Landscape Art For Sale

Page 22 of 166
Browse 4795 Landscape artworks for sale. Contemporary artists: Edelweiss Calcagno, Julie Van Wyk, Elaine Lisle, Lena Kurovska, Judyta Bil, Carlos Pardo, Geary Jones, Katarina Radenkovic, Sujata Humane, Joanna Batherson, Allan. Roger. Thistleton, Simon Blackwood, Mikhail Kolomeytsev, Sheila Mccarron, Parnaos Surabischwili, Ken Hillberry, Dennis Chamberlain, Richard Harpum, Kenneth Ware offering Landscape artworks. Links to more artworks by these contemporary artists and 166 pages for and further artists at the bottom of this page. To view a work by any of these contemporary artists simply click on the image or browse the artist's portfolio. To buy any Landscape art simply click on the image to go to a more detailed page about this work of art.


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Julie Van Wyk: 'The road home', 2015 Acrylic Painting, Landscape.  From a photo taken while walking home to the farm house where I stayed for a week during a painting workshop in Emmett france ...
Landscape - Painting
18 x 24 inches (45.7 x 61.0 cm)
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Elaine Lisle: 'Morning Stroll Cordes', 2011 Oil Painting, Landscape.    Cordes, France, village street scene, oil  ...
Landscape - Painting
9 x 12 inches (22.9 x 30.5 cm)
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Lena Kurovska: 'Autumn Evening', 2014 Oil Painting, Landscape.  landscape, oil painting on canvas on board, river, plein air, evening, riverscape ...
Landscape - Painting
30 x 30 cm (11.8 x 11.8 inches)
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Lena Kurovska: 'Spring on River', 2015 Oil Painting, Landscape.  landscape, oil painting on board, river, plein air, spring...
Landscape - Painting
30 x 24 cm (11.8 x 9.4 inches)
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Lena Kurovska: 'Winter in Park', 2014 Oil Painting, Landscape.  landscape, oil painting on canvas, winter, park, plein air ...
Landscape - Painting
24 x 30 cm (9.4 x 11.8 inches)
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Judyta Bil: 'Cape Hatteras lighthouse', 2015 Oil Painting, Landscape.      Painted over textured canvas. Sealed with varnish.Lighthouse     ...
Landscape - Painting
18 x 15 inches (45.7 x 38.1 cm)
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Carlos Pardo: 'On time', 2015 Oil Painting, Landscape. Reaching the goals on time is always a Victory ( in Samotrace or everywhere) . Today we are on the rush of the fight against the time. All fast, all things now. Sometimes the opportunity only comes in one direction one time like a desired tram. Carlos Pardo V. painter.On time. . . ! ...
, 2015
Landscape - Painting
16.5 x 15.7 inches (41.9 x 39.9 cm)
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Geary Jones: 'The Famous Dunns River', 2015 Acrylic Painting, Landscape.  The famous Dunn' s River...
Landscape - Painting
38 x 21 inches (96.5 x 53.3 cm)
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Katarina Radenkovic: 'On the way to the top', 2015 Oil Painting, Landscape.  On the way to the top is not easy, but with perseverance, will and motivation, everything can be ...
Landscape - Painting
90 x 90 cm (35.4 x 35.4 inches)
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Geary Jones: 'The Docks', 2015 Acrylic Painting, Landscape. Landscape painting...
, 2015
Landscape - Painting
38 x 21 inches (96.5 x 53.3 cm)
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Sujata Humane: 'landscape', 2015 Watercolor, Landscape.   Landscape   ...
, 2015
Landscape - Watercolor
8.7 x 8 inches (22.1 x 20.3 cm)
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Joanna Batherson: 'Small Stream in Austria', 2015 Watercolor, Landscape.   This is from a friend's photo.  I was in awe of this scene.  ...
Landscape - Watercolor
20 x 16 inches (50.8 x 40.6 cm)
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Allan. Roger. Thistleton: 'Eilean Donan Castle', 2015 Digital Art, Landscape.   landscape, loch, water, mountains, castle.     ...
Landscape - Digital Art
15 x 11 inches (38.1 x 27.9 cm)
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Allan. Roger. Thistleton: 'Stormy Weather', 2015 Digital Art, Landscape.  landscape, loch, water, mountains.    ...
Landscape - Digital Art
15 x 11 inches (38.1 x 27.9 cm)
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Simon Blackwood: 'Azaleas 1', 2015 Pastel, Landscape.     scottish borders landscape    ...
, 2015
Landscape - Pastel
23 x 26 inches (58.4 x 66.0 cm)
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Joanna Batherson: 'English Village', 2015 Watercolor, Landscape.  Visiting a dream of an English village. ...
Landscape - Watercolor
20 x 16 inches (50.8 x 40.6 cm)
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Mikhail Kolomeytsev: 'Camogli', 2015 Ink Drawing, Landscape.  ink on paper      ...
, 2015
Landscape - Drawing
25 x 17 cm (9.8 x 6.7 inches)
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Sheila Mccarron: 'Ferris Wheel', 2014 Acrylic Painting, Landscape.       Acrylic on Board     ...
Landscape - Painting
8 x 10 inches (20.3 x 25.4 cm)
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Parnaos Surabischwili: 'Swift', 2015 Oil Painting, Landscape.    Oil painting on board   ...
, 2015
Landscape - Painting
24 x 48 inches (61.0 x 121.9 cm)
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Ken Hillberry: 'Winterbarn', 2014 Woodcut, Landscape.     an impressionistic capture of a winter country setting. . .       ...
, 2014
Landscape - Woodcut
6.5 x 8.6 inches (16.5 x 21.8 cm)
Dennis Chamberlain: 'Death Valley Sand Dunes', 2014 Color Photograph, Landscape.  Sand, dunes, desert, death valley, ripples, national park, California, golden,  ...
Landscape - Photograph
16 x 10 inches (40.6 x 25.4 cm)
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Richard Harpum: 'Winter Morning, Big Ben, Elizabeth Tower, London', 2014 Acrylic Painting, Landscape.  This painting shows the iconic Elizabeth Tower which houses the famous Big Ben - the name of the giant bell at the top of the tower, which is 96 metres ( 315 feet) high. It stands at the north end of the Houses of Parliament, also know as the Palace of Westminster...
Landscape - Painting
12 x 16 inches (30.5 x 40.6 cm)
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Richard Harpum: 'Positano Vista, Amalfi Coast, Italy', 2014 Acrylic Painting, Landscape.  A few years ago I took my wife to Naples for her birthday and whilst there, we hired a car and toured all the local sights, including Positano on the beautiful Amalfi coast.  As usual, I took numerous photographs, stopping whenever possible on the treacherous coast road.  However, being pre...
Landscape - Painting
20 x 16 inches (50.8 x 40.6 cm)
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Richard Harpum: 'Evening in Valletta Harbour Malta', 2014 Giclee, Landscape.  This painting of Valletta, Malta is the view from Fort Tigne in Sliema and was commissioned by an existing client. Malta is one of my favourite Mediterranean islands and my wife and I visited there in 2011. The Valletta skyline is dominated by the silver dome of the Carmelite Church...
Landscape - Giclee
24 x 18 inches (61.0 x 45.7 cm)
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Richard Harpum: 'Uluru Sunset Ayers Rock, Central Australia', 2014 Acrylic Painting, Landscape.  My family and I visited Uluru ( Ayers Rock) in December 2000, as part of a wonderful vacation of Australia. It is one of the largest monoliths in the world. Made of arkosic sandstone, Uluru rises 1,142 ft ( 348 metres) above the desert floor and has a circumference of 5...
Landscape - Painting
12 x 10 inches (30.5 x 25.4 cm)
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Kenneth Ware: 'downhill breeze', 2005 Watercolor, Landscape.
Landscape - Watercolor
11 x 14 inches (27.9 x 35.6 cm)
Kenneth Ware: 'after the storm', 2005 Watercolor, Landscape.
Landscape - Watercolor
11 x 14 inches (27.9 x 35.6 cm)
Kenneth Ware: 'Down the Alley', 2005 Watercolor, Landscape.
Landscape - Watercolor
9 x 11 inches (22.9 x 27.9 cm)
Kenneth Ware: 'Empty House', 2005 Watercolor, Landscape.
Landscape - Watercolor
14 x 11 inches (35.6 x 27.9 cm)
Colleen Balfour: 'The Dune', 2008 Oil Painting, Landscape. A composite of many similar scenes of local beaches and areas seen and stored in the recesses of my mind.    ...
, 2008
Landscape - Painting
18 x 24 inches (45.7 x 61.0 cm)
(Page 22 of 166) - MORE ARTWORKS
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  • Artists Describing Their Art:

    Edelweiss Calcagno - www.edelweisscalcagno.com +1-240-701-9100 Using different techniques, some of them mixed together to create new unique techniques. My art is formed by adding layer after layer, producing extraordinary illusions making the mind get involved in the labyrinth of colors and materials. Viewers never stop discovering new things - there is something fresh each time they look at my pieces. My source of inspiration is that a picture can speak a thousand words. I have seen many times how my art can touch people. I believe in the freedom of rights and equality for all, and these beliefs impact my artwork and my message. My art does not judge, but it is honest, even when this means stating what I see there is a strong message. I trust my art because the word that comes out from it is a positive word. I discovered the beauty of creating sculptures and prints in addition to doing paintings, etching and restoring art and now they have become part of who I am. There are the infinite possibilities hidden in sculpture. Between mixed media, aluminum casting, and more I love to touch any type of material and find new ways to use ...

    Julie Van Wyk - ARTIST STATEMENT I HAVE ALWAYS LOVED AND ADMIRED IMPRESIONIST PAINTERS OF THE PAST AND WANTED TO PAINT LIKE THEM. MY FAVORITE PAINTER IS CLAUDE MONET. I WORK IN WATERCOLOR,, ACRYLIC, OIL AND PASTEL. MY FAVORITE MEDIUM IS ACRYLIC. I LIKE TO PAINT QUICKLY SO THAT THE PAINTING RETAINS ITS FRESHNESS, AND ACRYLIC ALLOWS ME TO DO THIS ...

    Elaine Lisle - A friend recently described my paintings as "the exhuberant expression of people engaged in life." Even when I paint a landscape without figures, I prefer to paint places that include bridges, farmhouses, bicycles, even roadsigns, all evidence of human activity. I complete most of my paintings in the studio from reference sketches and photographs. I work only in oil, because I love the texture, and it is very forgiving if I make a drawing error. If the location allows, I will often complete a small en plein air study on site. I prefer bright warm colors, the long shadows of late afternoon, and some challenge in the composition. I want to make a composition which is complex, so the viewer has much to contemplate. At the same time I often remove elements in the actual landscape if they don't work well with the composition. I might leave the trash out, but put in the newspaper boxes, because I like the bright colors and shapes. My paintings are thoughtful pictures of people engaged in living in a bright, colorful, changing world. Elaine Lisle ...

    Carlos Pardo - IN SHORT: INSPIRATION: Concious and unconcious perceptions, my background, all circunstances of my life, experiences, past and present, books and newspapers that I read, films, Internet aEUR|feelings, emotions and a fertile imagination sometimes, all them aid to weave a story that will change alongside the execution of a piece. In my opinion our tradition, for thousands of years, the Arts reflect the vision of a trascendent life beyond our tangible life. THEME: Unreal cityscapes let us a special kind of plasticity. The imagination and feelings are active agents that are modeling the perceptible reality. Transcendent and oniric themes entered and remain in my artwork. In my imaginary urban landscapes there are overlaid elements of towns he has visited, some imagined, and maybe dreamed, but all with a unique feminine soul. The Town is a mother, lover, or daughter of the actions, dreams and passions of those who dwell in them or recall them in the distance. It is an idea in which wander those who have been caught up in its infinite labyrinth. PROCESS: I usually have not idea about what I will show on the surface. There is a lack of a script or previous sketch. Forms are born...

    Joanna Batherson - My inspiration for art has come from drawing and the nature surrounding our world. My painting began as a hobby and through taking many courses and instruction from various Maine artists, traveling in USA and abroad, and moving to beautiful California,it has become a wonderful and fulfilling part of my life....

    Allan. Roger. Thistleton - I have always enjoyed painting and drawing but never got the chance to do anything with it, until I took early retirement. I then started to teach myself the skills that I would need to be an artist, and soon found that it had taken over my life. I now spend most of my time working on my art, or reading about it. ...

    Simon Blackwood - About the paintings of Simon Blackwood The property of beauty is to shine. Its' light extends infinitely both inwardly and outwardly. It is both overwhelming and inspiring and whatever it illuminates is consumed as it is also created by it. In short, beauty is not partial. I have chosen to follow a spiritual orientation toward all things I do. The road and the destination in this journey is the love of beauty. (A statement inspired by the writings of Muhyiddin Ibn Arabi and Jelaleddin Rumi.) Painting is a metamorphosis from base elements into an image of another reality beyond those original elements. It can allude to sublime ideals through subject matter or by the means of the juxtaposition of colour, shape and form. At best it reveals the highest aspirations of man striving to praise the gift of intelligence, love of beauty and life itself. Paintings can recall or remind us by illusory means; they may also point towards something beyond the material object of the 'tableau' hanging on a wall. The paintings represented here also attempt, without abstraction, to point beyond the subject matter, alluding to the hidden, in the world of man, that gives rise to his creativity. ...

    Sheila Mccarron - Sheila McCarron was born in Co. Monaghan, Ireland. She currently lives and works from her studio in Dublin. She received a BA Hons Degree in Visual Communication from the University of Ulster, Belfast in 1999. She has exhibited widely throughout Ireland, her work has also found homes with international buyers. ...

    Ken Hillberry - In art and in life, dynamics of balance, integrity and tolerant interaction of all elements or participants ought to be see, experienced and maintained. At the same time, the challenge of affecting this balance is creatively encountering all changes and adapt accordingly. For some, the destination or pre-determined outcomes are sought more often than not. Then there are some who savor the journey, thus witnessing and enjoying developments along the way. I fall into the latter category. It's like watching the film develop in a darkroom. the image takes form a little at a time right before my eyes. The creative process, for me, is void of pressure and timeless. The ability and practice and discipline are central in my approach. My creative intent is to engage a viewer in thought and emotion, as well as, with their eyes. Using imagination, retrospect or model, my range of composition can be conceptual, perhaps impressionistic or abstract in application, but always developed to evoke an awareness and appreciation for the relative conditions in life experience and art form as I incisively or playfully interpret my experiences along the way. ...

    Dennis Chamberlain - A photographer must have the ability to see and control light before it reaches the film in a way that allows an image to be produced that reflects the photgrapher's artistic vision. I have set out to use photography to create images of mother nature's beauty....

    Richard Harpum - I find painting to be one of my most satisfying pastimes. Although I drew and painted as a youngster, a career in the British Army followed by many years as a senior executive in business, meant that I did not start pursuing my passion again until I was in my 50s. I am so glad that I did. Although I love the Impressionists, the engineer in me means that I have a great deal of difficulty being "loose" in my own work. Having tried and failed, I decided to take the route of being a realist artist, and recently coined "High Definition Art" as my slogan. However, I am not interested in achieving photorealism. I want people to see that my pictures are paintings, and would hate the thought that someone had to take a close look to discover that one of my paintings was not a photograph. My time-consuming technique pretty much prohibits painting en plein air, so I use photographs for reference in my studio. Consequently, I take a camera everywhere, although this drives my wife nuts! However, I deliberately avoid painting a direct copy of any of my photos. Indeed, with each new painting, I seem ...