Artists Describing Their Art:
Celina Mattar - I started painting when I was still a little girl. In high school I was a great student in English, math and drawing and my teacher was a Finnish nun. On Saturdays we painted still lifes, grapes, fruits and vegetables in general and when I was 12 years old, as I loved ballet, I painted two ballerinas that I still have today. At the age of 17 I wanted to go to Rio de Janeiro to study at some art school, but my father vetoed it and preferred to choose Emeric Mercier to be my teacher. Emeric Racz Marcier was a Romanian painter naturalized in Brazil, today considered an icon in painting. Emeric Racz Marcier was a Romanian artist who studied at the Accademia di Belli Arti de Brera Brera Academy of Fine Arts in Milan, Italy, from 1935 to 1938. In 1939, he attended the sculpture course at the A%0cole Nationale Superieure des Beaux-Arts National School of Fine Arts in Paris. In 1940, because of the Second World War 1939-1945, he traveled to Lisbon, where he stayed for a short time and spent time with the painters Arpad Szenes 1897-1985 and Vieira da Silva 1908-1992. ...
John Powell - Artist Statement This body of work comes from a community of ideas. My art evoke a dialogue, a message as a language I speak, to create peace in a cosmic dialogue. It speaks in the future tense in a context of time that evoke a feeling of AC/a,!Eoetime passesAC/a,!a,,C/... The emotional and psychological content of my subject, the way the body expresses its emotion, it contextualizes the concepts of the duality of the meaning of the imagery. My style is an expression of my philosophy which becomes a language using, Post Modern, Expressionism, Latin American Tradition, Surrealism, and soft Classism. It expresses my deep awareness of global issues and is counterbalanced with my cultural heritage. My inspiration originates from lifenature, itAC/a,!a,,C/s too spiritual to express. However, it is the same expressive energy as the work transfused between energies which awaken the realms of these energies and evoked them in dialogueAC/a,!A| . I use a certain iconography, which becomes a language. My art has helped me to see that nothing on earth is solitary, all things are interlinked. The unique expression in my art, is an attitudelanguage of my style but is easily understood in itAC/a,!a,,C/s emotion. My art Carries ...
Geo Kat - Always the QUESTION.What is ART. Maybe THERAPY. Maybe DREAMING. Maybe...casting the PAST. Or better... the FUTURE. Or just to be... PRESENT. I dont know exactly. But I knowat least, which is my inspiration, all the old mastering, the great NATURE. Humanity. Personas very different in space and time, like Praxiteles or Botticelli or Candinsky. .......... Of course we, humans, we are nature, part of nature, part of natures mystery...... May be my well effort as an artist is to explore this MYSTERIOUS and fantastic world, and create an art that is not exist yet, as an INVENTION...............or you can say exists, but is not expressed into EXISTENCE yet. And this art exists as a living person FULL of dreams of colours of happiness, GOOD will and HEALING matter. ___I suppose also that my inspiration is whatever still lives UNDERNEATH this ancient old city, Athens...... What ARE YOU thinking ...
Steven Lamb - Ever since I remember myself as a person I dealt with my life by isolating myself and creating.For me the painting is not just a creative discipline, itaEURtms a vocation. To be able to deliver my visions and fantasies to the world, I trained myself in the Academy of Fine Arts in Leipzig, Germany. My perception of the world is always from a comical point of view. I have reached the conclusion for myself, that what matters the most ,is the human ability to laugh. I am using the grotesque as a tool of a social commentary, not to criticize , but to amuse and entertain. In most of my work I take inspiration from the beauty of the Montreal, its streets, buildings and people. Cafe scenes, clowns, magicians,singers,artists,families walking their dogs,coaches riding around are all funny,happy and exciting models for my work.The choice of the characters is influenced by my understanding of the world which I see through the eyes of a child.The people and animals in my paintings are always happy and ready to enjoy every little bit of their lives. Their appearances and clothing are not related to any ...
Terry Mollo - ARTISTS STATEMENT Stone is my most important medium. The attributes of stone motivate me to seek and appreciate the beauty that has evolved with time and natures forces. Whether marble, travertine, alabaster, agate, onyx, each piece has its own story to tell. Its hues, striations, translucence, brilliance- and faults- have history and mystery to unlock. While carving I listen to the stone and carve only enough to find, and unleash, its organic lines and its AC/a,!A"voice.AC/a,!A Im inspired by the point at which natures organic form meets the inorganic. I concentrate on the force and tension created between the two, and search for the line that is formed by their union. In my sculpture, organic and inorganic form often conjure human emotion, human condition. Natures sea forms, shells and waves, suggest human form, depth, fluidity, texture, tone. Botanicals are sensuous with leaves and flowers that appear muscled and fleshy. Stems of flowers, such as orchids or lilies, stand tall, appear happy or courageous and proud, while other stems are viney or gnarled and appear desperate or defeated. All are similar to the ways in which the anatomy and musculature of the human body reflect its deepest feelings and emotion. Terry ...
Guy Octaaf Moreaux - Since the end of August 2019 I moved back to Brussels, Belgium. The three years I spent in Kenya have been super interesting and moved me to paint my african impressions. I feel privileged to have learned so much of this wonderful part of the world which was quite foreign to me before. Life is full of emotions about people, nature, things etc...and leaving Kenya will be hard indeed. One of the biggest luxuries in life, is to live surrounded by beauty. This is what I am trying to do. And yes one can see beauty everywhere...it is a state of mind. Harmony is an integral part of beauty, this is what I am trying to convey in my work. It is indeed a necessity for me to create. It has always been this way for as far as I can remember. Not creating makes me feel empty and unfulfilled. In every day life it pervades all my actions, from cooking to finding different places to visit, walk, etc....Have a look at the furniture I created lower in my portfolio. The architects who sold my furniture were the first ones to sell my paintings. For painting, nature ...
Austen Pinkerton - Austen Pinkerton If I turn my mind to it very quickly I can come up with several ideas for works AC/a,!A|paintings, drawings, or sculptures. Sometimes ideas come to me when I least expect it, or when my mind is on other things. Ideas can be related to my current experiences, or to my feelings about things that are happening to me in my life at that particular time. Alternatively they can be related to a current interest, or something that occupies my attention at that moment, and my ideas and feelings about which Id like to share with others. A lot of my work is autobiographicalAC/a,!A|either directly or indirectly, consciously or subconsciously. It is frequently very personal, and expresses events or circumstances or experiences in my life. I usually work in either Acrylic on Canvas, Crayon or Pastel, or both together, with Gouache, on card, Drawing in pencil, or Ink, or both, or with creating SculptureAC/a,!A|for which I use fired artists clay. Sculpture follows a completely different set of rules and values from two-dimensional art, obviously, I think of it as Drawing in three dimensions and I take this into account when creating mine. In all my...
James Johnson - The basis of my work is the exploration of universal patterns of being common to everyone such as shadow, hero, or trickster. My interest in patterns of being is a fascination that we all share common behaviors or emotions that can be understood singularly. Each pattern of being may be expressed as a figurative sculpture of hand cast aluminum alloy at half-life scale. Patterns of being may be referenced with Jungian archetypes. My hope is to make patterns of being more visible and tangible. Deject Selected as Best in show at the 2021 Piccolo Spoleto Art Exhibition ...
James Johnson -
Raphael Perez - Article about Raphael Perez naive art paintings Raphael Perez is an Israeli artist known for his naive style paintings of Tel Aviv, Haifa, and Jerusalem cities. His work captures the essence of these cities and their urban landscapes, highlighting their iconic buildings and sites. PerezAC/a,!a,,C/s paintings create an idealized atmosphere in which reality is beautified and presented in a dreamy, fantastic manner. PerezAC/a,!a,,C/s work is characterized by its vibrant colors and cheerful depiction of life in these cities. The streets in his paintings are full of people and loving couples hugging and kissing, while the boulevards are lined with well-kept trees and bushes. PerezAC/a,!a,,C/s work presents a vision of IsraelAC/a,!a,,C/s future as a promising startup nation, with beautiful, clean, and naive cityscapes featuring towering skyscrapers reaching towards the sky. Through his art, Perez portrays Tel Aviv, Haifa, and Jerusalem as modern and advanced cities. His paintings are a celebration of these citiesAC/a,!a,,C/ unique characters and their places as cultural hubs in Israel. PerezAC/a,!a,,C/s work is a testament to the beauty and vitality of these cities and their people. In conclusion, Raphael Perez is an Israeli artist whose naive style paintings of Tel Aviv, Haifa, ...