Figurative Art For Sale

Page 1 of 177
Browse 5126 Figurative artworks for sale. Contemporary artists: Yosef Reznikov, Alice Murdoch, Igor Shulman, Kichung Lizee, Austen Pinkerton, Harry Weisburd, Jim Lively, Krisztina T.molnár, Denise Dalzell, James Johnson, Michael Fornadley, Deborah Paige Jackson, Judith Fritchman, Ron Anderson offering Figurative artworks. Links to more artworks by these contemporary artists and 177 pages for and further artists at the bottom of this page. To view a work by any of these contemporary artists simply click on the image or browse the artist's portfolio. To buy any Figurative art simply click on the image to go to a more detailed page about this work of art.


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Yosef Reznikov: 'composition 54', 2019 Mixed Media, Figurative. Kubo is a futuristic abstracted realism. -  KFAR .In the photograph offered to your attention, there is a tendency to create a generalizing representation of an action or genre composition. How much we succeeded is up to you to judge. It turns out that in one picture there is cubism, futurism, ...
Figurative - Mixed Media
80 x 60 cm (31.5 x 23.6 inches)
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Alice Murdoch: 'red shoes', 2020 Oil Painting, Figurative. woman with long pearls and red shoes...
, 2020
Figurative - Painting
36 x 48 inches (91.4 x 121.9 cm)
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Alice Murdoch: 'david', 2020 Oil Painting, Figurative.  it s a feather hat  Alice said correcting someone who thought it was hair on David s head. ...
, 2020
Figurative - Painting
30 x 36 inches (76.2 x 91.4 cm)
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Alice Murdoch: 'widow', 2020 Oil Painting, Figurative. from Alice s last series of work.  A departure from her colorful palette. ...
, 2020
Figurative - Painting
40 x 60 inches (101.6 x 152.4 cm)
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Igor Shulman: 'mirage', 2020 Oil Painting, Figurative. Memory plays strange games with us.You only understand this over time.You can clearly feel the warmth of his cheek, the touch of his hands. His whisper, his barely perceptible breath. You can feel the pliable softness of his lips, you want him.You feel how much you need ...
, 2020
Figurative - Painting
39.4 x 27.5 inches (100.1 x 69.8 cm)
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Kichung Lizee: 'reclining figure', 2020 Mixed Media, Figurative. Using Eastern calligraphy brush for spontaneous sketching of model...
Figurative - Mixed Media
14 x 11 inches (35.6 x 27.9 cm)
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Kichung Lizee: 'sitting figure', 2020 Watercolor, Figurative. Using Eastern calligraphy brush and ink for calligraphic gestural figure sketching...
Figurative - Watercolor
16 x 20 inches (40.6 x 50.8 cm)
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Kichung Lizee: 'forrest', 2020 Mixed Media, Figurative. semi- abstract figures in deep green...
, 2020
Figurative - Mixed Media
20 x 16 inches (50.8 x 40.6 cm)
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Kichung Lizee: 'red dots', 2020 Mixed Media, Figurative. Using Eastern calligraphic brush in abstract expressionism...
, 2020
Figurative - Mixed Media
18 x 24 inches (45.7 x 61.0 cm)
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Austen Pinkerton: 'bishop vaughan', 2020 Pencil Drawing, Figurative. Another  on site  drawing  at St Davids Cathedral, last Friday 23rd October, in the Holy Trinity Chapel, a Narberth Art Group event, of one of the two statues in late medieval fan vaulted niches  statues look to me to be 19th century replacements of possibly reformation vandalised originals :  Bishop Vaughan , ...
Figurative - Drawing
28 x 42 cm (11.0 x 16.5 inches)
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Harry Weisburd: 'stairway to heaven 15', 2020 Watercolor, Figurative. Theme of Art work is  relationship between  men and women...
Figurative - Watercolor
11 x 14 inches (27.9 x 35.6 cm)
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Jim Lively: 'going postal 2020', 2020 Acrylic Painting, Figurative. Acrylic on gallery wrapped canvas...
Figurative - Painting
24 x 18 inches (61.0 x 45.7 cm)
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Harry Weisburd: 'red head bar fly 3d', 2020 Watercolor, Figurative. I am inspired by drawings of Egon Schiele and paintings by Gustave Klimt  both Austrian Artists ...
Figurative - Watercolor
11 x 14 inches (27.9 x 35.6 cm)
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Harry Weisburd: 'sexy woman white slip', 2020 Watercolor, Figurative. Pen. Ink. Watercolor...
Figurative - Watercolor
11 x 14 inches (27.9 x 35.6 cm)
Harry Weisburd: 'happy hour sexy woman', 2020 Watercolor, Figurative. PenInk and Watercolor  Looking. FoR Love. And. Romance. Happy. Hour...
Figurative - Watercolor
11 x 14 inches (27.9 x 35.6 cm)
Igor Shulman: 'endless hangover', 2020 Oil Painting, Figurative. We do not now take into account the physiological aspects.It is rather an internal, mental sensation. State of despair.The state of depression.A state of regret and awareness of their own worthlessness.You already understood and accepted everything, but around you constantly this whirlpool of absurdities.You feel ...
Figurative - Painting
39.4 x 23.5 inches (100.1 x 59.7 cm)
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Igor Shulman: 'what do u know about balance', 2020 Oil Painting, Figurative. Attention sale  2 + 1. If you buy 2 of my paintings during this month, you will receive a third from me as a gift. Cost and size do not matter.The promotion applies to all work  The campaign began on 06 03 2020.What do you know about balance You ...
Figurative - Painting
27.4 x 39.4 inches (69.6 x 100.1 cm)
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Krisztina T.molnár: 'Harmony', 2020 Acrylic Painting, Figurative. AsiaaEURtms brilliant past appears on a traditional girl wearing a turquoise dress.  Turquoise encompasses the spirit, facing the human body, serenity and harmony, emotionality and intuition.  Red and gold, helps bring light and joy back to life, warms the house, and casts out evil spirits. ...
, 2020
Figurative - Painting
80 x 100 cm (31.5 x 39.4 inches)
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Austen Pinkerton: 'three small sculptures', 1994 Handbuilt Ceramics, Figurative. Three varied test pieces for different glaze finishes. ...
Figurative - Ceramics
9 x 15 cm (3.5 x 5.9 inches)
Denise Dalzell: 'escalator', 2020 Acrylic Painting, Figurative. An illustration from an adventure in London. ...
, 2020
Figurative - Painting
28 x 24 inches (71.1 x 61.0 cm)
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Jim Lively: 'cowboy', 2020 Acrylic Painting, Figurative. A long narrow view at the west. ...
, 2020
Figurative - Painting
78 x 16 inches (198.1 x 40.6 cm)
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James Johnson: 'deject', 2020 Bronze Sculpture, Figurative. Abandoned and alone on an emotion island, nothing above, nothing below.  Create in bronze and polished to a mirror finish. ...
, 2020
Figurative - Sculpture
4.5 x 2.3 inches (11.4 x 5.8 cm)
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Michael Fornadley: 'Boat People 2', 2020 Oil Painting, Figurative. Oils and Casein on wood, Style- expressionism, figurative images- people- boats, that convey societal themes within a seascape...
Figurative - Painting
48 x 38 inches (121.9 x 96.5 cm)
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Yosef Reznikov: 'composition cafe', 2019 Mixed Media, Figurative. KFAR aEUR
Figurative - Mixed Media
100 x 90 cm (39.4 x 35.4 inches)
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Deborah Paige Jackson: 'resting', 2018 Watercolor, Figurative. This painting of a young woman resting against the wall waiting for something to happen is a reminder of how we, as  humans, are always resting, and waiting for something to happen. ...
, 2018
Figurative - Watercolor
12 x 16 inches (30.5 x 40.6 cm)
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Judith Fritchman: 'crab patrol', 2018 Oil Painting, Figurative. Three young cousins make a happy discovery at the beach. ...
Figurative - Painting
24 x 24 inches (61.0 x 61.0 cm)
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Ron Anderson: 'Harlequins Dream', 1998 Oil Painting, Figurative. Original oil painting by Ohio artist Ron Anderson.  Painting entitled Harlequins Dream.  Painting is priced and sold unframed.  Buyer is responsible for all shipping fees, insurance costs and any applicable sales tax and duties.  Artist reserves all rights to reproduction and copyright.  ...
Figurative - Painting
217 x 69 inches (551.2 x 175.3 cm)
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James Johnson: 'RAVEN 2nd edition', 2019 Other Sculpture, Figurative. She was created using a cold cast method where bronze powder is incorporated into another media.  The patina is created using liver of sulfur.  Limited edition of 150 with an artistaEURtms mark, date, and number.  Each piece may appear slightly different with variations. ...
Figurative - Sculpture
5.5 x 13.5 inches (14.0 x 34.3 cm)
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Deborah Paige Jackson: 'fierce ii', 2019 Watercolor, Figurative. The second piece depicting women in a role of power. ...
, 2019
Figurative - Watercolor
18 x 24 inches (45.7 x 61.0 cm)
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Deborah Paige Jackson: 'fierce I', 2019 Watercolor, Figurative. This piece is part of a series showing power in women.women, woman, powerful, control, fierce...
, 2019
Figurative - Watercolor
18 x 24 inches (45.7 x 61.0 cm)
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(Page 1 of 177) - MORE ARTWORKS
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  • Artists Describing Their Art:

    Alice Murdoch - I have always wondered why statements are necessary from artists, unless their statements are not clear in their work. I think my paintings are strong enough to make their own, and that is my statement about my artists statement....

    Alice Murdoch - Kichung Lizee - After coming to this country from Korea in the mid 60's to study art, among the many forms of Western art that I was introduced to, Abstract Expressionism interested me most. Currently I am in the process of synthesizing Eastern and Western approaches to art. Specifically, I'm adopting the techniques and materials of Eastern calligraphy to Western thematic material, my primary goal being to close the gap between East and West and reach for universal creativity. Eastern calligraphy I learned is a living and breathing spirit, rather than the dead and rigid tradition of thousands of years. It is uniquely a form that conveys the pulsation of life energy. Through it, one can experience all aspects of the living spectrum. Eastern calligraphic form reveals the kind of life the artist has led, as well as foreshadowing the person one will become. It is the art form that manifests the self as a way of life or philosophy of life. It is a powerful art form that operates through direct intuition. As an artist I rely heavily on creative intuition. Moving with changes in the stream of consciousness, my creative intuition somehow brings out the subconscious and superconscious through ...

    Austen Pinkerton - Artists Statement Austen Pinkerton If I turn my mind to it very quickly I can come up with several ideas for works aEUR|paintings, drawings, or sculptures. Sometimes ideas come to me when I least expect it, or when my mind is on other things. Ideas can be related to my current experiences, or to my feelings about things that are happening to me in my life at that particular time. Alternatively they can be related to a current interest, or something that occupies my attention at that moment, and my ideas and feelings about which Id like to share with others. A lot of my work is autobiographicalaEUR|either directly or indirectly, consciously or subconsciously. It is frequently very personal, and expresses events or circumstances or experiences in my life. I usually work in either Acrylic on Canvas, Crayon or Pastel, or both together, with Gouache, on card, Drawing in pencil, or Ink, or both, or with creating SculptureaEUR|for which I use fired artists clay. Sculpture follows a completely different set of rules and values from two-dimensional art, obviously, I think of it as Drawing in three dimensions and I take this into account when creating mine. In...

    Harry Weisburd - Harry Weisburd is an Internationally Represented Artist, including, USA, Expressions Gallery, Berkeley, California,

    Jim Lively - Whether portrayed in the abstract, realism, or somewhere in between, I am most influenced by both the beautiful and unattractive components of contemporary urban culture. Many times, one painting will reflect both components. My art tends to focus upon interesting juxtapositions of close-up images of human faces. Often, the larger images border upon realism and are caught expressing a panoply of emotions usually directed at the other images that share the canvas. Several of my recent works such as the tongue in cheek entitled "Lenin and Things" contain unlikely combinations of images such as a statue of Lenin which is dwarfed by a billboard size fashion model displaying a vacuous stare. A number of works contain both large images and interrelated small images. For example in the painting "Staring at Natalie", all the smaller images are a depiction of a collective group of voyeurs staring at a larger image of a posed fashion model. I want those viewing the painting to be the ultimate voyeur. The viewer is not only drawn initially to the larger image in its own right but also cannot help but then notice the relationship of the smaller images to the large image. Works displayed ...

    Jim Lively - Denise Dalzell - Painting. Illustration. Expressionism. Pop Art. Modern. Realism and, occasionally, a bit of Abstraction. My current work centers on my consideration of how we respond to each other, the stories that develop between us and around us, and how our collective stories reflect on and influence us individually. How our stories bounce off each other and combine to create new stories. My paintings are illustrations of the scenes that I encounter during my travels abroad and in daily life so, some scenes are more sweeping than others. How do we, as people of differing backgrounds, cultures, and experiences interact with each other Are we different people in a crowd than when alone How do we fit in or stand out where we find ourselves at any given moment, in any given story Stories are everywhere, and thereaEURtms no predicting what theyaEURtmll reveal. Body language, movement, color, contrast combine to illustrate my scenes of interaction between people and within environments. The excitement of being a part of something as unifying as a protest, the sense of adventure that comes from starting out with no particular destination, intimate moments with those we love and those we discover in the big events...

    James Johnson - The basis of my work is the exploration of universal patterns of being common to everyone such as shadow, hero, or trickster. My interest in patterns of being is a fascination that we all share common behaviors or emotions that can be understood singularly. Each pattern of being may be expressed as a figurative sculpture of hand cast aluminum alloy at half-life scale. Patterns of being may be referenced with Jungian archetypes. My hope is to make patterns of being more visible and tangible...

    Michael Fornadley - All my life I have been drawing images out of my imagination, without preconceived themes or using any reference material. My work has been described as undefined narratives, relating to human relationships in the context of society. Compositions are filled with figurative gestures, without any attempt to develop a narrative thread, it drives the viewer to find a completed story, however, an unscripted conclusion is what they will find. TitleaEURtms to my tales are literary allusions - commentaries, occurring after the paintings are finished and the storyline, to which the title refers is not a factor in the paintings evolution. I describe my style as illustrative with intellect, sometimes showing opposites through thought and emotion. I try to balance both. I have always enjoyed the Expressionists Movements in art and my work reflects this. My painting technique is traditional. The mediums I use are oils, egg tempera on wood and wood cuts. Distinctive to my paintings are figures running, persons gesturing, eccentric objects, mysterious boxes, and usually one person in the background watching impassively. I lead the eye through a theatrical space walls and stages. Moving the viewer, with head movement, to pointed fingers, to a figure by a peculiar...

    Deborah Paige Jackson - I love art and design in all forms and medium, in every aspect of my life. It's a part of who I am and something I can't get away from. I try to use true to life situations when possible. My favorite medium is watercolor because of the beauty of it. It seems to have a life of it's own as it flows and connects with the paper. Yet, the medium forces me to think and use extraordinary control. I am at a point in my life where the thought of art, design, and all the components involved in them consume my thinking. It shows up in my home in decorating, in my garden with landscaping, in my work, even with my family. I look forward to increasing my art presence in my portfolio here and in as many venues as possible. To all who view my work, I wish you much enjoyment. ...

    Judith Fritchman - I cannot remember a time when I did not want to draw or paint. From my earliest childhood days I have found great joy in depicting my surroundings. Compelling images call out to be examined and expressed: a lone oak tree starkly outlined against a curve of corn stubble, a Cezanne-like arrangement of objects on a table as I walk through a room. But of all God's infinitely varied creations, it is the human face and form which most fascinates and humbles me; the possibility of capturing a fleeting aspect of humanity unique to that individual is an endlessly exciting pursuit. After studying at Beaver College, Cedar Crest College, and Lehigh University, I have also studied classical drawing and design for many years with Myron Barnstone at his studios in Coplay, Pennsylvania. There I have learned to examine the work of great artists of the past as instruction and inspiration. Knowing they have pursued similar interests is a gratifying experience, offering the potential for learning something new, and using it to express my own personal images, values, and emotions. It is my hope that each of my works will reflect, in some small way, a facet of the ...

    Ron Anderson - Working as an illustrator and painter for more than 20 years, I have often utilized the figure in narratives to communicate the nature of the human condition. I give each of my characters a role in my paintings that plays out like a scene from a motion picture. Carefully scripted by a personal experience, these characters go about their lives like you and me. Many of my paintings depict tension or energy in some way. The tension is exhibited in an attitude, an action or in some activity on the canvas. The tension is either overt or more kinetic, but is almost palpable in each piece of artwork. The size of my paintings, along with some personal connection, pulls you into the canvas. The drag of an alto saxophone fills the room in one painting while the noise deafens you; the smoke chokes you. A fight breaks out in the corner of the room on another canvas while a pool hustler wins a round. The subjects are infinite. Henry O. Tanner, John Sloan, and George Bellows were masters at observing and translating these types of human conditions onto a canvas in oil. My technique, drawn from what I have observed ...