Equine Art For Sale

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Browse 156 Equine artworks for sale. Contemporary artists: Karen Brenner, Marcia Collins, Nini Larranaga, Karin L. Ruoff, Tammy Fleetwood Moody, Katherine Taylorgreen, Dana Zivanovits, Sergio Gaspar, Laura Imhoff, Painter Artdiem, Barbara Busch, Daniel Janssens, Andrea Mackey, David Works, Eleanor Hartwell, Sonja Tellison offering Equine artworks. Links to more artworks by these contemporary artists and 6 pages for and further artists at the bottom of this page. To view a work by any of these contemporary artists simply click on the image or browse the artist's portfolio. To buy any Equine art simply click on the image to go to a more detailed page about this work of art.


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Marcia Collins: 'Autumn Breeze', 2008 Pastel, Equine.    12 x 16 soft pastel on foam core with a sandpaper face. Prints are also available ...
Equine - Pastel
12 x 16 inches (30.5 x 40.6 cm)
Nini Larranaga: 'Luna Dorada  Golden Moon', 2008 Oil Painting, Equine.  Reflejos de oro de la luna sobre las crines de Capataz, fiel potro. ...
Equine - Painting
50 x 60 cm (19.7 x 23.6 inches)
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Karin L. Ruoff: 'Dappled Memory, 1', 2007 Watercolor, Equine.  repeated form of horse in a stylized landscape ...
Equine - Watercolor
8 x 10 inches (20.3 x 25.4 cm)
Karin L. Ruoff: 'Fields of Blues 4', 2006 Embossing, Equine.  Part of a series of 4 pieces. An orange horse standing in a stylized field of greens and blues. ...
Equine - Embossing
12 x 9 inches (30.5 x 22.9 cm)
Karin L. Ruoff: 'Grazing Blues 1', 2006 Watercolor, Equine.  white horse grazing in a field of greens ands golds ...
Equine - Watercolor
8 x 10 inches (20.3 x 25.4 cm)
Karin L. Ruoff: 'Perseid Wishes', 2007 Watercolor, Equine.  A dark horse in deep violets with stylized background ...
Equine - Watercolor
8 x 10 inches (20.3 x 25.4 cm)
Nini Larranaga: 'Caballo Resplandor', 2007 Oil Painting, Equine.
Equine - Painting
60 x 80 cm (23.6 x 31.5 inches)
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Tammy Fleetwood Moody: 'Wild and Free', 2007 Giclee, Equine.  This is a giclee poster print of an acylic painting of three wild horses. ...
Equine - Giclee
16 x 20 inches (40.6 x 50.8 cm)
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Nini Larranaga: 'Stallion Tormenta', 2007 Oil Painting, Equine.
Equine - Painting
60 x 80 cm (23.6 x 31.5 inches)
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Nini Larranaga: 'Luna', 2007 Oil Painting, Equine.
, 2007
Equine - Painting
60 x 50 cm (23.6 x 19.7 inches)
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Marcia Collins: 'Sary Albadeia', 2006 Pastel, Equine.  Soft Pastel on Le Carte Pastel BoardSary Albadeia of Albadeia Arabian Horses, Cairo, Egypt Prints Available- Contact Artist...
Equine - Pastel
12 x 15 inches (30.5 x 38.1 cm)
Marcia Collins: 'Farid Albadeia', 2006 Pastel, Equine.  Soft Pastel on Le Carte Pastel BoardFarid Albadeia of Albadeia Egyptian Arabians, Cairo, EgyptPrints Available- Contact Artist ...
Equine - Pastel
15 x 12 inches (38.1 x 30.5 cm)
Katherine Taylorgreen: 'Sunset Bay', 2006 Pastel, Equine.  Playing with bright sun drenched color was the objective behind this Arabian horse.Painting is on black sanded paper. ...
, 2006
Equine - Pastel
22 x 19 inches (55.9 x 48.3 cm)
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Dana Zivanovits: 'HORSE SHOW', 1981 Watercolor, Equine.  Watercolor and ink on sketch paper- a early work. A signed and dated [ 1982] Zivanovits original. ...
, 1981
Equine - Watercolor
17 x 14 inches (43.2 x 35.6 cm)
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Sergio Gaspar: 'Luna Nueva', 2006 Oil Painting, Equine. Realistic oil painting of a horse...
, 2006
Equine - Painting
80 x 80 cm (31.5 x 31.5 inches)
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Laura Imhoff: 'Untitled', 2006 Acrylic Painting, Equine.
, 2006
Equine - Painting
42 x 56 inches (106.7 x 142.2 cm)
Painter Artdiem: 'White Horse', 2006 Acrylic Painting, Equine.
Equine - Painting
24 x 18 inches (61.0 x 45.7 cm)
Nini Larranaga: 'Amanecer', 2006 Oil Painting, Equine. This painting was painted at dawn, that is why I called it Amanecer....
, 2006
Equine - Painting
80 x 100 cm (31.5 x 39.4 inches)
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Barbara Busch: 'Magestic', 2006 Pencil Drawing, Equine. This is a Print of a pencil drawn picture of one of my horses. ...
, 2006
Equine - Drawing
8 x 10 inches (20.3 x 25.4 cm)
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Barbara Busch: 'First Filly', 2006 Pencil Drawing, Equine. This is a Print of a pencil drawing of my first filly. ...
Equine - Drawing
10 x 8 inches (25.4 x 20.3 cm)
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Barbara Busch: 'Insight', 2006 Pencil Drawing, Equine. This is a Print of a pencil drawing of one of my horses. ...
, 2006
Equine - Drawing
8 x 10 inches (20.3 x 25.4 cm)
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Nini Larranaga: 'Avanzando', 2006 Oil Painting, Equine.
, 2006
Equine - Painting
85 x 110 cm (33.5 x 43.3 inches)
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Nini Larranaga: 'Caballo de Fuego  Fire Horse', 2005 Oil Painting, Equine.
Equine - Painting
120 x 100 cm (47.2 x 39.4 inches)
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Daniel Janssens: 'Rider', 2005 Bronze Sculpture, Equine.
, 2005
Equine - Sculpture
5 x 40 cm (2.0 x 15.7 inches)
Andrea Mackey: 'Friend', 2005 Pastel, Equine.
, 2005
Equine - Pastel
22 x 16 inches (55.9 x 40.6 cm)
David Works: 'Race 1', 2002 Other Photography, Equine. Race Horse and Jockey in the race.  Derived from original photograph.  Printed with archival inks on 13x19 inch watercolor paper....
, 2002
Equine - Photograph
16 x 12 inches (40.6 x 30.5 cm)
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Eleanor Hartwell: 'White Horses', 2003 Watercolor, Equine.
Equine - Watercolor
16 x 12 inches (40.6 x 30.5 cm)
Sonja Tellison: 'Red Horse ', 2002 Other Photography, Equine.
, 2002
Equine - Photograph
16 x 16 inches (40.6 x 40.6 cm)
Nini Larranaga: 'Caballos de Cristal', 2002 Oil Painting, Equine.
Equine - Painting
120 x 105 cm (47.2 x 41.3 inches)
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Gary Whitley: 'whitehorses', 2001 Oil Painting, Equine.
Equine - Painting
24 x 18 inches (61.0 x 45.7 cm)
(Page 3 of 6) - MORE ARTWORKS

Artists Describing Their Art:

Karen Brenner - Capturing beautiful moments in the lives of horses -- that is the theme of my work. I've always been passionate about horses and art. Creating realistic, beautiful paintings depicting the strength and quiet dignity of horses in a brilliant palette of colors is an exciting, creative way to combine my passions. With their wonderful flowing lines and volumetric forms horses are a perfect subject. Enjoy!...

Marcia Collins - I taught myself how to draw portraits in charcoal about 6 years ago and started out with portraits of my son and his friends. I loved being able to give these one of a kind gifts to my friends and family members and seeing the looks on their faces!! I do commissions of people, pets and homes throughout the year and you can visit my website www.marcicollins.com for more information on ordering a commissioned portrait. I have recently taken lessons in soft pastel and love being able to offer this service as well. Thank you for looking and I would love to hear from you!!...

Nini Larranaga - I'm Nini and lets talk about art... I can't remember when was the first time art jumped inside me. Maybe when I was still in my mother's womb. All of my sences are related to art. I breath art, that is the air that maintains me alive. I really think that art is inside of every single being, you only have to be perseptive just to know it exists in everything. You can make it happen, just like magic. I always have drawn and paint, but life gave me the stone I stepped through to realize that there were other artists and that I had to study. I did enjoy reading their lives at first, and then study them. The more I knew, the more I feel that I really don't know enough. So... Study, study, study. Never ends. Life to me is a whole study in every way. Trial and error. The thing is to stand up again and doing it better trying to improve yourself. My painting is most of all authobiographical. That is what everyone who knows me say. I have to thank so many people that in one way or the other ...

Karin L. Ruoff - Thank you for stopping in to view my work. I hope to capture some sense of my experiences of a lifelong love of horses. I paint them as I see them in my minds eye but intend to convey a deeper part of their affect on my life. Enjoy....

Katherine Taylorgreen - I am a self taught artist, working primarily in pastel. The world of animals and nature is my passion. The power and grace of an arabian hourse, the cool level stare of a wolf, the exuberance of puppies at play, all move me as other subjects haven't. I strive to portray these emotions to the viewer and give them a glimpse into the animal's soul....

Dana Zivanovits - Dana Zivanovits was born in 1958 in Columbus, Ohio and received his art training from the Columbus College of Art and Design (1978 to 1982). After art school, he went abroad for a year and studied the art of the old masters in London, Paris, Madrid, Rome and Venice. Returning to his studio in Columbus to develop these influences into a new body of work, he then traveled to Mexico and studied the sculpture and painting of that country for an extended period. The unique and vivid colors of Palenque and Vera Cruz intensified his palette. After a period in Ohio, he then moved to Venice Beach, California where the brilliant light of the region reinforced his desire to capture effects of sunlight and atmosphere. Returning to Ohio in 1995, he has continued to paint themes deriving inspiration form sources such as world mythology, classic and B-grade cinema, literature and dreams. However his primary inspiration is direct observation from nature, versus an approach based in art theories or cultural critique. Dana has been widely represented by galleries and exhibition projects including Julie Rico and Mega Boom in Los Angeles, the Venice Art Detour, Around the Coyote Festival in Chicago ...

Laura Imhoff - My name is Laura Imhoff and I am the owner and photographer of Perception Studio. I graduated magna cum laude from the Myers School of Art, University of Akron in 2006 with a BFA in photography, and minors in painting, art history, and professional photography. While in school, my goal was to practice as many disciplines and approaches to art as possible so that I could gain a true understanding of what it meant to be an artist. But what did that require? It meant, "eat, breathe, and sleep" art. So, that is exactly what I did. While my classes offered technical advice for each discipline I tried, I learned the most from the artists of past decades and my colleagues. Sharing my life and art with them, and vice versa, showed me a world of possibilities and gave me a real appreciation for art in all its forms (and people, too). I decided that art school really wasn't about learning how to BE an artist, but instead about how to defend why YOU are an artist. Being an artist isn't about being techinically the best, which is what I had always strived for...its about the ideas ...

Barbara Busch - Hi, I've been drawing most of my life. I live on a small horse ranch and get most of my inspiration watching and playing with my horses and other animals that we have. I hope that you enjoy my art, Happy Trails. Barb...

Daniel Janssens - "It is the woman's beauty and mystery that have made me paint and sculpt in the first place." The artist, who previously painted only one human figure per painting, has recently begun to represent several figures, and these figures are no longer exclusively women. In sculpture also, the single human figures of the beginning are gradually replaced by intertwined figures, that go by two, by couple, or even by trio or quartet. "Previously, it was the individual that questioned me. Now, increasingly, I paint and sculpt attitudes and relationships." Painting and sculpture are based on different relationships: that between the sculptor-painter and his painting or sculpture, that between colors and shapes, that between the spectator and the work of art, and finally, the possible relationship between the different spectators. "However, I have not become a narrative artist, even if the spectator can invent stories about the human figures they see depicted." - But why only one subject? - Because the more one concentrates on one - and only one - subject, the deeper one can go, and the more style and technique can speak freely. If one always seeks to change subjects, it becomes difficult to specialize in it." It is the...

Andrea Mackey - I draw and paint because I must. I am passionate about drawing and painting. Being able to look at a subject and sketch it accurately, as I see it, is a major factor in building the structure for each of my paintings. Executing a well-planned drawing is what keeps me motivated. The media and subject matter may vary, but the structure beneath is what I consider my true medium....

David Works - Our perception of the world is inherently creative. We are continuously assembling the world we experience by giving attention to events and appearances that have meaning. Out of the ever changing and infinite perceptual field, only a small subset of potential perceptions surfaces in our stream of consciousness. Doing art is my way of exploring this perceptual process, discovering new things, images and meaning. I am interested in the immensely complex and rich "perceptual field" from which we "abstract" meaningful shapes and events. The process is subtle, with order emerging out of chaos, with feedback loops involving the interaction between what is seen and what is "looked for", and a hierarchy of physical structures and culturally learned "realities". These works are more like discoveries where intention and chance interact in unexplainable ways (to me) -- a dialogue that teases order out of chaos. A number of my works involve the integration of traditional techniques with digital processes. For example, I paint over digital prints and then bring them back into the computer for additional work and final printing. Conceptually, I see much of my work in terms of traditional printmaking, but I'm working with a "digital plate" rather than traditional ...

Eleanor Hartwell - I am a self taught artist. I like to explore in all types of media, and try out a variety of style and type of work. I have a lot of fun doing what I do. I have done a series of drawings for a book on Harehunting, which will be published in the spring of 2002. "One Day at a Time" In October of 2002, New Hampshire Public Radio will be offering a "gift" of a mug to thier fall fund drive donaters, featuring my painting done specially for this project. ...

Sonja Tellison - More than simple faerie tales, myths can teach, heal, act as morality guides, or beacons of inspiration along a sometimes murky spiritual path. The myths of a culture are it's soul. They are what's left behind when the political border lines have changed and the people themselves are gone. Myth helps us to understand our own nature as well as that of the world around us. Joseph Campbell, noted scholar and one of the foremost authorities on mythology states, "Myth must be kept alive. The people who can (do this) are artists . . . . The function of the artist is the mythologization of the environment and the world." At a time when we, as a society, rely more on science and technology for answers to our various quandries, than a collective, traditional knowledge, refocusing on mythologization is more important then ever. Are you anxious? Here, take a new pill! Are kids more violent? Must be the video games! The adage "There's nothing new under the sun." is itself certainly not a new concept. If we delve deep enough, the answers are already existent, like diamonds in the dark. When we forget the stories of our ancestors, we forget our...