History Art For Sale

Page 2 of 15
Browse 407 History artworks for sale. Contemporary artists: Lucille Coleman, Robin Richard Emrich, Pasquale Petrucci, Marina Venediktova, Hampton Olfus, Hannes Hofstetter, Dennis Mccallum, Terry Zarate, John Threadgill, David Mihaly, Robert Reinhardt, Suzanne Benton, Bert Menco offering History artworks. Links to more artworks by these contemporary artists and 15 pages for and further artists at the bottom of this page. To view a work by any of these contemporary artists simply click on the image or browse the artist's portfolio. To buy any History art simply click on the image to go to a more detailed page about this work of art.


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Robin Richard Emrich: 'House of Seven Gables', 2000 Etching, History. Another view of the House of Seven Gables.  This includes a part of the 150 year old Chinese Chestnut tree recently deceased. ...
History - Etching
10 x 8 inches (25.4 x 20.3 cm)
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Robin Richard Emrich: 'Old South Meeting House', 1998 Etching, History. Boston' s Old South Meeting House.  Where a handful of revolutionists embibed in a hearty draught of ale and decided to have a Tea Party....
History - Etching
8 x 10 inches (20.3 x 25.4 cm)
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Robin Richard Emrich: 'Salem Witch House', 1999 Etching, History. The Salem Witch House.  Home to the judge responsible for the the witch craft trial in the 1600' s.  3rd Burn ( no pun intended) ....
History - Etching
8 x 6 inches (20.3 x 15.2 cm)
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Robin Richard Emrich: '54 Turner Street', 1999 Etching, History. The building that was the centerpiece of Nathaniel Hawthorne' s Novel House of Seven Gables.  Second burn....
History - Etching
18 x 22 inches (45.7 x 55.9 cm)
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Pasquale Petrucci: 'venus wlillendorf', 2023 Mixed Media, History. Famous Paleolithic Venus...
History - Mixed Media
31.5 x 23.6 inches (80.0 x 59.9 cm)
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Marina Venediktova: 'myth xiv egypt original', 2021 Oil Painting, History. You can watch the video of this picture with macro fragments at the link on my youtube channelA new series of large interior paintings entitledMYTHSwas created by me under the inspiration from studying the course on the History of Ancient Civilizations.Contemporaries of the era, which was on Earth ...
History - Painting
35 x 43 inches (88.9 x 109.2 cm)
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Hampton Olfus: 'bethune holiday and chisholm', 2021 Pen Drawing, History. I was inspired to created this image during Women s History Month 2021. ...
History - Drawing
5 x 7 inches (12.7 x 17.8 cm)
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Hampton Olfus: 'ethel waters', 2021 Pen Drawing, History. This image is from a group of portraits I created during Women s History month 2021. ...
History - Drawing
5 x 7 inches (12.7 x 17.8 cm)
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Hannes  Hofstetter: 'goldrush', 1998 Other Painting, History. Hannes HofstetterGoldrush, 1998Gold, lead, copper, iron, mixed media on canvas50 x 70 cmGold, Blei, Kupfer, Eisen, Mischtechnik auf Leinwand50 x 70 cm...
, 1998
History - Painting
70 x 50 cm (27.6 x 19.7 inches)
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Dennis Mccallum: 'scots king robert the bruce', 2019 Mixed Media, History. The remains of Bruce s Castle stand in Lochmaben, Scotland near Dumfries where he began his campaign for Scotland s independence which was achieved in 1314 at the battle of Bannockburn.  ...
History - Mixed Media
11 x 14 inches (27.9 x 35.6 cm)
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Terry Zarate: 'stonehenge', 1992 Oil Painting, History. I was so excited to be going to England to see Stonehenge, a dream of mine since I was a child.  It didn t disappoint at all.  There is definitely some energy there.  You can t help but feel it. ...
, 1992
History - Painting
18 x 14 inches (45.7 x 35.6 cm)
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John Threadgill: 'studio 1997', 1997 Mixed Media, History. My studio...
History - Mixed Media
1.1 x 1.1 inches (2.8 x 2.8 cm)
David Mihaly: 'Mother Theresa', 2017 Acrylic Painting, History.
History - Painting
18 x 24 inches (45.7 x 61.0 cm)
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David Mihaly: 'Dr Martin Luther King Jr', 2017 Acrylic Painting, History.
History - Painting
20 x 24 inches (50.8 x 61.0 cm)
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Robert Reinhardt: 'arch support', 2016 Digital Art, History. Historic, Churches, Landscape, Scotland...
History - Digital Art
20 x 16 inches (50.8 x 40.6 cm)
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Robert Reinhardt: 'girard bank', 2017 Digital Art, History. Broad St. Philadelphia, Historic, Architecture, Floods...
History - Digital Art
28 x 22 inches (71.1 x 55.9 cm)
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Robert Reinhardt: 'city hall', 2017 Digital Art, History. City Hall, Philadelphia, Historic, Broad St. , Architecture...
, 2017
History - Digital Art
20 x 24 inches (50.8 x 61.0 cm)
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Robert Reinhardt: 'South 13th Street', 2017 Digital Art, History. St. Lukes, Philadelphia, Churches, Historic...
History - Digital Art
30 x 24 inches (76.2 x 61.0 cm)
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Robert Reinhardt: 'roosevelt expressway overpass', 2017 Digital Art, History. Philadelphia, Overpass, Travel, Transportation...
History - Digital Art
24 x 18 inches (61.0 x 45.7 cm)
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Robert Reinhardt: 'castle point lime kilns', 2017 Digital Art, History. Lime Kilns, Scotland, History, Landscape...
History - Digital Art
16 x 20 inches (40.6 x 50.8 cm)
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Robert Reinhardt: 'cherub and snail', 2016 Digital Art, History. Historic, Graveyards, Scotland, Edinburgh, Angles...
History - Digital Art
24 x 18 inches (61.0 x 45.7 cm)
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Robert Reinhardt: 'edinburgh airport', 2016 Digital Art, History. Edinburgh, Airports, Travel, ...
History - Digital Art
30 x 8 inches (76.2 x 20.3 cm)
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Robert Reinhardt: 'high tide pinot', 2017 Digital Art, History. Pinot Noir, Summer, Drinks, Floods, ...
History - Digital Art
16 x 20 inches (40.6 x 50.8 cm)
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Robert Reinhardt: 'gatehouse', 2017 Digital Art, History. Mount Moriah, Historic, Cemetery, Philadelphia ...
, 2017
History - Digital Art
30 x 24 inches (76.2 x 61.0 cm)
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David Mihaly: 'U S Grant', 2017 Acrylic Painting, History. Contemporary pop art portrait of President Grant...
, 2017
History - Painting
20 x 24 inches (50.8 x 61.0 cm)
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Suzanne Benton: 'Balance', 2013 Monoprint, History.  Balance monoprint with Chine collA(c) ...
, 2013
History - Monoprint
17.8 x 13.5 inches (45.2 x 34.3 cm)
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Suzanne Benton: 'Maiden and the Night Sky', 2013 Monoprint, History.  Maiden and the Night from Paintings in Proust series, monoprint with Chine collA(c) ...
History - Monoprint
13.5 x 17.8 inches (34.3 x 45.2 cm)
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Bert Menco: 'Shylock 1943 Acta Fabula Est', 2015 Intaglio, History.  A mezzotint depicting the likely fate of Shylock and his daughter Jessica had they lived in mainland Europe in the early forties of the last century. The print was largely prepared during a residency at
History - Intaglio
17 x 20 inches (43.2 x 50.8 cm)
Suzanne Benton: 'Dark Cloth', 2014 Other Printmaking, History.  France, still life, art history, mixed media, multilayers, multicultural  collage ...
, 2014
History - Other Printmaking
13 x 18 inches (33.0 x 45.7 cm)
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Suzanne Benton: 'Uprising', 2014 Other Photography, History.  Monet, France, Gverny, gardens, art history, mixed media, faces, portraits, multilayers, multicultural, collage ...
, 2014
History - Photograph
13 x 18.2 inches (33.0 x 46.2 cm)
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(Page 2 of 15) - MORE ARTWORKS
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  • Artists Describing Their Art:

    Lucille Coleman - Although I'm able to produce other imagery, the figure has been my main subject. I believe that if an artist can capture and express the figure well, he can master any subject. I have explored the following themes to name a few: chic erotica, forms of dance such as latin and hip-hop, the family, conceptual themes pertaining to people in business, men and women in positive leadership roles and societal issues. I enjoy painting subjects and themes by using a loose, bold, direct and painterly brushstroke or flat graphite strokes over a solid drawing. Spontaneity and making visual statements by the "less is more" method is very gratifying for me. In addition, the chiaroscuro lighting of subjects fascinates me and I never tire of its effects of light and shadow. I am influenced by the works of Joaquin Sorolla, John Singer Sargeant, Caravaggio and other painters of his era, Wassily Kandinsky, Phillip Corey, Impressionism, and many great illustrators. ...

    Lucille Coleman - Pasquale Petrucci - LaEURtmarte di Petrucci puA2 essere definita polivalente. Attualmente la sua produzione artistica A" composta da fotografie contemporanee, pitture a olio su tela e arte digitale. Le fotografie contemporanee sono composte da diversi cicli operativi la fotografia informale A" stata realizzata con i soggetti di vecchi graffiti metropolitani che sono risultati invecchiati con interventi-espressivi-visivi di diverse tematiche, sbianchiti e in parte cancellati. La presenza di una iconografia informale aEUR" materica riesce a trasportare la memoria visiva ai capolavori della pittura informale. la fotografia di decollage A" stata realizzata con i soggetti di manifesti pubblicitari disfatti dalle intemperie atmosferiche che involontariamente compongono indicazioni incomprensibili da un punto di vista pubblicitario. Ma si evidenzia una reale iconografia estetica che anagraficamente appartiene al paesaggio urbano. Le foto con il realismo contemporaneo A" stato realizzato da scene urbane che appartengono alla nostra quotidianitA , assemblate con disinvoltura dalla mano dellaEURtmuomo, dalle situazioni atmosferiche, o dalla usura del tempo. Le foto con il dinamismo cromatico sono un ciclo di fotografie che hanno un riferimento alla fotodinamica dellaEURtmarte futurista del fotografo-artista Anton Giulio Bragaglia. Le pitture a olio su tela per predisporre nuove tematiche espressive e per un sempre maggiore potenziale creativo sono state inserite nelle pitture ...

    Marina Venediktova - My name is Marina Venediktova. I was born in 1974 in the Russian city of Kazan. My father is a professional artist and designer. It is difficult for me to track the moment in the past when painting first captured my attention, apparently from the first days of my life . I always studied with my father, and then graduated from an art school in the city of Kazan, later in 2007 I moved to live in St. Petersburg and practiced for many years in private workshops with artists of the Art Academy of St. Petersburg. As a second education, there was a graduation from the Academy of Astrology, and a large practice of consulting clients. Since then, more than six years have passed, and it was astrology that gave me that unique accent in my paintings, inspired me to a new stage of my work. Now I do not just look at the world, at people, I see them with my own eyes, I see the uniqueness of each person, each soul, even if it is an inanimate object. But words are too stingy to describe it, so I chose my own language-the language of canvas and paint. I ...

    Hampton Olfus - ARTIST STATEMENT Over the past twelve years, IaEURtmve been working in acrylic paint, ink, pencil and mixed media. During this time period, I was inspired by an assortment of topics, while repeating one of my mainstay topics, music, and culture. Creating in the moment, allows the intuitive sensibilities too be part of the process. I bring an eclectic aesthetics with me into the studio, which I transfer into what I create. My true emotions, is what I aspire to transfer, visually to the viewer, through the media. Hampton R. Olfus, Jr. Artist ...

    Dennis Mccallum - For a number of years I was the UK Government protected species rehabilitator to the wild of injured birds of prey. In this time I was able to observe and handle wild birds and animals. They were my inspiration and provided the subject matter for my paintings. Having been a surveyor with the UK Ordnance Survey which makes the British maps, I was trained to represent images with accuracy and detail and this I do in my paintings from studying the birds at close quarters. I also have the freedom to explore any subject that interests me. My work has been challenging, but always enjoyable and that is my reason for painting...

    David Mihaly - The first series here represents notable historical and pop culture figures, many with Ohio roots, presented in a contemporary style. Each portrait can be seen as a celebration of the individual depicted as well as a meditation on the difference between the bygone era of actual achievement in the arts versus todays culture of instant celebrity. Also included here is a series of textured jazz musician portraits. Each musician painting was made using a layered acrylic technique, evoking the smoky atmosphere of the clubs where the music was born....

    Robert Reinhardt - Artist Statement My camera lens explores the inspiring and sensitive interconnections between the temporal elements of time and history and their relationship to the changing environment. Several photographic software programs are employed to recreate the original landscape photograph to manipulate the original design of these images. It is the careful observer that begins to discover the delicate objects and surfaces that lie hidden amidst the many layers of images all packaged into one final piece. My intention is to subject the original images to the ravages of time. The rich patinas and the weather worn surfaces magnetically draw me in as I return each image. The images that I chose to include document a specific theme of aEURoeEnd of DaysaEUR. The newly constructed images bring to life a strength that lives on in these landscapes. They seem almost indifferent to the elements that continue to wear at their surfaces and challenge their structural integrity. At the same time, nature is painting an entirely new palette in which they will exist. It is the collision and contrast of that ongoing confrontation that draws me into these landscapes. Robert Reinhardt Restinpixels.us ...

    Robert Reinhardt - Bert Menco - Though they may seem simple, especially my drawings and intaglio prints but also my paintings are actually quite elaborate; half a year's work on an image is no exception for me. I draw directly or use small sketches, even doodles, as image-generating nuclei, often combining two or three that appear to complement each other. I rarely use concrete references, but rather work from inner visions. I tend to be narrative in my own art, perhaps poetic narrative. I don't see my images as telling a story but rather as reflections of inner feelings, similar to some poetry, and would like observers to read them as such. I like to believe that my work carries a certain mystery. My images are very much "inside out.aEUR? I have usually some idea of what I want to obtain, but much of the image is generated while I draw or paint. The end product always surprises me; I am often amazed that there even is an end product. Analyzing my own art is difficult but I think that the dreamlike images tend to deal with confined spaces which contain certain characters that reach out to one another but do not quite ...