Equine Art For Sale

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Browse 97 Equine artworks for sale. Contemporary artists: Ronald Lunn, Reka Viktoria Nemet, Ivan Kosta, Katherine Taylorgreen, Dana Zivanovits, Daniel Janssens, Tom Lund-lack offering Equine artworks. Links to more artworks by these contemporary artists and 4 pages for and further artists at the bottom of this page. To view a work by any of these contemporary artists simply click on the image or browse the artist's portfolio. To buy any Equine art simply click on the image to go to a more detailed page about this work of art.


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Reka Viktoria Nemet: 'Love Horse', 2008 Pencil Drawing, Equine.  Red horse with heart shaped bottomrecalls the symbol of love. ...
, 2008
Equine - Drawing
297 x 420 mm ( x )
Reka Viktoria Nemet: 'Turn out', 2008 Acrylic Painting, Equine.  A standing woman in an elegant position forms out a horse. One shape turns out from the other. ...
, 2008
Equine - Painting
297 x 420 inches (754.4 x 1066.8 cm)
Reka Viktoria Nemet: 'Dance', 2008 Acrylic Painting, Equine. Dancing centaur woman. ...
, 2008
Equine - Painting
297 x 420 mm ( x )
Reka Viktoria Nemet: 'MoonSun Horse', 2008 Other Drawing, Equine.  Find the sunny horse head symbol in the sun of the moon and let the sunshine in! : )( Drawing Pencil and pen) ...
Equine - Drawing
297 x 420 mm ( x )
Reka Viktoria Nemet: 'JinJang Horse', 2008 Other Drawing, Equine.  Finding a shape or symbol in an other with a kind of still metamorphosis. ...
Equine - Drawing
297 x 420 mm ( x )
Reka Viktoria Nemet: 'Jumps', 2008 Pencil Drawing, Equine.  Lines are shaping out a Woman and a Horse Moving, Jumping together. ...
, 2008
Equine - Drawing
297 x 420 inches (754.4 x 1066.8 cm)
Reka Viktoria Nemet: 'Lines', 2008 Pencil Drawing, Equine.  Woman and Horse in 1. Finding a shape in an other is some kind of still metamorphosis.The possibilities are endless. ...
, 2008
Equine - Drawing
420 x 297 mm ( x )
Ivan Kosta: 'Memory Riders Underpass', 1997 Mixed Media Sculpture, Equine.  Horses in bronze relief on the fascia of a pedestrian underpass ...
Equine - Sculpture
10 x 3 feet (3.05 x 0.91 m)
Katherine Taylorgreen: 'Sunset Bay', 2006 Pastel, Equine.  Playing with bright sun drenched color was the objective behind this Arabian horse.Painting is on black sanded paper. ...
, 2006
Equine - Pastel
22 x 19 inches (55.9 x 48.3 cm)
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Dana Zivanovits: 'HORSE SHOW', 1981 Watercolor, Equine.  Watercolor and ink on sketch paper- a early work. A signed and dated [ 1982] Zivanovits original. ...
, 1981
Equine - Watercolor
17 x 14 inches (43.2 x 35.6 cm)
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Daniel Janssens: 'Rider', 2005 Bronze Sculpture, Equine.
, 2005
Equine - Sculpture
5 x 40 cm (2.0 x 15.7 inches)
Ivan Kosta: 'Memory Riders', 1998 Steel Sculpture, Equine. Cast bronze on stainless steel background - horses with vague riders  galloping in the clouds. . . Viewers' imagination invited. ....
Equine - Sculpture
52 x 18 inches (132.1 x 45.7 cm)
Tom Lund-lack: 'energy 27', 2019 Pastel, Equine. Harder to do than they look, no mistakes allowed.  In this series of pastels the title reflects the energy of the sport of horse racing and the execution of the piece.  The support is 300GSM Mi Teintes pastel paper.  This is a somewhat disorganised field of scattred riders and horses.  ...
, 2019
Equine - Pastel
50 x 70 cm (19.7 x 27.6 inches)
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Tom Lund-lack: 'energy 25', 2019 Pastel, Equine. Harder to do than they look, no mistakes allowed.  In this series of pastels the title reflects the energy of the sport of horse racing and the execution of the piece.  The support is 300GSM Mi Teintes pastel paper. ...
, 2019
Equine - Pastel
50 x 70 cm (19.7 x 27.6 inches)
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Tom Lund-lack: 'energy 21', 2018 Pastel, Equine. Harder to do than they look, no mistakes allowed.  In this series of pastels the title reflects the energy of the sport of horse racing and the execution of the piece. The support is 300GSM Mi Teintes white pastel paper. ...
, 2018
Equine - Pastel
50 x 70 cm (19.7 x 27.6 inches)
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Tom Lund-lack: 'jump a little higher please', 2019 Pastel, Equine. The athleticism of the greyhound is something elseThis piece aims to capture the essence of their agility.  The medium is Terry Ludwig soft pastels and charcoal on Mi Teintes 300 gsm pastel paper. ...
Equine - Pastel
50 x 70 cm (19.7 x 27.6 inches)
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Tom Lund-lack: 'Uninhibted Joy ', 2019 Pastel, Equine. The uninhibited joy of being a grey hound able to run like thewind.  Pastel on 300gsm Mi Teinte pastel paper...
Equine - Pastel
50 x 70 cm (19.7 x 27.6 inches)
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Tom Lund-lack: 'galloping horses in blue', 2017 Oil Painting, Equine. When I bought this 100 x 30 cm canvas I was asked what I was going to paint onto it. Horses in the Chinese style was the answer. My daughter in law who is Japanese provided the characters which just had to be there, but they are very hard to ...
Equine - Painting
30 x 100 cm (11.8 x 39.4 inches)
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Tom Lund-lack: 'energy 16', 2017 Pastel, Equine. A pastel sketch, these are harder to do than they look, no mistakes allowed The title reflects the energy of the sport of horse racing and the execution of the sketch. The support is 300 GSM Mi Teintes white pastel paper. ...
, 2017
Equine - Pastel
50 x 70 cm (19.7 x 27.6 inches)
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Tom Lund-lack: 'Racing Colours 3', 2016 Oil Painting, Equine.  Contemporary racing painting painting was using thicj applications of oil paint to bring out the drama, colours and excitiment of racing.  ...
Equine - Painting
45 x 60 cm (17.7 x 23.6 inches)
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Tom Lund-lack: 'Racing Colours', 2016 Acrylic Painting, Equine. This very contemporary painting was completed very quickly about 4 hours the aim being to use simple shapes combined together to make a figurative image.  The subject matter - horse racing becomes obvious the further away from the painting one gets.  The energy I put into this piece I hope reflects ...
Equine - Painting
45 x 60 cm (17.7 x 23.6 inches)
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Tom Lund-lack: 'Odds On Favourite Four to Two', 2014 Oil Painting, Equine.  Pace, colourmovement of racehorses and jockeys are the subject of this oil on canvas.  Typical of my style, this time with a touch of humour the four to two being the obviously the numbers on the two visible horses. ...
Equine - Painting
70 x 50 cm (27.6 x 19.7 inches)
Tom Lund-lack: 'Energy 7', 2008 Pastel, Equine.  Pace, colour  movement of racehorse and jockey are the subject of these rapidly executed sketches using pastel on yellow paper. ...
, 2008
Equine - Pastel
50 x 70 cm (19.7 x 27.6 inches)
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Tom Lund-lack: 'Oil Sketch Blue and Yellow Jockey', 2012 Oil Painting, Equine.     Pace, colour & movement of racehorse and jockey are the subject of this oil on board.     ...
Equine - Painting
30 x 60 cm (11.8 x 23.6 inches)
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Tom Lund-lack: 'Energy 9', 2014 Pastel, Equine.  Pace, colour  movement of racehorse and jockey are the subject of these rapidly executed sketches using pastel on yellow paper. ...
, 2014
Equine - Pastel
50 x 70 cm (19.7 x 27.6 inches)
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Tom Lund-lack: 'Energy 8', 2014 Pastel, Equine.   Pace, colour & movement of racehorse and jockey are the subject of these rapidly executed sketches using pastel on yellow paper.   ...
, 2014
Equine - Pastel
50 x 70 cm (19.7 x 27.6 inches)
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Tom Lund-lack: 'Free Spirits', 2013 Oil Painting, Equine. A powerful illustration of freedom. ...
Equine - Painting
100 x 80 cm (39.4 x 31.5 inches)
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Tom Lund-lack: 'Close Up', 2011 Oil Painting, Equine. Originally inspired by a photograph this heavily cropped image no longer bears much relation to its original form. I wanted the focus to be on the jockeys and the horses heads to create an image that was intense, moving yet had a broad appeal owing to the use of strong ...
, 2011
Equine - Painting
300 x 600 mm ( x )
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Tom Lund-lack: 'Last Furlong', 2012 Oil Painting, Equine. Jockeys and thoroughbreds in a tight group, the broken shapes aim to create the feel of speed and to make the work an abstract of the real thing....
Equine - Painting
61 x 122 cm (24.0 x 48.0 inches)
Tom Lund-lack: 'Energy 4', 2010 Oil Painting, Equine.    The fourth painting in a series exploring the ways in which horse racing can be rendered to capture power, energy and drama.  ...
, 2010
Equine - Painting
60 x 45 cm (23.6 x 17.7 inches)
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(Page 2 of 4) - MORE ARTWORKS

Artists Describing Their Art:

Ronald Lunn - As an artist, the art I create is something that doesnaEURtmt have a simple definition. My artwork is about personal growth, I constantly strive to evolve and improve my techniques. I enjoy creating each painting or drawing to visually speak to me and the viewer, tell a story, bring up a memory, or have a pleasing memorable image that feeds the vieweraEURtms heart and soul. I wish for that my artwork may continue leaving a lasting impression, to hopefully uplift and inspire everyone to experience those same emotions, pursue their own dreams and bring refreshment into their life, to see the beauty that exists around all of us. I cherish the feeling that art can be fun, it makes me smile and I still get such a sense of satisfaction from people whether negative or positive. I love what I do and am extremely passionate about the arts. ...

Ivan Kosta - My mission? To give some resemblance of our lives, to touch our fears,concerns, evoke dreams and give hope in time of dispair... ...

Katherine Taylorgreen - I am a self taught artist, working primarily in pastel. The world of animals and nature is my passion. The power and grace of an arabian hourse, the cool level stare of a wolf, the exuberance of puppies at play, all move me as other subjects haven't. I strive to portray these emotions to the viewer and give them a glimpse into the animal's soul....

Dana Zivanovits - Dana Zivanovits was born in 1958 in Columbus, Ohio and received his art training from the Columbus College of Art and Design (1978 to 1982). After art school, he went abroad for a year and studied the art of the old masters in London, Paris, Madrid, Rome and Venice. Returning to his studio in Columbus to develop these influences into a new body of work, he then traveled to Mexico and studied the sculpture and painting of that country for an extended period. The unique and vivid colors of Palenque and Vera Cruz intensified his palette. After a period in Ohio, he then moved to Venice Beach, California where the brilliant light of the region reinforced his desire to capture effects of sunlight and atmosphere. Returning to Ohio in 1995, he has continued to paint themes deriving inspiration form sources such as world mythology, classic and B-grade cinema, literature and dreams. However his primary inspiration is direct observation from nature, versus an approach based in art theories or cultural critique. Dana has been widely represented by galleries and exhibition projects including Julie Rico and Mega Boom in Los Angeles, the Venice Art Detour, Around the Coyote Festival in Chicago ...

Daniel Janssens - "It is the woman's beauty and mystery that have made me paint and sculpt in the first place." The artist, who previously painted only one human figure per painting, has recently begun to represent several figures, and these figures are no longer exclusively women. In sculpture also, the single human figures of the beginning are gradually replaced by intertwined figures, that go by two, by couple, or even by trio or quartet. "Previously, it was the individual that questioned me. Now, increasingly, I paint and sculpt attitudes and relationships." Painting and sculpture are based on different relationships: that between the sculptor-painter and his painting or sculpture, that between colors and shapes, that between the spectator and the work of art, and finally, the possible relationship between the different spectators. "However, I have not become a narrative artist, even if the spectator can invent stories about the human figures they see depicted." - But why only one subject? - Because the more one concentrates on one - and only one - subject, the deeper one can go, and the more style and technique can speak freely. If one always seeks to change subjects, it becomes difficult to specialize in it." It is the...

Tom Lund-Lack - I am an experienced artist whose work uses the power of imagination to find find the essence of the subject.A It is grounded in the need to celebrate life, and to portray the subject through the transforming power of colour and light. Arrangements of shape, line, pattern and colour are brilliant at conjuringA up powerful expressions, sometimes these can be dreamlike and at peace sometimes exciting and dramatic. My work does not always represent an actual moment, place or object in time, but they areA the result of a process of reflection, recollection and reinvention, a distillation of experience. Art is a very small word having the widest possible meaning appreciation is a subjective judgement and no artist or workA can please everyone.A My aim is to please at least some of you and I am very confident that this aspiration is achievable ...