Equine Art For Sale

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Browse 156 Equine artworks for sale. Contemporary artists: Gary Whitley, Ivan Kosta, Tom Lund-lack, Paula Durbin, Yanito Freminoshi offering Equine artworks. Links to more artworks by these contemporary artists and 6 pages for and further artists at the bottom of this page. To view a work by any of these contemporary artists simply click on the image or browse the artist's portfolio. To buy any Equine art simply click on the image to go to a more detailed page about this work of art.


Contemporary Art / / Previous / Next
Ivan Kosta: 'Memory Riders', 1998 Steel Sculpture, Equine. Cast bronze on stainless steel background - horses with vague riders  galloping in the clouds. . . Viewers' imagination invited. ....
Equine - Sculpture
52 x 18 inches (132.1 x 45.7 cm)
Tom Lund-lack: 'energy 27', 2019 Pastel, Equine. Harder to do than they look, no mistakes allowed.  In this series of pastels the title reflects the energy of the sport of horse racing and the execution of the piece.  The support is 300GSM Mi Teintes pastel paper.  This is a somewhat disorganised field of scattred riders and horses.  ...
, 2019
Equine - Pastel
50 x 70 cm (19.7 x 27.6 inches)
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Tom Lund-lack: 'energy 25', 2019 Pastel, Equine. Harder to do than they look, no mistakes allowed.  In this series of pastels the title reflects the energy of the sport of horse racing and the execution of the piece.  The support is 300GSM Mi Teintes pastel paper. ...
, 2019
Equine - Pastel
50 x 70 cm (19.7 x 27.6 inches)
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Tom Lund-lack: 'Uninhibted Joy ', 2019 Pastel, Equine. The uninhibited joy of being a grey hound able to run like thewind.  Pastel on 300gsm Mi Teinte pastel paper...
Equine - Pastel
50 x 70 cm (19.7 x 27.6 inches)
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Tom Lund-lack: 'energy 21', 2018 Pastel, Equine. Harder to do than they look, no mistakes allowed.  In this series of pastels the title reflects the energy of the sport of horse racing and the execution of the piece. The support is 300GSM Mi Teintes white pastel paper. ...
, 2018
Equine - Pastel
50 x 70 cm (19.7 x 27.6 inches)
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Tom Lund-lack: 'jump a little higher please', 2019 Pastel, Equine. The athleticism of the greyhound is something elseThis piece aims to capture the essence of their agility.  The medium is Terry Ludwig soft pastels and charcoal on Mi Teintes 300 gsm pastel paper. ...
Equine - Pastel
50 x 70 cm (19.7 x 27.6 inches)
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Tom Lund-lack: 'galloping horses in blue', 2017 Oil Painting, Equine. When I bought this 100 x 30 cm canvas I was asked what I was going to paint onto it. Horses in the Chinese style was the answer. My daughter in law who is Japanese provided the characters which just had to be there, but they are very hard to ...
Equine - Painting
30 x 100 cm (11.8 x 39.4 inches)
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Tom Lund-lack: 'energy 16', 2017 Pastel, Equine. A pastel sketch, these are harder to do than they look, no mistakes allowed The title reflects the energy of the sport of horse racing and the execution of the sketch. The support is 300 GSM Mi Teintes white pastel paper. ...
, 2017
Equine - Pastel
50 x 70 cm (19.7 x 27.6 inches)
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Tom Lund-lack: 'Racing Colours 3', 2016 Oil Painting, Equine.  Contemporary racing painting painting was using thicj applications of oil paint to bring out the drama, colours and excitiment of racing.  ...
Equine - Painting
45 x 60 cm (17.7 x 23.6 inches)
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Tom Lund-lack: 'Racing Colours', 2016 Acrylic Painting, Equine. This very contemporary painting was completed very quickly about 4 hours the aim being to use simple shapes combined together to make a figurative image.  The subject matter - horse racing becomes obvious the further away from the painting one gets.  The energy I put into this piece I hope reflects ...
Equine - Painting
45 x 60 cm (17.7 x 23.6 inches)
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Tom Lund-lack: 'Odds On Favourite Four to Two', 2014 Oil Painting, Equine.  Pace, colourmovement of racehorses and jockeys are the subject of this oil on canvas.  Typical of my style, this time with a touch of humour the four to two being the obviously the numbers on the two visible horses. ...
Equine - Painting
70 x 50 cm (27.6 x 19.7 inches)
Tom Lund-lack: 'Energy 7', 2008 Pastel, Equine.  Pace, colour  movement of racehorse and jockey are the subject of these rapidly executed sketches using pastel on yellow paper. ...
, 2008
Equine - Pastel
50 x 70 cm (19.7 x 27.6 inches)
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Tom Lund-lack: 'Oil Sketch Blue and Yellow Jockey', 2012 Oil Painting, Equine.     Pace, colour & movement of racehorse and jockey are the subject of this oil on board.     ...
Equine - Painting
30 x 60 cm (11.8 x 23.6 inches)
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Tom Lund-lack: 'Energy 9', 2014 Pastel, Equine.  Pace, colour  movement of racehorse and jockey are the subject of these rapidly executed sketches using pastel on yellow paper. ...
, 2014
Equine - Pastel
50 x 70 cm (19.7 x 27.6 inches)
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Tom Lund-lack: 'Energy 8', 2014 Pastel, Equine.   Pace, colour & movement of racehorse and jockey are the subject of these rapidly executed sketches using pastel on yellow paper.   ...
, 2014
Equine - Pastel
50 x 70 cm (19.7 x 27.6 inches)
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Tom Lund-lack: 'Free Spirits', 2013 Oil Painting, Equine. A powerful illustration of freedom. ...
Equine - Painting
100 x 80 cm (39.4 x 31.5 inches)
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Tom Lund-lack: 'Close Up', 2011 Oil Painting, Equine. Originally inspired by a photograph this heavily cropped image no longer bears much relation to its original form. I wanted the focus to be on the jockeys and the horses heads to create an image that was intense, moving yet had a broad appeal owing to the use of strong ...
, 2011
Equine - Painting
300 x 600 mm ( x )
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Tom Lund-lack: 'Last Furlong', 2012 Oil Painting, Equine. Jockeys and thoroughbreds in a tight group, the broken shapes aim to create the feel of speed and to make the work an abstract of the real thing....
Equine - Painting
61 x 122 cm (24.0 x 48.0 inches)
Tom Lund-lack: 'Energy 4', 2010 Oil Painting, Equine.    The fourth painting in a series exploring the ways in which horse racing can be rendered to capture power, energy and drama.  ...
, 2010
Equine - Painting
60 x 45 cm (23.6 x 17.7 inches)
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Tom Lund-lack: 'Red', 2010 Oil Painting, Equine.  Just a tranquil study in complementary colours. ...
, 2010
Equine - Painting
30 x 24 inches (76.2 x 61.0 cm)
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Tom Lund-lack: 'Dawn Silhouettes', 2008 Oil Painting, Equine.  A romantic view of galloping horses framed against a dawn sky. ...
Equine - Painting
12 x 12 inches (30.5 x 30.5 cm)
Tom Lund-lack: 'Tranquillity 4', 2008 Oil Painting, Equine.  This is painted from a sketch that became Tranquillity 3. I have been trying to capture a dream state using a mix of reality against a sureal background.  The idea being to create a sense of peace hence the title.  Hope it does something for you! ...
Equine - Painting
70 x 50 cm (27.6 x 19.7 inches)
Tom Lund-lack: 'Close Competition', 2003 Reproduction Artwork, Equine. The contrast between abstract and figurative is intended to lend drama and excitement to this piece. Horse racing is a colourful and dramatic experience and I have aimed to capture these emotions with a bold and striking image.  Buy a fine art Giclee reproduction of this popular image....
Equine - Reproduction Artwork
45 x 32 cm (17.7 x 12.6 inches)
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Tom Lund-lack: 'White Turf 2000', 2002 Giclee, Equine. One of my own personal favourites White Turf is all about the power, drama and action of horse racing in an unusual setting - the frozen lake at St Moritz. ...
Equine - Giclee
45 x 32 cm (17.7 x 12.6 inches)
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Paula Durbin: 'Tail', 2003 Color Photograph, Equine. A Fresson print.May be printed in other sizes and processes. ...
, 2003
Equine - Photograph
11 x 14 inches (27.9 x 35.6 cm)
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Paula Durbin: 'Sascha', 2003 Color Photograph, Equine. An Ilfachrome print.May be printed in other sizes and processes. ...
, 2003
Equine - Photograph
15 x 20 inches (38.1 x 50.8 cm)
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Paula Durbin: 'Nose', 2003 Color Photograph, Equine. A Fresson print. May be printed in other sizes and processes....
, 2003
Equine - Photograph
11 x 14 inches (27.9 x 35.6 cm)
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Paula Durbin: 'Tony Boy', 2003 Color Photograph, Equine. A Fresson print. May be printed in other sizes and processes....
, 2003
Equine - Photograph
11 x 14 inches (27.9 x 35.6 cm)
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Yanito Freminoshi: 'Horse Head Maze Art', 2013 Digital Drawing, Equine.  Very psychedelic horse head maze - nicknamed by the artist as
Equine - Digital Drawing
0 x 0 inches (0.0 x 0.0 cm)
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Ton Dias: 'Horses wood carving ', 2012 Wood Sculpture, Equine.  Horse wood carving created by Ton Dias, brazilian wood carver and sculptor. ...
Equine - Sculpture
30 x 60 cm (11.8 x 23.6 inches)
(Page 4 of 6) - MORE ARTWORKS

Artists Describing Their Art:

Gary Whitley - As Albert Einstein said, " The most beautiful thing we can experience is the mysterious. It is the source of all true art and science." I see mystery in everything: light and shadow, seen and unseen, real and imagined. It is more about vision and less what is seen. It is more about magic and less about scenery. It is more about emotion and less about technique. This is how I do art....

Ivan Kosta - My mission? To give some resemblance of our lives, to touch our fears,concerns, evoke dreams and give hope in time of dispair... ...

Tom Lund-Lack - I am an experienced artist whose work uses the power of imagination to find find the essence of the subject.A It is grounded in the need to celebrate life, and to portray the subject through the transforming power of colour and light. Arrangements of shape, line, pattern and colour are brilliant at conjuringA up powerful expressions, sometimes these can be dreamlike and at peace sometimes exciting and dramatic. My work does not always represent an actual moment, place or object in time, but they areA the result of a process of reflection, recollection and reinvention, a distillation of experience. Art is a very small word having the widest possible meaning appreciation is a subjective judgement and no artist or workA can please everyone.A My aim is to please at least some of you and I am very confident that this aspiration is achievable ...

Paula Durbin - Photography has always captured my spirit. It was only natural that my creative "release" be expressed through the same medium. But, because I am a unique spirit, it had to have other levels of creativity - the photo itself just wasn't enough. My first creative approach to photography was the use of the Polaroid transfer technique. My work consisted of subjects that are still close to me: animals and nature. The technique suited me well; it expresses the selected image seen and it allows me to further express its beauty with the softness of the technique. The watercolor paper used brings yet another dimension to the image. A search for the true expression in my photography led me to explore the techniques of the Fresson family of photographers. The Fresson technique, which culminates in the special care given the developmental process and the paper used, presented me the opportunity to express the richness of my photography. My work now moves beyond that 'moment' and presents a depth and richness perhaps not otherwise felt. I am honored to be a part of the Fresson family. There are only a limited number of artists with whom I share this honor. Having gone ...