Figurative Art For Sale

Page 12 of 170
Browse 4906 Figurative artworks for sale. Contemporary artists: Martin Beck, Gabor Bertalan, Jane Jaskevich, David Thompson, Yves Goyatton, Thu Nguyen, Darren Baker, Bozena Dusseau Labedz, Peter Dunckelmann, Thor-leif Strindberg offering Figurative artworks. Links to more artworks by these contemporary artists and 170 pages for and further artists at the bottom of this page. To view a work by any of these contemporary artists simply click on the image or browse the artist's portfolio. To buy any Figurative art simply click on the image to go to a more detailed page about this work of art.


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Martin Beck: 'home grown 4', 2018 Mixed Media, Figurative.
Figurative - Mixed Media
29.5 x 42 inches (74.9 x 106.7 cm)
Martin Beck: 'captain silence', 2018 Mixed Media, Figurative.
Figurative - Mixed Media
29.5 x 42 inches (74.9 x 106.7 cm)
Gabor Bertalan: 'ballerina', 2015 Bronze Sculpture, Figurative. Dancing ballerina in an abstract sculpture...
, 2015
Figurative - Sculpture
10 x 22 cm (3.9 x 8.7 inches)
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Martin Beck: 'its gonna rain 2', 2018 Other Drawing, Figurative.
Figurative - Drawing
42 x 29 inches (106.7 x 73.7 cm)
Martin Beck: 'pitchfork', 2018 Other Drawing, Figurative.
, 2018
Figurative - Drawing
29 x 42 inches (73.7 x 106.7 cm)
Martin Beck: 'tool user', 2018 Other Drawing, Figurative.
, 2018
Figurative - Drawing
42 x 29 inches (106.7 x 73.7 cm)
Martin Beck: 'caryatid', 2018 Other Drawing, Figurative.
, 2018
Figurative - Drawing
29 x 42 inches (73.7 x 106.7 cm)
Jane Jaskevich: 'isa', 2018 Mixed Media Sculpture, Figurative. stone and wood figurative sculpture...
, 2018
Figurative - Sculpture
12 x 31 inches (30.5 x 78.7 cm)
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Jane Jaskevich: 'cia', 2018 Mixed Media Sculpture, Figurative.
, 2018
Figurative - Sculpture
11 x 31 inches (27.9 x 78.7 cm)
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Jane Jaskevich: 'clarissa', 2017 Marble Sculpture, Figurative. abstract expressive stone figurative sculpture...
, 2017
Figurative - Sculpture
12 x 26 inches (30.5 x 66.0 cm)
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Jane Jaskevich: 'reverie', 2017 Mixed Media Sculpture, Figurative. Calcite Alabaster oak dreamlike figurative sculpture, stone, abstract...
, 2017
Figurative - Sculpture
11 x 35 inches (27.9 x 88.9 cm)
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Jane Jaskevich: 'dream', 2017 Stone Sculpture, Figurative. Reclining marble expressive female  figure...
, 2017
Figurative - Sculpture
11 x 9 inches (27.9 x 22.9 cm)
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Martin Beck: 'seated figure and palimpsest', 2018 Pastel, Figurative. Pastel and mixed media on prepared paper30 3 4 x 22 1 2 inches...
Figurative - Pastel
22.5 x 30.7 inches (57.1 x 78.0 cm)
Martin Beck: 'on a grey ground', 2018 Pastel, Figurative. Pastel, gouache and graphite on prepared paper42 x 29 1 2 inches...
Figurative - Pastel
29.5 x 42 inches (74.9 x 106.7 cm)
David Thompson: 'mosaic', 2018 Oil Painting, Figurative. Not quite a portrait but my most Pre- Raphaelite figure subject. Paying homage also to Lord Leighton and the Aesthetic movement of the 19th century...
, 2018
Figurative - Painting
24 x 36 inches (61.0 x 91.4 cm)
Yves  Goyatton: 'Intersection', 2007 Bronze Sculpture, Figurative.
Figurative - Sculpture
5 x 12 inches (12.7 x 30.5 cm)
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Yves  Goyatton: 'Ashlar', 2016 Bronze Sculpture, Figurative. bronze contemporary sculpture  created in 2016...
, 2016
Figurative - Sculpture
7 x 12 inches (17.8 x 30.5 cm)
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Yves  Goyatton: 'The Weight of Time', 2017 Bronze Sculpture, Figurative. Contemporary bronze sculpture created in 2017 The Weight of time refer to the duality and complexity of life and death symbolized by this two parallel shapes. It won an award at the Palo Alto Pacific Art league in 2017....
Figurative - Sculpture
12 x 15 inches (30.5 x 38.1 cm)
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Yves  Goyatton: 'Architectonic', 2016 Bronze Sculpture, Figurative. Contemporary bronze sculpture created in 2016...
Figurative - Sculpture
10 x 23 inches (25.4 x 58.4 cm)
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Yves  Goyatton: 'Weighless', 2016 Bronze Sculpture, Figurative. Yves Goyatton bronze contemporary sculpture was created in 2016 Weightless is a tribute to life. This body is floating but remains strong defying gravitational pull. Like an imaginary line who can represent the good bad of human spirit. ...
, 2016
Figurative - Sculpture
7 x 14 inches (17.8 x 35.6 cm)
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Yves  Goyatton: 'Gaze Upon', 2018 Bronze Sculpture, Figurative.  Yves Goyatton contemporary bronze sculpture was created in 2018 ...
, 2018
Figurative - Sculpture
7 x 15 inches (17.8 x 38.1 cm)
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Thu Nguyen: 'happiness comes from within', 2018 Oil Painting, Figurative.   Madonna  , oil on cradled panel, wired on back ready to hang without frame, 16 x 20 inches, for this painting I m trying for the look of religious icon with stiff posed and bright yellow back ground like a golden halo of the Virgin Mary.  This painting is also part...
Figurative - Painting
16 x 20 inches (40.6 x 50.8 cm)
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Darren Baker: 'ballet swan', 2017 Pencil Drawing, Figurative. figurative photorealism drawing pencil pastel classical ballet contemporary...
Figurative - Drawing
10 x 7 inches (25.4 x 17.8 cm)
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Bozena Dusseau Labedz: 'seat already taken', 2017 Oil Painting, Figurative. 010584...
Figurative - Painting
100 x 120 cm (39.4 x 47.2 inches)
Bozena Dusseau Labedz: 'candy from unknown', 2017 Oil Painting, Figurative.
Figurative - Painting
100 x 120 cm (39.4 x 47.2 inches)
Peter Dunckelmann: 'shop window', 2017 Digital Photograph, Figurative. photography, art, digital, color, colour, black- and- white, b w...
Figurative - Photograph
300 x 210 mm ( x )
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Thor-leif Strindberg: 'Girl in Dress', 2016 Mixed Media, Figurative.
Figurative - Mixed Media
15 x 18 inches (38.1 x 45.7 cm)
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Gabor Bertalan: 'girl with curls', 2017 Bronze Sculpture, Figurative. Abstract...
Figurative - Sculpture
10 x 40 cm (3.9 x 15.7 inches)
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Gabor Bertalan: 'Salome', 2017 Bronze Sculpture, Figurative. Dance of Salome...
, 2017
Figurative - Sculpture
10 x 41 cm (3.9 x 16.1 inches)
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Pramod Apet: 'love', 2016 Acrylic Painting, Figurative. beautiful expression, boy, friends, noughty, smiling faces, acrylic painting, indian art, playing, nice color, child hood, figurative, children, Love, lovely, girls, girl, friends...
, 2016
Figurative - Painting
46 x 34 inches (116.8 x 86.4 cm)
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(Page 12 of 170) - MORE ARTWORKS
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  • Artists Describing Their Art:

    Martin Beck - Working from life and in the immediacy of the sitteraEURtms presence helps maintain a connection to real life at a time when digital life can be overwhelming. In this way, life drawing is about the artist maintaining human interaction. In presenting themselves to the world the sitter collaborates in this process as an active participant. This collaboration now occurs at a troubling and turbulent time. Fact, if not truth itself, is under siege. By working from life, the sitter and artist are the revealing truth of a specific time, place and act. This cannot be faked the finished work is an unmediated artifact of the act. Rather than think of these as portraits of people, for me these are portraits of authentic moments....

    Gabor Bertalan - CURRICULUM VITAE I WAS BORN IN SALGOTARJAN, HUNGARY IN 1956. I ATTENDED SCHOOL IN BUDAPEST. I LEARNED SCULPTURAL ARTS THROUGH PRIVATE CHANNELS, PARTLY IN HUNGARY UNDER THE DIRECTIONS AND WITH THE HELP OF ATTILA BOBALY AND JOZSEF SOMOGYI, AND PARTLY IN MENTON, FRANCE. IN 1996 I ATTENDED THE SUMMER ART ACADEMY OF THE UNIVERSITY OF APPLIED ARTS IN BUDAPEST. I HAD INDIVIDUAL EXHIBITIONS IN THE MADACH GALLERY OF SALGOTARJAN IN 1993, IN THE SERBIAN CHURCH OF BALASSAGYARMAT IN 1997, AND IN THE UJPEST GALLERY IN 2004. GROUP EXHIBITIONS: 1993: SZECSENY 1995: BUDAPEST, MENTON 1996: BALASSAGYARMAT, SALGOTARJAN, NAGYATAD 1999, 2000, 2003, 2005: SALGOTARJAN - SPRING EXHIBITION, OPEN-AIR SCULPTURE EXHIBITION 2000: CANNES 2005: NAGYATAD, NATIONAL EXHIBITION OF WOOD SCULPTURES SZECSENY, WINTER EXHIBITION - PRIZE OF THE TOWN OF SALGOTARJAN CURRENTLY I LIVE AND WORK IN BUDAPEST. INITIALLY I WORKED EXCLUSIVELY WITH WOOD. NOW THE MATERIAL OF MY SCULPTURES IS MAINLY WAX AND BRONZE CAST AFTER A WAX MOULD. MY THOUGHTS, FEELINGS AND THE PLASTIC FORMS GUIDED BY THE FORMER ARE FOCUSED ON TWO MAIN CONCEPTS: "NATURALNESS AND SIMPLICITY" ...

    Jane Jaskevich - Jane Jaskevich Artist Statement Jaskevich is a carver of dreams in stone. Her mythical figures borrow elements from ancient cultures. Jane creates figures by combining various materials such as different stones, wood and found objects. She pays homage to the stonesO Greco-Roman roots. Her recent series deals with the incomplete figure and is entitled OThe Silhouette Series O. Partial heads that can be read as a silhouette are combined with full bodies. These sculptures suggest multiple ideas; ancient ruin, contemporary dreams, and flat vs 3D. 2012 brought exhibitions in the NYC Affordable Art Fair and her sculptures being published in Contemporary Sculptors by Kracun/ McFadden. Numerous Southeast galleries represent her. Jane received her BFA from University of Georgia and Masters in Art from Florida State with additional studies in Pietrasanta, Italy. Her public collections include an outdoor sculpture in a Michigan church and three sculptures for NationsBank Headquarters in Tampa. Jane has two sculptures in the permanent collection of the Polk Museum of Art in Lakeland, Florida. Her large-scale bronze sculptures are the focal point for the Tampa GTE Data Center. . ...

    Yves Goyatton - My current body of work represents my fascination with the mystery of abstract shapes and their juxtaposition with human form.A My work has taken this concept most literally by combining the human form and the abstracted shapes of modern landscapes. aEUR"I am a process-oriented artist. The process is what drives my work from one piece to the next. I am constantly exploring my personal boundaries. I am inspired by all the steps in which art is made I am not afraid to face the difficulties the process requires of myself, so long as I continue to learn and grow from it.A The process allows me to conquer problems these challenges allow new points of departure for the next works. aEUR"I enjoy composing in a fusion between these two elements. I conceive my workA primarily as abstract with anthropomorphic elements.A It is important for me to begin with an idea, but remain malleable to the end result. It is most important to me that the piece reflects a refined aesthetic, which I can only describe when I am visually satisfied. This becomes my new boundary for the next work to exceed what I have done before without duplication. aEUR"The work ...

    Yves Goyatton - Darren Baker - Profile Royal Artist &...

    Darren Baker - Peter Dunckelmann - PDarts is a Melbourne-based creative studio that grew up on a well-known image editing software and uses it in all of its work. Driven and motivated to find creative outcomes, we use the computer as a tool and are comfortable working on it like a painter using a brush, for instance, finding inspiration through experimenting, which fosters the creation of new forms. Without fear of rules, conventions, or technical limitations, we mix different techniques and visual influences into our work. In our visual expression we love finding new ways to make images and for unexpected things to happen. We have a liking for abstract forms non-objective compositions and try to explore a lot more with colour. Usually what we have been doing so far, we just sit there layering images and see what comes out of it something that is completely unplanned. That is where we find that potential to grow and move forward in ways we didnt plan. The creative process itself is an experiment, becoming creative about the creation....

    Thor-Leif Strindberg - During the last years, I have moved more and more towards the abstract art. When searching for new roads in a strange territory, you always make new discoveries, and I have found a mode of expression that enables me to tell the observer a lot more than by depicting nature and the human form. A distinct, detailed subject can easily become an obstacle to communication by prevailing in the eyes of the beholder. In my abstract paintings I can transform thoughts and impressions directly into colors and shades, textures and brush strokes, like grooves on an old record. Neither do the paintings carry any titles, since I believe that this might limit the experience, because the beholder would consciously or unconsciously look for definite, well known shapes in the picture. So when something is depicted in my paintings, it is always something very simple. Like bowls. And cups. And plates. Plain and ordinary things that we all recognize - things that can easily give up their natural roles as utility goods and turn into picture elements with a new purpose and function as carriers and conveyors of memories, dreams, feelings. People often ask me about the texts in my paintings. The ...