Artists Describing Their Art:

Israel Tsvaygenbaum - I believe that art is as necessary as the air we breathe; it is what makes us human. As an artist, my role is to help people fulfill this need. My medium is oil on canvas. I like the roughness, the vibrancy of oil. Through oil, I can best express myself. I love the process of painting. When I'm painting, I don't think about the finished product or the viewer; I just focus on being true to the process. Before I ever touch the canvas, or begin to sketch, I let the images swirl around in my mind. Then, I begin a series of sketches to translate my thoughts into more concrete images. As the images take shape on the canvas, they begin to change. Sometimes, I myself am surprised at the outcome. What kind of painting do I do? I don't like labels; I prefer to be free to interpret my ideas as they come to me. Some of the themes that have figured in my paintings are my personal past, Jewish history, Biblical themes and nature. A number of my paintings are set in Derbent, a city in the south of Russia where I spent ...

Israel Tsvaygenbaum - Matei Enric - My art is a combination between easel and wall painting. More pieces which are assembled together, creating a full image, a piece of work. Space, as usual, circumscribes the work, the wall ( the vital space around the picture ) is inserted in the piece of work, becoming in this way an element ( having plastic valences) of the composition. The piece of work, in whose substance is also integrated the wall where it is placed, remindes of the wall painting , having a better comunication with the environment unbeing isolated from it by a frame or a closed shape ( square, rectangle etc). The base of my painting consists of the plastic rhythm ( the whole composition relying on the arrangement of similar elements) and the use of different ways of the elements materialization ( brush-up ) ....

Jerry Di Falco - Photography inspires my hand-pulled etchings and also serves as a key element in my art. My imagery originates from my own photographs and those of other artists. I research my subjects in the archives of universities, historical societies, libraries, museums, and foundations. I attempt to balance visual gravity with the narrations within everyday scenes . . . I hope to create a convergence between the metaphysical and physical aspects of space, time, and reflection. My examination of the familiar strives to unveil the splendors of life that are masked by our assumptions My stories emerge from beneath the surfaces of that which we overlook as a result of our neglected perceptions . . . of that which is frequently visible but overlooked. Ironically enough, I blame this inability to see reality . . . or what I call, the phenomenology of connectedness . . . on todays infatuation with and addiction to the new technologies of communication. I see my artworks as windows through which people can see the undiscovered mysteries of human consciousness. In fact, my use of multiple etching plates to create one etched design helps to reinforce the illusion of looking at a scene through a window. Each individual area created in my multiple-plate etchings becomes a ...

Corrie Mccluskey - My photography explores themes of "place" (as a repository of memory and symbol, and as a cultural artifact), the passage of time, looking at the forbidden and forgotten. I've searched out sites that touch the deeper emotions - places that are hard to look at, or where those in charge don't want us to see. This is a commitment to finding the "truth" (if there is such a thing) and a reminder of our choices as human beings. My method is to do a kind of street survey, focusing on buildings & industrial warehouses, prisons, train stations, cityscapes, graffiti and architectural details, using ambient light. I study how people have interacted with their environment and how the space can take on a life of its own, often with ghosts in every corner. Many of my images are of settings that people have left behind like empty skins. It seems the world is increasingly a very difficult place to live for so many - perhaps we've entered a new dark age - and I'm needing to focus my attention (and my camera) on social issues, starting right in my own back yard. I've begun a longterm project, "Within a Ten-...

Hal Goldberg - The purpose of my sculptures is to make people think long and hard about the Holocaust. On these web pages you will find sculptures carved in marble that commemorate the heroism of that time and place. Here you will not find any ambiguous abstract artwork or any sense of defeatism. These sculptures are dedicated to one of the most important lessons of the Holocaust - Am Yisroel Chai - the Jewish people will always survive. ...

Margaret Stone - Here we are, physically cemented to the earth by gravity. But - our imaginations stretch and soar, taking us beyond our planet and connecting us with far places in the universe. Being part of this, do we indeed live and bloom in a cosmic garden? Ah, perhaps so. I am exploring this connection in my new artwork....

Margaret Stone - Dov Lederberg - ******* I am engaged in the converging vectors of art and science, but receive added inspiration from kabbalah teachings & meditation and try to create visual forms conducive to mystical experience & self-transformation. ******** Page One Page Two Page Three - Selections from Dialogue - Antilogue series, Page Four - Selections from Kabbalah Mandala series, Page Five - Selection from Sacred Letters series, Page Six - Beyond Judaica, Page Seven - Biblical, Page Eight - Meditations, Page Nine - Visages of the Rebbe. ...

Dov Lederberg -