Holocaust Art For Sale

Artists Describing Their Art:

Lou Posner - Dear Art Friends, Yes, we are living in trying times, and my heart goes out to all who are suffering or have suffered from the COVID-19 virus or the other effects of it the social isolation, the loss of paychecks and jobs, etc., etc. We all know the list. I know I am biased, but what better way is there to soften the harshness of quarantine than by bringing a new piece of art into your home Therefore, I am open to negotiating prices for any works of mine for sale here that are priced at about 1500 or lower. I know money is tight these days, but art can provide a relief, a permanent cultural enjoyment, a luxury instead of the normal dinners out and vacations, during these restrictive times. Please do not feel timid about suggesting your own price for the works mentioned above. As an artist, I too, am suffering economic hardship, so you would be helping ME as well as helping yourself. I do not accept charge cards or paypal, but a personal check or a cashiers check would be fine. I cannot offer extended time-payment plans for any of my work. I am ...

Jerry Di Falco - Photography inspires my art and acts as a vital element in my etchings. The images I employ originate from my own photographs, as well as from the images I find from my research into the digital archives of universities, historical societies, libraries, and museums. Upon locating a documented scene I wish to etch, my first step involves the execution of two to five original drawings of the photograph. My collaboration between photography and printmaking allows me the independence to integrate my personal interpretations into the scene. Moreover, I create bridges between the physical and metaphysical visual realities in the same way that a camera intersects with human creativity . . . the nexus between the mechanical and the cerebral art tools. Art unveils everything that we mask behind our belief systems conversely, I strive in my creations to clarify those phenomena we overlook as a result of our egocentric assumptions. Ironically enough, I blame this failure to notice things, a process I label, the phenomenology of connectedness, on todayaEURtms very infatuation with and addiction to the new communicational technologies of social media. My artworks therefore become like windows through which to examine the mysteries of aEURoeeveryday consciousnessaEUR. In fact, my use of ...

Israel Tsvaygenbaum - I believe that art is as necessary as the air we breathe; it is what makes us human. As an artist, my role is to help people fulfill this need. My medium is oil on canvas. I like the roughness, the vibrancy of oil. Through oil, I can best express myself. I love the process of painting. When I'm painting, I don't think about the finished product or the viewer; I just focus on being true to the process. Before I ever touch the canvas, or begin to sketch, I let the images swirl around in my mind. Then, I begin a series of sketches to translate my thoughts into more concrete images. As the images take shape on the canvas, they begin to change. Sometimes, I myself am surprised at the outcome. What kind of painting do I do? I don't like labels; I prefer to be free to interpret my ideas as they come to me. Some of the themes that have figured in my paintings are my personal past, Jewish history, Biblical themes and nature. A number of my paintings are set in Derbent, a city in the south of Russia where I spent ...

Matei Enric - My art is a combination between easel and wall painting. More pieces which are assembled together, creating a full image, a piece of work. Space, as usual, circumscribes the work, the wall ( the vital space around the picture ) is inserted in the piece of work, becoming in this way an element ( having plastic valences) of the composition. The piece of work, in whose substance is also integrated the wall where it is placed, remindes of the wall painting , having a better comunication with the environment unbeing isolated from it by a frame or a closed shape ( square, rectangle etc). The base of my painting consists of the plastic rhythm ( the whole composition relying on the arrangement of similar elements) and the use of different ways of the elements materialization ( brush-up ) ....

Hal Goldberg - The purpose of my sculptures is to make people think long and hard about the Holocaust. On these web pages you will find sculptures carved in marble that commemorate the heroism of that time and place. Here you will not find any ambiguous abstract artwork or any sense of defeatism. These sculptures are dedicated to one of the most important lessons of the Holocaust - Am Yisroel Chai - the Jewish people will always survive. ...

Hal Goldberg - Frances Bildner - The thematic concept of my work is concerned with life in all its myriad forms. I am influenced by the German Expressionists and the Abstract Expressionists. I place emphasis on the emotive aspect of the work and,like them, my work is both emotional and immediate. I paint from my imagination. When I was thirteen years old Sir Charles Wheeler, the past president of the Royal Academy wanted to buy my flower painting, which had won first prize in a competition in East Sussex. I have been an artist for many years, working in a variety of mediums - paintings, mosaic tables, walls trays and textiles. I am a colourist, I love colour in all its variety. My paintings are organic. An image may appear on the canvas and will become something - a flower, an abstract, a figure. I dont have a prefixed idea. I have been lucky in my life to have lived in very exciting colourful places - Buenos Aires, London, New York. These places have had a great influence on my paintings. My work which I have been told adds life to the environment, has been sold to businesses and homes. Impressions magazine described me as aEURoea passionate and ...

Frances Bildner -