Fantasy Art For Sale

Page 6 of 183
Browse 5279 Fantasy artworks for sale. Contemporary artists: Alkistis Wechsler, Terri Cabral, Alexandr Ivanov, Alejandro Jake, Pavel Sorokin, Nathalie Vin, Bert Menco, Heather Gamble, Alexander Ustinoff, Patrick Lynch, Eric Jorgenson, Voodoo Velvet, Jack Hill offering Fantasy artworks. Links to more artworks by these contemporary artists and 183 pages for and further artists at the bottom of this page. To view a work by any of these contemporary artists simply click on the image or browse the artist's portfolio. To buy any Fantasy art simply click on the image to go to a more detailed page about this work of art.


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Alkistis Wechsler: 'madame swan etc', 2016 Oil Painting, Fantasy. ink and oil on stretched canvas...
Fantasy - Painting
50 x 70 cm (19.7 x 27.6 inches)
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Alkistis Wechsler: 'dream in a dream', 2016 Oil Painting, Fantasy. structured surface of oval canvas with back frame. oil and ink painting medium...
Fantasy - Painting
50 x 42 cm (19.7 x 16.5 inches)
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Terri Cabral: 'mushroom fantasy', 2008 Acrylic Painting, Fantasy. Mushroom houses, castles and fantasy on one canvas ...
Fantasy - Painting
20 x 24 inches (50.8 x 61.0 cm)
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Alkistis Wechsler: 'see think', 2016 Oil Painting, Fantasy.        oil painting, crayon and metallic elements on canvas.         ...
, 2016
Fantasy - Painting
60 x 80 cm (23.6 x 31.5 inches)
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Alexandr Ivanov: 'magic city', 2015 Oil Painting, Fantasy.       fantastic landscapeNZ materialized magical powers were transformed into complex architectural structures         ...
, 2015
Fantasy - Painting
70 x 43 cm (27.6 x 16.9 inches)
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Alexandr Ivanov: 'city dreamed', 2015 Oil Painting, Fantasy.       fantastic landscape       city dreamed of the night. Without people, a strange and mysterious  ...
Fantasy - Painting
78 x 87 cm (30.7 x 34.3 inches)
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Alejandro Jake: 'Harley Quinn', 2016 Digital Print, Fantasy.  Harley Quinn Concept Done using graphite on Card Stock and rendered in Adobe Photoshop ...
Fantasy - Digital Print
8.5 x 11 inches (21.6 x 27.9 cm)
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Alejandro Jake: 'Rebirth of the Feeniux', 2016 Digital Print, Fantasy.  Original Concept Rebirth of the Feeniux done using graphite on cardstock and rendered in the photoshop  ...
Fantasy - Digital Print
8.5 x 11 inches (21.6 x 27.9 cm)
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Pavel Sorokin: 'Dragon wood carved wall decorative round panel', 2016 , Fantasy.  Dragons decorative round wall panel was made by famous Vietnamese carpenter The carving is extremely delicate, based on my sketches and models. Therose- wood here - dark tinted used for this panel is unique and rarely exists in the World. ...
Fantasy -
743 x 745 mm ( x )
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Pavel Sorokin: 'Argus dagger in scabbard', 2015 Woodworking Art, Fantasy. this decorative knife is from my WOODIUS collection of gifts made of carved tropical wood. Handle and scabbard made of rose wood with small fantasy image. Blade is made of damascus steel...
Fantasy - Woodworking Art
18 x 5 cm (7.1 x 2.0 inches)
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Alexandr Ivanov: 'legend', 2014 Oil Painting, Fantasy.      fantastic landscape        ...
, 2014
Fantasy - Painting
70 x 50 cm (27.6 x 19.7 inches)
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Alexandr Ivanov: 'castle of Dreams', 2015 Oil Painting, Fantasy.      fantastic landscape        ...
Fantasy - Painting
55 x 40 cm (21.7 x 15.7 inches)
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Nathalie Vin: 'SET IN FLAMES', 2015 Mixed Media, Fantasy.
Fantasy - Mixed Media
12.5 x 12.5 cm (4.9 x 4.9 inches)
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Bert Menco: 'Drops', 2015 Intaglio, Fantasy.  A mezzotint, a lady surrounded by drops. Made during a residency at
, 2015
Fantasy - Intaglio
9 x 12 inches (22.9 x 30.5 cm)
Bert Menco: 'Pairs', 1997 Intaglio, Fantasy.   An etching with aquatinted background, depicting coupes in all kinds of situations.  ...
, 1997
Fantasy - Intaglio
18 x 24 inches (45.7 x 61.0 cm)
Heather Gamble: 'Guardians', 2015 Other Drawing, Fantasy.   Illustration, Fantasy, Unicorn, Trees, Roots, Blue, girl riding unicorn, virgin, innocence, forest, fantasy forest   ...
, 2015
Fantasy - Drawing
32 x 22 inches (81.3 x 55.9 cm)
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Heather Gamble: 'Red', 2015 Other Drawing, Fantasy.  Illustration, Fantasy, Dragon, Gryphon, Griffin, Sword Fighting, Dragon rider, Red ...
, 2015
Fantasy - Drawing
16 x 20 inches (40.6 x 50.8 cm)
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Alexander Ustinoff: 'Ivan the Terrible', 1995 Oil Painting, Fantasy.     paper, oil  ...
Fantasy - Painting
55 x 75 cm (21.7 x 29.5 inches)
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Alexander Ustinoff: 'Russian happiness', 2011 Acrylic Painting, Fantasy.    paper, acrylseries  - happiness-  ...
Fantasy - Painting
55 x 75 cm (21.7 x 29.5 inches)
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Alexander Ustinoff: 'Japanese happiness', 2011 Acrylic Painting, Fantasy.   paper, acrylseries  - happiness- ...
Fantasy - Painting
55 x 75 cm (21.7 x 29.5 inches)
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Alexander Ustinoff: 'Avers Revers', 2014 Mixed Media Sculpture, Fantasy.  wood, bronze, coin, gilding 24K ...
Fantasy - Sculpture
20 x 40 cm (7.9 x 15.7 inches)
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Patrick Lynch: 'The Morning Stars', 2012 Acrylic Painting, Fantasy.  An Edwardian era woman rides a swing in the early morning hours before sunrise.       ...
Fantasy - Painting
12 x 24 inches (30.5 x 61.0 cm)
Eric Jorgenson: 'Angry Honey Locust', 2014 Mixed Media Sculpture, Fantasy.  Self portrait of the artist screaming as if he was a honey locust tree. Sculpted with wood and hydrocal plaster in botanic detail and 1,100+ hand made bloodwood leaves. ...
Fantasy - Sculpture
7 x 10 feet (2.13 x 3.05 m)
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Bert Menco: 'Repulsion', 1997 Intaglio, Fantasy.  An etching with aquatinted background, depicting two people in front, more in the back, all trying to like each other. . . or not. ...
, 1997
Fantasy - Intaglio
18 x 24 inches (45.7 x 61.0 cm)
Voodoo Velvet: 'Where would we be without pants', 2015 Acrylic Painting, Fantasy.       Acrylic painted on blue velvet, Velvet painting. Come see the bizarre, the beautiful, the surreal!One of a kind original velvet paintings, created for your enjoyment.  For more information visit: www. voodoovelvet. com            ...
Fantasy - Painting
18 x 24 inches (45.7 x 61.0 cm)
Pavel Sorokin: 'Table lamp Liang carved of rose wood', 2011 Furniture, Fantasy.  This lantern is from my WOODIUS collection called BirdsFlowers. The carving is extremely delicate, made of famous wood- carver of Vietnam frommy sketches and models. The quality is unique and rarely exists in the World, as a rose- wood used for this lamp. There are two more different lamps and...
Fantasy - Furniture
25 x 40 cm (9.8 x 15.7 inches)
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Pavel Sorokin: 'Pair of interior vases Amandin carved of rose wood', 2011 Woodworking Art, Fantasy. wood, wooden, exotic, carving, art- nouveau, modern, fantasy, dragons, wings, carved, tropical, interior, decoration, vase, flowers, decorative, home, hand- work, single item, hand- made, gift, premium, brown, yellow, glass, cristall, authors collection, furnishings...
Fantasy - Woodworking Art
18 x 63 cm (7.1 x 24.8 inches)
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Jack Hill: 'Tuba Toothpaste', 2008 Bronze Sculpture, Fantasy.    two lovers sculpted as spoons in an amorus embrace    A tooth brush as teeth and toothpaste squeezed into a tuba shape  ...
Fantasy - Sculpture
10 x 11 inches (25.4 x 27.9 cm)
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Jack Hill: 'Spooning', 2006 Bronze Sculpture, Fantasy. two lovers sculpted as spoons in an amorus embrace ...
, 2006
Fantasy - Sculpture
5 x 13 inches (12.7 x 33.0 cm)
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Alexander Ustinoff: 'What the buzz', 2013 Mixed Media, Fantasy.
Fantasy - Mixed Media
80 x 80 cm (31.5 x 31.5 inches)
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(Page 6 of 183) - MORE ARTWORKS
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  • Artists Describing Their Art:

    Alkistis Wechsler - Reality meets myths. Personal visual impressions of chosen English gardens ... lately also Mediterranean seaside, are coming together in imaginative collages and alchemic transformation. . Sensitive to the environment as well as to human interactions and expressions it all translates into visual myths . Not only travels between geographical points, but also a thirst for such trips in the mind through myths and readings of initiatic rituals of metamorphosis, infiltrated as well my art of painting. At the end, every archetype (for example Heliogabalus, Persephone and Artemis) and every movement reaches back to the source of rhythm and scales creating a personal mythology and so I understand my self and the world after each painting is done by a hypersensitive process and not a premeditated rational plan. The seasons or the elements and their rhythm are interwoven with my vision of human soul and the soul of the sea ...

    Terri Cabral - Artists Statement I am a painter of people, animals and the natural world. I strive in my painting to reveal the unique essence of each of my subjects through the distillation of light and color into recognizable form and substance. I continue to be greatly influenced by my uncle, Cuban Vanguardia painter Antonio Gattorno. He was known for his versatility and his ability to paint masterfully in a variety of styles. I am constantly experimenting with styles and developing my sense of versatility. ...

    Alexandr Ivanov - OVERCOMING OF LONELINESS Painting as well as any present{true} art is improbably sensitive to an essence of time, its{his} secrets, fears, hopes aEUR| the Rhythm of an epoch, its{his} power, always D1/2DuD3/4ND3/4D*D1/2DdegD1/2D1/2D3/4 are reflected in music, the literary statement, is freakish and D?D3/4N,DdegN'D1/2D1/2D3/4 leave traces on a canvas of the artist. Time silently addresses to the master inquiry. The end of a century of the past - the beginning present ascertained weariness of a postmodernism in which EVERYTHING has been admissible, and any Text became the World in which settled ND,D1/4NfD>>NDoNEURN<, allocated D,D1/2N,,DuNEURD1/2DdegD>>NOED1/2N>NOED1/2D3/4NN,NOE emphasized D,NN++DuNEURD?DdegD1/2D1/2D3/4NN,NOE searches of the modern language, new dialogue with itself and with eternity - all was, was, was. The existential loneliness of the person who has lost in time aEUR| became obvious Alexander Ivanov - very modern and duly artist. Its{his} painting is interesting to me for a long time. That not noticing, it{he} as it seems to me, has passed{has taken place} a complex{difficult} way of influences of a postmodern on its{his} handwriting. I ...

    Nathalie Vin - When not working on fixed commissions or client-led designs, Nathalie is drawn to expressing philosophical notions, "permanence and impermanence, life and death, man versus nature, the future and our responses to it." There are undoubtedly recurrent themes in her work, an outcome of her innate instincts and interests. She is fascinated by the notion of the essential'now', that ever-fleeting moment when eternity is glimpsed but never retained. She is intrigued by nature and how small our human concerns are in comparison to it. The concept of microcosm within the macrocosm and how fragments are echoed and repeated to form the larger picture, embodies her work. Her fundamental activity is with fine art mosaics but her life and explorative curiosity informs her art, working with installation (perhaps the most monumental example of this is The Glow project), film, commissioned photographic documentaries for Holocaust Memorial day, sculpture and painting. Considering the process, Nathalie's work investigates the small and how it builds into a larger whole. Whether she is making film, a mosaic piece or an installation she puts elements together like a puzzle. These could be mosaic tiles, wood elements, photographic or video images, memorabilia of people's ...

    Bert Menco - Though they may seem simple, especially my drawings and intaglio prints but also my paintings are actually quite elaborate; half a year's work on an image is no exception for me. I draw directly or use small sketches, even doodles, as image-generating nuclei, often combining two or three that appear to complement each other. I rarely use concrete references, but rather work from inner visions. I tend to be narrative in my own art, perhaps poetic narrative. I don't see my images as telling a story but rather as reflections of inner feelings, similar to some poetry, and would like observers to read them as such. I like to believe that my work carries a certain mystery. My images are very much "inside out.aEUR? I have usually some idea of what I want to obtain, but much of the image is generated while I draw or paint. The end product always surprises me; I am often amazed that there even is an end product. Analyzing my own art is difficult but I think that the dreamlike images tend to deal with confined spaces which contain certain characters that reach out to one another but do not quite ...

    Patrick Lynch - Inspired by the English Pre-Raphaelites and the writings of late Victorian Kentucky poets Madison J. Cawein and Robert Burns Wilson, my paintings are of the eternal human quest for love set in a lost Gothic world inhabited primarily by women who are caught in the contradictions of their dreams and how they have found their world to actually be. Many of the inhabitants are haunted, but not by supernatural forces. When ghosts appear, they are not always the spirits of lost loved ones, more often, they are the ghosts of an idea or dream-for example, the idea that one can find a lifelong and true love or of that one person who simply cannot be forgotten. The women who spread their wings are not angels in the expected sense; their wings are a manifestation of the forces that shape their lives. Men are sometimes present in my images, often in an embrace of acceptance and partnership as they share the immutable longing for love. At other times, men are found at that pivotal moment of undesired separation or are reaching out to comfort those in pain. But not every moment is one of tragic endings. There are moments ...

    Jack Hill - All of my sculptural work is bronze, cast in the "lost wax" technique. Besides sculpting the original work, I am hands on with all the phases of the casting process, including the molds, waxes, metal, and application of the patinas. My foundry experience allows me to ensure the quality and integrity of each idea, from inspiration to final presentation. The ideas are born from observation of the human existence, in all its splendor and absurdity. The addition of my own whimsy and uncommon approach brings about an expression of life in the permanence of bronze. People are only one part of the whole planet and my anthropomorphic works are an exploration of the blending of man into various parts of the environment. With attention to anatomic detail and a tongue-in-cheek twist I wish to stimulate the imagination and, maybe, tickle the funny bone. Questions? Call me at 305/240-3238 A new line of work has been added that I call "Body Armor". The human form is treated as if skin was an armor that could be put on or removed as needed. If it had been lost long ago and recently rediscovered, what would it look like. ...