Landscape Art For Sale

Page 9 of 194
Browse 5610 Landscape artworks for sale. Contemporary artists: Jack Earley, Michael Puya, Lucia Timis, Wayne Wilcox, Micha Nussinov, Youri Messen-jaschin, Richard Lazzara, Tom Irizarry Studio, George Oommen, Paula Durbin offering Landscape artworks. Links to more artworks by these contemporary artists and 194 pages for and further artists at the bottom of this page. To view a work by any of these contemporary artists simply click on the image or browse the artist's portfolio. To buy any Landscape art simply click on the image to go to a more detailed page about this work of art.


Contemporary Art / / Previous / Next
Michael Puya: 'Paysage en France', 2005 Acrylic Painting, Landscape. The contrast of some tones ( red, violet, yellow) is shown here not very good, so better photo on request. Technology: Pointillism. Acryl color on canvas, 70x50 cm, stretched on a wooden frame, ready to hang. The price for this artwork includes the shipping costs and insurance worldwide. ...
Landscape - Painting
27 x 20 inches (68.6 x 50.8 cm)
Lucia Timis: 'Landscape 02', 2000 Oil Painting, Landscape.
Landscape - Painting
25 x 20 inches (63.5 x 50.8 cm)
Lucia Timis: 'Aerial Landscape', 2004 Mixed Media, Landscape.
Landscape - Mixed Media
48 x 36 inches (121.9 x 91.4 cm)
Lucia Timis: 'Forest 02', 2004 Oil Painting, Landscape.
, 2004
Landscape - Painting
30 x 25 inches (76.2 x 63.5 cm)
Lucia Timis: 'Forest 01', 2004 Oil Painting, Landscape.
, 2004
Landscape - Painting
40 x 30 inches (101.6 x 76.2 cm)
Michael Puya: 'Evening Tendency', 2005 Acrylic Painting, Landscape.
Landscape - Painting
27 x 20 inches (68.6 x 50.8 cm)
Wayne Wilcox: 'Delta Evening', 2005 Oil Painting, Landscape. Currently on exhibit at FedexForum Exeuctive Suite Level....
Landscape - Painting
36 x 30 inches (91.4 x 76.2 cm)
Like It   indepth artwork information   Add To Shopping Cart
Wayne Wilcox: 'Watercolor Courtyard', 2005 Oil Painting, Landscape.
Landscape - Painting
18 x 14 inches (45.7 x 35.6 cm)
Wayne Wilcox: 'Tennessee Landscape', 2005 Oil Painting, Landscape.
Landscape - Painting
14 x 11 inches (35.6 x 27.9 cm)
Like It   indepth artwork information   Add To Shopping Cart
Micha Nussinov: 'Light of Darkness 2', 2005 Pastel, Landscape. Pastel on black board. The essence of creating a flow of subtle gradation of color, thus bringing light into darkness....
Landscape - Pastel
1050 x 1240 mm ( x )
Like It   indepth artwork information   Add To Shopping Cart
Youri Messen-jaschin: 'G8 Liberty  II', 2003 Color Photograph, Landscape. (r) 2003. by ProLitteris, Po. Box  CH- 8033 Zurich / (c) 2003 by Youri Messen- Jaschin Switzerland...
Landscape - Photograph
19 x 14 inches (48.3 x 35.6 cm)
Youri Messen-jaschin: 'Sky III', 2004 Color Photograph, Landscape. (r) 2004 by ProLitteris, CH- 8033 Zurich / (c) 2004 by Youri Messen- Jaschin Switzerland...
, 2004
Landscape - Photograph
19 x 14 cm (7.5 x 5.5 inches)
Youri Messen-jaschin: 'Sky I', 2004 Color Photograph, Landscape. (r) 2004 by ProLitteris, Po. Box CH- 8033 Zurich / (c) 2004 by Youri Messen- Jaschin Switzerland...
, 2004
Landscape - Photograph
29 x 21 cm (11.4 x 8.3 inches)
Youri Messen-jaschin: 'Lausanne lumiere d hiver', 2005 Color Photograph, Landscape. (r) 2005 by ProLitteris, Po. Box CH- 8033 Zurich / (c) 2005 by Youri Messen- Jaschin Switzerland...
Landscape - Photograph
14 x 19 cm (5.5 x 7.5 inches)
Richard Lazzara: 'the four gentlemen', 1974 Calligraphy, Landscape. the four gentlemen 1974 by Richard Lazzara is available from the folio - Sumie Door Meditations, along with more fine arts from
Landscape - Calligraphy
18 x 24 inches (45.7 x 61.0 cm)
Like It   indepth artwork information   Add To Shopping Cart
Richard Lazzara: 'loop of space', 1974 Calligraphy, Landscape. loop of space 1974 by Richard Lazzara is available from the folio - Sumie Door Meditations, along with more fine arts from
Landscape - Calligraphy
18 x 24 inches (45.7 x 61.0 cm)
Like It   indepth artwork information   Add To Shopping Cart
Richard Lazzara: 'knowing life this passing dream', 1974 Calligraphy, Landscape. knowing life this passing dream 1974 by Richard Lazzara is available from the folio - Sumie Door Meditations, along with more fine arts from
Landscape - Calligraphy
18 x 24 inches (45.7 x 61.0 cm)
Like It   indepth artwork information   Add To Shopping Cart
Richard Lazzara: 'heaven touches earth', 1974 Calligraphy, Landscape. heaven touches earth 1974 by Richard Lazzara is available from the folio - Sumie Door Meditations, along with more fine arts from
Landscape - Calligraphy
18 x 24 inches (45.7 x 61.0 cm)
Like It   indepth artwork information   Add To Shopping Cart
Tom Irizarry Studio: 'Tower of Babel', 2004 Oil Painting, Landscape. oil on panel, cinnabar, azurite, cremintz white...
Landscape - Painting
9 x 12 inches (22.9 x 30.5 cm)
Like It   indepth artwork information   Add To Shopping Cart
Tom Irizarry Studio: 'Calm Soar', 2004 Oil Painting, Landscape. oil on panel, cinnabar, azurite, cremintz white...
, 2004
Landscape - Painting
9 x 12 inches (22.9 x 30.5 cm)
Like It   indepth artwork information   Add To Shopping Cart
Tom Irizarry Studio: 'Amorous tempest', 2004 Oil Painting, Landscape. oil on panel, cinnabar, azurite, cremintz white...
Landscape - Painting
9 x 12 inches (22.9 x 30.5 cm)
Like It   indepth artwork information   Add To Shopping Cart
Micha Nussinov: 'View from Begg Lane', 1989 Acrylic Painting, Landscape. The view from our veranda. ...
Landscape - Painting
100 x 160 cm (39.4 x 63.0 inches)
Like It   indepth artwork information   Add To Shopping Cart
George Oommen: 'kerala palms at sunset', 2004 Acrylic Painting, Landscape.
Landscape - Painting
36 x 24 inches (91.4 x 61.0 cm)
George Oommen: 'mankotta relections dyptic', 2004 Acrylic Painting, Landscape.
Landscape - Painting
24 x 60 inches (61.0 x 152.4 cm)
George Oommen: 'sunset at mankotta', 2004 Oil Painting, Landscape.
Landscape - Painting
24 x 24 inches (61.0 x 61.0 cm)
Wayne Wilcox: 'Lake Watercolor Morning', 2004 Oil Painting, Landscape.
Landscape - Painting
14 x 18 inches (35.6 x 45.7 cm)
Like It   indepth artwork information   Add To Shopping Cart
Paula Durbin: 'Carolina Waterfall', 2001 Color Photograph, Landscape. Fresson Print.  May be printed in other sizes and processes. ...
Landscape - Photograph
11 x 14 inches (27.9 x 35.6 cm)
Like It   indepth artwork information   Add To Shopping Cart
Paula Durbin: 'Cliffs of Moher', 2000 Color Photograph, Landscape. County Clare, Ireland.  Printed as a Giclee....
Landscape - Photograph
11 x 14 inches (27.9 x 35.6 cm)
Like It   indepth artwork information   Add To Shopping Cart
Paula Durbin: 'Smoky Mountains', 2001 Color Photograph, Landscape. Fresson Print.  May be printed in other sizes and processes. ...
Landscape - Photograph
11 x 14 inches (27.9 x 35.6 cm)
Like It   indepth artwork information   Add To Shopping Cart
Paula Durbin: 'Stonehenge Vertical', 2003 Color Photograph, Landscape. Stonehenge Mysticism abounds.  Print is an Epson Digital.  May be printed in other sizes and processes....
Landscape - Photograph
11 x 14 inches (27.9 x 35.6 cm)
Like It   indepth artwork information   Add To Shopping Cart
(Page 9 of 194) - MORE ARTWORKS
  • MORE »
  • Artists Describing Their Art:

    Jack Earley - After writing for two decades, I was developing an idea that I knew could be better expressed as a painting. So in the mid-eighties I took up full-time a life-time passion: painting. My work is about inner energy; about, first of all, my own energy and internal balance, reinforced through the practice of yoga and tai chi. I sign the inner energy of the subject matter onto the canvas. I work with acrylics on canvas and sumi-e inks on rice paper. I also sculpt using wood, copper and leather. Along with focusing on the inner energy of my subject matter, I am constantly working with an awareness that humans have an ancient need to see form, be it in clouds or in chipped paint on a wall or in waving leaves. The ability to decipher forms is part of our oldest survival skills. Imagine the advantage of being able to quickly spot the approaching bear among the shifting shadows of trees. Imagine the advantage and the thrill. On many canvases, I create forms so the viewer "discovers" them in an uplifting act. Often, I give the paint its head in creating forms, like freeing a captured ...

    Wayne Wilcox - ArtistaEURtms statements have always seemed redundant to me. The work generally speaks for itself. But here goes.. For me itaEURtms about shapes, color and lines interacting and relating to each other. Representational, abstract, non-objective theyaEURtmre all the same. Light against dark, color against color, line intersecting line. IaEUR~m as comfortable with super realism as I am with abstract expressionism. Then, of course, thereaEURtms the medium. I love the paint. I love the act of painting. I love how it flows and how it takes on a direction on itaEURtms own. ItaEURtms like magic. With one stroke something appears before your eyes that wasnaEURtmt there before. An image. An emotion. With each stroke or drip it changes. ItaEURtms an amazing experience. I highly recommend it. And then thereaEURtms image. I am a visual artist. IaEUR~m after strong images, images that evoke a feeling. Starkness, warmth, love, violence, emptiness, beauty, strength. I want the painting or drawing to stand on itaEURtms own. I am a painter. I cannot escape that fact. There have been times IaEUR~ve tried but I always return. ItaEURtms not what I do. ItaEURtm...

    Micha Nussinov - Nussinov's Statement Oct 2012 Drifting, being transient, in between various states of body/mind, like when we travel physically and with our imagination, as in a 'waking dream'. My work represents a world of ambiguity and illusion, of recognized and abstracted scenes embedded as a tapestry of matter, illustrating different relationships. Somewhere in the process of creating artworks these worlds are mixed in an harmonious and conflicting manner, representing the contradiction and collision between languages and landscapes. At all times the viewer is challenged to unfold the mystery, to explore and discover. The works of art are created not through a planned process but rather the starting point is an impulse, a visual or musical trigger. These signals lure the me into the unknown territories where my intuition and inner vision leads to spontaneous discoveries. As a teenager my box camera was an excuse to drift away from trouble, to capture in a photo something, that was at the same time ambiguous and exciting. As a cinematographer/ director of documentaries from1976 to1980 I was acknowledged as an acute observer of people and an highly experimental filmmaker. I have been working in various fields of the arts, consistently for the ...

    Youri Messen-Jaschin - From 1958 - 1962 his artistic studies lead him to the higher national school of fine arts student of Professor Arno Roberto Cami and to the Practical school of the Sorbonne, division of social sciences history of art, Professor Pierre Francastel in Paris. From 1962 until 1965, he went to the School of fine arts in Lausanne. He worked with the engraver and painter Ernest Pizzotti. A<> in 1964 with his kinetic glass and acrylic sculptures. He worked two years at the aEURoeCenter of contemporary engravingaEUR in Geneva. Then, he worked in Zurich, where he broadened his pictorial perspective with the painter Friederich Kuhn thru experience of the circle in the face. From 1968 until 1971, he acted at the University of HAPgskolan fAPr design Konsthantwerk in GAPteborg, where he created researches of textile kinetic objects. In 1967, he met at an exhibition in GAPteborgs Konsthall JesAos - Rafael Soto, Carlos Cruz-Diez and Julio Le Parc. Speaking with these artists, he discovered to be fascinated by optical art. He decided to devote all his research to kinetic art. An extended stay in GAPteborg gave him the opportunity to constantly evolve in movement and ...

    Tom Irizarry Studio - Oil painter with broad knowledge of historic methods and historic colors. My studio is my laboratory. I make all my paint. My work focuses on elements of the earth air and land. What I observe is beyond a pretty sky or nice landscape. It is the notion that our earth and the universe, are imbued with a specific energy. Historically, this energy was described by the Victorian poet Gerard Manley Hopkins as Instress and Inscape, derived from ideas of the medieval philosopher, Duns Scotus. Scotus argued that there is some matter entirely devoid of form. Paintings can vary from 9 x 12 inches to 6 x 8 feet. Viewers describe a profound feeling from the paintings, regardless of the size. Specialties Historic processes for paint making, mediums, grounds, oils, mineral pigments, oil mediums, tempera mediums, non-silver processes cyanotypes and archival digital pigment prints....

    George Oommen - George Oommen: The Image as the key Born in Munnar, Kerala, India, and educated in India, Mexico, and the United States, George Oommen continues to derive artistic inspiration from the lush green landscapes of his homeland. Every winter, Oommen visits Mankotta, a small island in the inland waters of Kerala in southwestern India, ten miles from Oommen's ancestral home. The weeks spent there fuel his painting year round. What follows is a series of questions and answers by Oommen about his work. The conversation took place over a series of days but reflects a lifetime of thinking about the meaning of his art. Q: What is the goal of your art? What inspires and motivates you as an artist? A: My painting is fundamentally about communicating what I see in my mind's eye. While verbal expression is the predominant form of communication, from early childhood, I have had a facility with visual expression. Painting is my vehicle for this. The specific goal of my art changes with each series I embark upon, but the general objective is always to transfer the image in my mind to the canvas There are many sources of inspiration for me--it could ...

    Paula Durbin - Photography has always captured my spirit. It was only natural that my creative "release" be expressed through the same medium. But, because I am a unique spirit, it had to have other levels of creativity - the photo itself just wasn't enough. My first creative approach to photography was the use of the Polaroid transfer technique. My work consisted of subjects that are still close to me: animals and nature. The technique suited me well; it expresses the selected image seen and it allows me to further express its beauty with the softness of the technique. The watercolor paper used brings yet another dimension to the image. A search for the true expression in my photography led me to explore the techniques of the Fresson family of photographers. The Fresson technique, which culminates in the special care given the developmental process and the paper used, presented me the opportunity to express the richness of my photography. My work now moves beyond that 'moment' and presents a depth and richness perhaps not otherwise felt. I am honored to be a part of the Fresson family. There are only a limited number of artists with whom I share this honor. Having gone ...