History Art For Sale

Page 1 of 16
Browse 448 History artworks for sale. Contemporary artists: Jerry Di Falco, Lou Posner, Tracy Brown, Shoshannah Brombacher, David Larkins, Nancy Bechtol, Ron Ogle, Ron Anderson, Wendy Lippincott, Luise Andersen, William Christopherson, Lorrie Williamson, Jovica Vucinic, Asbjorn Lonvig, Austen Pinkerton offering History artworks. Links to more artworks by these contemporary artists and 16 pages for and further artists at the bottom of this page. To view a work by any of these contemporary artists simply click on the image or browse the artist's portfolio. To buy any History art simply click on the image to go to a more detailed page about this work of art.


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Jerry  Di Falco: 'poverty in italian ghetto', 2020 Etching, History. This intaglio and aquatint etching was inspired by several of original drawings by DiFalco, all based on an archived photograph from the Temple University Libraries, Special Collections Research Center in Philadelphia, Pennsylvania, USA.   DiFalco used French, oil base ink and printed on Stonehenge brand etching paper, Color Cream.  He etched ...
History - Etching
15 x 11 inches (38.1 x 27.9 cm)
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Lou Posner: 'Then Henry Kissinger Joined Us', 2020 Oil Painting, History. Russian Socialist Realism, 1932- 38, the style of state- controlled art which emerged in Russia in the years following the Communist Revolution of 1917, particularly after the ascent to power of Joseph Stalin in 1924.  Compare this style with American Fascist Realism e.  g. , the planned Garden of Heroes , a ...
History - Painting
40 x 40 inches (101.6 x 101.6 cm)
Lou Posner: 'the broom factory', 2020 Oil Painting, History. Inspired by a broom factory in Utah around 1896.  From start to finish this painting took me 12 years. ...
History - Painting
48 x 36 inches (121.9 x 91.4 cm)
Jerry  Di Falco: 'f b johnson', 2020 Mixed Media, History. This combined work of printmaking and painting employed one of Di FalcoaEURtms ArtistaEURtms Proofs from his metal plate editions.  As a result of the 2020 Pandemic, Di Falco was not allowed into his etching studio at Fleisher Art School in Philadelphia, Pennsylvania, from March to October.  Consequently, he ...
History - Mixed Media
11 x 14 inches (27.9 x 35.6 cm)
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Jerry  Di Falco: 'women of jerusalem four', 2020 Digital Art, History. This image was adapted from a photograph from my personal collection, which was taken by my Great- Uncle at the close of World War II. It shows the older women s barrack in a German Camp. These women were slated for execution a day after this was taken . . . a day ...
History - Digital Art
14 x 11 inches (35.6 x 27.9 cm)
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Jerry  Di Falco: 'archaeological dig in turkey', 2020 Intaglio, History. In this special hand printed etching, DiFalco combines the studio techniques of intaglio, drypoint, and Chine colle.  The size of the zinc etching plate used was nine inches wide by six inches high, or 22. 86cm x 15. 24cm, and it required six individual baths in Nitric acid to reach ...
History - Intaglio
15 x 11 inches (38.1 x 27.9 cm)
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Tracy Brown: 'rebuilding the warrior', 2018 Other Photography, History. Signed fine art work with certificate of authenticity.  Printed on Hahnemuhle Museum Etching paper with HDX Inks, archival certified.  The image isprinted without watermark and is signed.  There is a 3 inch diameter white boarder surrounding the 18 x 12 inch image for framing. A ...
History - Photograph
18 x 12 inches (45.7 x 30.5 cm)
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Shoshannah Brombacher: 'trial of the shpoler zeide 1', 2017 Oil Painting, History. I am illustrating a book about the Shpoler Zeide, a famous Chassidic Rebbe, by Dr. J. Paull and J. Briskman. There are many stories about the Shpoler Zayda  or: Zeide . I made pastel drawings and oil paintings. They will be included in the book, but the originals are for sale. ...
History - Painting
16 x 20 inches (40.6 x 50.8 cm)
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Shoshannah Brombacher: 'the purim angel', 2016 Pastel Drawing, History. I am illustrating a book about the Shpoler Zeide, a famous Chassidic Rebbe, by Dr. J. Paull and J. Briskman. There are many stories about the  Shpoler Zayda and i made pastel drawings, like this one, and oil paintings. They will be included in the book, but the originals are ...
History - Drawing
18 x 24 inches (45.7 x 61.0 cm)
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David Larkins: 'the colliers kiln', 2017 Acrylic Painting, History. The historic ghost town in Fayette along the Big Bay DeNoc located in MichiganaEURtms UP is an old iron smelting town from the 1870aEURtms.The preserved town still has some of the charcoal making kilns standing, which once numbered more than eighty, feed the blast furnaces that melted ...
History - Painting
20 x 16 inches (50.8 x 40.6 cm)
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Nancy Bechtol: 'Venus and Cupid historical view of love', 2016 Other Photography, History.  Photopainting, experimentalnote, sizes vary, printed on archival paper in this listing but available on archival papers, metal, canvas.  please inquire. ...
History - Photograph
11 x 17 inches (27.9 x 43.2 cm)
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Ron Ogle: '  VIEW OF ASHEVILLE in 1850 after Duncanson', 2015 Oil Painting, History.  My oil on panel copy of Robert S.  Duncansons VIEW OF ASHEVILLE, 1850 ...
History - Painting
21 x 17 inches (53.3 x 43.2 cm)
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Ron Anderson: '911', 2003 Oil Painting, History.  Original oil painting by Ohio artist Ron Anderson. Painting entitled 9/ 11- 9: 11- 911. Painting is priced and sold unframed. Buyer is responsible for all shipping fees, insurance costs and any applicable sales tax and duties. Artist reserves all rights to reproduction and copyright.    ...
, 2003
History - Painting
108 x 84 inches (274.3 x 213.4 cm)
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Lou Posner: 'Helen of Troy', 1985 Oil Painting, History.  Helen of Troy is a main character in Homer' s The Iliad, and her abduction by Paris led to the Trojan War.  There is no reliable sculpture or painting to indicate what she looked like, but she was considered the most beautiful woman in the world.  The most beautiful...
History - Painting
28 x 36 inches (71.1 x 91.4 cm)
Wendy Lippincott: 'Histocracy', 2012 Oil Painting, History.    Business, Enron, Corruption  King Solomon, Hannibal, History, Martin Luthor   ...
, 2012
History - Painting
50 x 80 inches (127.0 x 203.2 cm)
Luise Andersen: '  Silent Scream', 2008 Acrylic Painting, History.    Echoe of Silent Scream pierces my core. . . Silent. . Nevermore. . ...
History - Painting
18 x 24 inches (45.7 x 61.0 cm)
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Luise Andersen: 'SILENT SCREAM   DETAIL II  Retake In Mid Day Light', 2008 Acrylic Painting, History.
History - Painting
18 x 24 inches (45.7 x 61.0 cm)
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Luise Andersen: 'SILENT SCREAM   DETAIL I  Retake In Mid Day Light', 2008 Acrylic Painting, History.
History - Painting
18 x 24 inches (45.7 x 61.0 cm)
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Luise Andersen: 'SILENT SCREAM     Retake In Mid Day Light', 2008 Acrylic Painting, History.  IN REMEMBERANCE ALWAYS. . LOSS OF THE INNOCENT DUE TO TERRORISM- Echoes Of Silent Scream In My Mind-  Voices So Silent. . Pierce My Core. Silent Nevermore. .I myself prefer this special painting unframed. . Exhibited in show and needed frame. . This is solid wood frameI. . . . I would say, wider and heavier. . if...
History - Painting
18 x 24 inches (45.7 x 61.0 cm)
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William Christopherson: 'Keewaydin Mansion', 1994 Lithograph, History.  Full sized print of artist's recreation in pencil, of this beautiful Victirian style summer home which once stood on the granit ledges overlooking the St. Lawrence River in the Thousand Islands. Artist' s very first award winning artwork. Shipped on 3/ 8
History - Lithograph
22 x 17 inches (55.9 x 43.2 cm)
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Lorrie Williamson: 'New Orleans 1985', 2006 Acrylic Painting, History.  A New Orleans street scene with a local band playing that jazz - - in the good old days. ...
History - Painting
16 x 20 inches (40.6 x 50.8 cm)
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Jovica Vucinic: 'KingI', 2001 Oil Painting, History.
, 2001
History - Painting
24 x 20 inches (61.0 x 50.8 cm)
Jovica Vucinic: 'KingIII', 2004 Mixed Media, History.
, 2004
History - Mixed Media
23 x 22 inches (58.4 x 55.9 cm)
Shoshannah Brombacher: 'Rabbi Akiva and the ruins of the Temple', 1995 Other Drawing, History.  When Rabbi Akiva and some of his collegues and students saw the ruins of the Temple in Jerusalem Rabbi Akiva laughed. When they questioned this strange behavior he explained: I laugh because I see foxes in the ruins, as predicted by the prohets, who also predicted the Temple would be...
History - Drawing
18 x 24 inches (45.7 x 61.0 cm)
Lou Posner: 'New Haven in the 14th Century', 1987 Oil Painting, History. The clock is a replica of a 14th century version. The painting was painted in New Haven, Connecticut. Depression knows no limits. ...
History - Painting
49 x 21 inches (124.5 x 53.3 cm)
Asbjorn Lonvig: 'Denmark Forty Seven Tirsbaek Castle', 2005 Acrylic Painting, History. Seen from Vejle Inlet. In my childhood I lived near by. ...
History - Painting
139 x 201 cm (54.7 x 79.1 inches)
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Wendy Lippincott: 'Monumental Failure', 2003 Oil Painting, History. Egyptian' break- in' ...
History - Painting
60 x 24 inches (152.4 x 61.0 cm)
Wendy Lippincott: 'Four Ages of Man', 2004 Oil Painting, History. The four ages of man...
History - Painting
20 x 16 inches (50.8 x 40.6 cm)
Austen Pinkerton: 'Easter Island No 2 ', 2008 Giclee, History. View of a grassy slope at Easter Island, with the sea in the distance. In the foreground are two standing stone heads, and one lying down, of which only the face is visible. Further away are more of the stone sculptures, and overhead flies a figure suspended from a hanglider. ...
History - Giclee
600 x 900 mm ( x )
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Shoshannah Brombacher: 'The Tzemach Tzedek', 1997 Oil Painting, History. In my series about the connection between the ushpizin and the Lubavitcher Rebbes this is the 5th painting, of the Tzemach Tzedek and Aaron haKohen. Both loved peace and helped poor Jews, like the ones forcibly drafted into the army of the Czar. The Tzemach tzedek saved many of them....
History - Painting
16 x 20 inches (40.6 x 50.8 cm)
(Page 1 of 16) - MORE ARTWORKS
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  • Artists Describing Their Art:

    Jerry Di Falco - Photography inspires my art and acts as a vital element in my etchings. The images I employ originate from my own photographs, as well as from the images I find from my research into the digital archives of universities, historical societies, libraries, and museums. Upon locating a documented scene I wish to etch, my first step involves the execution of two to five original drawings of the photograph. My collaboration between photography and printmaking allows me the independence to integrate my personal interpretations into the scene. Moreover, I create bridges between the physical and metaphysical visual realities in the same way that a camera intersects with human creativity . . . the nexus between the mechanical and the cerebral art tools. Art unveils everything that we mask behind our belief systems conversely, I strive in my creations to clarify those phenomena we overlook as a result of our egocentric assumptions. Ironically enough, I blame this failure to notice things, a process I label, the phenomenology of connectedness, on todayaEURtms very infatuation with and addiction to the new communicational technologies of social media. My artworks therefore become like windows through which to examine the mysteries of aEURoeeveryday consciousnessaEUR. In fact, my use of ...

    Lou Posner - Dear Art Friends, Yes, we are living in trying times, and my heart goes out to all who are suffering or have suffered from the COVID-19 virus or the other effects of it the social isolation, the loss of paychecks and jobs, etc., etc. We all know the list. I know I am biased, but what better way is there to soften the harshness of quarantine than by bringing a new piece of art into your home Therefore, I am open to negotiating prices for any works of mine for sale here that are priced at about 1500 or lower. I know money is tight these days, but art can provide a relief, a permanent cultural enjoyment, a luxury instead of the normal dinners out and vacations, during these restrictive times. Please do not feel timid about suggesting your own price for the works mentioned above. As an artist, I too, am suffering economic hardship, so you would be helping ME as well as helping yourself. I do not accept charge cards or paypal, but a personal check or a cashiers check would be fine. I cannot offer extended time-payment plans for any of my work. I am ...

    Tracy Brown - The photographer, Tracy Brown, has a wide range of photographic subject matter in her portfolio.A Life has many paths which she has explored.A She started her passion in photography while doing medical and humanitarian work many years ago. The joy of capturing the people and places visited by the few, inspired the concept of sharing these things with the world. She plans to continue her medical and humanitarian work by financing projects through her photography endeavors. She looks forward to you joining her on the new Poetry In Pictures website coming online the beginning of 2020. TracyA is excited to share the stories of the people and places which have blessed her life, to be featured on the website.A The birth of this dream would not have been possible without the whole team at Poetry In Pictures. From everyone at Poetry In Pictures, thank you for sharing with us lifes journey in pictures. ...

    Shoshannah Brombacher - Art makes the world within the artist visible. Classical music, poetry, Jewish and Chassidic stories, traveling, the love for people and memories of eras gone but not forgotten, cities where I lived and worked, like Amsterdam, Berlin, Jerusalem, New York, or visitedm, lie Prague and Sicily, are the main ingredients of my art. My art is like the water of the canals of my native Amsterdam, Rembrandts city, the deeper you look into it, the more you see. A reflection of a reflection of a reflection...look, what you see is not what you see. My art contains texts and letters, lets writing come alive, and reflects my deep connection with the Dutch 17th century Masters, German expressionism, Russian art and medieval miniatures. My art is also a tribute to music and the world of the great Chassidic masters of Eastern Europe. The Kotzker Rebbe listened to a Chassidic storyteller in the street and stated He told what he wanted and I heard what I needed. That is Art. ...

    David Larkins - Ii?1/2ve always been intrigued by the luminosity and transparencies found in watercolor, Oil and acrylic mediums. I believe an artist must experience the painting i?1/2 to absorb the surroundings, the atmosphere, to have a oneness with the subject matter before the first brush stroke is applied. My style is described as i?1/2Abstract Realismi?1/2 and my strength is found in the composition. Ii?1/2m drawn to diverse subject matter that challenges the viewer to see abstraction in the ordinary i?1/2 to meld the i?1/2reali?1/2 world with the i?1/2abstracti?1/2. ...

    Nancy Bechtol - Artists explore and give the world a view of their personal heightened awareness. I visualize and think with keen beliefs and insights. Reflection of human and societal concerns which cross emotional boundaries-- communicating that which is unspoken. My traditional art foundations of drawing, painting and printmaking, evolved into video, digital photography and experimental media. I use digital photography and imaging to envision the concepts originating from the creative pulse.An individual artist explores and gives the world a view of their personal heightened awareness. Artists see and think with keen beliefs and insights.Reflection of human and societal concerns which cross emotional boundaries-- communicating that which is unspoken. My traditional art foundations of drawing, painting and printmaking, evolved into video, digital photography and experimental media. I use digital photography and imaging to envision the concepts originating from the creative pulse....

    Nancy Bechtol - Ron Anderson - Working as an illustrator and painter for more than 20 years, I have often utilized the figure in narratives to communicate the nature of the human condition. I give each of my characters a role in my paintings that plays out like a scene from a motion picture. Carefully scripted by a personal experience, these characters go about their lives like you and me. Many of my paintings depict tension or energy in some way. The tension is exhibited in an attitude, an action or in some activity on the canvas. The tension is either overt or more kinetic, but is almost palpable in each piece of artwork. The size of my paintings, along with some personal connection, pulls you into the canvas. The drag of an alto saxophone fills the room in one painting while the noise deafens you; the smoke chokes you. A fight breaks out in the corner of the room on another canvas while a pool hustler wins a round. The subjects are infinite. Henry O. Tanner, John Sloan, and George Bellows were masters at observing and translating these types of human conditions onto a canvas in oil. My technique, drawn from what I have observed ...

    Wendy Lippincott - Complex allegories dominate the many themes that pervade Ms. Lippincott's paintings. She prefers incorporating science into her art, consistent with her background in electrical engineering, but often gets waylaid with mythological and historical visions. Her paintings are currently only available for licensing. She hopes to have prints available soon. ...

    Luise Andersen - Luise'Mignon' Andersen Luise'Mignon' Andersen has only recently begun to reveal her lifes work. Soon after her debut she exploded onto the mainstream art world. Her breathtaking pieces have captured international interest. The stories Luise'Mignon' is telling through her truly deep, layered works seem to decipher the past and foretell the future, perhaps sharing her window to other dimensions and a seventh sense. Her detailed acrylic'Mignon' series speaks to the beholder. They inspire raw emotion and ignite ones imagination. The indescribable nature of the "Duree De Ma Vie" in particular has a growing portion of the art community considering it the conception of an entirely new style. By Maxi c)2006 Guided Through Inner Mind- Intuition- Mental Imagery- I Create The Final Of What I Am Consciously Not Aware Of.. That I Want...... Need... With Each Completed Painting... Eye Of Core Gains a Glimpse Of My Tomorrow.... c) LA I crave.. painting...drawing... sculpting... writing... Like re-inventing my life... my purpose... myself.. .Gives me a direction.. the courage to look at myself ..and find'ME' there... At least for the duration of creating.. ....and once I collect these shards of my core within colors, shapes... form...

    William Christopherson - The viewer sees a finished canvas. The artist relishes its journey of creation. A thought, a feeling, an experience, a place. These are the most essential of supplies as the artist tasks to expand, explore, and evolve along the path. All are welcome here, to view, appreciate contemplate, and possess the journeys I have made, and the journeys yet to come. Over the past several years I have explored the oil medium, borrowing technique from both historical and present day impressionism. Its a medium I love to work in, even though my wardrobe and studio surfaces have suffered immensely. Much of my work now reflects the pallet knife, and explores a prolific use of heavy colorful brush stroke. Everything continues to evolve, and thats a good thing Enjoy. William Christopherson, 2017 ...

    Lorrie Williamson - As time passes and history is made, it is exciting to try and capture a special moment of life in a painting. It might be inspired by an earth-shaking event or just an ordinary daily experience. More often it comes as a result of looking for something meaningful to say about life as it is today by painting a picture of it. I have a passion for painting, and a ongoing desire to master the never-ending possibilities that are inherent in making art. I hope to express a mood or tell a story that will grab and hold your attention and make you want to see more....

    Austen Pinkerton - Artists Statement Austen Pinkerton If I turn my mind to it very quickly I can come up with several ideas for works aEUR|paintings, drawings, or sculptures. Sometimes ideas come to me when I least expect it, or when my mind is on other things. Ideas can be related to my current experiences, or to my feelings about things that are happening to me in my life at that particular time. Alternatively they can be related to a current interest, or something that occupies my attention at that moment, and my ideas and feelings about which Id like to share with others. A lot of my work is autobiographicalaEUR|either directly or indirectly, consciously or subconsciously. It is frequently very personal, and expresses events or circumstances or experiences in my life. I usually work in either Acrylic on Canvas, Crayon or Pastel, or both together, with Gouache, on card, Drawing in pencil, or Ink, or both, or with creating SculptureaEUR|for which I use fired artists clay. Sculpture follows a completely different set of rules and values from two-dimensional art, obviously, I think of it as Drawing in three dimensions and I take this into account when creating mine. In...