Islamic Art For Sale

Artists Describing Their Art:

Jerry Di Falco - Photography inspires my art and acts as a vital element in my etchings. The images I employ originate from my own photographs, as well as from the images I find from my research into the digital archives of universities, historical societies, libraries, and museums. Upon locating a documented scene I wish to etch, my first step involves the execution of two to five original drawings of the photograph. My collaboration between photography and printmaking allows me the independence to integrate my personal interpretations into the scene. Moreover, I create bridges between the physical and metaphysical visual realities in the same way that a camera intersects with human creativity . . . the nexus between the mechanical and the cerebral art tools. Art unveils everything that we mask behind our belief systems conversely, I strive in my creations to clarify those phenomena we overlook as a result of our egocentric assumptions. Ironically enough, I blame this failure to notice things, a process I label, the phenomenology of connectedness, on todayaEURtms very infatuation with and addiction to the new communicational technologies of social media. My artworks therefore become like windows through which to examine the mysteries of aEURoeeveryday consciousnessaEUR. In fact, my use of ...

Geo Sipp - Geo Sipp Artist Statement: The primary emphasis of my images is to reflect our experiences as consumers of the media in the aftermath of September Eleventh. As we go about our lives the media constantly reminds us of our exposure and vulnerability. The visual perception that is promoted is of our being continuous observers of the human condition. A sense of being under threat heightens our awareness and is implicit in our roles as parents, friends and guardians. The media trivializes threats by distilling them into short, dramatic events. Meaning and emotion become codified. I create images as responses to social and political situations, but no attempt is made to editorialize the content. The work is intended to reevaluate the visual narrative to which we've become conditioned. A variety of media is used to create my work. The decision to create a drawing or a painting or a print is primarily intuitive. Yet, because they are multiples, prints reference the mass marketing of published imagery in a news cycle. The Algeria Series references the Iraq War and Middle East instability. The fact that the images are multiples printed from several plates alludes to the tradition of photojournalism and role...

Ted Schaal - Lately I have been exploring the use of two enduring materials, bronze and stainless steel. I enjoy the juxtaposition of the primitive texture in the bronze with the mirror polished modern look of the stainless. Balance and symmetry dominate simple geometric forms. These sculptures are made to last through the ages with the highest level of craftsmanship and quality metals. Most of my latest work can be scaled up for public or corporate settings and commission inquiries are welcome. With over 20 years of sculpture experience anything is possible from desk top size to monumental fountains and sculpture. ...

Aymen Azzam - Aymen Azzam Born in Germany 11th May 1994 Graduated from the faculty of Arts & Education at Yarmouk University Jordan. 1998 Masters of Applied science from the faculty of archaeology and anthropology Yarmouk University 1994 - 2005 teaching at several international school around the middle east ...

Dana Zivanovits - Dana Zivanovits was born in 1958 in Columbus, Ohio and received his art training from the Columbus College of Art and Design (1978 to 1982). After art school, he went abroad for a year and studied the art of the old masters in London, Paris, Madrid, Rome and Venice. Returning to his studio in Columbus to develop these influences into a new body of work, he then traveled to Mexico and studied the sculpture and painting of that country for an extended period. The unique and vivid colors of Palenque and Vera Cruz intensified his palette. After a period in Ohio, he then moved to Venice Beach, California where the brilliant light of the region reinforced his desire to capture effects of sunlight and atmosphere. Returning to Ohio in 1995, he has continued to paint themes deriving inspiration form sources such as world mythology, classic and B-grade cinema, literature and dreams. However his primary inspiration is direct observation from nature, versus an approach based in art theories or cultural critique. Dana has been widely represented by galleries and exhibition projects including Julie Rico and Mega Boom in Los Angeles, the Venice Art Detour, Around the Coyote Festival in Chicago ...

Hasan Abu Bakar - Painting has been my hobby since my younger days, but I started painting seriously in 1997, soon after my retirement. Since then creating art holds the key to my life's journey. Art is a form of self-expression that allows me to reach out to the world surrounding me. Always experimental, my discriminating approaches often lead me to new worlds of thought guided by the images materializing before my eyes. My work is contemporary and, as you see, I love color, and that is my primary tool of expression. Intense color is the one characteristic that all my artworks in numerous styles and media have in common. I use color in abstract pieces to show balance, transformation, and interaction of energies. These pieces are created in many layers. Something of each layer is allowed to show through to increase the sense of multiple dimensions. I do collages and watercolor too, but for me, more deep feelings come out with acrylic or batik painting. I now process my art work by manipulating my paintings and drawings with a computer. With those media I can fulfill the strong contrast I work with, and which are part of my style....

Freydoon Rassouli - Creation is the product of synchronizing our energy with the universe. Once we experience the whole and recognize it, we become aware that we are nothing but the Divine Creative Force. I do not start a painting with sketches, I do not paint on location and I do not work from photos. Instead, many mornings, before the dawn, I climb a mountain to its peak. There , sitting in solitude, I observe rising of the sun. I watch plants open their leaves, buds tear up their dresses and the birds sing to the arrival of their creator. There is an interconnected serenity that allows all creatures to experience the divine unity. Having felt that creative energy, I rush to my studio, dip my brush into paint, and let it move freely on canvas. My paintings are inspirational for they allow the observer to experience infinite viewpoints and perceptions. They are not abstract for they represent what is actually more real than what our eyes are able to see. They allow the viewers to be inspired by taking their own perception beyond their senses and their surroundings. "Relationship" is the most important aspect of my work. I believe that dream and reality ...