Artists Describing Their Art:
Jerry Di Falco - Photography inspires my art and acts as a vital element in my etchings. The images I employ originate from my own photographs, as well as from the images I find from my research into the digital archives of universities, historical societies, libraries, and museums. Upon locating a documented scene I wish to etch, my first step involves the execution of two to five original drawings of the photograph. My collaboration between photography and printmaking allows me the independence to integrate my personal interpretations into the scene. Moreover, I create bridges between the physical and metaphysical visual realities in the same way that a camera intersects with human creativity . . . the nexus between the mechanical and the cerebral art tools. Art unveils everything that we mask behind our belief systems conversely, I strive in my creations to clarify those phenomena we overlook as a result of our egocentric assumptions. Ironically enough, I blame this failure to notice things, a process I label, the phenomenology of connectedness, on todayaEURtms very infatuation with and addiction to the new communicational technologies of social media. My artworks therefore become like windows through which to examine the mysteries of aEURoeeveryday consciousnessaEUR. In fact, my use of ...
Randall Fox - I am interested in making visual statements about the interaction of time, history, cultures, memory, intellect, intuitions, experiences and the spiritual, in and on the human creative process. "inherent in all manifest in the few" Born: 1960 Education: Bachelor of Science Degree, Industrial Technology (Technical Management) California Polytechnic State University, San Luis Obispo A.S. Degree Canada Collage, Redwood City, California (General Engineering-Pre Med.) Other: Art History/Art Studies - Stanford University, Palo Alto California Collected in: United States, Holland, Norway, Puerto Rico, Germany, Mexico, England, Brazil ...
Vladimir Bourrec - "I doni?1/2t have any theories or explanations about my painting, and im not sure i should have some. I suppose it would ruin a part of the spontaneity that im using on my paintings. What you see is a mere expression of my consciousness, i suppose. My only concern is to paint something nice to look at, i try to create a color harmony and to express myself " Vladimir Bourrec was born in 1980 in Auch (France). He spent his childhood in Stavanger Norway and moved in 2005 in Strasbourg, France where he actualy resides. Self-taught visual artist, he has been painting since year 2000. His style is very graphical, he often paints portraits mostly of women, but is also interested in abstract painting....
Vladimir Hristov - My principle of working There is only one principle taken in account in all of my art doing: There is no previous exact sketch, map or definite precise idea. Instead, I prefer to be free in searching for the right image inside the "empty canvas". By exploring many ideas, different forms and shapes at the same time, looking for their hidden links and trying to understand them, I take the enjoyment of the process of creation of the image by it self. My Historic / Time-correspondence: Mix of: Botticelli and Kandinsky with Nick Cave & Sonic Youth, that might be about where I want to go... Starting with Byzantine and Renaissance art, going forward through over: Klimt & Schiele, Oskar Kokoschka and Chagall plus Russian Avantgarde & Pop Art altogether with music & PoP Culture. There are many sources from where I feed my inspiration Technique & Materials: Most often I use acrylic & oil on canvas, but not excluding many different materials such as: pigments, pens, markers, tempera... applications like: insects & bugs, mirrors, metal, wood, paper,... videos & projections, onto the painted canvas, boards, aluminum plates, etc... Once I've learned the basics such as drawing and painting all together with my education & work experience in ...
Gregory Liffick - I like to find new life in old, found items. I perform a kind of plastic or reconstructive surgery on the materials that I find in thrift stores and other like places, refinishing and refreshing their skin with spray enamel or acrylic paint and reforming and improving their shapes with bits and pieces from elsewhere. In the process of reimaging the items, I resurrect them from the past and bring them into the present, making them current and relevant through the concepts and messages I attach to them, commentaries on the state of things in the world today. I give new purpose and interest to items that have lost their place in the onrush of use and fashion. I take once upon a time materials and try to make them timeless....