandes, Nagy Alida, Roger Cummiskey, Judith Mitchell, Eric Mead, Jacques Malo, Vladimir Bourrec, Andrei Hrib, Mark Raynes Roberts.
Wendy Lippincott - Complex allegories dominate the many themes that pervade Ms. Lippincott's paintings. She prefers incorporating science into her art, consistent with her background in electrical engineering, but often gets waylaid with mythological and historical visions. Her paintings are currently only available for licensing. She hopes to have prints available soon. ...
Maria Teresa Fernandes - Admiring Teresa's paintings we are touched by her pictorial sensitivity. Difficult task in light colors (volume and transparencies on a clear basis). Few do it due to the required dedication with pallete knife(no brush).It's painting consacrated by the love to paint. Radha Abramo(Renowned art critique)comments at Solo Exhibition Catalog at SESC Paulista in June 84 -( sent at request and reproduced in one of the pages of this site). ...
Roger Cummiskey - I am a full time visual Artist. www.rogercummiskey.com Membereships: Professional Member of Visual Artists Ireland - VAI. Member The ArtistsaEURtm Resale Right (ARR) (Droit de Suite) In Ireland - IVARO. Chairman of the Andalusian International Artists Group - AIA-Group - PAIA. Member AsociaciA3n EspaA+-ola de Pintores y Escultores - AEPE. Member AsociaciA3n de Acuarelistas de MA!laga - AAM.. Member of NADFAS - Costa del Sol Decorative and Fine Arts Society. I am a Professional Member of the Sculptors' Society of Ireland Ltd. (aka Visual Artists Ireland)
Jacques Malo - A native of Cap de la Madeleine, Jacques Malo began his studies in fine arts at College and the University of Quebec at Trois-Rivieres, Quebec, Canada. During these years of training, he further explores the materials and assembly techniques of modern sculpture. In 1982 my artistic journey really took off, going away more and more of domination and the influence of my teachers of fine arts. The importance I attach to the spontaneity in the creative process was problematic in sculpture. Then I began to make an approach using Styrofoam as a material and the technique of direct carving, allowed me to shape volumes with a gesture so eager to be possible in size, the images arose in my mind. To get a solid finish and acceptable, I used the fibreglass, resin and paint spray. This artistic journey was the subject of my solo exhibition at the Imagier, gallery of art in Aylmer in 1984. The event'Sculptors at work' allowed me to explore other material, marble. Always with the technique of direct carving, I began to explore this area in order to truly know its challenges and achieve more, to measure my ability to overcome such material. ...
Vladimir Bourrec - "I doni?1/2t have any theories or explanations about my painting, and im not sure i should have some. I suppose it would ruin a part of the spontaneity that im using on my paintings. What you see is a mere expression of my consciousness, i suppose. My only concern is to paint something nice to look at, i try to create a color harmony and to express myself " Vladimir Bourrec was born in 1980 in Auch (France). He spent his childhood in Stavanger Norway and moved in 2005 in Strasbourg, France where he actualy resides. Self-taught visual artist, he has been painting since year 2000. His style is very graphical, he often paints portraits mostly of women, but is also interested in abstract painting....
Mark Raynes Roberts - "Crystal to me has always evoked nature's beauty creating its own alchemy within and reflecting the changing world all around us. It's a material humankind created over 330 years ago,and the closest we have come I believe as a species to adding untold beauty to the world we live in. It is also the material responsible for many of the technological advances we enjoy in today's world. From cell phones to the most sophisticated computers and telescopes, prismatic light and the crystal lens have been the cornerstones to allowing us to see ourselves more clearly and the universe beyond. Much of my introspective work over the past 25 years has dealt with the human experience and discovery of our shared humanity. So with the GLASSLANDS COLLECTION, it is my hope to build an educational tool to bridge the gap between our understanding of our fragile environment and the need for greater sustainability. This collection will be made from both the purest optical crystal known to humankind,and from reclaimed glass disposed of by humankind. It will define both the beauty we are capable of creating, and the actions of harm we are capable of if we...
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