Food Art For Sale

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Browse 188 Food artworks for sale. Contemporary artists: Moesey Li, Maria Teresa Fernandes, H Schlagen, Mary Eiland, Ken Hillberry, Marilyn Nosewicz, Helen Hachmeister, Irene Suprun, Nicolo Sturiano, Zara Gasparyan, Dorothy Okray, Debra Cortese, Jack Hill, Lau Mung Lee, Dana Zivanovits, Mary-anna Welch offering Food artworks. Links to more artworks by these contemporary artists and 7 pages for and further artists at the bottom of this page. To view a work by any of these contemporary artists simply click on the image or browse the artist's portfolio. To buy any Food art simply click on the image to go to a more detailed page about this work of art.


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Moesey Li: 'Peaches with figs', 1975 Oil Painting, Food. realism, still life, peaches, figs, vase, tablecloth...
Food - Painting
59 x 38 cm (23.2 x 15.0 inches)
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Moesey Li: 'Pomegranates', 1983 Oil Painting, Food. realism, still life, pomegranates, apples, tablecloth...
Food - Painting
74 x 60 cm (29.1 x 23.6 inches)
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Moesey Li: 'Oranges', 1980 Oil Painting, Food. realism, still life, oranges, lemons, pomegranate, flower, teapot...
, 1980
Food - Painting
100 x 60 cm (39.4 x 23.6 inches)
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Moesey Li: 'Peaches', 1995 Oil Painting, Food. realism, still life, peaches, leaves, plate, tablecloth...
, 1995
Food - Painting
86 x 70 cm (33.9 x 27.6 inches)
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Moesey Li: 'Apples', 1991 Oil Painting, Food. realism, still life, apples, vase...
, 1991
Food - Painting
55 x 59 cm (21.7 x 23.2 inches)
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Maria Teresa Fernandes: 'reds thru glass', 1971 Oil Painting, Food.  always a softned red, never darken pigments if you want a real
Food - Painting
19 x 22 inches (48.3 x 55.9 cm)
Maria Teresa Fernandes: 'red prunes', 1974 Oil Painting, Food.   thick glass has a world of possibilities, and effort( this painting won honoured mention at ABD- ABI press association show   glass against a clear background is a big challenge to any painter                        ...
, 1974
Food - Painting
20 x 24 inches (50.8 x 61.0 cm)
Maria Teresa Fernandes: 'pear with glass', 1975 Oil Painting, Food.  thick glass has a world of possibilities, and effort( this painting won honoured mention at ABD- ABI press association show   glass against a clear background is a big challenge to any painter                       ...
Food - Painting
22 x 29 inches (55.9 x 73.7 cm)
Maria Teresa Fernandes: 'coconuts and amphora', 1980 Oil Painting, Food.  cavities in white coconuts plus volume in convex transparent glass seams impossible,but worth trying   glass against a clear background is a big challenge to any painter                      ...
Food - Painting
1 x 22 inches (2.5 x 55.9 cm)
H Schlagen: 'Addiction', 2012 Other Drawing, Food.   Addition                ...
, 2012
Food - Drawing
42 x 59 cm (16.5 x 23.2 inches)
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Mary Eiland: 'Garlic 2', 2007 Stone Sculpture, Food.  Garlic 2 is a head of garlic made out of Italian translucent alabaster ...
, 2007
Food - Sculpture
13 x 11 inches (33.0 x 27.9 cm)
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Ken Hillberry: 'cranberry stack', 2010 Watercolor, Food.  one day while cleaning these little berries, I began to form a loose triangular stack and it sat for a while as I sketched it.            ...
Food - Watercolor
11 x 12 inches (27.9 x 30.5 cm)
Marilyn Nosewicz: 'Red Tomato Crystal In Window Color Photograph', 2010 Other Photography, Food.    Tree Red Heart On Pastel paper. Size 5. 5 x 6. 5. Email me for any questions. Photoartsimage@ aol. comThank you          ...
Food - Photograph
8 x 10 inches (20.3 x 25.4 cm)
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Helen Hachmeister: 'artichoke', 2009 Acrylic Painting, Food.   artichoke         ...
, 2009
Food - Painting
0 x 0 inches (0.0 x 0.0 cm)
Helen Hachmeister: 'Pear', 2009 Acrylic Painting, Food.  pear        ...
, 2009
Food - Painting
0 x 0 inches (0.0 x 0.0 cm)
Irene Suprun: 'Lemons', 2009 Oil Pastel, Food.
, 2009
Food - Oil Pastel
29 x 21 cm (11.4 x 8.3 inches)
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Nicolo Sturiano: 'Hot Stuff', 2008 Oil Painting, Food.  A vibrant and exciting painting. ...
, 2008
Food - Painting
36 x 24 inches (91.4 x 61.0 cm)
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Zara Gasparyan: 'RED  TULIPS', 2007 Oil Painting, Food.  Flowers, fruits. ...
, 2007
Food - Painting
53 x 85 cm (20.9 x 33.5 inches)
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Dorothy Okray: 'Oranges', 2008 Pastel, Food.  So real. . . . ...
, 2008
Food - Pastel
15.5 x 12 inches (39.4 x 30.5 cm)
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Debra Cortese: 'Garden Angel, Gnome and Tomatoes', 2008 Other Photography, Food.  Garden Angel, Gnome abd Tomatoes is one of a series of 5 playful tomato images. Originally created for the Florida Tomato Growers Tomato Art Competition.This 18 inch x 12 inch open edition nature's energy photopainting is printed with archival inks on fine art paper, signed and shipped from...
Food - Photograph
12 x 18 inches (30.5 x 45.7 cm)
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Debra Cortese: 'Angel in Bird Bath with Tomatoes', 2008 Other Photography, Food.  Angel In The Bird Bath With Tomatoesan 18 inch x 12 inch open edition photopainting printed with archival inks on fine art paper, signed and shipped from Debra's studio. Custom sizes and framing available. ...
Food - Photograph
12 x 18 inches (30.5 x 45.7 cm)
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Jack Hill: 'On a Roll', 2008 Bronze Sculpture, Food.  Bronze, cast in the lost wax method ...
, 2008
Food - Sculpture
12 x 25 inches (30.5 x 63.5 cm)
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Lau Mung Lee: 'Guangdong BBQ food', 2005 Oil Painting, Food.    Beginning Food concept in Artwork creation have more than three years already. Trying different medium, e. g. Installation, Sculpture, Mix Medium & Oil , etc can expose the characteristic of Food & the expreeion of Urbanite through eats.  Sustenance, Water, Sunshine, Fresh air are the main elements for our existence. Human calls the...
Food - Painting
120 x 180 cm (47.2 x 70.9 inches)
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Lau Mung Lee: 'Fried rice', 2005 Oil Painting, Food.  Beginning Food concept in Artwork creation have more than three years already. Trying different medium, e. g. Installation, Sculpture, Mix Medium & Oil , etc can expose the characteristic of Food & the expreeion of Urbanite through eats.  Sustenance, Water, Sunshine, Fresh air are the main elements for our existence. Human calls the...
, 2005
Food - Painting
120 x 180 cm (47.2 x 70.9 inches)
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Lau Mung Lee: 'countryside vegteable', 2005 Oil Painting, Food.  Beginning Food concept in Artwork creation have more than three years already. Trying different medium, e. g. Installation, Sculpture, Mix Medium & Oil , etc can expose the characteristic of Food & the expreeion of Urbanite through eats.  Sustenance, Water, Sunshine, Fresh air are the main elements for our existence. Human calls the...
Food - Painting
120 x 180 cm (47.2 x 70.9 inches)
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Debra Cortese: 'Mango Blue Bath', 2008 Other Photography, Food.  Mango Blue Bath is one of my Making Mango Salsa series inspired by the annual Mango Festival at Fairchild Tropical Botanic Garden and the luscious, deliciously ripe mangos of this season. This artwork is a variation on the original photo
Food - Photograph
9 x 6 inches (22.9 x 15.2 cm)
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Debra Cortese: 'Blue Plate Mango Angel', 2008 Other Photography, Food.  Blue Plate Mango Angel is one of a series of photopaintings of a luscious mango posing with a variety of garden characters including a clay Shrek chia head, a garden gnome and the angel shown in this artwork. The series starts with the mango and ends with my very own...
Food - Photograph
12 x 13 inches (30.5 x 33.0 cm)
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Dana Zivanovits: 'GREEK DINER', 1980 Watercolor, Food.  An early work drawn from life. A signed and dated Zivanovit's original ...
Food - Watercolor
17 x 14 inches (43.2 x 35.6 cm)
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Mary-anna Welch: 'Strawberries', 2007 Watercolor, Food.  A bunch of strawberries. 9. 0 ...
Food - Watercolor
9 x 12 inches (22.9 x 30.5 cm)
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David Rocky Aguirre: 'Mandarin', 2008 Oil Painting, Food.  Mandarins on branch- oil on hardboard ...
, 2008
Food - Painting
12 x 16 inches (30.5 x 40.6 cm)
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(Page 2 of 7) - MORE ARTWORKS

Artists Describing Their Art:

Maria Teresa Fernandes - Admiring Teresa's paintings we are touched by her pictorial sensitivity. Difficult task in light colors (volume and transparencies on a clear basis). Few do it due to the required dedication with pallete knife(no brush).It's painting consacrated by the love to paint. Radha Abramo(Renowned art critique)comments at Solo Exhibition Catalog at SESC Paulista in June 84 -( sent at request and reproduced in one of the pages of this site). ...

Mary Eiland - Nature slays me. I am so amazed at how perfect and beautiful it is. My art has been influenced more by nature than anything else in the world. I was lucky enough to grow up "in the sticks" so that my everyday childhood was filled with fishing for crayfish in the creek and playing with tadpoles, frogs and salamanders out of the pond. I also trapped and raised raccoons and opossums. I collected weeds and stones because I loved the textures and colors. I began drawing from nature at a very young age and never lost interest. As an adult I began to be very interested in anything Chinese. Their appreciation and respect for nature in art drew me to study traditional Chinese brush paintings for many years. I had some exceptional brush teachers like Kwok Kay and Alice Choey and Michael and Sarina Poon. The work I do now combines both eastern and western techniques....

Ken Hillberry - In art and in life, dynamics of balance, integrity and tolerant interaction of all elements or participants ought to be see, experienced and maintained. At the same time, the challenge of affecting this balance is creatively encountering all changes and adapt accordingly. For some, the destination or pre-determined outcomes are sought more often than not. Then there are some who savor the journey, thus witnessing and enjoying developments along the way. I fall into the latter category. It's like watching the film develop in a darkroom. the image takes form a little at a time right before my eyes. The creative process, for me, is void of pressure and timeless. The ability and practice and discipline are central in my approach. My creative intent is to engage a viewer in thought and emotion, as well as, with their eyes. Using imagination, retrospect or model, my range of composition can be conceptual, perhaps impressionistic or abstract in application, but always developed to evoke an awareness and appreciation for the relative conditions in life experience and art form as I incisively or playfully interpret my experiences along the way. ...

Marilyn Nosewicz - Photography, and Painting are like Magic, Joy , My Birthday, and Christmas all wrapped into one good feeling. I wait for my image to appear in my darkroom,the world stops for that time. I truely live in the moment. Finally I see my images appear before my eyes like magic. I work in Photography Silver Gelatin Black and White primarily and Color Photography. My Painting degree is from Syracuse University. My Silver Gelatin Black and White Photography work is hand printed in the darkroom. I also work in Color Photography, and now also Digital. All my materials are archival. All work is signed and dated. Please Sign my mailing list, or my Guest book, I would like to hear from you. Thank you for looking at my work. ...

Debra Cortese - I believe everything on our planet shares a core energy, a vital life force that animates and supports all growth and renewal. In nature, when this energy is balanced and uninhibited by human interference, the flow is smooth, perfection exists. When I am truly in touch with nature, the feelings that I experience are incredibly magical, full of wonder and joy! I create the nature and plant spirit images to share these feelings, and hopefully to evoke similar feelings in viewers and instill a greater respect for the immense value of our natural environment. My visions of the nature energies evolved over many years of personal experience. I was first aware of them as a child playing in the woods and streams of my family home in the Catskill Mountains of New York. In the early 70's I read about the existence of nature spirits at the Findhorn gardens in Scotland. Fascinated by their stories, I began to experiment with communicating with the devas while gardening and hiking in Vermont's Northeast Kingdom. I read voraciously and learned that nature spirits have existed throughout time in almost every culture around the world. I soon realized that my intention was ...

Jack Hill - All of my sculptural work is bronze, cast in the "lost wax" technique. Besides sculpting the original work, I am hands on with all the phases of the casting process, including the molds, waxes, metal, and application of the patinas. My foundry experience allows me to ensure the quality and integrity of each idea, from inspiration to final presentation. The ideas are born from observation of the human existence, in all its splendor and absurdity. The addition of my own whimsy and uncommon approach brings about an expression of life in the permanence of bronze. People are only one part of the whole planet and my anthropomorphic works are an exploration of the blending of man into various parts of the environment. With attention to anatomic detail and a tongue-in-cheek twist I wish to stimulate the imagination and, maybe, tickle the funny bone. Questions? Call me at 305/240-3238 A new line of work has been added that I call "Body Armor". The human form is treated as if skin was an armor that could be put on or removed as needed. If it had been lost long ago and recently rediscovered, what would it look like. ...

Lau Mung Lee - Beginning Food concept in Artwork creation have more than three years already. Trying different medium, e.g. Installation, Sculpture, Mix Medium & Oil ,etc can expose the characteristic of Food & the expreeion of Urbanite through eats. Sustenance, Water, Sunshine, Fresh air are the main elements for our existence. Human calls the name of different food according to their types. In our Sociality, nowadays, Food is emphasis in regionally & provincially. The title of Food is create with unique & fictitious imagine. It becomes a symbol with meaning of fresh, geniality, professional & guarantee. !SSGuangdong Barbecue Food!", !SSYuengChow Style Fried Rice!" & !SSVegetables From Countryside!" are enlarged the proportion & scale. Both of them have their own language whispering to the viewers. ...

Dana Zivanovits - Dana Zivanovits was born in 1958 in Columbus, Ohio and received his art training from the Columbus College of Art and Design (1978 to 1982). After art school, he went abroad for a year and studied the art of the old masters in London, Paris, Madrid, Rome and Venice. Returning to his studio in Columbus to develop these influences into a new body of work, he then traveled to Mexico and studied the sculpture and painting of that country for an extended period. The unique and vivid colors of Palenque and Vera Cruz intensified his palette. After a period in Ohio, he then moved to Venice Beach, California where the brilliant light of the region reinforced his desire to capture effects of sunlight and atmosphere. Returning to Ohio in 1995, he has continued to paint themes deriving inspiration form sources such as world mythology, classic and B-grade cinema, literature and dreams. However his primary inspiration is direct observation from nature, versus an approach based in art theories or cultural critique. Dana has been widely represented by galleries and exhibition projects including Julie Rico and Mega Boom in Los Angeles, the Venice Art Detour, Around the Coyote Festival in Chicago ...