Landscape Art For Sale

Page 9 of 215
Browse 6213 Landscape artworks for sale. Contemporary artists: Ralph Andrea, Michael Puya, Marsha Bowers, Robert H. Stockton, Eve Co, Tom Irizarry Studio, Leo Evans, Hyacinthe Kuller-baron, Jack Earley, Lucia Timis, Wayne Wilcox, Micha Nussinov, Youri Messen-jaschin offering Landscape artworks. Links to more artworks by these contemporary artists and 215 pages for and further artists at the bottom of this page. To view a work by any of these contemporary artists simply click on the image or browse the artist's portfolio. To buy any Landscape art simply click on the image to go to a more detailed page about this work of art.


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Ralph Andrea: 'Multnomah Falls Panoramic Detail 1', 2005 Color Photograph, Landscape. Columbia River Gorge, Oregon, USA.Plummeting 620 feet, the Multnomah Falls is the crown jewel of the Columbia River Gorge. This image is a seamless hand composited panoramic incorporating eight separate high- resolution images. The eight horizontal ( landscape) images were shot with a Nikon D2x professional digital camera at f16, ...
Landscape - Photograph
16 x 70 inches (40.6 x 177.8 cm)
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Ralph Andrea: 'Multnomah Falls Panoramic', 2005 Color Photograph, Landscape. Columbia River Gorge, Oregon, USA.Plummeting 620 feet, the Multnomah Falls is the crown jewel of the Columbia River Gorge. This image is a seamless hand composited panoramic incorporating eight separate high- resolution images. The eight horizontal ( landscape) images were shot with a Nikon D2x professional digital camera at f16, ...
Landscape - Photograph
16 x 70 inches (40.6 x 177.8 cm)
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Michael Puya: 'Trees In Italy', 2006 Acrylic Painting, Landscape.
Landscape - Painting
24 x 32 inches (61.0 x 81.3 cm)
Marsha Bowers: 'Kitchen Mural', 2006 Acrylic Painting, Landscape. Canvas Mural pasted to clients wall.Canvas murals may be painted in my studio and shipped anywhere in the United States.  It is suggested that a professional paper hanger paste the mural.  If interested please contact me.  ...
Landscape - Painting
8 x 6 feet (2.44 x 1.83 m)
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Robert H. Stockton: 'small consolation', 2006 Mixed Media, Landscape. This mixed media piece incorporates found papers of various types, from old maps to billboard material, and images from Russian Constructivism.  It is framed in light brown wood, under glass, to a finished size of 4. 5 wide, by 6. 5 high.  The actual size of the artwork is 3 ...
Landscape - Mixed Media
4 x 6 inches (10.2 x 15.2 cm)
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Eve Co: 'Women in Paradise', 1999 Watercolor, Landscape. Women in Paradise Hawaiian Siloette18 x 24...
Landscape - Watercolor
18 x 24 inches (45.7 x 61.0 cm)
Eve Co: 'People in the Park', 1991 Watercolor, Landscape. People in the ParkStrathmore paper and watercolor.March 25, 1991...
Landscape - Watercolor
24 x 18 inches (61.0 x 45.7 cm)
Eve Co: 'Spring in Washington State', 2000 Other Painting, Landscape. Spring in Washington StateStrathmore PaperWindsor  Newton WatercolorsAcrylics LiquitexMay 23, 2003Blossoming trees in spring in Washington state.  I drove for miles and saw the trees and hopped a fence and went and sat in the grass and painted what I saw...
Landscape - Painting
18 x 12 inches (45.7 x 30.5 cm)
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Tom Irizarry Studio: 'In Profound Solitude the Path was Clear', 2006 Oil Painting, Landscape. artist made mineral pigments and natural pigments and oil on canvas...
Landscape - Painting
20 x 18 inches (50.8 x 45.7 cm)
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Robert H. Stockton: 'As the Way Opens', 1996 Mixed Media, Landscape. This 9
Landscape - Mixed Media
14 x 18 inches (35.6 x 45.7 cm)
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Robert H. Stockton: 'From Insomnia Ridge', 2002 Watercolor, Landscape. This small watercolor is 3. 5
Landscape - Watercolor
8 x 9 inches (20.3 x 22.9 cm)
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Leo Evans: 'SCRAPPY AND OLD BART', 2006 Mixed Media, Landscape.
Landscape - Mixed Media
18 x 24 inches (45.7 x 61.0 cm)
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Leo Evans: 'RED SAIL', 2006 Mixed Media, Landscape.
, 2006
Landscape - Mixed Media
18 x 24 inches (45.7 x 61.0 cm)
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Leo Evans: 'THE MATING GAME', 2006 Mixed Media, Landscape.
Landscape - Mixed Media
18 x 24 inches (45.7 x 61.0 cm)
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Leo Evans: 'FALL WONDERFUL', 2006 Mixed Media, Landscape.
Landscape - Mixed Media
18 x 24 inches (45.7 x 61.0 cm)
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Hyacinthe Kuller-baron: 'palmspringsarts inspired Red Sunset', 2008 Giclee, Landscape. Palm Springs inspired Red Sunset. The landscape was first exhibited at Baron Gallery and is available as a Giclee on paper or canvas and signed. ...
Landscape - Giclee
24 x 36 inches (61.0 x 91.4 cm)
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Jack Earley: 'The Fog Rolls Out', 2005 Acrylic Painting, Landscape. The awakening of this rural village, envoloped in morning fog, is anticipated by the acrobatic stirrings of seven birds....
Landscape - Painting
72 x 60 inches (182.9 x 152.4 cm)
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Jack Earley: 'The Coming Spring', 2005 Acrylic Painting, Landscape. A rural landscape, The Coming Spring looks chilly in the background but the near hillside is bursting with new green, and the near tree hints of new leaves....
Landscape - Painting
72 x 60 inches (182.9 x 152.4 cm)
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Michael Puya: 'Paysage en France', 2005 Acrylic Painting, Landscape. The contrast of some tones ( red, violet, yellow) is shown here not very good, so better photo on request. Technology: Pointillism. Acryl color on canvas, 70x50 cm, stretched on a wooden frame, ready to hang. The price for this artwork includes the shipping costs and insurance worldwide. ...
Landscape - Painting
27 x 20 inches (68.6 x 50.8 cm)
Lucia Timis: 'Landscape 02', 2000 Oil Painting, Landscape.
Landscape - Painting
25 x 20 inches (63.5 x 50.8 cm)
Lucia Timis: 'Aerial Landscape', 2004 Mixed Media, Landscape.
Landscape - Mixed Media
48 x 36 inches (121.9 x 91.4 cm)
Lucia Timis: 'Forest 02', 2004 Oil Painting, Landscape.
, 2004
Landscape - Painting
30 x 25 inches (76.2 x 63.5 cm)
Lucia Timis: 'Forest 01', 2004 Oil Painting, Landscape.
, 2004
Landscape - Painting
40 x 30 inches (101.6 x 76.2 cm)
Michael Puya: 'Evening Tendency', 2005 Acrylic Painting, Landscape.
Landscape - Painting
27 x 20 inches (68.6 x 50.8 cm)
Wayne Wilcox: 'Delta Evening', 2005 Oil Painting, Landscape. Currently on exhibit at FedexForum Exeuctive Suite Level....
Landscape - Painting
36 x 30 inches (91.4 x 76.2 cm)
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Wayne Wilcox: 'Watercolor Courtyard', 2005 Oil Painting, Landscape.
Landscape - Painting
18 x 14 inches (45.7 x 35.6 cm)
Wayne Wilcox: 'Tennessee Landscape', 2005 Oil Painting, Landscape.
Landscape - Painting
14 x 11 inches (35.6 x 27.9 cm)
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Micha Nussinov: 'Light of Darkness 2', 2005 Pastel, Landscape. Pastel on black board. The essence of creating a flow of subtle gradation of color, thus bringing light into darkness....
Landscape - Pastel
1050 x 1240 mm ( x )
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Youri Messen-jaschin: 'G8 Liberty  II', 2003 Color Photograph, Landscape. (r) 2003. by ProLitteris, Po. Box  CH- 8033 Zurich / (c) 2003 by Youri Messen- Jaschin Switzerland...
Landscape - Photograph
19 x 14 inches (48.3 x 35.6 cm)
Youri Messen-jaschin: 'Sky III', 2004 Color Photograph, Landscape. (r) 2004 by ProLitteris, CH- 8033 Zurich / (c) 2004 by Youri Messen- Jaschin Switzerland...
, 2004
Landscape - Photograph
19 x 14 cm (7.5 x 5.5 inches)
(Page 9 of 215) - MORE ARTWORKS
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  • Artists Describing Their Art:

    Ralph Andrea - Ralph Andrea comes from a family of artists and plays classical clarinet. He has been photographing across the United States for the past 30 years and now combines his digital photography with digital art to bring the imagination and warmth of the traditional artist into a photographic genre that touches our hearts with peaceful moments....

    Marsha Bowers - Marsha Bowers was born and raised in the Central Valley of California. She is a classically trained fine artist, skilled in the old Masters techniques of Flemish/Bistre and Venetian method using a grisaille underpainting and glazing with many layers. Most of her fine art paintings are rendered in oil. She sometimes applies real gold leaf into the artworks. Marsha finds inspiration in the old masters of the past. She spends many hours visiting Museums studying their work. Gothic and Renaissance are her favorite periods along with the Pre-Raphaelites artists. The artist loves the blending of the classical painting techniques with a more contemporary approach to her paintings. Her recent fine art paintings are of women, both figurative and portraiture. The inspiration for her paintings comes from her observations of life itself and through her own experiences. Each painting shares a message, story or emotion. Its what the artist herself describes as a "flowing" of the spirit, a creative process through which the artist paints a story unto the canvas, realizing that each viewer of her work may have their own interpretation of what the art is conveying. Most recently Marsha was invited to be included into the International ...

    Marsha Bowers - Eve Co - I began painting and drawing in 1987 and have not stopped. I have a wide range from, landscapes, still-lifes, Hubble art galaxies nebulas, abstracts, florals, architectural art and so much more. I draw every day and paint as much as I can afford. I paint more watercolors than acrylic and oil canvas art. I would prefer more canvas art, but I make do with what I have. I try to express myself in artwork as well as with words. I paint landscapes, the glorious colors of nature, water, the ever expressive sky and more, primarily with watercolors on paper. These paintings are usually thought out and planned because they represent nature as I see nature. I paint still-lifes of everyday objects. To teach me about one particular color, shading and or painting glass. I think of still-lifes as a learning process that literally has me pulling my hair out in frustration, but I still paint through how they make me feel... I am fascinated with Hubble Space Technology so, I paint galaxies and nebulas on canvas with acrylic paints. I have sold many of these paintings and I must admit they are some of my favorite subjects...

    Tom Irizarry Studio - Oil painter with broad knowledge of historic methods and historic colors. My studio is my laboratory. I make all my paint. My work focuses on elements of the earth air and land. What I observe is beyond a pretty sky or nice landscape. It is the notion that our earth and the universe, are imbued with a specific energy. Historically, this energy was described by the Victorian poet Gerard Manley Hopkins as Instress and Inscape, derived from ideas of the medieval philosopher, Duns Scotus. Scotus argued that there is some matter entirely devoid of form. Paintings can vary from 9 x 12 inches to 6 x 8 feet. Viewers describe a profound feeling from the paintings, regardless of the size. Specialties Historic processes for paint making, mediums, grounds, oils, mineral pigments, oil mediums, tempera mediums, non-silver processes cyanotypes and archival digital pigment prints....

    Tom Irizarry Studio - Tom Irizarry Studio - Jack Earley - After writing for two decades, I was developing an idea that I knew could be better expressed as a painting. So in the mid-eighties I took up full-time a life-time passion: painting. My work is about inner energy; about, first of all, my own energy and internal balance, reinforced through the practice of yoga and tai chi. I sign the inner energy of the subject matter onto the canvas. I work with acrylics on canvas and sumi-e inks on rice paper. I also sculpt using wood, copper and leather. Along with focusing on the inner energy of my subject matter, I am constantly working with an awareness that humans have an ancient need to see form, be it in clouds or in chipped paint on a wall or in waving leaves. The ability to decipher forms is part of our oldest survival skills. Imagine the advantage of being able to quickly spot the approaching bear among the shifting shadows of trees. Imagine the advantage and the thrill. On many canvases, I create forms so the viewer "discovers" them in an uplifting act. Often, I give the paint its head in creating forms, like freeing a captured ...

    Wayne Wilcox - Artist's statements have always seemed redundant to me. The work generally speaks for itself. But here goes For me it's about shapes, color and lines interacting and relating to each other. Representational, abstract, non-objective; they're all the same. Light against dark, color against color, line intersecting line. I'm as comfortable with super realism as I am with abstract expressionism. Then, of course, there's the medium. I love the paint. I love the act of painting. I love how it flows and how it takes on a direction on it's own. It's like magic. With one stroke something appears before your eyes that wasn't there before. An image. An emotion. With each stroke or drip it changes. It's an amazing experience. I highly recommend it. And then there's image. I am a visual artist. I'm after strong images, images that evoke a feeling. Starkness, warmth, love, violence, emptiness, beauty, strength . I want the painting or drawing to stand on it's own. I am a painter. I cannot escape that fact. There have been times I've tried but I always return. It's not what I do. It'...

    Micha Nussinov - Nussinov's Statement Oct 2012 Drifting, being transient, in between various states of body/mind, like when we travel physically and with our imagination, as in a 'waking dream'. My work represents a world of ambiguity and illusion, of recognized and abstracted scenes embedded as a tapestry of matter, illustrating different relationships. Somewhere in the process of creating artworks these worlds are mixed in an harmonious and conflicting manner, representing the contradiction and collision between languages and landscapes. At all times the viewer is challenged to unfold the mystery, to explore and discover. The works of art are created not through a planned process but rather the starting point is an impulse, a visual or musical trigger. These signals lure the me into the unknown territories where my intuition and inner vision leads to spontaneous discoveries. As a teenager my box camera was an excuse to drift away from trouble, to capture in a photo something, that was at the same time ambiguous and exciting. As a cinematographer/ director of documentaries from1976 to1980 I was acknowledged as an acute observer of people and an highly experimental filmmaker. I have been working in various fields of the arts, consistently for the ...

    Youri Messen-Jaschin - From 1958 - 1962 his artistic studies lead him to the higher national school of fine arts student of Professor Arno Roberto Cami and to the Practical school of the Sorbonne, division of social sciences history of art, Professor Pierre Francastel in Paris. From 1962 until 1965, he went to the School of fine arts in Lausanne. He worked with the engraver and painter Ernest Pizzotti. A<> in 1964 with his kinetic glass and acrylic sculptures. He worked two years at the aEURoeCenter of contemporary engravingaEUR in Geneva. Then, he worked in Zurich, where he broadened his pictorial perspective with the painter Friederich Kuhn thru experience of the circle in the face. From 1968 until 1971, he acted at the University of HAPgskolan fAPr design Konsthantwerk in GAPteborg, where he created researches of textile kinetic objects. In 1967, he met at an exhibition in GAPteborgs Konsthall JesAos - Rafael Soto, Carlos Cruz-Diez and Julio Le Parc. Speaking with these artists, he discovered to be fascinated by optical art. He decided to devote all his research to kinetic art. An extended stay in GAPteborg gave him the opportunity to constantly evolve in movement and ...