History Art For Sale

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Browse 446 History artworks for sale. Contemporary artists: Jerry Di Falco, Shoshannah Brombacher, Tom Lund-lack, David Larkins, Nancy Bechtol, Ron Ogle, Ron Anderson, Lou Posner, Wendy Lippincott, Luise Andersen, Janusz Obst, William Christopherson, Lorrie Williamson, Jovica Vucinic, Asbjorn Lonvig, Austen Pinkerton offering History artworks. Links to more artworks by these contemporary artists and 16 pages for and further artists at the bottom of this page. To view a work by any of these contemporary artists simply click on the image or browse the artist's portfolio. To buy any History art simply click on the image to go to a more detailed page about this work of art.


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Jerry  Di Falco: 'philadelphia chinatown 1948', 2019 Etching, History. ABOUT THE ARTISTaEURtmS ETCHINGS: Di Falco first creates a number of original drawings, which are usually based upon the narrative and documentation- centric images, which he discovers through his research into the photographic and digital archives of universities, libraries, governments, and historical societies.  Herein now, the artist outlines some ...
History - Etching
16 x 20 inches (40.6 x 50.8 cm)
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Jerry  Di Falco: 'violet herbalist', 2019 Etching, History. This etching is print number one of five from the third and final edition.  The scene is based on several original pencil drawings by the artist, which all depict a black and white photograph from the Temple University Libraries, Special Records Research Center.  The narrative involves an elderly woman standing ...
History - Etching
9 x 12 inches (22.9 x 30.5 cm)
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Jerry  Di Falco: 'camac street at night 1950', 2018 Etching, History. PLEASE NOTE THAT THIS WORK INCLUDES A BLACK, WOOD FRAME AND WHITE, ACID FREE MAT.  Jerry Di FalcoaEURtms original etching was created using one zinc plate etched in Nirtic acid.  The work is limited to only FOUR Editions, and each hand printed edition is limited to only FIVE etchings.  ...
History - Etching
14 x 11 inches (35.6 x 27.9 cm)
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Shoshannah Brombacher: 'trial of the shpoler zeide 1', 2017 Oil Painting, History. I am illustrating a book about the Shpoler Zeide, a famous Chassidic Rebbe, by Dr. J. Paull and J. Briskman. There are many stories about the Shpoler Zayda  or: Zeide . I made pastel drawings and oil paintings. They will be included in the book, but the originals are for sale. ...
History - Painting
16 x 20 inches (40.6 x 50.8 cm)
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Shoshannah Brombacher: 'the purim angel', 2016 Pastel Drawing, History. I am illustrating a book about the Shpoler Zeide, a famous Chassidic Rebbe, by Dr. J. Paull and J. Briskman. There are many stories about the  Shpoler Zayda and i made pastel drawings, like this one, and oil paintings. They will be included in the book, but the originals are ...
History - Drawing
18 x 24 inches (45.7 x 61.0 cm)
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Jerry  Di Falco: 'anita berber noel', 2018 Etching, History. THE PRICE OF THIS ETCHING INCLUDES A BLACK PAINTED WOOD FRAME WITH GLASS AND ACID FREE MAT.  THE FRAME MEASURES FOURTEEN INCHES HIGH BY ELEVEN INCHES WIDE.  THE WHITE MAT CONTAINS A BLACK INNER TRIMMED EDGE.  THE ARTWORK ARRIVES WIRED AND READY TO HANG ON YOUR WALL.  A WALL HOOK ...
History - Etching
9 x 12 inches (22.9 x 30.5 cm)
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Tom Lund-lack: 'tilting at windmills', 2017 Oil Painting, History. Don Quixote and characters such as Sancho Panza and Don Quixote s steed, Rocinante, are emblems of Western literary culture. The phrase  tilting at windmills  to describe an act of attacking imaginary enemies, derives from an iconic scene in Cervantes novel - The Ingenious Nobleman Mister Quixote of La Mancha.  This ...
History - Painting
30 x 24 inches (76.2 x 61.0 cm)
David Larkins: 'the colliers kiln', 2017 Acrylic Painting, History. The historic ghost town in Fayette along the Big Bay DeNoc located in MichiganaEURtms UP is an old iron smelting town from the 1870aEURtms.The preserved town still has some of the charcoal making kilns standing, which once numbered more than eighty, feed the blast furnaces that melted ...
History - Painting
20 x 16 inches (50.8 x 40.6 cm)
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Nancy Bechtol: 'Venus and Cupid historical view of love', 2016 Other Photography, History.  Photopainting, experimentalnote, sizes vary, printed on archival paper in this listing but available on archival papers, metal, canvas.  please inquire. ...
History - Photograph
11 x 17 inches (27.9 x 43.2 cm)
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Ron Ogle: '  VIEW OF ASHEVILLE in 1850', 2015 Oil Painting, History.  My oil on panel copy of Robert S.  Duncansons VIEW OF ASHEVILLE, 1850 ...
History - Painting
21 x 17 inches (53.3 x 43.2 cm)
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Ron Anderson: '911', 2003 Oil Painting, History.  Original oil painting by Ohio artist Ron Anderson. Painting entitled 9/ 11- 9: 11- 911. Painting is priced and sold unframed. Buyer is responsible for all shipping fees, insurance costs and any applicable sales tax and duties. Artist reserves all rights to reproduction and copyright.    ...
, 2003
History - Painting
108 x 84 inches (274.3 x 213.4 cm)
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Lou Posner: 'Helen of Troy', 1985 Oil Painting, History.  Helen of Troy is a main character in Homer' s The Iliad, and her abduction by Paris led to the Trojan War.  There is no reliable sculpture or painting to indicate what she looked like, but she was considered the most beautiful woman in the world.  The most beautiful...
History - Painting
28 x 36 inches (71.1 x 91.4 cm)
Wendy Lippincott: 'Histocracy', 2012 Oil Painting, History.    Business, Enron, Corruption  King Solomon, Hannibal, History, Martin Luthor   ...
, 2012
History - Painting
50 x 80 inches (127.0 x 203.2 cm)
Luise Andersen: '  Silent Scream', 2008 Acrylic Painting, History.    Echoe of Silent Scream pierces my core. . . Silent. . Nevermore. . ...
History - Painting
18 x 24 inches (45.7 x 61.0 cm)
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Luise Andersen: 'SILENT SCREAM   DETAIL II  Retake In Mid Day Light', 2008 Acrylic Painting, History.
History - Painting
18 x 24 inches (45.7 x 61.0 cm)
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Luise Andersen: 'SILENT SCREAM   DETAIL I  Retake In Mid Day Light', 2008 Acrylic Painting, History.
History - Painting
18 x 24 inches (45.7 x 61.0 cm)
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Luise Andersen: 'SILENT SCREAM     Retake In Mid Day Light', 2008 Acrylic Painting, History.  IN REMEMBERANCE ALWAYS. . LOSS OF THE INNOCENT DUE TO TERRORISM- Echoes Of Silent Scream In My Mind-  Voices So Silent. . Pierce My Core. Silent Nevermore. .I myself prefer this special painting unframed. . Exhibited in show and needed frame. . This is solid wood frameI. . . . I would say, wider and heavier. . if...
History - Painting
18 x 24 inches (45.7 x 61.0 cm)
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Janusz Obst: 'Fiddler', 2007 , History.   Handmade paper, acrylic...
, 2007
History -
68 x 36 inches (172.7 x 91.4 cm)
William Christopherson: 'Keewaydin Mansion', 1994 Lithograph, History.  Full sized print of artist's recreation in pencil, of this beautiful Victirian style summer home which once stood on the granit ledges overlooking the St. Lawrence River in the Thousand Islands. Artist' s very first award winning artwork. Shipped on 3/ 8
History - Lithograph
22 x 17 inches (55.9 x 43.2 cm)
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Lorrie Williamson: 'New Orleans 1985', 2006 Acrylic Painting, History.  A New Orleans street scene with a local band playing that jazz - - in the good old days. ...
History - Painting
16 x 20 inches (40.6 x 50.8 cm)
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Jovica Vucinic: 'KingI', 2001 Oil Painting, History.
, 2001
History - Painting
24 x 20 inches (61.0 x 50.8 cm)
Jovica Vucinic: 'KingIII', 2004 Mixed Media, History.
, 2004
History - Mixed Media
23 x 22 inches (58.4 x 55.9 cm)
Shoshannah Brombacher: 'Rabbi Akiva and the ruins of the Temple', 1995 Other Drawing, History.  When Rabbi Akiva and some of his collegues and students saw the ruins of the Temple in Jerusalem Rabbi Akiva laughed. When they questioned this strange behavior he explained: I laugh because I see foxes in the ruins, as predicted by the prohets, who also predicted the Temple would be...
History - Drawing
18 x 24 inches (45.7 x 61.0 cm)
Lou Posner: 'New Haven in the 14th Century', 1987 Oil Painting, History. The clock is a replica of a 14th century version. The painting was painted in New Haven, Connecticut. Depression knows no limits. ...
History - Painting
49 x 21 inches (124.5 x 53.3 cm)
Asbjorn Lonvig: 'Denmark Forty Seven Tirsbaek Castle', 2005 Acrylic Painting, History. Seen from Vejle Inlet. In my childhood I lived near by. ...
History - Painting
139 x 201 cm (54.7 x 79.1 inches)
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Wendy Lippincott: 'Monumental Failure', 2003 Oil Painting, History. Egyptian' break- in' ...
History - Painting
60 x 24 inches (152.4 x 61.0 cm)
Wendy Lippincott: 'Four Ages of Man', 2004 Oil Painting, History. The four ages of man...
History - Painting
20 x 16 inches (50.8 x 40.6 cm)
Austen Pinkerton: 'Easter Island No 2 ', 2008 Giclee, History. View of a grassy slope at Easter Island, with the sea in the distance. In the foreground are two standing stone heads, and one lying down, of which only the face is visible. Further away are more of the stone sculptures, and overhead flies a figure suspended from a hanglider. ...
History - Giclee
600 x 900 mm ( x )
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Shoshannah Brombacher: 'The Tzemach Tzedek', 1997 Oil Painting, History. In my series about the connection between the ushpizin and the Lubavitcher Rebbes this is the 5th painting, of the Tzemach Tzedek and Aaron haKohen. Both loved peace and helped poor Jews, like the ones forcibly drafted into the army of the Czar. The Tzemach tzedek saved many of them....
History - Painting
16 x 20 inches (40.6 x 50.8 cm)
Richard Lazzara: 'space around the goal', 1972 Oil Painting, History. space around the goal 1972   from the folio  DRAWING ON NY STUDIO SCHOOL TRAINING   by Richard Lazzara is available at
History - Painting
36 x 24 inches (91.4 x 61.0 cm)
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(Page 1 of 16) - MORE ARTWORKS
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  • Artists Describing Their Art:

    Jerry Di Falco - Photography inspires my art and acts as a vital element in my etchings. The images I employ originate from my own photographs, as well as from the images I find from my research into the digital archives of universities, historical societies, libraries, and museums. Upon locating a documented scene I wish to etch, my first step involves the execution of two to five original drawings of the photograph. My collaboration between photography and printmaking allows me the independence to integrate my personal interpretations into the scene. Moreover, I create bridges between the physical and metaphysical visual realities in the same way that a camera intersects with human creativity . . . the nexus between the mechanical and the cerebral art tools. Art unveils everything that we mask behind our belief systems conversely, I strive in my creations to clarify those phenomena we overlook as a result of our egocentric assumptions. Ironically enough, I blame this failure to notice things, a process I label, the phenomenology of connectedness, on todayaEURtms very infatuation with and addiction to the new communicational technologies of social media. My artworks therefore become like windows through which to examine the mysteries of aEURoeeveryday consciousnessaEUR. In fact, my use of ...

    Jerry Di Falco - Tom Lund-Lack - I am an experienced artist whose work uses the power of imagination to find find the essence of the subject.A It is grounded in the need to celebrate life, and to portray the subject through the transforming power of colour and light. Arrangements of shape, line, pattern and colour are brilliant at conjuringA up powerful expressions, sometimes these can be dreamlike and at peace sometimes exciting and dramatic. My work does not always represent an actual moment, place or object in time, but they areA the result of a process of reflection, recollection and reinvention, a distillation of experience. Art is a very small word having the widest possible meaning appreciation is a subjective judgement and no artist or workA can please everyone.A My aim is to please at least some of you and I am very confident that this aspiration is achievable ...

    David Larkins - I've always been intrigued by the luminosity and transparencies found in watercolor and acrylic mediums. I believe an artist must experience the painting - to absorb the surroundings, the atmosphere, to have a oneness with the subject matter before the first brush stroke is applied. My style is described as "Abstract Realism" and my strength is found in the composition. I'm drawn to diverse subject matter that challenges the viewer to see abstraction in the ordinary - to meld the "real" world with the "abstract". ...

    Nancy Bechtol - Artists explore and give the world a view of their personal heightened awareness. I visualize and think with keen beliefs and insights. Reflection of human and societal concerns which cross emotional boundaries-- communicating that which is unspoken. My traditional art foundations of drawing, painting and printmaking, evolved into video, digital photography and experimental media. I use digital photography and imaging to envision the concepts originating from the creative pulse.An individual artist explores and gives the world a view of their personal heightened awareness. Artists see and think with keen beliefs and insights.Reflection of human and societal concerns which cross emotional boundaries-- communicating that which is unspoken. My traditional art foundations of drawing, painting and printmaking, evolved into video, digital photography and experimental media. I use digital photography and imaging to envision the concepts originating from the creative pulse....

    Nancy Bechtol - Ron Anderson - Working as an illustrator and painter for more than 20 years, I have often utilized the figure in narratives to communicate the nature of the human condition. I give each of my characters a role in my paintings that plays out like a scene from a motion picture. Carefully scripted by a personal experience, these characters go about their lives like you and me. Many of my paintings depict tension or energy in some way. The tension is exhibited in an attitude, an action or in some activity on the canvas. The tension is either overt or more kinetic, but is almost palpable in each piece of artwork. The size of my paintings, along with some personal connection, pulls you into the canvas. The drag of an alto saxophone fills the room in one painting while the noise deafens you; the smoke chokes you. A fight breaks out in the corner of the room on another canvas while a pool hustler wins a round. The subjects are infinite. Henry O. Tanner, John Sloan, and George Bellows were masters at observing and translating these types of human conditions onto a canvas in oil. My technique, drawn from what I have observed ...

    Lou Posner - After you reach the main or first Posner portfolio page, please click on an image to enlarge it and bring up further details about the piece of art, including THE PRICE and a description or story of it. Once you have done this, you may also click on zoom-in, a function which may or may not work. At the bottom of Posners main portfolio page Page No.1 you will see instructions for navigating to the rest of my art. There are presently a total of about 237 pieces of art to be viewed. Most are oil paintings, and the rest are charcoal and pencil drawings, watercolors, prints, etc. The first set of images will tell you if the piece is NFS Not For Sale or SOLD. I include these on the website to give viewers a sense of the scope of my work. Prices for each piece USED TO BE SHOWN next to the initial encounter with the image. NOW...all my prices are gone from the intial images, and the words REQUEST PRICE appear for all pieces that are still for sale. NOTE YOU DO NOT HAVE TO CONTACT ME TO REQUEST ANY PRICES. IF YOU CLICK ...

    Wendy Lippincott - Complex allegories dominate the many themes that pervade Ms. Lippincott's paintings. She prefers incorporating science into her art, consistent with her background in electrical engineering, but often gets waylaid with mythological and historical visions. Her paintings are currently only available for licensing. She hopes to have prints available soon. ...

    Luise Andersen - Luise'Mignon' Andersen Luise'Mignon' Andersen has only recently begun to reveal her lifes work. Soon after her debut she exploded onto the mainstream art world. Her breathtaking pieces have captured international interest. The stories Luise'Mignon' is telling through her truly deep, layered works seem to decipher the past and foretell the future, perhaps sharing her window to other dimensions and a seventh sense. Her detailed acrylic'Mignon' series speaks to the beholder. They inspire raw emotion and ignite ones imagination. The indescribable nature of the "Duree De Ma Vie" in particular has a growing portion of the art community considering it the conception of an entirely new style. By Maxi c)2006 Guided Through Inner Mind- Intuition- Mental Imagery- I Create The Final Of What I Am Consciously Not Aware Of.. That I Want...... Need... With Each Completed Painting... Eye Of Core Gains a Glimpse Of My Tomorrow.... c) LA I crave.. painting...drawing... sculpting... writing... Like re-inventing my life... my purpose... myself.. .Gives me a direction.. the courage to look at myself ..and find'ME' there... At least for the duration of creating.. ....and once I collect these shards of my core within colors, shapes... form...

    William Christopherson - The viewer sees a finished canvas. The artist relishes its journey of creation. A thought, a feeling, an experience, a place. These are the most essential of supplies as the artist tasks to expand, explore, and evolve along the path. All are welcome here, to view, appreciate contemplate, and possess the journeys I have made, and the journeys yet to come. Over the past several years I have explored the oil medium, borrowing technique from both historical and present day impressionism. Its a medium I love to work in, even though my wardrobe and studio surfaces have suffered immensely. Much of my work now reflects the pallet knife, and explores a prolific use of heavy colorful brush stroke. Everything continues to evolve, and thats a good thing Enjoy. William Christopherson, 2017 ...

    Lorrie Williamson - As time passes and history is made, it is exciting to try and capture a special moment of life in a painting. It might be inspired by an earth-shaking event or just an ordinary daily experience. More often it comes as a result of looking for something meaningful to say about life as it is today by painting a picture of it. I have a passion for painting, and a ongoing desire to master the never-ending possibilities that are inherent in making art. I hope to express a mood or tell a story that will grab and hold your attention and make you want to see more....

    Austen Pinkerton - Artists Statement Austen Pinkerton If I turn my mind to it very quickly I can come up with several ideas for works aEUR|paintings, drawings, or sculptures. Sometimes ideas come to me when I least expect it, or when my mind is on other things. Ideas can be related to my current experiences, or to my feelings about things that are happening to me in my life at that particular time. Alternatively they can be related to a current interest, or something that occupies my attention at that moment, and my ideas and feelings about which Id like to share with others. A lot of my work is autobiographicalaEUR|either directly or indirectly, consciously or subconsciously. It is frequently very personal, and expresses events or circumstances or experiences in my life. I usually work in either Acrylic on Canvas, Crayon or Pastel, or both together, with Gouache, on card, Drawing in pencil, or Ink, or both, or with creating SculptureaEUR|for which I use fired artists clay. Sculpture follows a completely different set of rules and values from two-dimensional art, obviously, I think of it as Drawing in three dimensions and I take this into account when creating mine. In...