Artists Describing Their Art:
Jasmine Ronel - Woman, flower, abstraction Three pivotal images in my oeuvre entwined to form the statement I strive to put forth each time anew. I am a woman, I am a flower, I am an abstraction. These images constantly support and rely on one another. The abstract paintings are typified by a flower's architecture, the flower paintings are on the verge of abstraction, and the women's paintings sprout with stains. My mode of work includes the use of diverse and complex techniques, spanning a wide range of materials and media: photography, computer processing, printing spraying, high-gloss enamel paints, acrylics, glass paints, watercolors, oils, felt-tip pens and pencils. The canvas is processed in stages, via cumulated layers that maintain intricate interrelations of construction and destruction, mending and erasing. Whether the emerging image has ascribed value or not, the painting's true theme is in fact painting. The work transpires as a private outcome of the path towards that particular painting: the trail of its drippings, the mass of its strata and the depth of its insights....
Brenda Boles - My art is about feeding the soul and uplifting the spirit, and I do it with luscious colors and images. Whether in your home or office, your surroundings can make a big difference in how you feel. Art can take you "somewhere" and even "bring you home."...
Sandi Carpenter - Due to my endless curiosity and wide range of interests, my work has evolved over the years. Just as a musician would change instruments to perfect the mood and rhythm created, I enjoy moving from one medium to another, be it French dyes on silk, watercolor or acrylic. I am always hopeful that the magic I feel in creating these images will be felt by the viewer with similar intensity. I believe it is only then that art really lives....
Ivan Kosta - My mission? To give some resemblance of our lives, to touch our fears,concerns, evoke dreams and give hope in time of dispair... ...
Beverly Furman - Welcome to my exhibit of works in various media and combinations of techniques that I have developed during 40-plus years of making images. My experience with Drawing, Printmaking, Painting: Oils, Acrylics and Watercolor, as well as Oil Pastel, Colored Pencil, Rubberstamping, Inkjet Transfer, Bookworks and Collage has given me a large visual vocabulary with which to express my particular interests and world-view. My work is a response to my immediate surroundings and life events. The effect of humans on Nature, or vice-versa fascinate me. The subject is sometimes less important to me than the visual and emotional impact of the image. Using the immediate and familiar, I seek to create something I have not seen before. Exploring an expanding variety of two-diminsional media has yielded and ever-widening means of expression. My work spans a range from'realism' to'abstract', with expressionist tendencies. Presently, I am interested in combining life experiences and art techniques into evocative images that express my evolving vision in new ways....
Karen Parker - In terms of style I am a Classical Realist. I generally paint with oil, and especially like to use it for portraiture. With some paintings I begin with an imprimatura, for others I use a solid acrylic underpainting, later overpainting with transparent glazes and translucent scumbling and there are times that I paint alla prima. Using these methods, I paint landscapes, still lifes and portraits; painting my subjects from life, as it allows an intimacy that a photograph or a sketch cannot provide. Painting portraits provides me with the opportunity to create a work of art that encompasses beauty and timelessness. I paint with the idea that one day these portraits may become heirlooms, cherished by future generations. ...
Laurie Ihlenfield - As an artist I find fascination in even the most ordinary things. I enjoy studying the complexity that light can lend to a grouping of objects. Dappled light shining through the back of leaves, or illuminating a group of reflective objects, or creating shadows in the bark of a tree creates complex patterns. The addition of light evokes mood. I am interested in portraying mood through close up views of objects and scenes. I sometimes am interested in inferring deeper meaning. At other times, I prefer to let the image speak for itself. It is my hope the viewer will find in my painting the feeling the original image stirred in me. ...
Iwona Jankowski - My first works of art I have created as a child depicted horses. Drawing them, I thought I could feel every muscle of the horse I drew. It was far from perfect but the feeling remains. Even today, after many years, my favorite subject is Horses. For me the horse, beside the beautiful gracious body, is a symbol of a free soul, loyalty and trust. Especially Ii?1/2m fascinated by their eyes. An eye, as old people say, is a window to a soul. When you look in their trustful eyes, you can see they want to connect with us and are always as a vivid shadow that needs to be close, to follow and to please, and blindly doni?1/2t expect anything in return i?1/2 just hopes for love and simple friendship for life. Over the past ten years my work has transformed from a semi-realistic, simplified close-ups of my subjects, into a floating, colorful i?1/2Mottledi?1/2 compositions. My Mottled Horses - Equine art developed since 2003-4 in my new i?1/2Mottledi?1/2 style that merges abstract and expressionism with a touch of realism. The subject is created on a colorful abstract background to express feelings, often shown as a close-...
Dana Zivanovits - Dana Zivanovits was born in 1958 in Columbus, Ohio and received his art training from the Columbus College of Art and Design (1978 to 1982). After art school, he went abroad for a year and studied the art of the old masters in London, Paris, Madrid, Rome and Venice. Returning to his studio in Columbus to develop these influences into a new body of work, he then traveled to Mexico and studied the sculpture and painting of that country for an extended period. The unique and vivid colors of Palenque and Vera Cruz intensified his palette. After a period in Ohio, he then moved to Venice Beach, California where the brilliant light of the region reinforced his desire to capture effects of sunlight and atmosphere. Returning to Ohio in 1995, he has continued to paint themes deriving inspiration form sources such as world mythology, classic and B-grade cinema, literature and dreams. However his primary inspiration is direct observation from nature, versus an approach based in art theories or cultural critique. Dana has been widely represented by galleries and exhibition projects including Julie Rico and Mega Boom in Los Angeles, the Venice Art Detour, Around the Coyote Festival in Chicago ...
Jo Mari Montesa - Of all the gifts God gave to man the finest is his free will. Second to life itself. It is the essence of man. It is what separates man from all the other creatures of God. By ones choice or action he is judged if he is worthy to be called the man created by God. The child of free will is art. It is man's self-expression. It is synonymous to freedom of expression. Every art is unique since every man is unique. How man perceives art is also unique as how man perceives beauty. As how man perceive life. Art is like life. It all depends to the person's perception. Truly beauty lies in the eyes of the beholder. The gauge of how beautiful life is, depends uniquely to every man. A professor of mine once walked in the streets of Manila during summer. It is very hot, humid and dusty. He noticed a very old beggar asking for coins to the passers while bathing to the heat of the sun all day. Beside the beggar was a newspaper stand. One tabloid headline reads'Young Matinee Idol Commits Suicide." My professor stops for awhile and asks ...
Christine Wasankari - PAINTINGS THAT REPRESENT THE POWER AND INTEGRITY OF THE NATURAL WORLD. Original paintings direct from the artist's Studio in Clallam Bay, WA. Mixed Media, Collage, Abstract Expressionism, Contemporary Southwest & Floral, Pacific Northwest & Mountain Desert Southwest Landscapes. Christine Wasankari has an extensive art background and majored in both Illustration and Advertising Graphic Design at the Rocky Mountain College of Art and Design in Denver, Colorado. She has exhibited in Washington, Colorado, New Mexico and Wyoming and her original paintings and prints are in private and corporate collections in many parts of the US and Europe. She specializes in landscapes, still life, floral and abstract expressionism while utilizing a wide range of media. She is currently living in Washington State near the beautiful and inspiring Olympic National Park. :::::::::::: While I have a formal art education, I find myself breaking rules more and more often and certainly trying to "un-teach" a lot of the formal part of the education. I just do what I love best, indeed, have to do...Create. I am constantly inspired by life and my surroundings. I find that abstract expressionism and experimentation suits me best though I enjoy working representational as well. It depends on my...