Islamic Art For Sale

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Browse 32 Islamic artworks for sale. Contemporary artists: Jerry Di Falco, Geo Sipp, Ted Schaal, Sabira Manek, Philip Goodrich, Aymen Azzam, Dana Zivanovits, Laraib Yousaf, Hasan Abu Bakar, Freydoon Rassouli, Mohammed Baba, Celal Ilhan, Safouane Ramadan, Muzaffar Hussain offering Islamic artworks. Links to more artworks by these contemporary artists and 2 pages for and further artists at the bottom of this page. To view a work by any of these contemporary artists simply click on the image or browse the artist's portfolio. To buy any Islamic art simply click on the image to go to a more detailed page about this work of art.


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Jerry  Di Falco: 'The Soul of Lorca in Blue', 2016 Intaglio, Islamic. I used two zinc etching plates for this aEURoediptychaEUR, and each plate measured seven- inches high by five- inches wide, or 17. 780cm x 12. 700cm. The image measures a little over seven- inches high by ten- inches wide, or 17. 780cm x 25. 400cm. French, oil- based etching inks ...
Islamic - Intaglio
16 x 12 inches (40.6 x 30.5 cm)
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Jerry  Di Falco: 'EGYPTIAN TOWERS', 2013 Etching, Islamic. This etching employs the techniques of INTAGLIO, AQUATINT AND DRYPOINT. The image is taken from an albumen print created between 1865 - 1889 by J. Pascal Sebah Turkish photographer. The scene shows a series of Islamic towers in Egypt executed in the Malmuk. This original photo is from the A. D. ...
Islamic - Etching
15 x 17 inches (38.1 x 43.2 cm)
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Jerry  Di Falco: 'THE EGYPTIAN TOWERS AND THE NIGHT ', 2013 Etching, Islamic. The full title is, THE EGYPTIAN TOWERS AND THE TURQUOISE VIOLET NIGHT.This etching employs the techniques of INTAGLIO, AQUATINT AND DRYPOINT. The image is taken from an albumen print created between 1865 - 1889, and the scene shows a series of Islamic towers in Egypt executed in the Malmuk style. ...
Islamic - Etching
15 x 17 inches (38.1 x 43.2 cm)
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Geo Sipp: 'Evening in Algiers', 2008 Linoleum Cut, Islamic.  Evening in Algiers is a linocut, illustrating a scene from a graphic novel about the French- Algerian War, entitled Wolves in the City, which I am currently illustrating.                  ...
Islamic - Linoleum Cut
10 x 6.5 inches (25.4 x 16.5 cm)
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Geo Sipp: 'Algiers', 2009 Intaglio, Islamic.  Algiers is a four plate color etching, illustrating a scene from a graphic novel about the French- Algerian War, entitled Wolves in the City, which I am currently illustrating.       ...
, 2009
Islamic - Intaglio
11 x 8.5 inches (27.9 x 21.6 cm)
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Jerry  Di Falco: 'Woman in Egyptian Oasis in Sepia', 2012 Etching, Islamic. I employed two zinc plates to produce this single image. Part of the reason I use multiple plates relates to the concept of SEEING LIFE THROUGH A WINDOW VIA ART. In other words, a window frame shape entices the viewer to see my scene as if she or he is ...
Islamic - Etching
18 x 15 inches (45.7 x 38.1 cm)
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Ted Schaal: 'small knot box', 2005 , Islamic.  This is designed to be used as a special treasury for sacred rituals or as a keepsake vessel. It has a brilliant bronze surface inside. Please allow 2 months for delivery if not in stock....
Islamic -
3 x 2 inches (7.6 x 5.1 cm)
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Sabira Manek: 'andika', 2009 Mixed Media, Islamic.    beauty of islamic calligraphy ...
, 2009
Islamic - Mixed Media
50 x 50 cm (19.7 x 19.7 inches)
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Philip Goodrich: 'Afgan Girl', 2007 Oil Painting, Islamic.  Oil painting on wood from Steve McCurry's iconic photo from National Geographic.  painted on location On Nias Island, Indonesia. ...
, 2007
Islamic - Painting
24 x 32 inches (61.0 x 81.3 cm)
Aymen Azzam: 'Tile  Kalila Dumna', 2007 Handbuilt Ceramics, Islamic.   Islamic , tile , Miniatures , Islamic pottery, Ceramics , Islamic Art  ...
Islamic - Ceramics
25 x 35 cm (9.8 x 13.8 inches)
Aymen Azzam: 'Tile', 2007 Handbuilt Ceramics, Islamic.   Islamic , tile , Miniatures , Islamic pottery, Ceramics , Islamic Art  ...
, 2007
Islamic - Ceramics
25 x 35 cm (9.8 x 13.8 inches)
Aymen Azzam: 'Tile', 2007 Handbuilt Ceramics, Islamic.   Islamic , tile , Miniatures , Islamic pottery, Ceramics , Islamic Art  ...
, 2007
Islamic - Ceramics
25 x 35 cm (9.8 x 13.8 inches)
Aymen Azzam: 'Tile', 2007 Handbuilt Ceramics, Islamic.   Islamic , tile , Miniatures , Islamic pottery, Ceramics , Islamic Art  ...
, 2007
Islamic - Ceramics
25 x 35 cm (9.8 x 13.8 inches)
Dana Zivanovits: 'MUSLIM WOMEN', 2006 Pencil Drawing, Islamic.  Graphite on Arches all cotton acid free paper- a signed Zivanovits original. ...
Islamic - Drawing
5 x 7 inches (12.7 x 17.8 cm)
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Jerry  Di Falco: 'JERUSALEM UNDER AGEAN BLUE TENT', 2011 Etching, Islamic. I employed the studio techniques of intaglio, chine colle and drypoint to create this work, which has only TWO EDITIONS. This edition uses the method of Chine colle and contains only ten prints. The other edition is limited to twenty five prints. The media for this edition includes black oil ...
Islamic - Etching
15 x 12 inches (38.1 x 30.5 cm)
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Jerry  Di Falco: 'DOME OF JERUSALEM', 2010 Etching, Islamic.  This print is from my series entitled MYSTERIOUS PLACES AND SACRED SPACES. The etching techniques include intaglio and drypoint. This work is from one very limited editions of twenty- five prints in my own blend of black oil- based ink printed on white RIVES BFK papeR. The image represents one...
Islamic - Etching
15 x 12 inches (38.1 x 30.5 cm)
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Laraib Yousaf: 'islamic', 2017 Calligraphy, Islamic. islam...
, 2017
Islamic - Calligraphy
11 x 17 inches (27.9 x 43.2 cm)
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Hasan Abu Bakar: 'Surah Kursi', 2015 Mixed Media, Islamic.         Abstract art, mystical, calligraphy, Islamic, sacred, power of the Mighty, quranic verses, ayat al- Ikhlas,                  ...
Islamic - Mixed Media
48 x 48 inches (121.9 x 121.9 cm)
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Hasan Abu Bakar: 'Surah alIklas', 2014 Mixed Media, Islamic.       Abstract art, mystical, calligraphy, Islamic, sacred, power of the Mighty, quranic verses, ayat al- Ikhlas,                ...
Islamic - Mixed Media
48 x 48 inches (121.9 x 121.9 cm)
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Hasan Abu Bakar: 'Ayat Kursi', 2014 Mixed Media, Islamic.     Abstract art, mystical, calligraphy, Islamic, sacred, power of the Mighty            ...
, 2014
Islamic - Mixed Media
48 x 48 inches (121.9 x 121.9 cm)
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Hasan Abu Bakar: 'Ayat 1000Dinar ', 2015 Mixed Media, Islamic.     Islamic art, 1000 dinar, Quranic verses, calligraphy, malaysian artist, mixed media          ...
Islamic - Mixed Media
48 x 48 inches (121.9 x 121.9 cm)
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Hasan Abu Bakar: 'Lailahaillallah', 2015 Mixed Media, Islamic.      Abstract art, mystical, calligraphy, Islamic, sacred, power of the Mighty,       ...
Islamic - Mixed Media
60 x 48 inches (152.4 x 121.9 cm)
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Hasan Abu Bakar: 'al Insan 1', 2010 Mixed Media, Islamic.  The painting is transpired by verses 4 and 5, of surah At- Tiin of the Holy Quran. In these verses the grand Creation of human- being has been mentioned. They are the best creation and possess fairest stature. Therefore, the man can rise to the highest degree of eminence, if...
, 2010
Islamic - Mixed Media
10 x 8 inches (25.4 x 20.3 cm)
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Freydoon Rassouli: 'orbiting muse', 2014 Mixed Media, Islamic. A cosmic abstract, inspirational space painting with Light by Freydoon Rassouli...
Islamic - Mixed Media
36 x 48 inches (91.4 x 121.9 cm)
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Mohammed Baba: 'Neither oriontale , neither Western', 2012 Acrylic Painting, Islamic.  This artwork is inspired by a verse in the Koran ;  God is the Light of the heavens and the earth, such as light . . . . Sourat Nour verse 35  ...
Islamic - Painting
100 x 120 cm (39.4 x 47.2 inches)
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Celal Ilhan: 'KUFI art', 2012 Mixed Media, Islamic.  KUFI calligraphy work made by colored wires and nails , wire art in another words string art , a wooden base covered with textile and nails nailed on the board with the shape or model desired , then the string or colored wire is rapped in a specific way and pattern to fill...
, 2012
Islamic - Mixed Media
130 x 50 cm (51.2 x 19.7 inches)
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Safouane Ramadan: 'pure love', 2018 Other, Islamic. he pattern on the walls of Hassan II Mosque. Casablanca, Morocco The use of lines here is a beautiful way to create a proportional print and design line, it also features the femininity and dynamic flow through the design. Find this Pin and more on Moroccan Artisanat...
, 2018
Islamic - Other
1.1 x 5.4 inches (2.8 x 13.7 cm)
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Muzaffar Hussain: 'Calligraphy on Leather by Burning', 2011 Calligraphy, Islamic.
Islamic - Calligraphy
0 x 0 inches (0.0 x 0.0 cm)
Muzaffar Hussain: 'Burning on Leather', 2011 Calligraphy, Islamic.
Islamic - Calligraphy
0 x 0 inches (0.0 x 0.0 cm)
Minoo Bakhtar: 'besmeh lah rahman rahim', 2014 Acrylic Painting, Islamic. In the name of god...
Islamic - Painting
150 x 250 cm (59.1 x 98.4 inches)
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(Page 1 of 2) - MORE ARTWORKS

Artists Describing Their Art:

Jerry Di Falco - Photography inspires my art and acts as a vital element in my etchings. The images I employ originate from my own photographs, as well as from the images I find from my research into the digital archives of universities, historical societies, libraries, and museums. Upon locating a documented scene I wish to etch, my first step involves the execution of two to five original drawings of the photograph. My collaboration between photography and printmaking allows me the independence to integrate my personal interpretations into the scene. Moreover, I create bridges between the physical and metaphysical visual realities in the same way that a camera intersects with human creativity . . . the nexus between the mechanical and the cerebral art tools. Art unveils everything that we mask behind our belief systems conversely, I strive in my creations to clarify those phenomena we overlook as a result of our egocentric assumptions. Ironically enough, I blame this failure to notice things, a process I label, the phenomenology of connectedness, on todayaEURtms very infatuation with and addiction to the new communicational technologies of social media. My artworks therefore become like windows through which to examine the mysteries of aEURoeeveryday consciousnessaEUR. In fact, my use of ...

Geo Sipp - Geo Sipp Artist Statement: The primary emphasis of my images is to reflect our experiences as consumers of the media in the aftermath of September Eleventh. As we go about our lives the media constantly reminds us of our exposure and vulnerability. The visual perception that is promoted is of our being continuous observers of the human condition. A sense of being under threat heightens our awareness and is implicit in our roles as parents, friends and guardians. The media trivializes threats by distilling them into short, dramatic events. Meaning and emotion become codified. I create images as responses to social and political situations, but no attempt is made to editorialize the content. The work is intended to reevaluate the visual narrative to which we've become conditioned. A variety of media is used to create my work. The decision to create a drawing or a painting or a print is primarily intuitive. Yet, because they are multiples, prints reference the mass marketing of published imagery in a news cycle. The Algeria Series references the Iraq War and Middle East instability. The fact that the images are multiples printed from several plates alludes to the tradition of photojournalism and role...

Ted Schaal - Lately I have been exploring the use of two enduring materials, bronze and stainless steel. I enjoy the juxtaposition of the primitive texture in the bronze with the mirror polished modern look of the stainless. Balance and symmetry dominate simple geometric forms. These sculptures are made to last through the ages with the highest level of craftsmanship and quality metals. Most of my latest work can be scaled up for public or corporate settings and commission inquiries are welcome. With over 20 years of sculpture experience anything is possible from desk top size to monumental fountains and sculpture. ...

Philip Goodrich - I strive to create lasting images that transcend trends. I want to perpetually travel the earth in search of perfect waves for surfing, and beautiful subjects to immortalize in my paintings. When I push the limits of my physical body, it releases my mind to relive incredible moments of my life. As I stand and draw, these memories guide my hand and I begin to groove and flow....

Aymen Azzam - Aymen Azzam Born in Germany 11th May 1994 Graduated from the faculty of Arts & Education at Yarmouk University Jordan. 1998 Masters of Applied science from the faculty of archaeology and anthropology Yarmouk University 1994 - 2005 teaching at several international school around the middle east ...

Dana Zivanovits - Dana Zivanovits was born in 1958 in Columbus, Ohio and received his art training from the Columbus College of Art and Design (1978 to 1982). After art school, he went abroad for a year and studied the art of the old masters in London, Paris, Madrid, Rome and Venice. Returning to his studio in Columbus to develop these influences into a new body of work, he then traveled to Mexico and studied the sculpture and painting of that country for an extended period. The unique and vivid colors of Palenque and Vera Cruz intensified his palette. After a period in Ohio, he then moved to Venice Beach, California where the brilliant light of the region reinforced his desire to capture effects of sunlight and atmosphere. Returning to Ohio in 1995, he has continued to paint themes deriving inspiration form sources such as world mythology, classic and B-grade cinema, literature and dreams. However his primary inspiration is direct observation from nature, versus an approach based in art theories or cultural critique. Dana has been widely represented by galleries and exhibition projects including Julie Rico and Mega Boom in Los Angeles, the Venice Art Detour, Around the Coyote Festival in Chicago ...

Hasan Abu Bakar - Painting has been my hobby since my younger days, but I started painting seriously in 1997, soon after my retirement. Since then creating art holds the key to my life's journey. Art is a form of self-expression that allows me to reach out to the world surrounding me. Always experimental, my discriminating approaches often lead me to new worlds of thought guided by the images materializing before my eyes. My work is contemporary and, as you see, I love color, and that is my primary tool of expression. Intense color is the one characteristic that all my artworks in numerous styles and media have in common. I use color in abstract pieces to show balance, transformation, and interaction of energies. These pieces are created in many layers. Something of each layer is allowed to show through to increase the sense of multiple dimensions. I do collages and watercolor too, but for me, more deep feelings come out with acrylic or batik painting. I now process my art work by manipulating my paintings and drawings with a computer. With those media I can fulfill the strong contrast I work with, and which are part of my style....

Freydoon Rassouli - Creation is the product of synchronizing our energy with the universe. Once we experience the whole and recognize it, we become aware that we are nothing but the Divine Creative Force. I do not start a painting with sketches, I do not paint on location and I do not work from photos. Instead, many mornings, before the dawn, I climb a mountain to its peak. There , sitting in solitude, I observe rising of the sun. I watch plants open their leaves, buds tear up their dresses and the birds sing to the arrival of their creator. There is an interconnected serenity that allows all creatures to experience the divine unity. Having felt that creative energy, I rush to my studio, dip my brush into paint, and let it move freely on canvas. My paintings are inspirational for they allow the observer to experience infinite viewpoints and perceptions. They are not abstract for they represent what is actually more real than what our eyes are able to see. They allow the viewers to be inspired by taking their own perception beyond their senses and their surroundings. "Relationship" is the most important aspect of my work. I believe that dream and reality ...